- 2 months ago
Category
🎥
Short filmTranscript
00:00If I was able to take it, I would definitely not forget that now the representatives of the European Family Hotel.
00:14Do you have a certificate of veterinary inspection?
00:17And even more, I would like that I didn't have the police in a long time.
00:22This is contaminated now, it's not bad.
00:24Someone turned into the sauna.
00:26Well, you work with us, Bosans and Crnogors.
00:31You are looking for a friend to be a doctor.
00:35What is the way you don't eat me every night on the phone?
00:37Some of our guests have taken pictures, equipment, everything they found.
00:42What do you really interest?
00:44The general situation of hotel and internal politics.
00:49What happened here?
00:50The city of Proslava was and then...
00:52The hotel hotel would not be willing to have an organization in the war.
00:55The hotel hotel was a lesbian hotel.
00:57The lesbian hotel?
00:58The hotel hotel was a team building.
01:01This is our...
01:02Good morning.
01:03...girls.
01:04They had a lesbian hotel.
01:10That's our guest.
01:11I don't know who it is.
01:13I would like to stay here, but I couldn't.
01:17What?
01:18He left me.
01:19He left me.
01:20He left me.
01:21He left me.
01:22I'm not going to see something like that.
01:24I know that it's not ideal.
01:26It's completely different.
01:27It's like being put in development.
01:28Vulgar, aggressive, and aggressive.
01:30You're not going to get me.
01:31You're not going to get me.
01:32It's all right.
01:33It's all right.
01:34It's all right.
01:35It's all right.
01:36It's all right.
01:37Every time in the hotel.
01:38It's all right.
01:39It's all right.
01:40That's right in Europe.
01:47We returned the phone.
01:48We gave the police a crucial evidence.
01:51I think we were turned on the Find My Phone application.
01:54That's right.
01:55But it's also the help.
01:57I'm sorry.
01:58Now everyone has their phones.
01:59I don't care if he's been writing.
02:01I'll send him that nice guy.
02:03Hey, friends.
02:04Everything is all right.
02:06And the lunch is all right.
02:08I'll send you a message.
02:09I'll send you a message.
02:10I'll send you a message.
02:11I'll send you a message.
02:12I'll send you a message.
02:13I'll send you a message.
02:14I'll send you a message.
02:15What about me?
02:16Wait for me.
02:17You can see what they did.
02:18I'll send you a message.
02:19Listen, Dekki.
02:20In life,
02:21the moment,
02:22the employee wants to see the financial evidence.
02:28What are our finances?
02:30I don't know.
02:31I'm HR.
02:33You're not a bad idea.
02:35You're a money.
02:36I'll come back to the factory medicine.
02:39You can see what you did.
02:41You see what you did.
02:43by you.
02:59Sometimes a person, or a director of the hotel,
03:02that is much more than a person,
03:04should be standing with your fear.
03:07Guten Tag Liebe Angela, here is Dejan Stojković Tristar Hotel, just to speak.
03:15Hotel PUN KO OKO!
03:19And I'm going to send an email.
03:23We need to...
03:24There is no need for email, don't worry.
03:27We will come to the email today, me and Darko.
03:31Who is Darko?
03:33My financial advisor, let's see.
03:36Cheers!
03:37Cheers!
03:40Bane, we need to write a book.
03:49We have to make our books, understand?
03:51We have to do everything in our use, understand?
03:55Look, I'm an expert for black and white books.
03:59I can make my numbers.
04:01It's hard.
04:02But it wouldn't be bad to have a day.
04:05And money.
04:06And money, and people.
04:08Because if Angela sees an empty hotel, we can save the numbers.
04:11It will be like we will pay money for someone else.
04:14Maybe that's the decision.
04:16She has some other jobs.
04:18And she can hold her as a machine.
04:22And I'm going to send a book.
04:23I'm going to send a book.
04:24And you're going to send a book.
04:26Can I?
04:27Can I?
04:28Can I?
04:29Can I?
04:38Okay, give me a break.
04:40What?
04:41You know, if I just get to one question, you see, it's very important that the audience knows what is a role.
04:49And it's even important that if the protagonist has the goal, we can...
04:54How many of you have a reserve for Dujović?
04:57That's right.
04:58That's right.
04:59That's right.
05:00That's right.
05:01Two.
05:02Ah, no, no, no, no, no, no, no, no.
05:06One.
05:07One.
05:08One.
05:09This is from Chajetina.
05:12One.
05:13One.
05:15One.
05:17One can live.
05:18One can live more than one.
05:20One can live.
05:21One will be in quarantine until there's lots of lunch.
05:23Oh, oh, oh, oh.
05:24I don't know.
05:25That's why I'm coming to sleep.
05:26Where are your закрыaltres?
05:28Ah, they're tired of the�, and preparing us for vacation.
05:32All right, because you are going to be on a home.
05:35Because I'm meeting all day, and today, you're living souls.
05:39Who is paying what you are doing?
05:41The house of charity.
05:43If you give me $160.
05:47That's why we were lost as a nation.
05:50That culture of charity.
05:52Lule, where are your TikTokers?
06:07Why are we taking you here?
06:09When we are using TikToks, Mr. Chef,
06:13with a lot of people,
06:15the algorithm is running out of engagement.
06:17I will lose friends from day to day.
06:19Why don't you stick to your dog?
06:21This is a verbal moment of the director.
06:23Where are you from?
06:25Why aren't you ready?
06:27We don't have guests.
06:29But I'm talking!
06:31Why don't you take a nice potato from broccoli?
06:34Well, it's crazy.
06:36Look at you.
06:38Here's your phone number.
06:40Call all of you from Borče, Ovče and Krnjače.
06:42And tell them they got a trip trip to Beograd.
06:45And then, when they appear,
06:47tell them that the trip was $10.
06:50Let's learn how to get them.
06:53And then, we'll take them for cash.
06:55That's right.
06:56I mean, in this hotel,
06:57it's a happy moment,
06:58but we have to fight.
07:00You know what?
07:01Add an absolute massage.
07:02Yes.
07:03Oh, brother.
07:04We have to fight.
07:05We have to fight.
07:06We have to fight.
07:07We have to fight.
07:08We have to fight.
07:09We have to fight.
07:10We have to fight.
07:11We have to fight.
07:12As a girl who is born.
07:13And there are a lot of people with us.
07:14He's never been to fight.
07:15I'd love to fight.
07:16I'm not going to be a treat.
07:17Oh, my god.
07:18Oh, my god.
07:19Oh, my god.
07:20Oh, my god.
07:21Oh, oh boy.
07:22Oh, my god.
07:23Oh, my god.
07:24Oh, my god.
07:25Oh, my god.
07:26Oh, my god.
07:27Oh, my god.
07:28Oh, my god.
07:29Oh, my god.
07:30Come on, let's go! Let's go, my mother!
07:33I don't want my mother!
07:35I'll call her in our city,
07:37because what we're talking about,
07:39we don't want my mother.
07:40They were born three.
07:41The two women were mine,
07:43aristocratic and geniuses,
07:45the fifth generation of Belgrade,
07:47the fifth generation of iPhones,
07:49and the third generation,
07:51the third generation,
07:53the third generation,
07:55the third generation,
07:57the third generation,
07:59the third generation,
08:00the third generation,
08:01the third generation,
08:04of course,
08:05Honey,
08:06I do not mind a bit Senior.
08:08But remember,
08:09let me just let me busy on,
08:10that will me stop yourself.
08:11Don't let it send my temple,
08:12you take pharmacy,
08:13sugarcane little drink,
08:14you take me anymore.
08:16Not anymore.
08:17I'll take a whileے.
08:18When you're your master,
08:19I'll do for you and go!
08:20I have drinks now
08:21and I won't show you!
08:22You're not doing conversation.
08:24How did I make your day before?
08:28I don't remember, you know, the daily vacation, this daily vacation.
08:34You understand? The hotels are the best.
08:36Believe me, that the tourists leave their own things,
08:39or some businessmen when they have a transfer.
08:43That's the solution.
08:45Mane!
08:47Mane!
08:48Listen.
08:49We have a daily vacation.
08:50What?
08:51That's 50% of the money for sober.
08:54You can't say it on the internet that everyone knows,
08:57because that will be coming out of the financial crisis.
08:59Let's go! 50% of the daily vacation.
09:02If we don't help, nothing is going to be done.
09:04The daily vacation is a number for a sober.
09:06The daily vacation with 50% of the money is a number for a sober.
09:12Mane!
09:13Take a table and write a daily vacation.
09:17All in large sections.
09:19In large sections, I don't hear my own thoughts.
09:22What do you think?
09:23Dujoviću, when you call them, I'm going to offer a daily vacation.
09:27Do you understand?
09:28Welcome to our sunny hotel.
09:30We offer a daily vacation.
09:33Do you understand?
09:34Let's go.
09:35Let's go.
09:36Let's go.
09:37Let's start the vacation.
09:38What did you say?
09:51You can hold your mustache here.
09:54Don't get lost.
09:55Do not get lost because they will go away.
09:57Sure.
09:58Hello?
09:59Listen to me.
10:00休itar me.
10:01It didn't manage, just you fell asleep.
10:03Listen to me now, good.
10:05Ejeboga ti...
10:06Ne, slušaj me, držiš ovako. Koncentracija. Držiš to i pričaš.
10:10Slušaj me sad dob...
10:12Ajde više!
10:14Možda smo malo preambiciozne. Da ga možda samo blokiraš.
10:18Da mi nisi više po... Ma ne mogu ja ovo.
10:21Ne, evo ja ću. Ja držim. Ajde.
10:23A ti pričaš. Ajmo.
10:26Halo.
10:28Olga ođe.
10:29Slušaj me.
10:30Da ti više nije palo na pamet.
10:32That you give me your heart, smiley, fruits, food and so on.
10:37And that you don't treat my hotel as a jerk.
10:40And I just made me a jerk.
10:44No, no, no. This was good.
10:48Yes, it is a good question.
10:50What would anyone want to do?
10:52Exenia, you are still on the list of waiting for a village.
10:56And better, ours are closed because of the epidemic of little girls.
10:59How are you together with the three?
11:01How? How do I have to?
11:03Every one of you.
11:04Would you like me to take a moment?
11:08Three and four.
11:13What is this?
11:15What are you doing?
11:16Today, all the citizens have decided to take care of me.
11:18When I was a baby.
11:20What did you write?
11:22The old worker, what did you say?
11:24Where did you go?
11:26You said you were the old worker.
11:28What did I say?
11:30He has a hand here.
11:31Wait.
11:32Stop.
11:33Don't ask me.
11:34Maybe it's not a bad idea that we have one and the other.
11:37I mean, a strong promise and a strong purpose.
11:40Yes.
11:41Go ahead and do the war and the war.
11:44And you hear them.
11:46Here you go.
11:50Who hears children?
11:52The director hears children.
11:53The director hears children.
11:54Yes.
11:55Where is the director?
11:56Where is the director?
11:57Where is the school?
12:00Hey.
12:01Hey.
12:02I need your help.
12:03What help?
12:04What help?
12:05I have a child.
12:06You know.
12:07You are very young.
12:08You are very young.
12:09You are very young.
12:10You are very young.
12:11I thought you were talking about half a day.
12:14Yes?
12:15We are now buying a house and a house.
12:19No.
12:20You are the mother.
12:22You are beautiful.
12:23You are communicative.
12:25That's because you know it with children.
12:27I have finished this part of my life.
12:30So, no.
12:31I pray, Susana.
12:33I pray.
12:34I don't want to.
12:35I will.
12:36I will.
12:37Good.
12:38Here you go.
12:39What's wrong?
12:40I am looking for someone who deserves to work for someone.
12:44One day.
12:46God will give.
12:47Or someone else.
12:50Yes.
12:51Yes.
12:52And in my second workout.
12:55And in two minutes.
12:56While you get into trouble.
12:57Come on.
12:58I'll make it up.
12:59Yes, I was trying already.
13:00Who could do now.
13:01How those.
13:02The way he Nghiel, I was?
13:03Yes, wait.
13:04She said.
13:05As if she spoke.
13:06Emilia did notice me too.
13:07Yes.
13:08What did she understand?
13:09Zeigh Good.
13:10May have a way to find out.
13:11I want to be able to breathe Yeti's way.
13:16Yes.
13:17Yes.
13:18Doct at all?
13:19Yes.
13:20Yes.
13:21Of course I understand.
13:23Germany is banal,
13:25but complicated.
13:43I'll tell you one story.
13:45Babo i sedam jarića.
13:49No, može bajka.
13:51Bila jednom jedna princeza.
13:53I jedan bezobrazni princ.
13:57On je najljuti o tu princezu.
13:59I princeza...
14:01Mali, vraćaj se!
14:03A taj princ,
14:05on je onako veliki princ.
14:07Ali on nije na zemlji.
14:11Mali, natrag!
14:13Princ leti.
14:15Leteći princ.
14:17A princeza,
14:19onako zajebana.
14:21I našli se njih dvoje.
14:23I nakon toga,
14:25princ, mali,
14:27ispredbijeću tako vola u kupusu.
14:33Dobar dan.
14:35Willkommen.
14:37Dejan Stojković, direktor hotela, generalni menadžer.
14:39Drago mi je Darko Dimitrijević.
14:41Pači, sinovi.
14:43A pači, jedni.
14:45Izvijeni, direktor.
14:47Dođi malo.
14:49Jedem.
14:51Za ovu akciju je potrebna jedna plava boja za uskršnje jaja,
15:09turpija za nokte,
15:11pinceta, parče, gaze, fen
15:13i tablete za spavanje.
15:15Da!
15:17Ile!
15:19Dođi malo.
15:21Tođe malo.
15:23A našli to je,
15:25god.
15:26Tođe malo,
15:27daje.
15:28Udujjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjjj
15:30Otvje malo.
15:31Ile!
15:32Imate malo.
15:34There is one incident in the air.
15:47I was like, you're not going to die.
15:51I'm not going to die.
15:54I'm not going to die.
15:57You said you'd be a kinder-fraer.
15:59Yes, it is a kinder fray. We have a home office here,
16:03because of the European Family Hotel.
16:06We have to do it. But we passed the first round.
16:09That's a good news. Now we just need to go.
16:12But you haven't left yet.
16:14We haven't left yet yet, but we will go.
16:17And when we go, there will be no children.
16:19They won't go down here where they are,
16:21but only a fine lady.
16:23And, have you brought me with you?
16:26Yes, yes.
16:28Come on.
16:31He asks if he is going to play what he loves.
16:35Can we look at the news?
16:38You can, of course.
16:40You can do it.
16:41I'm going to bring him.
16:43We are ready for the room.
16:44Please, for the reception.
16:48For you, president.
16:50Which room do you like?
16:52Just so you don't have a bird.
16:54There is no more, dear.
16:56There is no more.
16:57There is no more.
16:58There is no more.
16:59Good.
17:00No more.
17:03Olga!
17:04Olga!
17:05Let me hear that.
17:06Just a second.
17:07Let me, and the other two may be.
17:09Go, my degrad, I'll just give him a shot,
17:11and I'll take him what you should go.
17:12Mala jevoće ti!
17:15Ha ha ha!
17:21Ajde, Bane, ajde, malo se ubrzaje. Ajde, posumljaće nešto. Ajde!
17:25Deki, ja razumem da si u panici, ali stvarno dajem sve od sebe.
17:29Ajde, idij tamo njih zamajavaj ti dok ti je ovo završao, može?
17:35Evo ga. Do te!
17:37O!
17:37Here you go.
17:41Nice, nice. Do you play the piano?
17:44No, not really. I write. I write a lot. It's the same.
17:50People told me that I have an absolute service.
17:53Why?
17:54In general, for people. I mean, that's why I write a film.
17:58I would like to film one day.
18:00If I would finish that film.
18:02Films? I love it in planes.
18:06I would like to hear a lot.
18:11Because I can help you.
18:13Really?
18:14I know the people from Hollywood.
18:17It's done. It's done.
18:20And while you wait, are you supposed to try a massage?
18:26Who is that?
18:28Hannah.
18:29Me.
18:32It's not bad.
18:34You said I have gentle hands.
18:37It's the same.
18:39It's possible.
18:41And then we're going to make a film.
18:47Helpers!
18:49Why are we waiting?
18:50Maybe we'll come to the bar and drink a little bit.
18:53I don't drink.
18:54I don't drink.
18:5513 months.
18:56Suv kobarut.
18:59We have no alcohol cocktails.
19:01Have you tried it?
19:02Yes.
19:03It makes a mess.
19:04Our barman.
19:05Muslim.
19:06It's true.
19:07It's diversified here.
19:09Yes.
19:10Yes.
19:11Good morning, my dear dear.
19:12Good morning.
19:13Good morning, dear.
19:14Good morning, dear boy.
19:20Please come here.
19:24And bring me to the East Front.
19:32Good morning.
19:33Good morning.
19:34Good morning.
19:35Good morning.
19:36Hey, how are you, Srećo?
19:49I don't know why they have a separate crisis.
19:54I'm not stupid, Sandra.
19:56I'm kidding, I'm watching the applications and I see that they're not at the same place.
19:59How are they not at the same place? Look at this better than that.
20:03What kind of applications, man?
20:05The king gave me the keys, like my legs.
20:08Not to them, but to me.
20:11Not to me, but to my parents,
20:14and to give them a friend from the store,
20:16the most popular circles in the village,
20:18while I'm making a ticket.
20:24I'm very good to take a little scene from the reception.
20:28I saw that he's made the Kundalini energy between us.
20:33I have a new technique.
20:36It's a little pain, but it's better than Botox.
20:42Vita.
20:44It's good for the circulation and the Bore, but you still have a few years.
20:52Wow!
20:53It's good.
20:54It's good.
20:55It's good.
20:56It's good.
20:57It's good.
20:58It's good.
20:59It's good.
21:00It's good.
21:01It's good.
21:02It's good.
21:03It's good.
21:04It's good.
21:05It's good.
21:06It's good.
21:07It's good.
21:08It's good.
21:09It's good.
21:10I'm the Veske, our genius for the cocktail.
21:13Put the coffee cup.
21:15Our family Muslim.
21:16What's in this?
21:17I put syrup, salt and salt.
21:20It's good.
21:21It's good.
21:22It's good.
21:23It's good.
21:25It's good.
21:26It's good.
21:27It's good.
21:30Good.
21:31It's unbelievable.
21:32It's like a hit.
21:36Maybe it's the effect when you drink a drink, but it's not that drink, and it's like it's that drink.
21:41Yes.
21:42What do you say?
21:43Placebo.
21:44Placebo.
21:45Placebo.
21:46Give it another placebo when it's like this.
21:48Only the salt is not salt, but the homemade sugar.
21:52I always hold it in a glass of salt.
21:55Don't let go.
21:56We're in the Czech Republic.
21:58Bravo.
21:59Every time.
22:00There's a lot.
22:01It's our Veske.
22:02He's a genius.
22:03He's a genius for cocktails.
22:04Really.
22:05Oh.
22:06Oh.
22:07Bravo.
22:08Bravo.
22:09How sweet you drink.
22:10I've opened this up to me.
22:12Uh.
22:13Amazing.
22:14Is that true?
22:15That is true.
22:20Is it time to go to my room?
22:21Are you going to work in my room?
22:23Let's do your movies.
22:24And we can do your movies.
22:25I'm working now.
22:27I'm working.
22:28I'm working.
22:29I'm paying for it.
22:30And you're going to work on what I'm saying.
22:33Good.
22:34Good.
22:41Thank you, Shana.
22:44What did you do?
22:46He was making a lot bigger.
22:50I got a little bit.
22:52See, there is one very unique way to get to it.
22:57A lot of people practice it.
23:02Actually, it is very simple.
23:04What do you do?
23:06What do you do?
23:07I'm ready.
23:08I'm ready.
23:09I'm ready.
23:10I'm ready for a second.
23:12Sorry, sorry.
23:14Remember where you are.
23:16And this is ready.
23:18Turchin has been drinking an alcoholic,
23:20because the difference is spicy from the blood.
23:24They are drinking a man.
23:26Let him drink.
23:27Well, he is drinking an alcoholic,
23:29he is not drinking.
23:30He is drinking an alcoholic.
23:32Listen to me.
23:33I will go with him.
23:34You go to my cathedral.
23:35On my table,
23:36there are two fast cycles.
23:37Resedo and Turkish.
23:39In the resedo fast cycle,
23:41there is a right message.
23:42In Turkish fast cycle,
23:44there is a false message.
23:46You take Turkish fast cycle
23:48and carry an angel.
23:49I carry Turkish with an angel.
23:51Yes.
23:52Yes.
23:53Yes.
23:54Yes.
23:55What is it?
23:56Two words.
23:57Two words.
23:58Two.
23:59Off short.
24:00Off short.
24:01Off short.
24:02Off short.
24:03Off short.
24:06There is no sign of this.
24:07Literally.
24:08Where are you going?
24:10You have money for two hours.
24:12You can get off.
24:13I see if it gets off.
24:15Where are you going?
24:17When you get off,
24:18you will be able to use a cog.
24:20Once you reach the water.
24:21You can set up to the water.
24:22You can set up to the water.
24:24That's what you need.
24:25You can go out to the water.
24:26You can clean it.
24:27I can edit your water.
24:28You can put it.
24:29Help your water.
24:30You can straighten it.
24:31You can pull it off over the water.
24:32Hey,
24:34someone is talking and canal.
24:36Mhm.
24:45E, Olga, a muzik I do not know about that.
24:49Evo, that's all.
24:51Oh.
24:52Hold on, I just don't know the rest of you.
24:55I have to pay attention to you.
24:56I have to pay attention to you.
24:58Ah.
25:00No, hi?
25:02Please.
25:03Come on!
25:04What do you want to do here?
25:06I don't look at it. I brought this information.
25:11What do you want to do?
25:13You have to look for it.
25:15You have to look for the reception.
25:17You tell me a little to come here.
25:19I tell you a little to come here.
25:21I tell you a little to come here.
25:26Director, something else?
25:29She is looking for information.
25:30She has to look for information.
25:32It is very important to her.
25:34I will give you the facture.
25:35Yes.
25:36Consultant services.
25:38Yes.
25:42Really?
25:44Sorry.
25:46I didn't know.
25:48I did not know everything.
25:50He left me some money for Kiriju
25:52because I was so sorry that the Russians had the price.
25:55And I threw him a bomb.
25:58I killed his mother.
26:00???
26:06?
26:07?
26:10?
26:11?
26:14?
26:19Everything is okay, friend. I can't.
26:23You can't, you can't.
26:25You need your hand, friend.
26:27Is that it for me?
26:30Sobarica, everything is okay.
26:32You can't be sobarica.
26:34Sobarica...
26:36Excuse me, excuse me.
26:38Do you want to be with us?
26:42No, no, no.
26:49Why did you get me out of the house?
26:51Why did you get me out of the house?
26:53What do you want to be out of the house?
26:55I don't know what to say.
26:56Why did you get out of my house?
26:58You need to stop me.
26:59Please I'll pray.
27:00No, no, no.
27:01Why don't you know I would have done everything for you?
27:03The guy who is a guest of hotel
27:05wants to see the children in the restaurant.
27:07Why do you want to see the children in the restaurant?
27:09I know.
27:10I can read her.
27:12I can pray.
27:13I have some important information.
27:15Come on.
27:19Come on.
27:21I'm not a big dog.
27:26Come on.
27:27I can't talk to you about the information.
27:29When you see...
27:31That's a good thing.
27:33Where is the second phase?
27:35It's called the angel.
27:37What did you call the angel angel?
27:40It's called the angel.
27:42It's called the angel.
27:44It's called the angel.
27:46It's called the church.
27:49And it's called the angel.
27:51No, no, no.
27:52This is the real information.
27:53You understand?
27:54This is the false information.
27:56What does it mean that it's the real information
27:58from the angel angel?
28:02What is the good news?
28:03No, no.
28:04It won't be.
28:05If we don't change the place,
28:07we'll go to the angel.
28:11Oh, my God.
28:12Now you don't drink drugs.
28:16Listen, Dujević.
28:19You must go to the angel's house
28:22and you can change the fascicle.
28:24You can leave it from the ground
28:26and turn it down.
28:27Because this is the result.
28:29This is the Turkish.
28:30That's the result.
28:31Okay.
28:32This is Turkish.
28:33This is the result.
28:34All right.
28:35What do you do?
28:36It's not even important.
28:37It's all you need to change.
28:39Now, I don't have a difference, Dekki.
28:43You don't see the problem! What are you doing with these morons?
28:46Nothing! Everything is the same!
28:48Sorry, Dekki, but it's huge!
28:49Yes, it's crazy!
28:50Let's pray, Dekki!
28:51What are you doing?
28:52Nothing.
28:53You just go inside and, as you know, you can't,
28:56take it out of the door and take it away.
28:58I can't, Dekki!
28:59I really can't!
29:00Why?
29:01Why?
29:02Why?
29:03I'm sorry, woman!
29:04But you're against me!
29:05I don't understand what the problem is.
29:08I mean, the worst people are like,
29:10the worst women, and they're like,
29:12what are they going to do?
29:13You know, like,
29:14they went to the street,
29:15and they fell in the...
29:16A pillow?
29:18Yes.
29:19That's the truth.
29:21Dekki!
29:22Our sister!
29:23What do you think?
29:24Who is the girl?
29:25And the woman,
29:26who is the girl,
29:27who is the girl,
29:28who is the first girl,
29:29who is the first one.
29:30Let's have a dinner for each girl.
29:31We wouldn't have to raise her.
29:33No.
29:34First of all,
29:35you'll never be able to raise her.
29:37It's just a lie.
29:38You'll never be able to raise her.
29:39You won't be able to raise her.
29:40You won't be able to raise her.
29:41You'll never be able to raise her.
29:42Let's do it.
29:43Here is your voucher for a free hand.
29:46Oh, I'm sorry.
29:47Now it's possible.
29:48Great.
29:49Do you want a weekend, free?
29:51I don't want a weekend.
29:53I don't want a weekend.
29:54Where are you from?
29:55Two weekends.
30:00Two weekends.
30:02Two weekends,
30:03then out?
30:04One, six weekends.
30:05So,
30:06it's been so close to the scars
30:17I have to pay for this meeting.
30:18Now,
30:19you haven't paid the money over.
30:20So,
30:21nobody makes no matter
30:22how my salary costs.
30:23I'm Holiday Bill.
30:24Here's a place you have to make
30:25Shortly after this.
30:26Everything,
30:27not every day.
30:28So, what did we learn today?
30:30When we see an agreement for a good-paid job in Dubai,
30:34what do we do?
30:36First, we check health.
30:38And whether it's for a pension.
30:40So nothing without a pension.
30:42That's the most important thing.
30:44Do you understand me?
30:50I'm sorry.
30:52Come on.
30:58Let's go.
31:04What?
31:06Let's talk about the film.
31:10I'm interested in the vision.
31:12Of the film.
31:14I have a vision.
31:16I have a vision.
31:18Yes, I'll tell you about the vision.
31:20I'm interested in the vision.
31:22I'm interested in the vision.
31:24That's the first Serbian superhero.
31:28Serbian soup?
31:30Yes, that's the one.
31:32Yes, that's the one.
31:34Yes, that's the one.
31:36Let's fly.
31:38Yes, that's the one.
31:40Yes, big balls.
31:42Yes.
31:44Yes.
31:46Yes.
31:48On the weapon?
31:50Yes.
31:51What?
31:52The weapon.
31:54The weapon.
31:56And the weapon.
31:58There's a weapon.
31:59Yes.
32:00Like the animator Thor.
32:04No.
32:05Thor, as the first one, has a checker.
32:07But, yes.
32:09Thor is the same.
32:10The same.
32:11The same.
32:12The same.
32:13The same.
32:14Who is the actor?
32:16The hero of that.
32:17Chris Hens, Thor.
32:19Thor?
32:20Naš.
32:21Ovi veliki smešići.
32:22Aha.
32:23To je stvar.
32:24Uvek.
32:25Buđeta.
32:30Buđet.
32:31He's going to be big as I like to be big.
32:38Because your hand is a fixed hand.
32:44Do you know how the parts of Hollywood are finished?
32:48In the hotel room. They start, and they finish.
32:52That's it.
32:53They start, and they finish.
32:56Yeah.
32:57Yeah, yeah.
32:58Telephone.
32:59Telephone.
33:00Telephone, yeah.
33:01Telephone.
33:02Scheisse.
33:04Papa, on a video call.
33:06Oh, no.
33:07You have to close the phone.
33:09Hello.
33:11Papa.
33:13Hello, my friend.
33:14How are you?
33:15Yes.
33:16I'm calling you to hear how you are.
33:18Do you know something?
33:20Or are you just a little bit of fun?
33:22I'm working like a horse, Papa.
33:24Let's go.
33:26Are you good today?
33:28Amazing.
33:29What did you learn to learn, Nadja?
33:32The safety is the most important thing.
33:45Let me know you.
33:46This is Ferdinand.
33:48Look.
33:49The child you must be strong.
33:52Now in� of up and peace.
33:54Let me know how calmest you are.
33:56If in the video you are, it must be very peaceful.
34:00Me for review.
34:02Is it just nice to acknowledge you?
34:04Special, something special, please.
34:07I don't tell you anything about the hotel. She talked about the Ayurvedic, and the nonsense, and the nonsense, and she was a lot of fun.
34:15And is she maybe mentioned the sale?
34:20That you asked me.
34:21Okay, let me go.
34:22I can't go.
34:23You can't go.
34:25Because it's very important that if you remember something important to me...
34:28E, here we go.
34:31Is she shit?
34:34No, bro. Sram te bilo.
34:36Nije.
34:37Nisam.
34:38Nisam.
34:40Ne, tato je zvao na mobil i tako, zato sam uspao da pobegnu.
34:44Tato je zvao?
34:44Da.
34:45Is she chuoš šta su pričali?
34:46Da li je pominjala prodaju nekak?
34:48Jo, ne znam. Deki, ne pričam nemačke sve.
34:49Pa, ne možda pričaš nemačke, aljda znaš dve, tri prosto proširene reče.
34:53Si gledao neki partizanski film.
34:54Alarm! Alarm!
34:56Juden! Ausweis!
34:57Deki.
34:58Ajde, bre.
34:59Gde ovaj savetnik?
35:01Rešavam tog savetnika.
35:05Deki.
35:08Nije.
35:09Hvala ima u...
35:10Nisam.
35:11I da jesi.
35:12Nisam!
35:13Nije.
35:18Evo nas vi u bavi, svi smo na broju vidi.
35:21Nasvježajem vazduhu.
35:24Još to jeben je golubarnik?
35:25Ma znaš ti kolike zaraze te ptice prenosi?
35:28Aha, nište u pravu, gospodja.
35:30Jao, mi ti decu iz tog golubarnika i tog sugavog dede.
35:34Ajde, kreni s nesta, praštaj.
35:38Praštaj veđa.
35:39Ej, nije tebi lako ne njo, sine.
35:42Ajde, lako, brate moj, št, št, ajde.
35:46Šnel, šnel!
35:48Majne Fata je zvao za izvrštaj, gde si do sad?
35:50Evo, malo se mora da prilegnem samo se u redu.
35:53Evo, šnel, šnel, to znači brže, ubrzaj se.
36:00Svi smo, mislim, u mladosti gledali nemačke akcijone filmove.
36:04Da, dakle, uzimajući u obzir stepen inflacije i porast turizma u oblasti Balkana od čak 17% u protekloj godini,
36:20Moram da priznam da ovo izgleda sasebim solidno, ali nedovoljno da zaključim bez uvida u dnevni promet, znate.
36:32Sreću mi, imam ga ja na svom telefono.
36:34Ima bane na telefon.
36:38Mogu nešto da te zavolim?
36:40Možeš.
36:41Zgazi me, slobod, nemo, tu tako, tu me zgazi, tako, tako.
36:46Tu!
36:47Tu!
36:48Jao, jao, punako, nemoj tako jako!
36:50Jao!
36:51Uh!
36:52Izvini, izvini, pa sam si dražio.
37:02Sve je super.
37:05Knjige čiste, promet dobar, bolju evidenciju ja nisam video.
37:11Svaka čast.
37:13Čista poezija.
37:15Ale zgod.
37:18Dobro je što niste ušli u minusu, majne fater će to dobro da čuje.
37:22Kakav crni minus, ma nema, mi smo sve u plusu ovde, samo pluseve nižemo.
37:28A i da vidite ovi iz EFH, iz komisije, pitajte njih, baš smo ih onako oduševili.
37:33Zaista, pogotovo tog muškarca njega smo baš oduševili.
37:37To ćemo da vidimo kad stigne finalni izveštaj.
37:40Naravno.
37:41Scenograf, do tad da svršiš scenavio.
37:44O, pa delje ga on, stalno bez brige.
37:46Taj scenariju, misli, naravno kad ne radi, ali tako?
37:49Ja mu pomažem puno ideja, mi razmenjujemo kreativno.
37:53Mnogo.
37:55Ja, vi ste.
37:57Fina devojka.
37:59Treba će i neko za knjige, za firmu.
38:02Hotel da se očisti od kurava i od dece, i da se dovede biznis klijentela poslovog naroda.
38:09Naravski.
38:10Naravski.
38:11Dobar dan, dobro dan.
38:12Dobar dan.
38:13Dobar dan.
38:14Dobar dan.
38:15Dobar dan.
38:16Wow, čujem še.
38:1715 sobu.
38:18Da li imaju slobodno?
38:1915?
38:2015?
38:2115.
38:22Ima.
38:23Ima.
38:24Evo, kao što vidite, mi već radimo na tome. Angela, vaša želja za nas zapovest.
38:30Auf Wiedersehen.
38:31Auf Wiedersehen.
38:32Dobrodošli, bravo. Otkud ovi ljudi, a?
38:35Nemam pojma, ali mi je timing perfekto.
38:37Oma.
38:38Oma.
38:39Dobrošli.
38:40Si.
39:09Dobrošli.
39:11Dobrošli.
39:12Dobrošli.
39:13Dobrošli.
39:14Dobrošli.
39:16Dobrošli.
39:17Dobrošli.
39:18Dobrošli.
39:19sidonacum.
39:20Dobrošli.
39:21Dobrošli.
39:22Nuzaj настajati momenstres su klasnika.
39:24Og eat,쪽에 rengis.
39:26Sedanete VIDET data.
39:27Prava.
39:29Občлюч.
39:30Tentあれvami.
39:31己.
39:32Tak.
39:33세.
39:34Pueosing.
39:34To shootout jednu sarvon cor correting发beryji da einsa dot comadranga
39:36大.
39:38Podstate podia Ladies 모르 manager.
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