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Neeli Kothi - Episode 03 - [CC] 15 December 2025 - [ Anmol Baloch & Talha Chahour ] - HUM TV

A story where love meets mystery and secrets of the past refuse to stay buried.
Neeli Kothi follows the journey of a young woman who inherits an old mansion filled with hidden truths, unspoken emotions, and a haunting past that begins to unfold as she steps inside its blue-walled corridors


✍️ Saima Akram Chaudhry
🎬 Anjum Shahzad
Produced by Momal Productions & MD Productions


#HUMTV #NeeliKothi #AnmolBaloch #TalhaChahour #ComingSoon #SaimaAkramChaudhry #AnjumShahzad #MoomalProductions #MDProductions #overview

Category

😹
Fun
Transcript
00:00Why are you taking a picture?
00:20Because he has breaking news today.
00:22Miss Attitude, hashtag got arrested.
00:30Do you know that without someone's permission,
00:33it's how much it is?
00:35And that someone's own lives,
00:37it's not acceptable?
00:43Sorry, sir.
00:45Miss Zara has told me all the details about
00:47how many people have used their checkbook
00:50and all the mess created.
00:52And if you want to ask Zara,
00:55do you want to make it a joke?
00:57Sorry, sir.
00:59Alaina, you too sorry.
01:01I'll tell you that you are my daughter.
01:04Sorry, sir.
01:07I had only a joke.
01:09It was a bad joke.
01:11Sorry.
01:13I'm sorry.
01:17Miss Zara,
01:18you too.
01:19I'm sorry.
01:20I'm sorry.
01:21Yes, sir.
01:23Mr.
01:24Mr.
01:25Mr.
01:26Mr.
01:27Mr.
01:28Mr.
01:30Mr.
01:32Mr.
01:33Mr.
01:34Mr.
01:35Mr.
01:36I think you're talking about me and Zara.
01:37Mr.
01:38Mr.
01:39Mr.
01:40Mr.
01:41Mr.
01:42Mr.
01:43Mr.
01:45Mr.
01:46Mr.
01:47Mr.
01:48Mr.
01:49Mr.
01:50Mr.
01:51Mr.
01:52Mr.
01:53It's urgent.
01:58Yes sir.
02:00Now you can go. Thank you.
02:23If you have a dean of faculty, if you have a whole university, then you don't have permission to take the decision of the university.
02:32I mean, ask for my purpose.
02:35Zara, there was no problem with Alaina.
02:37Whatever it means, I'm not interested.
02:40If you want to work, then go to the library.
02:45I'm fine with her.
02:46For God's sake, Alaina.
02:48I don't care about you.
02:50Are you still going to work with her?
02:52Obviously, I can't say no to Professor Saad.
02:55Then go to hell.
02:58I'll go with you there too.
03:00I'm free to go to the cafe.
03:16Why did you have a phone for me?
03:19This is from my side.
03:22And again, sorry.
03:24If you haven't been there, let me be a person.
03:27I'll have to stay here.
03:28I'll have to stay here.
03:32Is he dead?
03:34It's all that.
03:36That's all.
03:37You are confused.
03:38Why are you confused?
03:39I'm confused.
03:40I'm confused.
03:41Why am I confused?
03:42You'll be a prince charming.
03:44Prince Charming
03:44If Prince Charming
03:46You can do it
03:48I'm talking to you
03:48I'm talking to you
03:53Seth please
03:55This work
03:55I'm focusing on
03:56This work
03:59You can't do it
03:59So that
04:01Professor Saag
04:01You can take all credit
04:02You can take all credit
04:03No, I don't
04:05I don't have credit
04:06I don't have credit
04:06Okay
04:06I don't have credit
04:09I don't have a rule
04:11I don't have credit
04:28I don't have credit
04:29It's spinning
04:31It's
04:32Congratulations
04:43Screen
04:45Tột گئے میرے فون کے بھی
04:46Kisah beraber ہو گئے
04:50Ab berabari کی بنیاد پر
04:53Karm start kaat
04:53Vans se nei
04:56Kal se
05:02You're a beautiful girl.
05:21Until you don't say sorry, it won't start.
05:25Sorry for what?
05:27I'm sorry for your phone.
05:31I'm sorry for you.
05:32I'm sorry for you.
05:34I'm sorry for you.
05:36You're very sorry for me.
05:39Of course.
05:40Then do you have a write-up?
05:41100%.
05:42Okay.
05:44I'm sorry for you.
05:48I'm sorry for you.
05:50I'm sorry for you.
05:52I'm sorry for you.
05:54I'm sorry for you.
05:55But you and Elayna,
05:57I'm sorry for your pictures.
05:59I'm sorry for you.
06:01That's why I pray for you.
06:03That's why I pray for you.
06:04That's why I pray for you both.
06:06That's why you both have the guilt
06:09and the guilt that I have taken.
06:11After that, it will be right.
06:13When you work for me,
06:34If you take a part from your own knowledge,
06:36then you have to have to be a part of your own work.
06:39Once again, you'll know what you know.
06:43You'll take a part from your own work.
06:57Hello, sir.
06:58The village is not here.
07:00The village is here before.
07:01I understand. The village is here too.
07:03What are you talking about?
07:05What's up, Chakram?
07:09There is a number of manager and composer needs to be a manager's salary.
07:161,500,000,000.
07:18I'm going to do the manager.
07:20You'll do the composing.
07:21No, you'll do it.
07:23But I won't tell you.
07:25I haven't told you that the owner of the owner of the Neelie Koti
07:28is our name.
07:30I'll come back to the owner of the owner.
07:40What happened?
07:42You're telling me your job.
07:44Yes, it didn't.
07:46It's above it.
07:48This is...
07:5250,000 of the owner of the owner of the owner.
07:5550,000 of the owner of the owner of the owner.
07:5750,000?
07:58What?
07:59Are you selling the owner of the owner of the owner?
08:01I don't understand.
08:03What will I do?
08:04Where will I give you 50,000?
08:08I have a solution.
08:11What is the solution?
08:17What is this?
08:18What's the solution?
08:19I'll tell you to go to the temple.
08:20I'll tell you.
08:21I'll give you some idea.
08:22You'll get some idea.
08:30Neelie Koti's manager.
08:31Salary deadlocked.
08:33I'll tell you.
08:34No.
08:35I don't have to tell you.
08:36No.
08:37I'll tell you.
08:38I'll tell you.
08:39What?
08:40What are you doing?
08:41I don't want to tell you.
08:42I don't want to tell you.
08:43Zep
08:47Hey
08:48Are you going to take it?
08:52Are you telling me that Elena's mother is getting a date set?
08:56Yeah
08:57Are you talking about it?
08:59They're sitting down
09:01Are you telling us anything?
09:04I don't know how it is going to be
09:06What do you say?
09:06She says she loves you
09:09And she gives you so much attitude
09:11Okay.
09:12Okay.
09:13I don't know.
09:14Kuch bhi aca nhaan.
09:16Okay.
09:17Come on.
09:19Come down and meet them.
09:22Okay.
09:23Okay.
09:24Okay.
09:28Okay.
09:29Okay.
09:30Okay.
09:37Okay.
09:38Okay.
09:39Okay.
09:40Okay.
09:41Hurry up now.
10:11Hurry up now.
10:41Hurry up now.
11:11Hurry up now.
11:41Hurry up now.
11:43Hurry up now.
12:15Please be practical.
12:16Please, let's see.
12:18You start again.
12:19Please.
12:20Please.
12:21Please.
12:22Please.
12:23Please.
12:24For me.
12:25Please.
12:26Please.
12:35Huh?
12:36Zara?
12:37Zara?
12:38Zara, please.
12:39Please.
12:40Please.
12:41Please.
12:42Please.
12:43Please.
12:44Please.
12:45Please.
12:46Please.
12:47Please.
12:48Please.
12:49Please.
12:50Please.
12:51Please.
12:52Please.
12:53Please.
12:54Please.
12:55Please.
12:56Please.
12:57Please.
12:58Please.
12:59Please.
13:00Please.
13:01Please.
13:02Please.
13:03Please.
13:04Please.
13:05Please.
13:06Please.
13:07Please.
13:08Please.
13:09Please.
13:10Please.
13:11Please.
13:13Please.
13:14Please.
13:15Please.
13:16Please.
13:17Please.
13:18Please.
13:19Please.
13:20Please.
13:21Please.
13:22Please.
13:23Please.
13:24Please.
13:25Please.
13:26Please.
13:27Please.
13:28Please.
13:29Please.
13:30Please.
13:31Please.
13:32Please.
13:33Please.
13:34Please.
13:35Please.
13:36Please.
13:37Please.
13:38Please.
13:39Please.
13:40Please.
13:41Please.
13:42Please.
13:43Please.
13:44Please.
13:45Please.
13:46What are the things that affect us in our future life?
13:56What is this?
13:58Let's open it. What do you want to say?
14:01Baba-jaan, what is it?
14:05Let me ask you to your mother.
14:09You don't want to.
14:11I'm so sorry. You okay?
14:15I'm okay, I'm okay, I'm okay, I'm okay, I'm okay.
14:17Relax, relax, relax.
14:19No, okay, don't panic.
14:20Sit.
14:22I'm fine, I'm fine, I'm fine. Please, please.
14:25I'm so sorry.
14:26Why are you so fussing?
14:28A little bit.
14:31Let me see.
14:32I'm totally fine.
14:36What is this?
14:38What did you want to say?
14:41I don't know.
14:44I don't know what I wanted to say.
14:47Alayna.
14:50Do you know anything?
14:51What did you want to say?
14:56Not at all.
14:59Excuse me, let me just...
15:01Yes, please. Sure.
15:03Sure.
15:09I remember when my father died.
15:12I remember.
15:14I remember.
15:15I remember.
15:16I remember.
15:17I remember.
15:18It's a day.
15:20It's a day.
15:22It's a day.
15:23It's a day.
15:24The man makes himself himself, Zahra.
15:32And his body is holding on to the door.
15:40That door will open you.
15:45Don't worry about it, I've explained it. He won't say anything.
15:51How are your hands?
15:53It's better to put a little ointment.
15:57Okay, I'm waiting for you.
15:59We have to handle the situation, right?
16:02My mother's house is our blood-relation.
16:06When did she say that?
16:08The Lord's voice is from his heavenly heaven, right?
16:11You also go out.
16:13And then go out there,
16:14you have to give her a sense of their mistakes.
16:17Zahra, think.
16:19At this time, there's a lot of need for someone.
16:21We don't need them.
16:23We don't need them.
16:24I'm going to go there only for a job.
16:27Because there's no other option for me.
16:30You're scared of us.
16:33I'm sorry, auntie.
16:35I'm sorry, auntie.
16:36It wasn't my answer.
16:38So, Akbar, then, this is the thing, right?
16:40Yes, 100%.
16:41I told Zahid,
16:43that when the research doesn't get better,
16:48no family will not pressure on the pressure.
16:51Why?
16:52So, son.
16:53You don't have to worry.
16:55We won't disturb your studies.
16:57We won't disturb your studies.
16:58You should focus on your studies.
17:00Okay.
17:01Then, let's talk about the function of the earth.
17:07Yeah.
17:08Okay.
17:09Absolutely.
17:10I have to eat food first.
17:13Yes, absolutely.
17:14You can eat food.
17:15Sure.
17:16Say it.
17:1712.
17:18You have to talk.
17:19Hello, my phone.
17:20Kira diya, okay?
17:21Thanks.
17:22Five hours.
17:23Five.
17:24What?
17:25Are you okay on the urgent basis?
17:26No.
17:27No.
17:28No.
17:29No.
17:30No.
17:31No.
17:32No.
17:33No.
17:34No.
17:35No.
17:36No.
17:37No.
17:38No.
17:40No.
17:41No.
17:42No.
17:43No.
17:44No.
17:45No.
17:46No.
17:47No.
17:48No.
17:49Just keep saying.
17:50No.
17:51No.
17:52Just keep asking me at the door.
17:54Please, don't put this into a struggle.
17:55альной party Pat.
17:56You willrat mm.
17:57Not doing that.
17:58No.
17:59Sara,
18:00lets me throw 5,000 dollars off.
18:02Just take a break.
18:07Get along.
18:08Sara.
18:09Nh pieces just remember
18:11us placing young water.
18:13No.
18:14What the story is, did you see that?
18:20What was the story?
18:24What did you see?
18:26What did you see?
18:29What did you say to auntie?
18:33I was probably not prepared for her for her.
18:38Thank God!
18:42Okay.
18:49Okay.
18:51Okay.
18:56Okay.
18:59Okay.
19:02Okay.
19:07Okay.
19:14Okay.
19:17Okay.
19:19Okay.
19:20Okay.
19:21Okay.
19:22Okay.
19:23Okay.
19:24Okay.
19:25Okay.
19:26Okay.
19:27Okay.
19:28Okay.
19:29Okay.
19:30Okay.
19:31Okay.
19:33Okay.
19:34Okay.
20:08A child?
20:14Which child is a home?
20:17My aunt, Bisma and who?
20:21How did Bisma come here in the middle of the night?
20:25What do you want to tell? I also know someone at night. She told me.
20:31What did she tell?
20:32He is that his love to be loved by the Zayd.
20:36When he knows about Zayd's love, he will have his eyes.
20:42Look at him, my friends, I have no love.
20:45But this is Zayd's love.
20:48Zayd's love is that Zayd's love.
20:51Zayd's love and Alina, they want one another, and they have understanding.
20:55Yes.
20:56However, you have to talk about it once again.
21:01You have to ask yourself.
21:03Sorry, sir.
21:05It's too late.
21:07Now, nothing can happen.
21:09This weekend, it's a mistake.
21:11What's the matter?
21:13Let's go.
21:15Whatever you understand, you can do it.
21:20But how do you take these U-turns?
21:25You don't have to worry about it.
21:28Listen, don't do anything with Zaid.
21:31I'm very upset.
21:32No.
21:36How many candidates are?
21:39Okay.
21:41I'll come with Zaid.
21:43What happened?
21:45What was the result of my assistant's interview?
21:47It was two weeks.
21:49You called me at home.
21:51You called me the name of the interview.
21:53Okay?
21:54Okay.
21:55Listen, you can take them.
21:56What?
21:57You can take the wallet and wallet.
21:59You've forgotten.
22:00Oh.
22:03If I'm not, what do you do with me?
22:06I'm going to think about it.
22:08Please, don't do anything like this.
22:11You don't need to be so emotional.
22:13Okay.
22:14Okay.
22:15Okay.
22:16Okay.
22:17Yeah.
22:18Okay.
22:19Yeah.
22:20Okay.
22:21Okay.
22:22Yeah.
22:23Okay.
22:26Okay.
22:28Okay.
22:29Okay.
22:30Okay.
22:31Okay.
22:32Rijit, you have to tell me about this paper.
22:36You are a Tom Cruise.
22:39Look at Alaina's voice.
22:42It's bad for her.
22:43I'm not sure that all the world is bad for her.
22:47We're not so bad.
22:49How much do you think?
22:50Listen.
22:51You're a very good one.
22:58Sorry.
22:59I'm sorry.
23:01Yes, Baba.
23:06I need to come.
23:09Okay.
23:10I'm coming.
23:13Hello.
23:14Where are you going?
23:16Baba's work in the office.
23:17I have to go.
23:17What's the origin of work?
23:19Three days before, you gave a very professionalism.
23:22You're almost done.
23:24You've been doing the last two days,
23:25and you've been doing the professor's office.
23:27Oh, yes.
23:28And I have been doing the laptop daily.
23:30Bye.
23:57Shereer Sajjad
24:01Aherkara wo dina aya gya
24:04Jib tum finally
24:05Apenye nanabu ke sath
24:06Aankhon mein aankhye mila kar bata kero khe
24:08Dua kere
24:11Masha Allah
24:13Masha Allah
24:27Masha Allah
24:57Hello
25:05Jeejee mein zaara hai
25:08Mere baat kere jayaan aap kuan
25:09Jeej
25:27Maha shukriya
25:30Maha shukriya
25:50Jeejee
26:12The life is like the people of Alaina.
26:17The people who think is get the same.
26:20And we have to look for small wishes.
26:55Totally blank.
26:57What will it become?
26:59It's generation gone.
27:01How will you manage such great properties in our empire?
27:04I've also learned all things from you.
27:07Son, I'm saying that don't go.
27:12How will I manage everything?
27:14Baba-san, please.
27:16I'll go and train. Trust me.
27:20Yes, I trust you.
27:23I don't know what to do.
27:25You're interested in the literature.
27:28The typing speed is very slow.
27:30I'll give you a job in which places.
27:32I'm so sorry that I can't give you any job.
27:35Good luck.
27:38Sure, sir.
27:39You're done.
27:45Shaisa, your turn.
34:14Look through all 9 pare, all right.
34:16Wait, wait, wait.
34:17Where am I getting to?
34:19I have read all you novels.
34:21You wrote very well too.
34:23Especially aroundیکшacağely,
34:24And you wrote very well.
34:28And so novels are so popular.
34:30You're a good writer.
34:32What needs a job?
34:33What are you needs?
34:34Oh.
34:35There are some financial issues.
34:38issues and then publishers
34:43don't pay the time.
34:44That's true.
34:45Publishing doesn't have any money in publishing.
34:48Well, you've said very good.
34:51You're also afraid of your heart,
34:55and you're going to have a good day.
35:01Well, you'll manage your work with all these things.
35:05You should keep me on trial basis, first of all my work.
35:09You're so good. I'll keep you on trial basis.
35:12I'm ready to offer you for your job.
35:15What's your job? What do you want to do?
35:20I'm researching a novel and I write articles in a couple of weeks.
35:26So I just need a lot of research.
35:28And you'll help me assess me editing, composition, etc.
35:35So, what do you think? Do you have a contract signed?
35:44Contract?
35:47Yes. I know. Terms are difficult, but I know.
35:53I've had some bad experiences. I'm a little confused.
35:58Okay, I'll think about it.
36:05Take your time. I'll tell you tomorrow.
36:08I'll keep up with positive responses.
36:11I'll leave.
36:13No, no. Go to tea.
36:15Next time. Thank you, ma'am.
36:17Okay.
36:20Thank you so much for coming.
36:22Nafis.
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