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GAMEPLAY
Focused on the real-life practices of forensic analysts, we have created mechanics that allow the player to understand and uncover the truth behind the evidence they find. Throughout She's Leaving, you begin to discover that there has always been a target on your back.

STORY
As you wade through the dark halls of House Haywood, you will find meaning in blood.

Enter Charles Dalton, a forensics analyst who specializes in blood spatter, tasked with using his expert skill set to solve the disappearances of multiple persons in the snowy region of Haywood. In the darkness of a Tudor mansion, you hear the foghorn blow. You are not alone.

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Transcript
00:00I think she's alive
00:03Hello, and welcome to this special showcase of She's Leaving
00:15My name is Detective Kimberley, and I'll be your police escort for today
00:19So, what exactly is She's Leaving?
00:24Obviously I can't give you access to the report
00:26But I'm not saying too much, you'll experience a case grounded in grief and obsession
00:32And, unfortunately, how easy it can be for the two to blend into violence
00:38You'll follow the story of Charles Dalton
00:41I'm a forensic analyst who specializes in blood spatter
00:45Why am I in this godforsaken place, you ask?
00:49Because I want answers to a question that no one is asking
00:52If you come with me, you might hear a voice from my radio
00:57That would be...
00:59Annabella, I'm the voice of reason, of levity
01:03I'm here to make sure you don't go insane inside that decrepit relic
01:07Speaking of House Hayward, I'm sure Kimberley can tell you more
01:11House Hayward is a relic of the past
01:14Situated on the border of England and Wales
01:17It sits upon a storm-weathered mountain and...
01:20What?
01:21Going inside?
01:23Well, everything's far worse than death
01:27And that just might be one of them
01:33If you manage to get inside
01:36It's imperative that you keep your taser loaded and ready to fire
01:40I'm not at liberty to tell you why, but just trust me on this one
01:44Want to know when it's loaded and ready to go?
01:47Check your PlayStation controller
01:49See that light bar right there?
01:51If that's flashing red, you're defenseless
01:54But if it's blue, you're good to go
01:58For this case, we're doubling up on PlayStation exclusive features
02:01Your controller will also pick up any hostile sounds in the area
02:05Nervous to look around the next corner?
02:07No, listen carefully
02:08Tweety-me-
02:09That's your cue to get out of there
02:12Let's switch to a hypothetical
02:14What would happen if our blood spatter analyst, Charles
02:17Got inside and found what he was looking for?
02:42Oh, once that happened
02:54Liar
02:55He's looking for a little bit
02:57He's looking for a little bit
02:58He's looking for a little bit
02:59He's looking for a little bit
03:00He's looking for a little bit
03:01He's looking for a little bit
03:02He's looking for a little bit
03:03He's looking for a little bit
03:04He's looking for a little bit
03:05He's looking for a little bit
03:06He's looking for a little bit
03:07He's looking for a little bit
03:08He's looking for a little bit
03:09He's looking for a little bit
03:10He's looking for a little bit
03:11He's looking for a little bit
03:12He's looking for a little bit
03:13He's looking for a little bit
03:15He's looking for a little bit
03:16He's looking for a little bit
03:18He's looking for a little bit
03:19He's looking for a little bit
03:20He's looking for a little bit
03:22I think she's alive.
03:52There's something about this room, Charles.
04:02Let there be light.
04:19Lot, analyze it.
04:22There's got to be more.
04:28Let's find them.
04:29There's got to be more.
04:36There's got to be more.
04:38There's got to be more.
04:45Oh, that's loud.
05:04There's got to be more.
05:19Introducing the history of Haywood.
05:23There's got to be more.
05:30There's got to be more.
05:32There's got to be more.
05:37There's got to be more.
05:39There's got to be more.
05:41There's got to be more.
05:48There's got to be more.
05:50There's got to be more.
05:57There's got to be more.
05:59There's got to be more.
06:07There's got to be more.
06:09There's got to be more.
06:11There's got to be more.
06:13Leaking away from my body.
06:35Contact pattern.
06:37Good or bad?
06:39It's blood.
06:41It's always bad.
06:43What I mean is, can you tell if the victim got away?
06:47Well, you see stains like this when the victim is struggling to stand up straight.
06:52They need to lean on something to regain themselves, you know?
06:56When I say if it's blood, it's bad.
06:59This is very bad.
07:11No!
07:13No!
07:15No!
07:17No!
07:18No!
07:19No!
07:20No!
07:21No!
07:22No!
07:23No!
07:24No!
07:25No!
07:26No!
07:27No!
07:28No!
07:29No!
07:30No!
07:31No!
07:32No!
07:33No!
07:34No!
07:35No!
07:36No!
07:37No!
07:38Oh
08:08That didn't end too well did it?
08:10On December 2nd
08:12You'll be able to infiltrate House Hayward yourself
08:16Let's hope you don't end up like Charles
08:18I'll end up like Charles
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