A Hard Day’s Night (1964) Watch HD

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A Hard Day’s Night (1964) is a lively musical comedy that follows the adventures of a popular music group as they navigate a whirlwind day of performances, fans, and humorous situations. The film highlights themes of friendship, creativity, and teamwork, with energetic performances and engaging storytelling. Its charming characters and fun-filled plot provide an entertaining and family-friendly cinematic experience for viewers of all ages.  A Hard Day’s Night, A Hard Day’s Night 1964, A Hard Day’s Night movie, A Hard Day’s Night film, A Hard Day’s Night full movie, musical comedy, music group story, friendship theme, creativity story, teamwork story, energetic performances, engaging narrative, charming characters, fun filled plot, entertaining film, family friendly movie, classic musical, popular 1964 movie, cinematic adventure, lively story, inspiring performance

Transcript

00:33:38So I hope you'll see

00:34:12So I hope you'll see

00:34:46Pardon me, I'd like more drums there.

00:34:49No, I think it's on the other bit.

00:34:50On the other bit, where he goes on the third bit.

00:34:52On the third bit, more bang!

00:34:58Right, let's you know more about it, you're probably right.

00:35:02Now look, if you think I'm unsuitable, let's have it out in the open.

00:35:05I can't stand these backstage politics.

00:35:08Aren't you turning to black and white the situation somewhat?

00:35:10Well, quite honestly, I wasn't expecting a musical arranger

00:35:13to question my ability picture-wise.

00:35:16I could listen to him for hours.

00:35:18What's all this about a musical arranger?

00:35:20Mr. McCartney, senior.

00:35:21Hey, Paulie, they're trying to fob you off with this musical charlatan.

00:35:25But I gave him the test.

00:35:27I'm quite happy to be replaced.

00:35:29He's a typical book passer.

00:35:31I won an award.

00:35:32A likely story.

00:35:34It's on the wall in my office.

00:35:38Hello, Arlott. Everybody happy?

00:35:43All right, all right. If you don't need them, I'll lock them up in the dressing room.

00:35:47Please do. I'll not need them for half an hour.

00:35:50Thank you.

00:35:51Have me a bottle of milk and some tranquilizers.

00:35:54I see it all now. It's a plot.

00:35:56A plot.

00:36:00Tranquilizers.

00:36:01Come at you lot. I've got the key.

00:36:03I've got the key.

00:36:10Come there, Brinko.

00:36:18Hello.

00:36:19Come on.

00:36:20Leslie Jackson!

00:36:21I saw your father in the old empire in 1909.

00:36:24Ah, if you're as good as him, son, you're all right.

00:51:09My name's Betty.

00:51:11Do you want to punch up your frog tunic?

00:51:13No.

00:51:15You shan't behave yourself or I'll murder you.

00:51:17Shake, take that wig off. It suits you.

00:51:21Ringo, what are you up to?

00:51:23Page five.

00:51:24You always fancied yourself as a guardsman, didn't you?

00:51:26Oh, that this tutu's solid flesh would melt.

00:51:29Vap!

00:51:31Hey, you won't interfere with the basic, rugged concept of me personality, William Adam.

00:51:35Hey, sweetie, the Queen.

00:51:39That's an in-joke, you know.

00:51:41Shazam!

00:51:42It's my considered opinion that you're a bunch of sissies.

00:51:45You're just jealous.

00:51:46Leave him alone, Lennon, or I'll tell him all the truth about you.

00:51:49You wouldn't.

00:51:50Oh, I would, though.

00:51:52Lookit, I thought I was supposed to be getting a change of scenery,

00:51:55and so far I've been in a train and a room and a car and a room and a room and a room.

00:52:00Well, maybe that's all right for a bunch of powdered geegars like you lot,

00:52:03but I'm feeling decidedly stray-jacketed.

00:52:06What a clean old man.

00:52:08Don't pressure, look.

00:52:09He's sex-obsessed.

00:52:10The older generation leaving this country to gallop in ruin.

00:52:16What's a pretty girl like you doing in a place like this?

00:52:21Uh, they're nearly ready for your lads. Just finishing the band call.

00:52:24I say, did you go to Harrods?

00:52:26I was there in 58, you know.

00:52:28I can get on stage.

00:52:29Oh, how?

00:52:30Return right here to the corridor and your part of the fireplace.

00:52:39I don't like jewels.

00:53:00Hey, kids, I got an idea.

00:53:12Oh, why don't we do the show right here? Yeah!

00:53:15Ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha-ha!

00:53:17Two, three, four!

00:53:18Before this dance is through, I think I'll love you too.

00:53:30I'm so happy when you dance with me.

00:53:33I don't want to kiss or hold your hand.

00:53:37If it's funny, try and understand.

00:53:41There is really nothing else I'd rather do.

00:53:45Cause I'm happy just to dance with you.

00:53:48Just to dance with you.

00:53:49I just want to dance with you all night.

00:53:51In this world, there's nothing I would rather do.

00:53:55Cause I'm happy just to dance with you.

00:53:59Just to dance with you.

00:54:01Is everything I need.

00:54:03Before this dance is through, I think I'll love you too.

00:54:07I'm so happy when you dance with me.

00:54:19If somebody tries to take my place.

00:54:23Let's pretend we just can't see his face.

00:54:27In this world, there's nothing I would rather do.

00:54:31Cause I'm happy just to dance with you.

00:54:34Just to dance with you.

00:54:38Is everything I need.

00:54:42Before this dance is through, I think I'll love you too.

00:54:47I'm so happy when you dance with me.

00:54:50If somebody tries to take my place.

00:54:54Let's pretend we just can't see his face.

00:54:58In this world, there's nothing I would rather do.

00:55:01I've discovered I'm in love with you.

00:55:06Oh.

00:55:08Cause I'm happy just to dance with you.

00:55:12Oh.

00:55:14Oh.

00:55:16Oh.

00:55:17Very good that, George.

00:55:20Oh.

00:55:21Oh.

00:55:22I was trying.

00:55:23Yeah.

00:55:24It's time.

00:55:25Let's go.

00:55:26Go on.

00:55:27That was great, lad.

00:55:28Now, you've got about an hour, but don't leave the theatre.

00:55:29Where are you going, John?

00:55:30She's going to show me a stamp collection.

00:55:32So's mine.

00:55:33Oh, but...

00:55:34John, I'm talking to you.

00:55:35This final run through is important, understand?

00:55:37Important.

00:55:39I want a cup of tea.

00:55:42Uh, shake.

00:55:43Um, I've got to adjust the decibels on the imbalance, Norm.

00:55:46Clever.

00:55:47George.

00:55:49Ringo, look after him, will you?

00:55:51All right, Norm.

00:55:52Do I have to raise my voice?

00:55:55All right.

00:55:56Come on, granddad.

00:55:57I'm a drummer, not a wet nation.

00:55:59What does it have to be?

00:56:24Would you look at him?

00:56:25Sitting there with his hooter, scraping away at that boog.

00:56:28Well, what's the matter with that?

00:56:30Have you no natural resources of your own?

00:56:33Have they even robbed you of that?

00:56:35Well, you can learn from books.

00:56:37You can, can you?

00:56:38Ah, sheep's heads.

00:56:41You could learn more by getting out there and living.

00:56:43Out where?

00:56:44Any old where.

00:56:45But not her, little Richard.

00:56:47Oh, no.

00:56:49When you're not thumping them pagan skins,

00:56:51you're tormenting your eyes with that rubbish.

00:56:53Books are good.

00:56:55Parading's better.

00:56:58Parading?

00:56:59Parading the streets.

00:57:01Trailing your coat.

00:57:03Balling along.

00:57:04Living.

00:57:05Well, I am living.

00:57:07You?

00:57:08Living?

00:57:09When was the last time you gave a girl a pink-edged daisy?

00:57:12When did you last embarrass a Sheila with your cool appraising stare?

00:57:18You're a bit old for that sort of chat, aren't you?

00:57:21Well, at least I've got a backlog of memories.

00:57:23All you've got is that boog.

00:57:26Oh, stop picking on me as bad as the rest of them.

00:57:28Ah, so you are a man after all.

00:57:31What's that mean?

00:57:32Do you think I haven't noticed?

00:57:34Do you think I wasn't aware of the drift?

00:57:37You poor, unfortunate scruff.

00:57:40They've driven you into books with their cruel, unnatural treatment,

00:57:46exploiting your good nature.

00:57:48I don't know.

00:57:49Ah, sure, that lot's never happy unless they're jeered in you.

00:57:53And where'd they be without the steady support of your drumbeat?

00:57:56That's what I'd like to know.

00:57:58Yeah, that's right.

00:58:02And what's it all come to in the end?

00:58:04Yeah, what's in it for me?

00:58:07A boog.

00:58:09Yeah, a blooming boog.

00:58:11When you could be out there betraying a rich American widow

00:58:14or sipping palm wine in Tahiti before you're too old like me.

00:58:18Yeah, funny, really.

00:58:21Because I never thought, but being middle-aged and old

00:58:23takes up most of your time, doesn't it?

00:58:25You're only right.

00:58:30Where you going?

00:58:31I'm going parading before it's too late.

00:58:44Hey, Ringo, you know what just happened to me?

00:58:46No, I don't.

00:58:49You want to stop looking so scornful it's twisting your face?

00:58:54Tell him of the story about the...

00:58:55Hello. Here he is, the middle-aged boy wonder.

00:58:57Hey, I thought you were looking after the old man.

00:59:02Well, he had about half an hour to the final run-through.

00:59:04He can't walk out on us now.

00:59:05Can't he? He's done it, son.

00:59:07Hey, you know what happened?

00:59:08We know.

00:59:09Your grandfather, he's stirred him up.

00:59:11He hasn't.

00:59:12Yeah, he filled his head with notions, seemingly.

00:59:15The old mixer. Come on, we'll have to put him right.

00:59:18Can we have all time to cancelation for rehearsal, please?

00:59:26Split up and look for him.

00:59:28We've become a limited company.

00:59:34I'll look in here again.

00:59:37I'll look in here again.

00:59:38Ah!

00:59:39Ah!

00:59:40Ah!

00:59:41Ah!

01:00:02Ah!

01:00:04Ah!

01:00:06Ah!

01:00:07Ah!

01:00:08Sous-titrage Société Radio-Canada

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