In 'Stepping into Love,' a conventional art curator must collaborate with an avant-garde artist to create a groundbreaking exhibit, all to save her struggling museum. As she embraces new perspectives, she not only finds a way to rescue her career but also discovers unexpected romance. This heartwarming romantic drama explores the journey of self-discovery and the power of unconventional partnerships.
stepping-into-love romantic-comedy art-museum love-story hindi-film drama collaboration full-movie
#SteppingIntoLove #RomanticMovie #FullMovie #HindiFilm
stepping-into-love romantic-comedy art-museum love-story hindi-film drama collaboration full-movie
#SteppingIntoLove #RomanticMovie #FullMovie #HindiFilm
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PeopleTranscript
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00:00:30Yeah, yeah, yeah
00:00:33Yeah, yeah, yeah
00:00:42Maybe you know the number
00:00:53Maybe you know the name
00:01:00Maybe you hear the thunder
00:01:02We're bringing our game
00:01:06Good morning, Alan
00:01:11Good morning, Claire
00:01:12Good morning, Rocky
00:01:14Oh, let's go, bed job
00:01:17Good boy
00:01:20Bye
00:01:21Yeah, have a good day
00:01:28Claire
00:01:30Good morning, Tony
00:01:31Good morning, Claire
00:01:32Usual order?
00:01:33No, I just want to go
00:01:34Okay
00:01:35Okay
00:01:42How are you today?
00:01:44Very good. And how are you going?
00:01:46Are you busy? Good.
00:01:48Good. You're busy.
00:01:50All right.
00:01:55This is your order.
00:01:57My account.
00:01:58Of course. Thank you.
00:01:59Have a great day. Bye.
00:02:01Do you want anything else, sir?
00:02:03Okay.
00:02:05Good morning, Joan.
00:02:07Good morning, Claire.
00:02:09With almond milk coffee, honey.
00:02:11Oh, thank you.
00:02:13Welcome.
00:02:14How much are you doing?
00:02:16Have a good day.
00:02:17Same to you.
00:02:18Bye.
00:02:27Hi, Claire Aunty.
00:02:28Hi, Emma.
00:02:29Where are you going?
00:02:31Library.
00:02:32I'm taking classes this year.
00:02:33I have to take admission in journalism.
00:02:35Oh, so we have our own journalist.
00:02:38No, I have a lot of interest in human stories.
00:02:40I too.
00:02:41I like it.
00:02:42I like it.
00:02:43I like it.
00:02:44Today, I'll get your mom with coffee.
00:02:45Oh, wow.
00:02:46I like coffee.
00:02:47I like coffee.
00:02:48Yes, absolutely.
00:02:49Especially almond milk and honey.
00:02:51Bye.
00:02:52Bye.
00:02:59Oh, listen.
00:03:00I've marked it here.
00:03:01I'll put it in the same place.
00:03:03Yes, absolutely perfect.
00:03:05This is for you.
00:03:08Welcome.
00:03:09Oh, sorry.
00:03:10I'll go out and drink.
00:03:12Thanks.
00:03:13Thanks.
00:03:16So, how are you feeling?
00:03:17It's very good.
00:03:18It's very good.
00:03:19I don't believe that in some days,
00:03:22this place will become a gallery of masterpieces.
00:03:25And many visitors.
00:03:27Yes, that's right.
00:03:28If the Vialato exhibit wasn't successful,
00:03:31then...
00:03:32Yes, I know.
00:03:33I know.
00:03:34I need to close this museum.
00:03:35No, I'm going to retire.
00:03:36And I'm going to go to black pen.
00:03:38I don't have to worry about that.
00:03:39That show has been successful.
00:03:41I know, Claire,
00:03:44that you applied for me.
00:03:46No, no.
00:03:47I've been talking to the trustees.
00:03:48And if this exhibition has been successful,
00:03:52this job will become really good.
00:03:58I'm listening to this very good.
00:03:59You're also very experienced.
00:04:01But in truth,
00:04:02the attendance and membership will increase?
00:04:05It will increase.
00:04:06It will increase.
00:04:07And we don't need to create a selfie stall museum.
00:04:11But it's a lot of people.
00:04:14No, it's just for two days.
00:04:16Oh, I remember that.
00:04:18Today, I'm going to go to a reception.
00:04:22And I'm not,
00:04:24but I'm going to go to my place.
00:04:27When will I go?
00:04:29In half a minute.
00:04:32Look, there is a reception.
00:04:34And the artist's name is Devon Cole.
00:04:37Devon Cole.
00:04:38Devon Cole.
00:04:39Huh?
00:04:40That's the one who has a pop-up show in San Francisco.
00:04:43Miami.
00:04:44Yes, okay.
00:04:45I feel like I should have a job here.
00:04:47You just go for a while.
00:04:49Please.
00:04:50Just for the name.
00:04:51Okay.
00:04:52Yes, I'm going to go.
00:04:53Thank you, Claire.
00:04:54You're the best.
00:04:55You're welcome.
00:04:56You're the best.
00:04:57You're welcome.
00:04:58You're welcome.
00:04:59Yeah.
00:05:00I'm gonna go.
00:05:01I'm going to go.
00:05:02Yes, sir.
00:05:03Hey.
00:05:04Hey.
00:05:05Hey.
00:05:06Hey.
00:05:07Hey, here.
00:05:08Hey.
00:05:09Hey, where are you from here?
00:05:10Hey, I am going to go.
00:05:11Hey, I'm going to go.
00:05:12Hey, you're having a new message.
00:05:13I'm going to go.
00:05:14Hey, hey.
00:05:15Yeah, it's going.
00:05:16Hey, how are you going?
00:05:17Hey.
00:05:18Hey, how are you on?
00:05:19Hey, I'm going to go.
00:05:20Hey.
00:05:21Hey, I'm going to go.
00:05:22Hey.
00:05:23Hey, дев.
00:05:24Um, excuse me.
00:05:37Sorry.
00:05:38Uh, what do you think?
00:05:41Uh, uh, um, I think there's a lot of ice cubes here, but there are ice cubes here, and...
00:05:49Yes, I heard that I didn't like the critics.
00:05:51That's why people didn't come here.
00:05:54Are you from Miami Museum of Art?
00:05:56Yes, I'm a curator there, I'm a traditional art supporter.
00:05:59Old school art.
00:06:00No, this...
00:06:02Excuse me, sorry.
00:06:03Oh.
00:06:08Wow, okay, so everyone has come here.
00:06:10Goal, goal, popcorn art.
00:06:13I don't know, but probably people will get a new experience.
00:06:16I can't say anything.
00:06:18I think I can make something like modern art.
00:06:20I won't tell Devin Kool about it.
00:06:22Oh, yes, I don't get it.
00:06:24The only thing that makes a painting from the ice cubes, the hands will be heard.
00:06:28That's why I've just come here from my boss.
00:06:32Oh, that's a matter of fact.
00:06:33Yes, I'm thinking, I'll go here quickly.
00:06:36Okay.
00:06:37So, these people...
00:06:40This is our show's flyer.
00:06:42This proves you were here.
00:06:44Thanks.
00:06:45You've used to your name.
00:06:47I'm sorry.
00:06:48Bye.
00:06:48Goal, bye.
00:06:49Bye, bye.
00:06:50For that channel, thanks.
00:07:07The Devin Kool
00:07:07So that was Devon Cole?
00:07:09Yes, and I didn't know. Then I got this one.
00:07:13Oh, very cute.
00:07:15Sydney, I wanted to get her. I became a thief.
00:07:17What do you know? You're flirting with me.
00:07:20What do you need to do with her?
00:07:22You've never had a date of sense of humor.
00:07:25You don't have sense of humor.
00:07:28So tell yourself how many years you've been with this?
00:07:32I haven't done a count, but I've had a few times.
00:07:35You both are the same.
00:07:37They say that you're going to be the same person.
00:07:40So if you both are the same, then how will something new will happen in life?
00:07:44I will frame these lines.
00:07:46I will get something new.
00:07:48Something new has happened to me.
00:07:50After that, you haven't gone to date.
00:07:52It's not my time.
00:07:53My priority is to have a running condition.
00:07:56Have you ever thought that the museum is closed?
00:07:58What would you do?
00:08:00I'm going to be a director of Peter.
00:08:02I'm going to open a pop up museum.
00:08:04Today's generation is very popular.
00:08:06Like Emma.
00:08:07Oh, today I met Emma.
00:08:09She's very serious about journalism.
00:08:11My daughter is working very hard.
00:08:13Today we work for her.
00:08:14Good.
00:08:15Because I need a job.
00:08:17Oh, sorry.
00:08:19What's going on?
00:08:20What's going on?
00:08:21What's going on?
00:08:22Um...
00:08:25This is Peter's message.
00:08:27He's saying that it's an urgent work.
00:08:28So I'll have to go.
00:08:29Okay.
00:08:32Okay, I'll meet you later.
00:08:33Good luck.
00:08:34Bye.
00:08:35You too.
00:08:36You too.
00:08:37You too.
00:08:38You too.
00:08:39You too.
00:08:40You too.
00:08:41You too.
00:08:42I'm gonna be a girl.
00:08:43You too.
00:08:44You too.
00:08:45I'm gonna be a girl.
00:08:46Oh, so the Violet Exhibit is cancelled.
00:08:49Oh!
00:08:50It seems that there is some pain in the exhibit.
00:08:53That's why it will be sent to these paintings for inspection.
00:08:57And if it's authentic, then...
00:08:59It will take a few weeks.
00:09:00Exactly!
00:09:01That's why they have given us time,
00:09:03so that we can find some replacements.
00:09:06Two weeks, there is no replacement exhibit.
00:09:09I think it's impossible.
00:09:11Claire, you have done impossible.
00:09:15You have a great responsibility.
00:09:18Oh!
00:09:19Okay.
00:09:20I will do it.
00:09:23For you.
00:09:25Don't worry.
00:09:26Okay.
00:09:27No, I'm just telling you,
00:09:29if you are sitting here,
00:09:30you will feel good.
00:09:31You have a house in Miami.
00:09:33No, Miami was my house.
00:09:34Where I got my work,
00:09:35that's my house.
00:09:36Okay.
00:09:37Devin, Devin.
00:09:38Devin,
00:09:39Devin,
00:09:40I'm just telling you,
00:09:41if you are sitting here,
00:09:42if you are sitting here,
00:09:43you will feel good.
00:09:44Miami is my house.
00:09:45No, Miami was my house.
00:09:47Where I got my work,
00:09:48that's my house.
00:09:49Okay.
00:09:50Devin, Devin,
00:09:51I'm not going to be a lot of love life.
00:09:53Oh!
00:09:54Who is love life?
00:09:55Exactly!
00:09:56Exactly.
00:09:57What's her name?
00:09:59Vanessa?
00:10:00She said,
00:10:01she wants a girl
00:10:02to express her emotions.
00:10:04She said,
00:10:05Katie,
00:10:06she also said,
00:10:07Vanessa,
00:10:08and Rachel,
00:10:09who was before her.
00:10:10Do you see her pattern?
00:10:11Yes, I understand.
00:10:12Look,
00:10:13I will meet a girl
00:10:14and I will tell you about her.
00:10:16New York project
00:10:17will be more likely.
00:10:18I mean,
00:10:19if you got a New York commission,
00:10:20you should probably
00:10:21go.
00:10:22I will tell you about her.
00:10:23Okay,
00:10:24listen,
00:10:25you can find me for a job.
00:10:26I'm trying to do it.
00:10:27Do you know when she comes?
00:10:29You know who you are in Miami Museum of Art?
00:10:31Yes,
00:10:32I met her at the receptionist.
00:10:33Yes,
00:10:34I met her at the receptionist.
00:10:35Yes,
00:10:36she said,
00:10:37she said,
00:10:38she said,
00:10:39she said,
00:10:40she said,
00:10:41she said,
00:10:42she didn't know who I am.
00:10:43She knows,
00:10:44she wants to meet.
00:10:45When?
00:10:46Last morning.
00:10:47Last morning,
00:10:48she will have breakfast with my parents.
00:10:50But yes,
00:10:51she could have to,
00:10:52you should have to wait.
00:10:53After all the trip is good.
00:10:54What is she doing?
00:10:55Remember,
00:10:56when is she doing it?
00:10:57The shit is good.
00:10:58The information is good.
00:10:59But that me tells you,
00:11:00your parents,
00:11:01the actual family is raining ashore.
00:11:04Yes,
00:11:05but that's not an attendee.
00:11:10A OUR R.
00:11:13Hi, Rick. How are you doing?
00:11:18I'm fine. You're not coming here, right?
00:11:20She was here. I'm here. I'm coming.
00:11:24Nicole, how are you?
00:11:26She's in Santa Cruz.
00:11:28California?
00:11:30Bolivia. She's working on an alpha ranch.
00:11:33Wow. You're not with her?
00:11:35She said she needs adventure. She got a adventure there.
00:11:40Oh, I'm sorry. This is...
00:11:42Okay. What happened?
00:11:43What means what happened?
00:11:44Chocolate. Chocolate chip.
00:11:46You're not eating always. What happened?
00:11:48I know everything. I'm listening to you.
00:11:53So, the one that I was working on these days has been canceled.
00:12:00Oh, jeez.
00:12:01If I haven't found a replacement exhibit, all of my and all of my museum's work will be gone.
00:12:06Okay. There's something else that can happen. Tell me, tell me.
00:12:09Now, you have a time to see your dreams.
00:12:11You've got a time to see your dreams.
00:12:12You can learn new things.
00:12:13You can learn new things.
00:12:14You can learn new things.
00:12:15You can learn new things.
00:12:16You can learn new things.
00:12:17Do you know what's important to me?
00:12:18Claire, what is important to me is, that is also important to me.
00:12:20Yes, but now, the replacement to my replacement is important.
00:12:24Right, of course. Now, I think it's important to find new things.
00:12:25It's important to find new things.
00:12:26Right, of course. Now.
00:12:27Yes.
00:12:28Well, it's good luck.
00:12:29Thanks.
00:12:34Bye.
00:12:35Bye.
00:12:36Bye.
00:12:37Bye.
00:12:39Bye.
00:12:42Bye.
00:12:45Bye.
00:12:52Bye.
00:12:55Bye.
00:12:56Okay, wow.
00:12:59You should go to art school too.
00:13:01Oh, there's only one artist in a family.
00:13:03Nothing like that. This is very good.
00:13:05Thanks.
00:13:06So, how many days are you going to Miami?
00:13:09For a few weeks. I'm waiting for a big project for a big project.
00:13:12That's right. I've been listening to a Miami Gallery of Art.
00:13:14I'm going to keep an artist in Miami.
00:13:18Okay, Mom. I'm sorry. I won't stop for breakfast.
00:13:21No problem.
00:13:22So, you're going to meet in the Miami Music of Fine Arts?
00:13:26Yes, at this time and...
00:13:27Hello, Devin.
00:13:29Oh, Dad.
00:13:32How's everything going on in the bank?
00:13:34Well, we've opened the third branch in Boka.
00:13:36As I always say, if you want a steady job,
00:13:40then you should work in the banking sector.
00:13:42So, Devin said that...
00:13:44I said that my important meeting is my first meeting,
00:13:46so I won't stop for breakfast, Dad.
00:13:48I'll meet you again, Mom.
00:13:50You're very good, son.
00:13:52Dad.
00:14:05Peter, listen.
00:14:06You know, I've been doing impossible work.
00:14:08Claire, Ben!
00:14:09I've been released a few new contacts.
00:14:10I've talked about Chopra's collection.
00:14:12It's going to be a unique exhibition in Miami.
00:14:14Very good.
00:14:15But where are you going to be?
00:14:18In that gallery, where Violetto was going to be.
00:14:20What a matter of fact.
00:14:21I've also found a replacement place.
00:14:23Did you get a replacement place?
00:14:25Yes, I was going to tell you, but I didn't have time for this.
00:14:29Okay.
00:14:30Actually, I got this idea from you,
00:14:32when you left the flyer on the table yesterday.
00:14:36Oh, no.
00:14:38I was going to see you again.
00:14:39Look, this artist is a little new one.
00:14:41But we need to work a little bit.
00:14:43No.
00:14:44No, no, no, no, no.
00:14:45I think we're going to find another place.
00:14:48This?
00:14:49Wow.
00:14:49Wow.
00:14:50Hi.
00:14:51Wow.
00:14:52Hi.
00:14:52Oh, so do you know one another?
00:14:55No.
00:14:56Yes.
00:14:57What?
00:14:57We met both in the reception yesterday.
00:14:59So you've seen one another?
00:15:00Yes, absolutely.
00:15:01This is my very big fan, right?
00:15:02Great.
00:15:03I think you both will be a great team.
00:15:04Because they are very different, right?
00:15:07Great.
00:15:08I think you both will be a great team.
00:15:11Because you both are different.
00:15:16So, you're conventional and...
00:15:18Not bad.
00:15:20Outside the box.
00:15:22Yes, absolutely.
00:15:23Claire, I want you to give it a 110% time
00:15:28so that Devin's exhibition can be successful.
00:15:32The future of the museum is also preserved.
00:15:34It's okay.
00:15:36Claire, why don't you show Devin our collection?
00:15:40Great idea.
00:15:41You have time, right?
00:15:43Yes, I have. If you have Claire.
00:15:45Yes, I have 110% of time.
00:15:47And I'll do it.
00:15:49Okay, so let's start?
00:15:51Yes, thank you, Peter.
00:15:53Thank you, Peter.
00:15:54Where do we go?
00:15:55Come here, sir.
00:15:56Okay.
00:15:58Okay.
00:15:59So this is the one.
00:16:01So this is our pleasure
00:16:05that we've got some paintings of the Columbia artist Hermes Barrio here.
00:16:11You can see how they use color and texture.
00:16:16This is Kamal.
00:16:17Oh, wait.
00:16:18Sorry.
00:16:21Let's go this way.
00:16:22Okay.
00:16:23This is their most famous painting.
00:16:26They know how to present a day.
00:16:29Sorry.
00:16:30What happened?
00:16:31There's no food allowed.
00:16:32Oh.
00:16:33But this is a chocolate bar.
00:16:34I have my breakfast today, so...
00:16:36Sorry.
00:16:37But this is a rule.
00:16:39Exceptions?
00:16:40No.
00:16:41No.
00:16:42I'll do this for any artist.
00:16:43I'll do this again.
00:16:44Come on.
00:16:45Let's go.
00:16:46Let's go.
00:16:47And this way.
00:16:48There's no doubt from the food.
00:16:50Okay.
00:16:51So this is...
00:16:54This is one of their famous pieces.
00:16:56You said it without allowed.
00:16:58What?
00:16:59What?
00:17:00What?
00:17:01What?
00:17:02What?
00:17:03What?
00:17:04What?
00:17:05What?
00:17:06What?
00:17:07What?
00:17:08What?
00:17:09What?
00:17:10What?
00:17:11What?
00:17:12What?
00:17:13What?
00:17:14What?
00:17:15What?
00:17:16What?
00:17:17What?
00:17:18What?
00:17:19What?
00:17:20What?
00:17:21What?
00:17:22What?
00:17:23What?
00:17:24What?
00:17:25What?
00:17:26What?
00:17:27Okay, you mean that the colourful ice cubes were connected, right?
00:17:30I don't know how many people were there.
00:17:32Did you remember this?
00:17:33What's your idea about this record breaking exhibit,
00:17:36which we hired you for?
00:17:37First of all, I'll tell you.
00:17:40I mean, you don't have any idea.
00:17:42When there's an idea, I'll tell you.
00:17:44What's so fast?
00:17:46Okay, so at this point, you don't have one idea.
00:17:50At this point, I think it's going to be two weeks.
00:17:53Yes, absolutely.
00:17:55You said this one thing right.
00:18:00Sydney, that's absolutely a disaster.
00:18:02There's a chance to do.
00:18:03There's no idea for the exhibit.
00:18:05I've asked him what he said to me.
00:18:08I thought that when there's an idea, I'll tell you.
00:18:12I saw it.
00:18:13Where was his sense of humor?
00:18:15Okay, now don't compare with Rick.
00:18:17I'll tell you that he got me this night last night.
00:18:21In the truth?
00:18:22Yes.
00:18:23I think that he wants to come back in my life.
00:18:26What happened to his new girlfriend?
00:18:27Oh, he went to Bolivia for adventure.
00:18:31Where I'm going, I'll go.
00:18:33But you won't go back with him.
00:18:35Who are you going back with him?
00:18:37Hi, Troy, no one.
00:18:39I'm not going back with him.
00:18:42Rick.
00:18:43Rick?
00:18:44All right.
00:18:46Listen, I'm a generalist.
00:18:48I can read people.
00:18:50You and Rick are like one.
00:18:52Exactly.
00:18:53Yes, how many of you are like one?
00:18:56Yes, absolutely the opposite.
00:18:58He's an introvert.
00:19:00And he's an extrovert.
00:19:01He plans these things.
00:19:02And he likes to do things directly.
00:19:04He's an extrovert.
00:19:05I can't say anything else.
00:19:06We have to complete one another.
00:19:11Okay, listen.
00:19:12Yesterday, we're running an article.
00:19:14Who is the new artist you commissioned?
00:19:16Oh, Dev and Cole.
00:19:18He's local, right?
00:19:19He's very cute.
00:19:20And his sense of humor is also very good.
00:19:22Yeah, I feel like it's totally yours.
00:19:26Ah, listen.
00:19:27Emma, come here.
00:19:27She wants to ask her something.
00:19:29Hi, Aunty Claire.
00:19:31Hi, Emma.
00:19:33I have to take someone's interview for my class.
00:19:37So I thought, why don't I have to take a museum curator?
00:19:41Oh, this will be my honor.
00:19:45I'll go to your house tomorrow, after your office?
00:19:47Yes, absolutely.
00:19:49Thank you, Aunty.
00:19:50Bye.
00:19:51Bye.
00:19:53You've done his work.
00:19:54Ah, this is a good thing,
00:19:56that he's going on his way to his dad's steps.
00:19:58It's a little bit of time,
00:19:59but it's good for each other.
00:20:01There's something common to each other.
00:20:02Look, I'll tell you that don't judge him so quickly.
00:20:05It's possible that there will also be something common to you.
00:20:08Yes, now there's one thing common to each other.
00:20:11That's the exhibit, which is for two weeks.
00:20:13I feel like this is the best time for you.
00:20:17Siddhi, I was also thinking about this.
00:20:22But now I don't want to do the work.
00:20:24I don't want to do the work.
00:20:26You can't remove it, Devin.
00:20:27You sent a contract.
00:20:27Because I didn't know that I will work with that rule follower.
00:20:32I don't know that I love rules.
00:20:34I don't want to do the work.
00:20:36I don't want to do the work in your life.
00:20:39Rules are working for you,
00:20:40which are working in the office.
00:20:41They are working in the 8 o'clock.
00:20:46Is something wrong?
00:20:48That's the rule follower girl.
00:20:49I want to meet you in the morning.
00:20:518 o'clock.
00:20:52I feel like you will become my friend of the office.
00:20:57Cheers.
00:20:57Yes, thank you so much, Jake.
00:21:00Devin, do you know how much time it's been?
00:21:17It's been time for drinking coffee.
00:21:20No, we'll get coffee at a cafe.
00:21:22After a presentation.
00:21:23Presentation.
00:21:24I thought you know all these goals about the museum.
00:21:28So that you have a little idea of your mind.
00:21:32I'm so sorry.
00:21:33This morning-a-day-day-day-day-day-day-day-day-day-day-day-day-day.
00:21:34I don't think I'm so sorry.
00:21:35My mind doesn't move.
00:21:36Okay, so.
00:21:36The first time it was opened in 1886 museum.
00:21:40After that, this was 1912.
00:21:42Oh, after that, in 1912, this is...
00:21:44I'm listening to you.
00:21:45Let's talk. Let's talk.
00:21:47What are you doing?
00:21:48I don't want to see it. I'm taking a look.
00:21:50No, I want to see it.
00:21:52Claire! Claire!
00:21:53Yeah?
00:21:54Victor Mendez is here.
00:21:57That is the trustee who has funded Violet exhibit?
00:22:00Yes.
00:22:01Before that, he wants to know something about Devin's exhibition.
00:22:07Is this beautiful?
00:22:09Yes, it seems.
00:22:11Well, take it, take it.
00:22:13Mr. Mendez will come too soon.
00:22:15Hurry up.
00:22:16Okay.
00:22:18Hey, Devin.
00:22:20Devin!
00:22:41I want to see you.
00:22:42I want to see you.
00:22:43Hi.
00:22:44Hi.
00:22:45Hi.
00:22:46Peter, we are looking at popcorn movies.
00:22:48There is no benefit in the exhibit.
00:22:49I want to meet you.
00:22:50Hi.
00:22:51I want to see you again.
00:22:52Hi.
00:22:53I want to see you again.
00:22:54I want to see you again, Mr. Mendez.
00:22:55So, uh...
00:22:56Where is Devin Cole?
00:22:58Where is Devin Cole?
00:22:59Yes, Claire.
00:23:00Where is Devin?
00:23:01Tell me quickly.
00:23:02Oh, that...
00:23:03Uh...
00:23:04Uh...
00:23:05Uh...
00:23:06Huh?
00:23:07He is in the middle of it.
00:23:08Now he is here.
00:23:09For the fact, we have discussed the idea of the exhibit yesterday.
00:23:12It was very late.
00:23:13So, uh...
00:23:15I want to know ideas.
00:23:17So, uh...
00:23:18You and Devin, come to my house at lunch and tell me all the ideas.
00:23:22Yeah, absolutely.
00:23:23Why not?
00:23:25Great.
00:23:26So, I meet Devin and you later.
00:23:27Okay?
00:23:28Yes.
00:23:29Peter?
00:23:30Let's go.
00:23:31So, uh...
00:23:32You have to do a job later.
00:23:33Oh, Mr. Jing.
00:23:43What?
00:23:44In truth?
00:23:46I missed something.
00:23:47What?
00:23:48What?
00:23:49You killed me?
00:23:50Wow!
00:23:51You think you can sleep in the meeting.
00:23:52What?
00:23:53Can you buy coffee for me?
00:23:55I'll take you.
00:24:03Claire, I've already said sorry.
00:24:04Right?
00:24:05Sorry.
00:24:06You're late.
00:24:07You're late at the meeting.
00:24:08They're also our big donors.
00:24:09What is this?
00:24:10What?
00:24:11Who does the presentation show?
00:24:12That's even without coffee.
00:24:13Okay.
00:24:14Maybe you don't know.
00:24:15But Mr. Mendez's exhibit is important.
00:24:16Without them, you won't have a payment.
00:24:18Okay.
00:24:19Claire, I'm not doing this.
00:24:20I'd like to cancel the contract.
00:24:22I'd like to do it.
00:24:23I'd like to do it.
00:24:24I'd like to do it.
00:24:25But in the sunshine times,
00:24:26we've got a hiring announcement.
00:24:29So, we're doing a job.
00:24:31We're going to my house.
00:24:32We're going to my car.
00:24:33We're going to Mr. Mendez's house.
00:24:34Okay?
00:24:35We're going to go there.
00:24:36We'll tell you ideas.
00:24:37Yeah, absolutely.
00:24:38That's my mind.
00:24:39I don't feel like this.
00:24:55Oh, this is so beautiful.
00:24:56Oh, thank you.
00:24:58You made it?
00:24:59No.
00:25:00I'm going to change your sandals.
00:25:02Just come here.
00:25:03Okay?
00:25:04Okay.
00:25:05Okay.
00:25:06Okay.
00:25:07Okay.
00:25:08Okay.
00:25:09Okay.
00:25:13Good.
00:25:14Bye.
00:25:15Goodbye.
00:25:16Bye.
00:25:17I'm so happy to have you a party.
00:25:18Bye.
00:25:19No, please.
00:25:20Bye.
00:25:31Bye.
00:25:32Bye.
00:25:33Bye.
00:25:34Do you have any shoes?
00:25:38Just don't sleep.
00:25:40Let's go.
00:25:41Of course.
00:26:04Let's go.
00:26:06Let's go.
00:26:30Okay.
00:26:32This house is very beautiful.
00:26:34Yes.
00:26:35That's right.
00:26:36The biggest hedge fund in South Florida.
00:26:47Hello.
00:26:48Welcome.
00:26:50Hi.
00:26:51How are you?
00:26:52I'm fine.
00:26:55Wow.
00:27:00Amazing.
00:27:01I'm fine.
00:27:02I'm fine.
00:27:03Yes.
00:27:07What are you doing?
00:27:08You don't feel good at their hands.
00:27:10It doesn't look good.
00:27:11Claire.
00:27:12Devon.
00:27:13Welcome.
00:27:14I'm fine.
00:27:15I'm fine.
00:27:16I'm fine.
00:27:17I'm fine.
00:27:18You've seen this?
00:27:19I'm fine.
00:27:20Please.
00:27:21Claire.
00:27:22Hi.
00:27:23Hi.
00:27:24I'm fine.
00:27:25I'm fine.
00:27:26I'm fine.
00:27:27I'm fine.
00:27:28Claire.
00:27:29Hi.
00:27:30I'm fine.
00:27:31I'm fine.
00:27:32I'm fine.
00:27:33I'm fine.
00:27:34I'm fine.
00:27:35I'm fine.
00:27:36William has been working at the 17th century.
00:27:37Over 10th century�assers.
00:27:38let me know.
00:27:40She's better than my friends.
00:27:42No.
00:27:43do you know
00:27:44your mom's lady revise the firstVER.
00:27:45Surrounded her on the控 Luan.
00:27:4623rd Center in French.
00:27:47ah
00:27:49take the preparers on,
00:27:51alsrewed on the love and away,
00:27:52although she spends with her.
00:27:53I don't know.
00:27:54Exactly.
00:27:55I'm fine.
00:27:56Vert in any Aleph.
00:28:00The modest days,
00:28:01South and fromabetesısı.
00:28:01It's all very delicious.
00:28:05The dish is from Kamal.
00:28:07This is my mom's recipe.
00:28:09I know that she had 16 hours of work done.
00:28:12And then she made it for me.
00:28:14Wow, the mom's was from Kamal.
00:28:17Yes, exactly.
00:28:19So, Devon,
00:28:22I have seen your work.
00:28:25And I will tell you that it's my taste compared to experimental hole.
00:28:28Okay.
00:28:29So, Devon,
00:28:31I would like to make an exhibit
00:28:33that will attract today's generation.
00:28:35The smart phone culture.
00:28:40So, Devon,
00:28:42tell me,
00:28:44what is your plan for our museum?
00:28:49Oh, um...
00:28:51I haven't thought about this.
00:28:55Oh, okay.
00:28:57It means that you are talking about minimalism.
00:29:03If you are honest with me,
00:29:05there is no idea for this moment.
00:29:09Okay.
00:29:10Okay.
00:29:11Okay.
00:29:12I understand.
00:29:13I understand.
00:29:14Okay.
00:29:15I understand.
00:29:16I understand.
00:29:17You don't want to share your ideas with me,
00:29:20because I'm going to interfere with the creative process.
00:29:22Actually.
00:29:23Actually.
00:29:24Yes.
00:29:25This is the thing.
00:29:26Okay.
00:29:27I understand.
00:29:28I understand.
00:29:29I understand.
00:29:30You don't want to share your ideas with me,
00:29:32because I'm going to interfere with the creative process.
00:29:34Actually.
00:29:35Actually.
00:29:36Yes.
00:29:37Okay.
00:29:38I understand.
00:29:39But Devon has told me that all ideas are locked in his mind, right?
00:29:43Yes.
00:29:44Yes.
00:29:45Yes.
00:29:46Yes.
00:29:47Yes.
00:29:48Yes.
00:29:49Yes.
00:29:50Therefore,
00:29:52there is a tentative support for the exhibit.
00:29:55Can I 12 pass?
00:29:56Yes.
00:29:57It is very tasty.
00:30:02Your author has stumped you to stop being blocked into the existing theories.
00:30:03Do you push all things?
00:30:04I'm thinking well.
00:30:06Just wisdom that I'm saying truth.
00:30:08Okay.
00:30:09Now listen.
00:30:10Everybody is iş I know about what is the project.
00:30:13I understand.
00:30:14Peter has known it.
00:30:15There are no subtle switched parts.
00:30:16Good stuff.
00:30:17The same Same side also.
00:30:18Oh, you're okay, right?
00:30:20Yes.
00:30:22Listen, Claire, the difference is,
00:30:24but you don't know anything about the creative process.
00:30:26Okay, I mean I'm not an artist,
00:30:28but I understand the creative process
00:30:30so please don't judge me,
00:30:32until you don't wear my shoes.
00:30:34What did you say again?
00:30:36I said I mean I'm not an artist.
00:30:38No, no.
00:30:40Don't judge me until you don't wear my shoes.
00:30:42Yes, I heard that.
00:30:44What happened?
00:30:46Okay, so this is perfect.
00:30:48What is it?
00:30:50For the exhibit.
00:30:52One minute, here on the beach?
00:30:54No, no, no, no.
00:30:56We have a gallery here, Devon.
00:30:58That is in the museum.
00:31:00Tell me, what are you seeing here?
00:31:02There are palm trees here.
00:31:04No, no, no, no.
00:31:06What are you seeing here?
00:31:08There are palm trees here.
00:31:10No, no, no.
00:31:12What are you seeing here?
00:31:14There are palm trees.
00:31:16There are palm trees on their head.
00:31:18Do you understand?
00:31:19Really?
00:31:20Look at your attention.
00:31:22What are you seeing here?
00:31:26Yes, yes.
00:31:28And these are giants.
00:31:30And they have a costume in the party.
00:31:32Okay.
00:31:33But they are a little bad.
00:31:34And why?
00:31:35Why?
00:31:36Because they are wearing one of the parties.
00:31:38Okay.
00:31:39You are so funny.
00:31:41Can I tell you what you are seeing?
00:31:43Tell me.
00:31:44Shoes.
00:31:45Shoes.
00:31:46Shoes.
00:31:47Shoes.
00:31:48Shoes.
00:31:49Shoes.
00:31:50Shoes.
00:31:51Because it is from this tree to this tree.
00:31:53There are visitors here.
00:31:54Shoes are wearing.
00:31:55Shoes are wearing.
00:31:56They are wearing.
00:31:57They are wearing.
00:31:58They are wearing.
00:31:59shoes.
00:32:00They are wearing.
00:32:01They are wearing.
00:32:02They have played a headphone.
00:32:04They have got a set of music.
00:32:05They are wearing.
00:32:06And they are wearing.
00:32:07In this world,
00:32:08they are wearing their dreams.
00:32:09They are wearing their dreams.
00:32:14So.
00:32:15Okay, I'll show you.
00:32:17Give me your sandals.
00:32:19What?
00:32:21Give me your sandals.
00:32:23No, no.
00:32:25Claire, give me a chance.
00:32:27Okay.
00:32:29What are you doing?
00:32:31What are you doing?
00:32:33You're wearing a lot of small shoes.
00:32:35Yes, but for your shoes,
00:32:37you don't look good at me.
00:32:39What are you doing here?
00:32:41The heels are broken,
00:32:43but it doesn't look good.
00:32:45There are a lot of people here.
00:32:47Okay, let's see.
00:32:48I think I'm listening to you.
00:32:50Which story?
00:32:51No story.
00:32:52Your dream job?
00:32:53I thought that when Peter is retired,
00:32:55I'm going to become director.
00:32:57Okay.
00:32:58I'm going to start an art appreciation program.
00:33:01I want to give them an inspiration for art.
00:33:03I'm thinking about my new journalism.
00:33:05There's something new about it.
00:33:07Okay, but I don't think people will wear the new shoes.
00:33:10Claire, these shoes aren't about it.
00:33:12You want people to be connected,
00:33:14but no one will be connected with the idalian painting.
00:33:15There will be nothing.
00:33:16All the women are connected with it.
00:33:17And those who don't happen,
00:33:18they will do it with their dreams.
00:33:19They will do it with their dreams
00:33:20and their heartbreak.
00:33:21There's a chance to see the world from someone else's eyes.
00:33:22They are connected with it.
00:33:23And those who don't happen,
00:33:24they will do it with their dreams
00:33:26and their dreams
00:33:27and their heartbreak.
00:33:28There's a chance to see the world from someone else's eyes.
00:33:31There's a chance to see the world from someone else's eyes.
00:33:34What?
00:33:35I'm going to go a little far away from the shoes.
00:33:42Let's go. Let's work.
00:33:44How do I have to get approval from the picture?
00:33:47And then I'll make a proposal.
00:33:49Let's go with me.
00:33:57What do you want to do in the truth?
00:33:59If you do a little exercise, then your mind will be clear.
00:34:02And you'll understand my shoes.
00:34:04I think this is risky.
00:34:05In truth?
00:34:06Yes.
00:34:06Yes, it is risky.
00:34:08Okay.
00:34:08Okay.
00:34:09Okay.
00:34:10Okay, let's go.
00:34:11Ooh.
00:34:34Thanks.
00:35:00Tell me about your story.
00:35:02Oh.
00:35:03I was very interested in studying.
00:35:06We used earphones and audio books.
00:35:13You would hear that.
00:35:15What do you think?
00:35:18Do you want to settle for Miami?
00:35:20Yes, probably.
00:35:21I would like to settle something.
00:35:24So New York is the next stop, right?
00:35:26Yes, I think.
00:35:28That's the center of the art world.
00:35:29Yes, I know.
00:35:31Yes, but my family will be far away.
00:35:33Are your family coming?
00:35:35My daughter's family.
00:35:36My mom has retired and she's in Costa Rica.
00:35:39So no husband, boyfriend or girlfriend?
00:35:42No.
00:35:43No.
00:35:44It was a long relationship with a girl.
00:35:48I also had a relationship with a girl.
00:35:50I also had a relationship with a girl.
00:35:52I think there's a lot of common between us.
00:35:55No.
00:35:56We've had a skating together.
00:35:58That's why it feels like it.
00:35:59No.
00:36:00You said yes?
00:36:01No.
00:36:02Why would I say yes?
00:36:04I thought you said yes.
00:36:06It's possible.
00:36:07It's possible.
00:36:08It's possible.
00:36:09It's possible.
00:36:10Yes, I can understand.
00:36:11It's possible.
00:36:12Let's go race.
00:36:13You know that I can't race.
00:36:14If I win, I will say yes.
00:36:16Okay.
00:36:17It's possible.
00:36:18It's possible.
00:36:19It's possible.
00:36:20It's possible.
00:36:21I know that you're going to be sure.
00:36:22It'll be possible.
00:36:23You can't think too much.
00:36:24I'll see.
00:36:25I'll see.
00:36:26It's possible.
00:36:27You won't even have to find a time in 2 weeks.
00:36:28I'll have to take my shoes.
00:36:30I'll take my shoes.
00:36:32Devon.
00:36:33Tell me.
00:36:34Please tell me, do you think that this idea will be a hit?
00:36:36Yes, absolutely.
00:36:37You're not saying that it would be good for me?
00:36:40Yes, that's right.
00:36:41Look Claire, if ice cubes and popcorn are art, why wouldn't the shoes happen?
00:36:47So, do you think that this idea will be famous as popcorn?
00:36:50Yes, but the people will not get popcorn in the theater.
00:36:53The smell of shoes will get.
00:36:56Oh, sorry.
00:37:02Just one minute.
00:37:03Sure.
00:37:05Rick, hi.
00:37:07Oh, um...
00:37:09No, I don't want to start a new exhibit tomorrow.
00:37:14Yes.
00:37:15Yes, I got a replacement.
00:37:18Shoes.
00:37:20No, this shoes is a museum.
00:37:23No, I'll explain to you later.
00:37:25But now I'll have to go.
00:37:27I'll see you later, okay?
00:37:28Okay, bye.
00:37:30Um, sorry.
00:37:32So, can you start tomorrow morning?
00:37:34Sure.
00:37:35So, it's 8 o'clock.
00:37:36Oh.
00:37:36Okay, my house is 8 o'clock.
00:37:38Then we'll go to 7 o'clock.
00:37:40Okay?
00:37:41Okay.
00:37:42No, don't forget the shoes.
00:37:43Because we have to start two weeks.
00:37:44Yes, two weeks.
00:37:45Two weeks.
00:37:46Two weeks.
00:37:47I'll see you later.
00:37:48I'll see you later.
00:37:49I'll see you later.
00:37:50I'll see you later.
00:37:51I'll see you later.
00:37:52I'll see you later.
00:37:53I'll see you later.
00:37:54I'll see you later.
00:37:56Bye.
00:37:57I am proud of you, mom.
00:37:58Me too.
00:37:59And I feel proud of you.
00:38:01We are both proud of you.
00:38:04Devin, I didn't know that you are waiting for dinner.
00:38:08Are you waiting for dinner?
00:38:10I'm thinking about it, but I'll do it next time.
00:38:14Devin has hired Miami Music of Art.
00:38:17Oh.
00:38:18What job for?
00:38:20A shoe museum is built on Barley Beach.
00:38:23A shoe museum?
00:38:25You know, Popcorns, where are you?
00:38:28I'm going to be a whole day.
00:38:30If you want, you can see my work.
00:38:36I'll be in a meeting tomorrow at the bank.
00:38:40If you don't have dinner for dinner,
00:38:42I'm going to finish my work.
00:38:45No issues.
00:38:48I've tried to...
00:38:50You know, these are the same.
00:38:53I'll talk about it.
00:38:55I'll talk about it.
00:38:56No difference is going to be.
00:38:58I think it's going to be.
00:39:00I think it's going to be.
00:39:02It's really good.
00:39:25It may seem that I am not an artist, but this is to decide what to show, what to choose, and what the whole experience of the feel, what the look will be, this is your own artistic work.
00:39:39Oh, your mom.
00:39:42One last question.
00:39:43Yes, ask.
00:39:44What is the best part of the curator?
00:39:44What is the best part of the curator?
00:39:50I feel a good surprise.
00:39:51Sometimes it's like a dark painting shows its bright personality, so as a curator, I don't judge anyone.
00:40:01Thank you, auntie.
00:40:02I enjoyed talking about it.
00:40:03Thank you, Emma.
00:40:05Actually, I have to ask another question.
00:40:08What do I want to take another one?
00:40:12For the road.
00:40:13Thanks, mom.
00:40:15Bye.
00:40:16Bye.
00:40:17So, how are you doing?
00:40:18Oh, this is a very professional.
00:40:19Yes, this is what I know.
00:40:22So, are you ready for tomorrow?
00:40:24Oh, that will happen.
00:40:26Because the future of the museum is a shoe museum.
00:40:29Yes.
00:40:32And Devin?
00:40:34He will come tomorrow at 8 o'clock, but when he will come, he will be sure.
00:40:38But you were saying that you shouldn't judge so quickly.
00:40:41You shouldn't judge him.
00:40:42Hmm.
00:40:43Okay.
00:40:44I'm not judging him.
00:40:45As I said, I like surprises.
00:40:47Oh, yes.
00:40:48You and my husband.
00:40:50Thank you so much for that.
00:40:52Yes, absolutely.
00:40:53Now sleep with you.
00:40:56Good night.
00:40:57See you.
00:41:00Time for R.A.
00:41:23Thanks for your time.
00:41:24Did you wear track shoes?
00:41:25Yes, I did.
00:41:26Very nice.
00:41:27Now go.
00:41:28Let's drink some coffee after that.
00:41:30Yes, I just wanted to think about the beach.
00:41:33Yes.
00:41:38Good morning, Alan.
00:41:39Morning, Claire.
00:41:40Good morning, Rocky.
00:41:42Sit down.
00:41:44Your treat line.
00:41:46Sit down.
00:41:49Good.
00:41:51Bye.
00:41:52You carry all these in the purse, right?
00:41:55No, just for Rocky.
00:41:58I've been going for the past seven years.
00:42:01Okay.
00:42:02This is really good.
00:42:03Okay.
00:42:04Thanks.
00:42:05Have a great day.
00:42:08Claire.
00:42:09Hi, good morning, Tony.
00:42:10Good morning, same order.
00:42:11Good.
00:42:12Yes.
00:42:13And with caramel sea salt latte.
00:42:15And...
00:42:16Caramel sea salt and latte with two shots, please.
00:42:19Okay.
00:42:21Two shots.
00:42:23What do you think?
00:42:24Tell me three.
00:42:25Just as much as you have left.
00:42:26You go.
00:42:28Welcome.
00:42:29Have a good day.
00:42:31Have a nice day.
00:42:32You too.
00:42:34Yes, but Tony is very good.
00:42:36Yes.
00:42:37Good morning.
00:42:38Good morning.
00:42:39Good morning.
00:42:40Good morning, sir.
00:42:41Good morning, sir.
00:42:42This is from Claire's side.
00:42:44Good morning, sir.
00:42:45Good morning, sir.
00:42:46Good morning, sir.
00:42:47Good morning, sir.
00:42:48Good morning, sir.
00:42:49Good morning, sir.
00:42:50Take care.
00:42:51Bye-bye.
00:42:54Just a minute.
00:42:56June, sorry.
00:42:57I was just asking you a question.
00:43:00Do you have to go to your trolley?
00:43:02No.
00:43:03I've never had a trolley.
00:43:04No.
00:43:05I've never had a trolley.
00:43:07Because you're here for a day.
00:43:10Yes.
00:43:11That's why I'm here for a day in the morning.
00:43:13For 17 years.
00:43:1517 years?
00:43:18Yes.
00:43:19I was with my husband here.
00:43:20And he went to the office.
00:43:22But after going to their...
00:43:24I'm so sorry.
00:43:25No.
00:43:26No.
00:43:27But I also feel good here.
00:43:30I've seen people from the trolley.
00:43:32And I've been waiting for my time.
00:43:34I've been waiting for my time.
00:43:35So sweet.
00:43:36Thank you for sharing your story.
00:43:37Welcome.
00:43:38See you, John.
00:43:39See you tomorrow.
00:43:40Bye-bye.
00:43:41Bye-bye.
00:43:43Bye-bye.
00:43:44Bye-bye.
00:43:45Bye-bye.
00:43:46Bye-bye.
00:43:47Bye-bye.
00:43:48Wow.
00:43:49John's story is very interesting.
00:43:51Yes, really.
00:43:52Very interesting.
00:43:53Okay.
00:43:54Listen.
00:43:55If we include these stories in our exhibition, then how will it be?
00:43:59Good idea.
00:44:00Is it?
00:44:01Yes.
00:44:02Especially in the way I meet with those stories.
00:44:04Yes.
00:44:05Very good idea.
00:44:06Oh.
00:44:07Sorry.
00:44:08Um...
00:44:09I'll take it.
00:44:10Oh, thanks.
00:44:11Oh, Rick's phone's phone.
00:44:12Nothing special.
00:44:13I thought you didn't have a boyfriend.
00:44:14Yes.
00:44:15No.
00:44:16No.
00:44:17No.
00:44:18No.
00:44:19Why?
00:44:20What happened?
00:44:21He had a breakup for me.
00:44:22For the other girl?
00:44:23Yes.
00:44:24We have another girl.
00:44:25And you tell.
00:44:26You told me that I'm single.
00:44:28Okay.
00:44:29Definitely.
00:44:30But you don't see bad.
00:44:32So why are you single?
00:44:34I don't know.
00:44:36How far we have to go?
00:44:38Two blocks.
00:44:39So let's go.
00:44:40You didn't answer my question.
00:44:42Okay.
00:44:50Oh, Auntie Claire.
00:44:51Hi.
00:44:52So you're going to the library again?
00:44:53Yes.
00:44:54This is my niece.
00:44:55Emma.
00:44:56Hi, Emma.
00:44:57Hello.
00:44:58This is Devon Cole.
00:44:59This is an artist.
00:45:00Today we're starting an exhibition.
00:45:02Oh, Mom told me about that.
00:45:04Shoe exhibition on the beach.
00:45:05Right.
00:45:06The idea is very good.
00:45:07Maybe I can write an article about it.
00:45:09Yes.
00:45:10Emma is a budding reporter.
00:45:12Wow.
00:45:13Can I take your interview, Mr. Cole?
00:45:15Absolutely.
00:45:16I think you can take our interview.
00:45:19Of course.
00:45:20Emma, do you want to take the interview to the people of the exhibition?
00:45:25Why not?
00:45:26When will I start?
00:45:27Today.
00:45:28And I'll send you all the information to the beach.
00:45:29Please, send me.
00:45:30Thank you, Auntie.
00:45:31It's good to meet you, Mr. Cole.
00:45:33I think it's good to meet you.
00:45:34Bye.
00:45:35What I like.
00:45:38You're so sweet.
00:45:39You're so sweet.
00:45:40Yes, you're so sweet.
00:45:41And that interview is really good.
00:45:43Listen, what are you ready?
00:45:44Because you're ready to be building material.
00:45:46Great.
00:45:47I just have a small job.
00:45:48Oh.
00:45:49Just a little bit.
00:45:50What do you think you like?
00:45:51Oh.
00:45:52Just one.
00:45:53Just one.
00:45:54just one
00:45:55so what do you think
00:46:02this is out of the box idea
00:46:08it means that it's a new thing
00:46:11let's start working
00:46:14I think
00:46:17before we start
00:46:19we will tell Mr. Mendez
00:46:21because I think
00:46:22this is a very unconventional idea
00:46:25okay
00:46:26sure
00:46:27one more thing
00:46:28you have both skill sets
00:46:30you will become a good team
00:46:32no one knew
00:46:34thank you
00:46:40got it?
00:46:42we have to keep it
00:46:44at least 4 feet
00:46:46we will wrap it here
00:46:50yes
00:46:51we are here
00:46:53mom
00:46:54hi
00:46:55hi dad
00:46:56we have to help you
00:46:58and today
00:46:59the meeting was not important
00:47:00so
00:47:01wow
00:47:02happy that you are both
00:47:03this is Claire
00:47:04hi
00:47:26you are
00:47:32Dad, I'm happy that you came here.
00:47:34You're very helpful.
00:47:36I've never done so much before creating a tree fort.
00:47:40Yes, I remember.
00:47:42We've worked very hard.
00:47:44Yes, I feel like we're both a good team.
00:47:47Hey, Devin.
00:47:49Your mother said that you're going to New York.
00:47:51So, we'll get to meet again, okay?
00:47:54I'll come, Dad. I promise.
00:47:59Wow!
00:48:01What is this? You haven't done it.
00:48:04Yes.
00:48:05I think we should go now.
00:48:07Yes, yes.
00:48:08Are you going?
00:48:09Thanks, Mom.
00:48:10Bye, sweetie.
00:48:11This looks really good.
00:48:13Thanks.
00:48:14Okay, take care.
00:48:15Okay, we'll meet you, Dad.
00:48:31Bye.
00:48:32Bye.
00:48:33Bye.
00:48:34Bye.
00:48:35Bye.
00:48:36Bye.
00:48:37Bye.
00:48:38Bye.
00:48:39Bye.
00:48:40Bye.
00:48:41Bye.
00:48:42Bye.
00:48:43Bye.
00:48:44Bye.
00:48:45Bye.
00:48:46Bye.
00:48:48Bye, sen.
00:48:50Bye.
00:48:51Bye.
00:48:52Bye.
00:48:54Bye.
00:48:55Bye.
00:48:57Bye.
00:48:58Bye.
00:48:59Your parents are gone?
00:49:01Tell me one thing.
00:49:03My dad has never had any interest in my work.
00:49:06Really?
00:49:07Yes, he wanted to do a family business.
00:49:10He is a banker.
00:49:12I think you have started a new family business.
00:49:15Construction.
00:49:17We made a good job, right?
00:49:19Yes.
00:49:20Can I leave you a house?
00:49:22Yes.
00:49:24I didn't know what my talent was in.
00:49:29Talent?
00:49:30No.
00:49:31My classmates were very talented.
00:49:33So I have changed the subject.
00:49:35Probably not in my artistic genes.
00:49:37But you are in your family?
00:49:39My dad.
00:49:40Yes.
00:49:41My home paintings, which you were giving me.
00:49:43They were very good.
00:49:45Yes.
00:49:46But after seeing them, I realized that they were a very serious painter.
00:49:51They were all paintings in the museum.
00:49:54I mean, you can compare the paintings with the paintings.
00:49:58That's how I am.
00:49:59Okay.
00:50:00I mean, you know about traditional art.
00:50:02You are surprised.
00:50:04A little bit.
00:50:05You are happy that you have changed the subject.
00:50:07Yes, absolutely.
00:50:08That's why I am the artist's work in front of me.
00:50:10Not like that.
00:50:11I didn't say that.
00:50:13But one thing is clear, after seven years, I can face a challenge.
00:50:16The challenge is in front of you.
00:50:18Tell me something about you.
00:50:20Why did you do the experimental art?
00:50:23Why did you do the same reason?
00:50:24There is no reason.
00:50:25Tell me.
00:50:26I didn't talk about that.
00:50:27I didn't talk about that.
00:50:28But this is a very easy answer.
00:50:29I don't like it.
00:50:30I don't like it.
00:50:31But it's your hand.
00:50:32But I don't like it.
00:50:33I don't like it.
00:50:34But I don't like it.
00:50:35What about it?
00:50:36Tell me about it.
00:50:37You want to know everything about me.
00:50:39But now I want to know everything about you.
00:50:41Oh, this is a good line.
00:50:42We want to use this exhibit.
00:50:44You can use it.
00:50:45Look, I don't like it.
00:50:46I don't like it.
00:50:47I don't like it.
00:50:48I don't like it.
00:50:49And this is a very big thing.
00:50:51We are working together.
00:50:53Because of this exhibition,
00:50:55we can bring a lot of people together.
00:50:57This will be good.
00:50:58I saw that it was not so difficult.
00:51:00Claire?
00:51:01Hey!
00:51:02Sorry, I forgot.
00:51:03I forgot to meet you today.
00:51:04Rick.
00:51:05Yes.
00:51:06Okay.
00:51:07Okay.
00:51:08Okay.
00:51:09Okay.
00:51:10Okay.
00:51:11Okay.
00:51:12Okay.
00:51:13Okay.
00:51:14Okay.
00:51:15Okay.
00:51:16Okay.
00:51:17Okay.
00:51:18What is the difference between you and people?
00:51:19I will never know everything about you in the middle of the street.
00:51:21How well, you have met Nicole.
00:51:23I know.
00:51:24I have all the difficulties.
00:51:25Now I have lost everything.
00:51:26forgive me.
00:51:28But will we start again?
00:51:29I miss us.
00:51:30I miss us.
00:51:31Rick.
00:51:32Never gave us for another time.
00:51:33We did not give enough time to do something wrong.
00:51:35We were both along 3 years.
00:51:37I'm talking about the whole life.
00:51:39I am concerned that the whole life is making me.
00:51:42Sorry, I can't do anything like that.
00:51:48I'm going to go now.
00:51:50Claire, can you just think about it?
00:51:54Okay, I'll think.
00:51:56And you're good luck about the idea.
00:52:00Thanks.
00:52:01There's a little tension on the funding.
00:52:03The budget of this project is very low.
00:52:06What? Why did you do this?
00:52:08Let's go.
00:52:10I'll see you later.
00:52:12I'll see you later.
00:52:21The name of the exhibit.
00:52:23Yes.
00:52:24And Emma, her star reporter.
00:52:28Who did you get from Devin?
00:52:30And who is going to take her interview?
00:52:32She's also for the exhibit.
00:52:34And you both feel very good.
00:52:36Don't try to make a couple.
00:52:38But I'm not going to come back to them.
00:52:40Oh, sure.
00:52:41You're thinking to go back to them.
00:52:42Who?
00:52:43Who told you?
00:52:44You didn't have the idea.
00:52:46So tell me who is.
00:52:47I don't know.
00:52:48I don't know.
00:52:49I don't know.
00:52:50He said I miss him.
00:52:51He's like what?
00:52:52He's like me.
00:52:53I think he's like the beginning.
00:52:54He's like a movie.
00:52:55He seems like we've given another one.
00:52:56I didn't give enough time,
00:52:57no.
00:52:58It's a little bit of a walk out.
00:52:59Three years?
00:53:00Our mom and dad have been married on three dates.
00:53:01You should get a young for us.
00:53:03You should look for us.
00:53:04You should look for a young.
00:53:05Oh, like Devin.
00:53:06Devin, it's a young.
00:53:07He's very irritated.
00:53:08Come on.
00:53:09That's so hot.
00:53:10hot is you don't feel anything oh it's happening no no no no nothing nothing nothing nothing
00:53:21your eyes can tell you that it's a little bit I don't know that it's just a little
00:53:29laugh and a little spontaneous and unconventional oh it seems that this is going to get you
00:53:37to get to work in New York if the museum is closed then I'll go with it I'll stop here I'll take
00:53:47back to Rick I think you like headaches why? because you don't want to throw your head
00:53:56it's a good joke in truth no no but it's true it's true
00:54:07you're always trying to paint it you're always trying to paint it
00:54:12it's a good joke
00:54:14hi auntie hi
00:54:17can I take your interview Mr. Cole?
00:54:19yes why not you continue to do it I'll come here sure
00:54:22sure sure let's go
00:54:26so you dropped out from Royal College of Art London?
00:54:29you dropped out?
00:54:30I didn't have money and my dad didn't want to give me money
00:54:33he wanted to become a banker
00:54:35how do you feel when you've been successful?
00:54:38I feel that they don't have any problems
00:54:40they want to help me
00:54:42this is a good thing
00:54:43you know Emma
00:54:44after dropping out I've never had a job
00:54:47I've never left my artist's dream
00:54:49success and failure
00:54:50there's one difference
00:54:51and that is
00:54:52the perceiverance
00:54:53thank you Mr. Cole
00:54:54I will remember
00:54:56you know this exhibition is very good
00:54:59and she's working with auntie
00:55:02yes your auntie is a very special lady
00:55:06she took time to understand
00:55:07but she's smart
00:55:08funny
00:55:09and she's very good
00:55:11and she's very good
00:55:13and she's one of the human beings
00:55:15I don't have to meet with such a girl
00:55:17everything
00:55:19how's it going
00:55:21it's done
00:55:22I will complete this article today
00:55:24wow
00:55:25I want to read it
00:55:26oh thank you so much Mr. Cole
00:55:28I have done all the interviews for the exhibition
00:55:30I will send them all
00:55:32perfect
00:55:33thank you Emma
00:55:34bye Emma
00:55:35bye
00:55:39okay
00:55:40tell me where you came from
00:55:42oh
00:55:44a little bit earlier
00:55:51how do you feel
00:55:55come from help
00:55:55help
00:55:56absolutely
00:55:57no
00:55:57our time will be open
00:55:59I'm in two days
00:56:00I'm about to open it
00:56:00yes I too
00:56:01I have some two years
00:56:04actually
00:56:04I too
00:56:05we have developed a nice team
00:56:06we both have built a good team
00:56:07Yes
00:56:08yes
00:56:09that's the same
00:56:12oh
00:56:14oh
00:56:16we both are
00:56:17issues
00:56:18like
00:56:19Yes.
00:56:20It's happened.
00:56:27John, hi.
00:56:28I didn't get disturbed.
00:56:30No, I didn't.
00:56:32I thought that if you want help, then...
00:56:35Oh, you are very good, thank you.
00:56:38Actually, I have to meet my mom, so at this time...
00:56:42Oh, you are very nice.
00:56:44I will meet you at opening time.
00:56:46So, I will meet you tomorrow, okay?
00:56:48Yes.
00:56:49Eight o'clock.
00:56:50Of course.
00:56:51Bye, John.
00:56:52Bye.
00:56:53So, tell me what I will help.
00:56:55Okay, so I will take some more audio guides to the museum.
00:57:02Okay.
00:57:03Let's go.
00:57:07Great.
00:57:08Let's go.
00:57:09Let's go.
00:57:10It's good that you are here.
00:57:13Let's go.
00:57:14Let's go.
00:57:15Let's go.
00:57:16Let's go.
00:57:17Let's go.
00:57:18Let's go.
00:57:19Let's go.
00:57:20Let's go.
00:57:21Let's go.
00:57:22Let's go.
00:57:23Let's go.
00:57:24Let's go.
00:57:25Let's go.
00:57:26Let's go for dinner and tell yourself.
00:57:27I would like to go, Mom.
00:57:28But the exhibition is in two days.
00:57:29And there is a lot of work.
00:57:31I know.
00:57:32I will also do that.
00:57:33Your dad will probably not take me off.
00:57:35No.
00:57:36No.
00:57:37It was a great thing.
00:57:38It was a very big thing.
00:57:39You know how to do the work with them.
00:57:41Devon, that day, you had a dad's idea.
00:57:43Look, they had a little time to understand this.
00:57:49They are not going to join their family.
00:57:51How many of them have worked in that bank?
00:57:54I will admit.
00:57:55They will take interest in their interest.
00:57:57They have done their best.
00:57:59There is something I want to show you.
00:58:03Let's go.
00:58:04There is some top secret, mom.
00:58:05Yes.
00:58:06I want to see you in the room of dad's study room.
00:58:09What?
00:58:10I don't know if they are all.
00:58:14They are just going to express them all.
00:58:19What?
00:58:20I don't know if they are all.
00:58:24They don't want to express them.
00:58:30I don't know how much I like my dad.
00:58:36Thank you, Mom.
00:58:40Do you remember this?
00:58:45Yes, it was very good.
00:58:48This shoe gallery is going to be very successful.
00:58:55Thank you, Joan.
00:58:57Why didn't you look like a girl?
00:59:00Oh, no, this is not a museum.
00:59:05Can I ask you a personal question?
00:59:08Yes, of course.
00:59:10You were very devoted to your husband.
00:59:13But when you met the first time, how did you know that she was there?
00:59:16It was easy. They were happy to me.
00:59:19Just so?
00:59:20No.
00:59:22But this was one reason.
00:59:24We were very different.
00:59:26Sometimes I was very angry at them.
00:59:29And then they said,
00:59:31that they would be happy.
00:59:33And I would forget,
00:59:34that I was not afraid.
00:59:36Do you ask for Devin?
00:59:41How did you know this?
00:59:42How did you know this?
00:59:44When you were both walking,
00:59:47you were very happy.
00:59:50And you were smiling.
00:59:53You were smiling.
00:59:54You were smiling.
00:59:55You were smiling.
00:59:56You were smiling.
00:59:57You were smiling.
00:59:58You were smiling.
00:59:59You were smiling.
01:00:00I will notice the question.
01:00:01Sweetheart.
01:00:02You are smiling.
01:00:03When you're smiling,
01:00:04the woman faces the same day.
01:00:05Then you get to me.
01:00:07That's correct,
01:00:08I mean.
01:00:09You're leaving.
01:00:10I would like to see the end.
01:00:11Okay.
01:00:13Now let's go for it.
01:00:17Okay.
01:00:18You're a baby?
01:00:32Yes, I was listening to Emma's interview.
01:00:35Can you hear me?
01:00:37Yes.
01:00:38Here you go.
01:00:39Thanks.
01:00:44How's it?
01:00:45It's very good.
01:00:48Did you meet your parents yesterday?
01:00:50Yes.
01:00:51I know that my dad has cut my photos and clips on the wall.
01:00:56But your dad has never seen your interest.
01:00:58That's right.
01:00:59I'm not sure.
01:01:01Now I have to think about New York.
01:01:09I think you should go to New York.
01:01:11I'm sitting here for a long time.
01:01:13No problem.
01:01:14Sorry.
01:01:15No problem.
01:01:16Why don't we take the photos yesterday?
01:01:18Yes.
01:01:19But the opening is...
01:01:20Yes, I want.
01:01:21But everything is ready.
01:01:22You should celebrate.
01:01:23Okay.
01:01:24Okay.
01:01:25Okay.
01:01:26Okay.
01:01:27But one thing, if we do what I want.
01:01:30Yes.
01:01:31Deal?
01:01:32Yes.
01:01:33Okay.
01:01:34Yes, Matt.
01:01:35Anywho is here?
01:01:36No.
01:01:38No
01:01:39No.
01:01:40No.
01:01:41No...
01:01:42No.
01:01:43No
01:01:44No.
01:01:45No.
01:01:46No.
01:01:47No.
01:01:48Yeah.
01:01:49No.
01:01:50No.
01:01:50No.
01:01:51No.
01:01:52No.
01:01:53No.
01:01:54No.
01:01:55No.
01:01:56No.
01:01:57Yeah.
01:01:58Yeah.
01:01:59Yeah, yeah, yeah, yeah, yeah, yeah.
01:02:03One, two, three, go!
01:02:29One, two, three, go!
01:02:59One, two, three, go!
01:03:29One, two, three, go!
01:03:31One, two, three, go!
01:03:33One, two, three, go!
01:03:35One, three, go!
01:03:37One, two, go!
01:03:39One, two, go!
01:03:41One, two, go!
01:03:43One, two, go!
01:03:45One, two, go!
01:03:47One, two, go!
01:03:49One, two, go!
01:03:51One, two, go!
01:03:53One, two, go!
01:03:55One, two, go!
01:03:57One, two, go!
01:03:59One, two, go!
01:04:01One, two, go!
01:04:03One, two, go!
01:04:05One, two, go!
01:04:07One, two, go!
01:04:09One, two, go!
01:04:11One, two, go!
01:04:13One, two, go!
01:04:15One, two, go!
01:04:17One, two, go!
01:04:19One, two, go!
01:04:21One, two, go!
01:04:23One, two, go!
01:04:25One, two, go!
01:04:27One, two, go!
01:04:45Hi!
01:04:46Hi!
01:04:46I've met many numbers,
01:04:49but without offering themen wenstern mendes.
01:04:53If we were to possess the donation to...
01:04:56No, there are a lot of days or months. There is no time for us.
01:05:01Claire, I had a call from New York.
01:05:05You've got a job.
01:05:09Well, congratulations.
01:05:12Thanks.
01:05:15Now you can go to New York.
01:05:17We need to talk about Mr. Mendez.
01:05:19No, I've discussed this with Peter, but he said Mr. Mendez has taken a decision,
01:05:24so we need to change it.
01:05:26Impossible?
01:05:28Peter has told you a story about us.
01:05:30When you knew that the Violet of Exhibit was only two weeks ago,
01:05:34you had arranged everything.
01:05:36So how can you say impossible?
01:05:39I am with you.
01:05:46Okay.
01:05:47All right. Try these numbers.
01:05:54Claire,
01:05:56Claire,
01:05:57I've been making it for 40 years.
01:06:0140 years.
01:06:03I've been making it for $1.
01:06:06Rembrandt, Tempereto, El Greco,
01:06:09so many people.
01:06:11They've been making it for years.
01:06:13I'm a good person.
01:06:16I'm a good person.
01:06:17You guys have supported me every idea.
01:06:19I've also supported you.
01:06:20I've also supported you.
01:06:21I've also supported you.
01:06:22I've also supported you.
01:06:24I've made a popcorn art.
01:06:27You know,
01:06:28I'm giving you people.
01:06:30But I'm sorry.
01:06:32I've taken the decision.
01:06:33Mr. Mendez,
01:06:34I know what you're thinking.
01:06:35You're the same.
01:06:36You're the same.
01:06:37I love traditional art.
01:06:38But recently,
01:06:40I've heard a story about this particular story.
01:06:42I've already explained it.
01:06:43I've done something like this.
01:06:45I've never seen it before.
01:06:47I've never met a lot of people.
01:06:49I've never seen it before.
01:06:50I've never been into it.
01:06:52But I,
01:06:54I've never thought about it.
01:06:55You'll never think.
01:06:56I've even thought you like that?
01:06:57You're not all the same.
01:06:59You know,
01:07:00I've just learned something else.
01:07:02The other thing is,
01:07:03the other thing is,
01:07:04the other thing is,
01:07:06the other thing is,
01:07:07trying to break it.
01:07:08They will understand that they are not different from them, but the story is different from them.
01:07:14Our slogan is Art Connects Us for years and finally we have prepared a exhibition.
01:07:21I can understand, Claire. But I am sorry, I have taken my decision.
01:07:27And now I have to go to a conference call. If you want, I will leave you outside.
01:07:35I was thinking that they will understand, but they are...
01:07:40Yes, I feel that I have not done impossible work.
01:07:43Let's go.
01:07:52Maybe sometimes you have to color the lines outside.
01:08:05Mr. Mendez.
01:08:20Claire and Devon have arrived at my house.
01:08:23And they have stolen my mother's sandals.
01:08:25No, they can't do both of them.
01:08:27Mr. Mendez, that's the right thing. Please, go inside.
01:08:31You are watching this.
01:08:36Look at them, there are some ...
01:08:42But why did you take him here?
01:08:43I've borrowed.
01:08:45If you got your mother's sandals in this exhibition,
01:08:48No matter how people come the country was coming.
01:08:51It was the American dream liked his eyes,
01:08:53and dream and how did they work for a store for 16 hours and how did they save you money
01:08:59so that you can go to a good college. And when you were first in graduation, how did they
01:09:05feel happy in their eyes? And how did they take a little money to Cambridge for you,
01:09:11your first graduate family? And in that ceremony, when you listened to your speech,
01:09:17when they saw you about the sacrifice, and after your speech, they told you to leave it.
01:09:29And you left it.
01:09:47I was surprised that they were going to pay for funding for this time.
01:10:01They will definitely accept me.
01:10:02Me too, but there was no benefit from all of this. What happened with the Lions?
01:10:09So what are you doing now?
01:10:11I'm waiting for Peter for the closing date. And you're going to New York?
01:10:18Yes. I'll try for you for your job. Maybe you'll get a job in New York.
01:10:23Thank you, but my house is on here.
01:10:26Yes.
01:10:28Okay, so I'm going to that direction.
01:10:31Yes, I'm going to that direction.
01:10:33Okay.
01:10:34Okay, so I'll leave your house.
01:10:36Yes, yes. Sorry.
01:10:38Call me.
01:10:39I'll pick it up.
01:10:40I'll pick it up.
01:10:41Okay.
01:10:42Okay.
01:10:43So I'll go to the museum.
01:10:44Okay.
01:10:45Okay.
01:10:46Yes, and I'll also pack myself.
01:10:47Okay.
01:10:48Hi.
01:10:49Okay.
01:10:50Okay.
01:10:51I feel like you've done everything to keep this museum open.
01:10:55Yes.
01:10:56I was thinking that you've done everything to keep this museum open.
01:10:58Yes.
01:10:59I was thinking that the museum will change this exhibition.
01:11:04.
01:11:09I couldn't believe it.
01:11:11I wasn't even thinking about it, but I don't see it.
01:11:14No, no, I don't care about it.
01:11:16Yes, I have thought about it.
01:11:17Yeah, I'd like to leave it.
01:11:18I'm just giving you a little while.
01:11:20I've given my time a lot, Rick.
01:11:21Yes.
01:11:22I want to move on.
01:11:23I want to move on.
01:11:24This is the right time.
01:11:26I'm sure you're sure.
01:11:30Yes, and I have to move on to my job.
01:11:34I'll think of these ideas that will attract young people.
01:11:38Like that...
01:11:40shoe idea?
01:11:42Yes, it's a shoe idea.
01:11:46Okay.
01:11:48Okay, Rick, I'll go.
01:11:50Thanks.
01:11:52Good luck.
01:11:54Good luck.
01:11:58Hi.
01:12:00I don't believe that you bought Mendez's sandals.
01:12:04No, I just borrowed it so that I can understand them.
01:12:08Oh, you've changed a lot earlier.
01:12:10Yes, people...
01:12:12I don't believe that you bought Mendez's sandals.
01:12:16No, I just borrowed it so that I can understand them.
01:12:20You've changed a lot earlier.
01:12:22Yes, people are changing.
01:12:24Yes, you can change.
01:12:26But...
01:12:27But...
01:12:28What?
01:12:30Mr. Harris, you've changed the risk of Devin.
01:12:32You've changed the risk of Devin.
01:12:34I don't know.
01:12:36I don't know.
01:12:37I don't know.
01:12:38You've changed Rick for three years.
01:12:40You've changed the risk of Devin's sandals.
01:12:42I don't know.
01:12:43I've changed the risk of Devin's sandals.
01:12:44I've changed the risk of Devin's sandals.
01:12:46Good.
01:12:47So, now, you and Devin, right?
01:12:49No, no, no.
01:12:50He's going to New York.
01:12:52So, you didn't tell him...
01:12:54What do you feel about it?
01:12:57No.
01:12:58He's going to be going for one week.
01:13:00And I don't think he's going for this exhibition.
01:13:03Claire...
01:13:04There's one week now.
01:13:06You'll tell him.
01:13:08You've seen him yourself.
01:13:10Something can happen.
01:13:12Oh.
01:13:13Hi, auntie.
01:13:15Hi.
01:13:16How's my little journalist?
01:13:18I don't know your exhibition is going to happen.
01:13:20But I'm not going to be a journalist.
01:13:22I don't want to leave this story.
01:13:24And you don't want to leave it.
01:13:27Thanks, Emma.
01:13:29My article is complete.
01:13:31I'm just going to read it.
01:13:33Oh!
01:13:34I'm going to read it.
01:13:35Don't touch me.
01:13:36We're working for the exhibition.
01:13:38That will be necessary.
01:13:40Okay.
01:13:41Thank you, guys.
01:13:43Okay, risk-taker.
01:13:45Have to call later, okay?
01:13:47Okay.
01:13:48Bye.
01:13:49We love you.
01:13:52Hello.
01:13:53Devin.
01:13:54I just talked about New York.
01:13:55They are there.
01:13:56They are there.
01:13:57Tomorrow.
01:13:58Tomorrow.
01:13:59Yes.
01:14:00I know.
01:14:01I know.
01:14:02I know.
01:14:03I know.
01:14:04I know.
01:14:05I know.
01:14:06I know.
01:14:07I know.
01:14:08I know.
01:14:09I know.
01:14:10I know.
01:14:11I know.
01:14:12G razors.
01:14:13I know.
01:14:14I know.
01:14:15I know.
01:14:16I know.
01:14:17No, but they will do everything.
01:14:19Just go to a plane plane and go to New York for tomorrow.
01:14:22This is happening, brother. Your dream is full.
01:14:25Okay.
01:14:47Hi.
01:14:48Good morning.
01:14:49Wow.
01:14:50You came so quickly and you gave me a surprise.
01:14:53It's about 5 minutes. You have trained me.
01:14:56So, do you have any plans for the last week in Miami?
01:15:01I don't have a week. I'm going to go to New York.
01:15:06Oh. When?
01:15:10Today.
01:15:12You're coming?
01:15:15My dad is coming out and he will leave the airport.
01:15:19Okay.
01:15:20Okay.
01:15:21Actually, they got to know that the exhibition is cancelled.
01:15:24So, they called me.
01:15:25Yes.
01:15:26What does this mean?
01:15:27I mean, there will be time waste here.
01:15:29Well, actually…
01:15:31What?
01:15:34I'm sorry.
01:15:36I'm sorry that we couldn't work here.
01:15:40But you were right.
01:15:42We could become a good team.
01:15:43Yes.
01:15:44Yes.
01:15:50Hey, Claire.
01:15:51Yes.
01:15:55You're not working in New York.
01:15:57So, I'll tell you.
01:15:59Yes.
01:16:00Dad, what do you think?
01:16:13Yes.
01:16:14There are some typos.
01:16:15And there are some grammatical errors.
01:16:17This is very good.
01:16:19Yes.
01:16:20Yes.
01:16:21Yes.
01:16:22I'll tell you later.
01:16:23Yes.
01:16:24Yes.
01:16:25Yes.
01:16:26Yes.
01:16:27Yes.
01:16:28Yes.
01:16:29Yes.
01:16:30Yes.
01:16:31Yes.
01:16:32Yes.
01:16:33Yes.
01:16:34Yes.
01:16:35Yes.
01:16:36Yes.
01:16:37Yes.
01:16:38Yes.
01:16:40Yes.
01:16:41Yes.
01:16:42Yes.
01:16:43Yes.
01:16:44Yes.
01:16:45Yes.
01:16:46Yes.
01:16:47Yes.
01:16:48Yes.
01:16:49Yes.
01:16:50Yes.
01:16:51Yes.
01:16:52Yes.
01:16:53Yes.
01:16:54Yes.
01:16:55Yes.
01:16:58Okay.
01:17:04Okay.
01:17:05Yes.
01:17:07Now, in Lenny's Day,
01:17:09it's not a dangerous thing.
01:17:12Math has a good word.
01:17:14Yes.
01:17:15Yes.
01:17:16Yes.
01:17:17Yes.
01:17:18Yes.
01:17:19Yes.
01:17:23Yes.
01:17:25Yes.
01:17:26Yes.
01:17:27Really?
01:17:28Well, it's not because I don't love you.
01:17:32I didn't tell you that I didn't tell you.
01:17:35I didn't tell you what happened.
01:17:37Tell me what happened.
01:17:39Well, because I didn't say anything,
01:17:42I gave you a love letter to tell you how I feel.
01:17:46I don't know how old-fashioned is,
01:17:48but today you can send a video or voice note.
01:17:52Okay, Dad.
01:17:54I need to go.
01:17:57Take care.
01:17:59Take care, Dad.
01:18:01Tell me about it when the opening will be opened.
01:18:05I will be sure.
01:18:07Thanks, Dad.
01:18:09We'll see you soon.
01:18:24I want to color the lines.
01:18:27Hi.
01:18:29Ellen is fine, right?
01:18:30Yes.
01:18:31She's gone for one day.
01:18:32Oh.
01:18:33Rocky Yellow.
01:18:34Good, kids.
01:18:35Have a good day.
01:18:36You too.
01:18:37Have a good day.
01:18:38You too.
01:18:39I want to color the lines.
01:18:40I want to color the lines.
01:18:42I want to color the lines.
01:18:44I can color the lines.
01:18:45I want to color the lines.
01:18:46You want to color the lines.
01:18:47I want to color the lines.
01:18:48Who's like a blue line.
01:18:49What are the lines?
01:18:50I want to color the lines.
01:18:51Hi.
01:18:52Ellen is fine, right?
01:18:53Yes.
01:18:54She's gone for one day.
01:18:55Have a good day.
01:18:57You too. Come on.
01:19:09Good morning.
01:19:11Where is Tony?
01:19:13I was going to go from here.
01:19:15Oh.
01:19:17I'll give you two coffees with almond milk and honey.
01:19:19I'll take it.
01:19:25Okay, let's just make one.
01:19:29Okay.
01:19:45Excuse me.
01:19:46Good morning, Claire.
01:19:47Good morning.
01:19:48I wanted to tell you personally
01:19:51that I'm going to give the staff to me
01:19:54because we are closing the museum.
01:19:56Okay.
01:19:57I am so sorry.
01:19:59I thought you would have to show me.
01:20:02Yes, I also thought.
01:20:05Sorry, my sister is calling.
01:20:10She wants to come to the exhibition.
01:20:12But who is it?
01:20:14For the crowd control.
01:20:16Oh.
01:20:17I'm going to go.
01:20:25Hello. Welcome.
01:20:26Emma?
01:20:27What's happening here?
01:20:29We didn't know that we stopped working on the money.
01:20:31That's why we volunteered.
01:20:33What?
01:20:34I'm not sure.
01:20:35Mr. Cole said that success and failure
01:20:37is only the difference between perseverance and perseverance.
01:20:39That's right.
01:20:41I don't understand how many people have told us about this.
01:20:43Who told us about this?
01:20:44Our star reporter.
01:20:47Emma, you have written this?
01:20:48Yes.
01:20:49Oh my God.
01:20:50Dad has edited it.
01:20:51And this is my first published story.
01:20:53I'm so proud of you.
01:20:56Only I haven't done it.
01:20:57You go inside and say hi.
01:20:59Okay.
01:21:01Congratulations.
01:21:04High five.
01:21:05Yes.
01:21:09Hi.
01:21:11How good are these?
01:21:13Hi, thank you.
01:21:14Hari.
01:21:15Hello.
01:21:16You got someone here closer to me?
01:21:17Yes, it was really good.
01:21:18Yih informação.
01:21:19You need the balance itself.
01:21:22Hi.
01:21:23These are good things unto you.
01:21:25If all these, the money you get away,
01:21:26you should get out of the money now then.
01:21:29Well, that is right?
01:21:31He's too.
01:21:32Auntie?
01:21:33Any time to meet you for the money?
01:21:38OK.
01:21:39Mr. Mendez.
01:21:40Claire, I would like to ask for the forgiveness of this exhibition.
01:21:45I have judged the concept of this exhibition.
01:21:47No, we all do this.
01:21:49I would like to tell you that I'm giving my funding.
01:21:53Really?
01:21:53Yes.
01:21:54But one way, you will also have to keep them in the exhibition.
01:21:59We will be very happy.
01:22:02I would like to know the people who know their story about what they did.
01:22:06And also, I have a source of funding that works in the museum that works in the museum.
01:22:14Wow, thank you.
01:22:15And for this reason, thank you.
01:22:17This is amazing.
01:22:19Well, I think that I can be able to retire now.
01:22:24And I want you to take me happy to take my place.
01:22:28That's what I mean.
01:22:30Congratulations, Claire.
01:22:31And I know that you will be able to make the impossible possible possible.
01:22:40This is all good.
01:22:42I wish Devin here to be.
01:22:43She went to you and gave me a gift.
01:22:45And this is for you, auntie.
01:22:49Wow.
01:22:50I will wear it?
01:22:51Oh, wow.
01:22:52Okay.
01:22:55This is for you.
01:22:56I will wear it.
01:22:58Yes.
01:22:58This is for you.
01:23:04Oh.
01:23:05Okay.
01:23:06This is for you.
01:23:08Oh, dear.
01:23:08Bariya.
01:23:09This is for you.
01:23:10This is for you.
01:23:11Okay.
01:23:12My name is Devin Caller.
01:23:15I was a dream of my childhood.
01:23:16A dream of an artist.
01:23:18My dad's dream of a dream was to become a banker.
01:23:21When I wanted to complete a dream, my dear friend was to be a banker.
01:23:24And I had to keep my dreams in my life.
01:23:26I was hiding in my house.
01:23:28I knew that my work wasn't good for me.
01:23:32But one day, I had a photo of my work.
01:23:38I thought it was a difference.
01:23:40I was like that.
01:23:42But I want to change it.
01:23:44I know that this is all.
01:23:46It happens when someone comes to me.
01:23:48I will share my dreams and share my dreams.
01:23:52I will go to New York.
01:23:56It seems like you are a special woman.
01:24:00Yes.
01:24:02I love her.
01:24:04I love her.
01:24:06I am not going to New York.
01:24:08I will work here.
01:24:10I will work here in Miami Gallery of Art.
01:24:12I have a fake news.
01:24:16Mr. Mendez has the funding on.
01:24:18I will tell you that they are not sure.
01:24:20And I am getting a job of Peter.
01:24:24And I thought that I will do an experimental pop-ups in the city.
01:24:28Pop-ups?
01:24:29Yes.
01:24:30But you seem to be like a girl.
01:24:32You can't judge me.
01:24:34Because you have never worn my shoes.
01:24:36Now you are not traditional.
01:24:38What is the end of the day?
01:24:39I think you should always color the lines outside.
01:24:42All of us forget.
01:24:43Ah.
01:24:44Oh.
01:24:45Oh.
01:24:46Oh.
01:24:47Oh.
01:24:48Oh.
01:24:49Oh.
01:24:51Oh.
01:24:52Oh.
01:24:53Oh.
01:24:54Oh.
01:24:55Oh.
01:24:56Oh.
01:24:57Oh.
01:24:59In and of the day.
01:25:01Oh yeah.
01:25:03Oh.
01:25:04Oh.
01:25:05Oh.
01:25:06Oh.
01:25:07Oh.
01:25:08God.
01:25:09Oh.
01:25:10Oh.
01:25:11Oh yeah.
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