- 5 days ago
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00:00:00The End
00:00:30The End
00:01:00How about this party breaking up?
00:01:14My old dame's been out every night this week.
00:01:17What does she think I'm made of?
00:01:19Mr. Lawson's car, please.
00:01:29Mrs. Copperweights' car.
00:01:35Nice party.
00:01:37Always the same.
00:01:38Carter's are the best hosts in New York.
00:01:40Oh, Mother, shut up.
00:01:42I won't shut up.
00:01:43I think it was disgraceful for Michael Carter not to be there.
00:01:46Don't really, darling.
00:01:48You're just cross because I didn't get to meet him.
00:01:51You talk as if I had designs of matchmaking.
00:01:54You're a scoundrel, Bob Prentiss.
00:01:56Someday you'll be sorry for flirting around with all these married women.
00:01:59Uh-uh-uh.
00:01:59Auntie, you've been making Snoopy again.
00:02:01I merely approached Diana on a matter of, well...
00:02:04Yes, isn't the approach that bothers me?
00:02:06It's a follow-through.
00:02:07Jim Cousin is a good husband to Diana.
00:02:11Auntie, we're passing a bar.
00:02:12I think a little soda would do you good.
00:02:14Yes, the soda would do me good.
00:02:15After I've had a slug of brandy.
00:02:18Good night, Mother.
00:02:19Oh, good night, my dear.
00:02:21Good night, Father.
00:02:22Good night, Di.
00:02:24Good night, Mother.
00:02:24Good night, Jim.
00:02:27Good night, Jim.
00:02:28Good night, sir.
00:02:31Well, Diana.
00:02:35Very obvious, Diana.
00:02:36And I don't like it.
00:02:38If it were true, it couldn't have been obvious.
00:02:42I have a little more skill.
00:02:43I heard people talking.
00:02:45What did you hear?
00:02:47That Bob Prentiss is going to work again.
00:02:49Why can't he go to work?
00:02:50You know what I mean.
00:02:51He works only in one field.
00:02:54I won't stand for it.
00:02:54No, and I won't stand for this.
00:03:00Oh, Hubert, where is he?
00:03:02Where is he?
00:03:03Oh, don't get nervous, Dad.
00:03:05Oh, don't tell me not to be nervous.
00:03:08So, I had a party, and I gave this one just for Michael to meet that girl.
00:03:13Where did he go?
00:03:14What did he do?
00:03:15My dear, you're becoming hysterical.
00:03:17Hysterical?
00:03:17Don't say that to me.
00:03:19Where are my pills?
00:03:21I have them here, my dear.
00:03:22Two browns and one white, is it not?
00:03:24Yes, of course.
00:03:25Oh, Michael, my...
00:03:27Well, now, there's one thing.
00:03:28What thing?
00:03:29Well, anyway, he doesn't get into any scrapes with one.
00:03:33Well, I rather wish he would.
00:03:34Oh, no, no.
00:03:34It's two white and one brown.
00:03:37Where on earth does he...
00:03:38Here, here, here.
00:03:39And don't say here, dear, to me.
00:03:42But where's the water?
00:03:44It's right in your hand, my dear.
00:03:47Oh.
00:03:50Ah, good evening, Benson.
00:03:54Steady, old boy, steady.
00:03:56Steady.
00:03:57I got you.
00:03:57I got you.
00:03:59Oh, can't go upstairs yet, Benson.
00:04:00I've got to go and say hello.
00:04:01You know how it is.
00:04:05You'd better go to bed, sir.
00:04:06But the guests, Benson, the guests.
00:04:08The guests are gone, Mr. Michael.
00:04:11Benson.
00:04:14You don't want me to meet the guests.
00:04:20And I could have been so nice in the night.
00:04:23Yes.
00:04:24I got a lot of milk in me.
00:04:26Milk, sir?
00:04:28Milk of human kindness.
00:04:31Yes.
00:04:33Have you got any milk of human kindness, Benson?
00:04:36No, sir.
00:04:41Here.
00:04:44Benson, sir.
00:04:46Did you ever sit on the clouds?
00:04:49Clouds, sir?
00:04:50Yeah.
00:04:51Clouds.
00:04:53Crowds or clouds.
00:04:59No, sir.
00:05:03Clouds or clouds?
00:05:05Up on the clouds with an angel.
00:05:07Sitting on the moon, Benson.
00:05:09Yes, sir.
00:05:10Yes, sir.
00:05:11Just sitting right there.
00:05:16Look, Benson.
00:05:19Benson.
00:05:20Benson, look.
00:05:22How's that?
00:05:24Lovely, sir.
00:05:25Oh, your gracious, look.
00:05:27Benson, look.
00:05:27You're going to marry the angel, Benson.
00:05:30I'm going to marry him.
00:05:32Tomorrow.
00:05:34Sir.
00:05:37Well, what am I going to do, Benson?
00:05:39Marry an angel.
00:05:41Sir.
00:05:42Oh, boy.
00:05:42You, sir.
00:05:49He's been talking strangely, sir, about going through the clouds and sitting on the moon with
00:05:56an angel, sir.
00:05:58No.
00:06:00Just drunk.
00:06:02Yes, but he kept saying he was going to marry the angel, sir, tomorrow.
00:06:08Well, that kind of an angel.
00:06:16Good night, Benson.
00:06:18Good night.
00:06:39Mary Hoyt.
00:06:43Is that the name?
00:06:44Yes, sir.
00:06:45She's a stenographer at the Acme Luggage Works.
00:06:52Thank you, ma'am.
00:06:53Good night, sir.
00:06:57Good night, ma'am.
00:07:06Good night.
00:07:07Butterfield, 82598, please.
00:07:31The Carter residence.
00:07:33Has Mr. Michael Carter left the house yet?
00:07:35I beg your pardon.
00:07:38Oh, this is Mary White, a friend of his.
00:07:41Mr. Carter didn't come home last night.
00:07:44You don't mean he didn't come home at all.
00:07:48Hello?
00:07:50Hello?
00:07:51Hello?
00:08:05Vanderbilt, 39970, please.
00:08:13Hello?
00:08:14Is this the University Club?
00:08:17Will you see if Mr. Michael Carter's there?
00:08:19And if not, will you see if there's any message for me?
00:08:23My name is Mary White.
00:08:26Come in, please.
00:08:27Oh, just a moment.
00:08:32Mr. Carter.
00:08:33Mr. Michael Carter.
00:08:35You won't be able to find him, my dear.
00:08:38So you might as well hang up.
00:08:40Who are you?
00:08:41I'm Mrs. Curzon.
00:08:43Michael's sister.
00:08:47What happened?
00:08:48Tell me quick.
00:08:49Has he been hurt?
00:08:50No, no, he hasn't been hurt.
00:08:52But you may be.
00:08:54And then again, you may not.
00:08:57Please tell me.
00:08:58I'm almost crazy.
00:09:00You thought you were going to marry Michael today, didn't you?
00:09:02Thought?
00:09:03Of course I did.
00:09:05I don't see how he can do these things.
00:09:09My dear, he has no more intention of marrying you than...
00:09:13I don't understand it.
00:09:16What are you talking about?
00:09:18Please sit down, and I'll try and explain.
00:09:30I believe you're a stenographer, aren't you?
00:09:34You see, this isn't the first time this has happened.
00:09:38Evidently, he gets some sort of kick out of promising to marry girls like you.
00:09:42Anyway, that's the only way my family can explain it.
00:09:45And then at the last moment, well, he just leaves them at the church.
00:09:57I don't believe it.
00:10:01I don't believe it.
00:10:05I don't believe it.
00:10:07He lost me.
00:10:07I know he does.
00:10:08I don't believe it.
00:10:09I don't believe it.
00:10:20Vanderbilt, 39970.
00:10:25You think I'm a fool?
00:10:27Because I'm a stenographer.
00:10:29Any girl knows when she's loved.
00:10:30Do you think I love him because he's rich?
00:10:33No, I love him because I love him.
00:10:36And because he loves me.
00:10:39Hello?
00:10:41This is Mary White.
00:10:43I spoke to you a moment ago about Mr. Michael Carter.
00:10:47Do you remember if he was there, and if not, did he leave any message for me?
00:10:53Mary White.
00:10:54Yes.
00:10:55Yes.
00:10:56He did.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:56Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:57Yes.
00:10:58Yes.
00:10:58Yes.
00:11:00I can tell you where he is, Miss White.
00:11:08He's left for France.
00:11:24Here, here.
00:11:25I don't believe it.
00:11:27I don't believe it.
00:11:28No.
00:11:28I don't believe it.
00:11:36I don't believe it.
00:11:38I know what it is to be in love.
00:11:40I married myself.
00:11:42But love isn't everything, in spite of all they say.
00:11:46And I didn't come with just bad news.
00:11:50You see this?
00:11:52It's a very large check.
00:11:54I don't believe it.
00:11:55My father feels very bad about it all.
00:12:00And here.
00:12:01Here's a ticket to California.
00:12:04A change is so valuable at a time like this.
00:12:08You know that.
00:12:10And Mary.
00:12:12Really.
00:12:13You'll get over it.
00:12:33Oh God.
00:12:34Oh, my God!
00:12:58Well, Mr. Prentiss, congratulate me.
00:13:01My brother will never marry little Mary White.
00:13:04Got away with it, huh?
00:13:05Completely.
00:13:07What else could you think when we all said he left the front?
00:13:10Yes, but don't you really think Michael will phone him when he wakes up?
00:13:12No, my dear.
00:13:13She took the check, didn't she?
00:13:15Wait till he finds that out.
00:13:18You're a clever woman, do I?
00:13:19If you weren't, your husband would have shot me long ago.
00:13:22And if you aren't careful, my sweet, I might do it for him.
00:13:26Oh, my dear.
00:13:27You don't mean that she's the girl that...
00:13:41Get me out of this quick before anyone sees us.
00:13:44Wait, Bob.
00:13:45That check.
00:13:46Father's name.
00:13:48Sorry.
00:13:48Oh, I'm sure it was a maximum officer.
00:14:01I was sitting right over there, and I saw her standing by the window there.
00:14:04Suddenly, she staggered like, and fell forward like she had fainted.
00:14:09Anybody else see it happen?
00:14:10And right at my feet.
00:14:21She practically fell right at my feet.
00:14:23Oh, you.
00:14:24You.
00:14:25Calm yourself, dear.
00:14:26Oh, but this is a scandal and a terrible one.
00:14:29What are we going to do?
00:14:30What will people say?
00:14:32Oh, stop worrying.
00:14:33Nobody knows except Morton and Benson.
00:14:35And you know them.
00:14:37They won't talk.
00:14:38Oh, I couldn't.
00:14:39A girl would be so foolish.
00:14:40Oh, it's so like her kind.
00:14:42Completely without control.
00:14:46Mr. Michael is awake, sir.
00:14:49Thank you, Benson.
00:14:54What are we going to say to him?
00:14:56What are we going to do?
00:14:57Oh, you.
00:14:57Now, dear.
00:14:59Stop it, Mother.
00:14:59We've got to see this thing through.
00:15:01Here.
00:15:02Try this.
00:15:03You think I dare?
00:15:08Oh.
00:15:09Oh.
00:15:09Oh.
00:15:10Boy, oh, boy.
00:15:14Who gave me this one?
00:15:16Benson?
00:15:26Benson?
00:15:27Coming, sir.
00:15:28Coming.
00:15:28Oh.
00:15:30Oh.
00:15:31A trifle weird this morning, Benson.
00:15:45Yes, sir.
00:15:48Was I drunk or something last night?
00:15:50Well, just a trifle moony, sir.
00:15:56I'm out of my feet.
00:15:57Imagine.
00:15:58Imagine.
00:15:59It's a day of all days.
00:16:04What time is it anyway, Benson?
00:16:0911.51, sir.
00:16:11What?
00:16:12Holy smoke.
00:16:16Telephone.
00:16:19Michael.
00:16:22Oh, good morning.
00:16:23What's the convention?
00:16:24Dear boy, you must listen to me.
00:16:26Just a moment, please.
00:16:28What's the matter, Mother?
00:16:29Please.
00:16:30Please, Michael.
00:16:31You don't want to marry that girl.
00:16:33Don't want to?
00:16:34Wait a minute.
00:16:35How did you find that out?
00:16:36Oh, I see.
00:16:39A trifle moony, eh?
00:16:43Well, Mother, now that you know.
00:16:44Oh, please, Michael.
00:16:45Don't.
00:16:45It would only bring disaster.
00:16:47Michael, you must believe her.
00:16:48Oh, you must.
00:16:49You must.
00:16:49Wait a minute.
00:16:50You should all be congratulating me.
00:16:52Your little boy is happy.
00:16:54Don't you want your little boy to be happy?
00:16:55What'd you raise him for?
00:16:56To be miserable?
00:16:58Now, don't you worry.
00:17:00You'll all love her when you see her.
00:17:02You wait.
00:17:05I want Chelsea's.
00:17:06Three.
00:17:06Michael.
00:17:07I haven't.
00:17:08I'm all listened out.
00:17:11Chelsea, three, two, oh, nine.
00:17:12Michael, for the last time I'm telling you, if you don't ring off and give up that girl.
00:17:15Yes, I know.
00:17:16I'll cut you off without a penny.
00:17:19Hello, Mary.
00:17:21Hello.
00:17:21Is Miss Whitefair?
00:17:24Excuse me.
00:17:25I guess I got the wrong number.
00:17:26Huh?
00:17:28Well, who are you?
00:17:31Wait a minute.
00:17:32Wait a minute, will you?
00:17:33I don't get you.
00:17:36Who'd you say you're with?
00:17:38The janitor.
00:17:44She what?
00:17:55She's dead.
00:17:59She jumped out the window.
00:18:00She's dead.
00:18:11You don't seem surprised.
00:18:12Why aren't you surprised?
00:18:27Hey.
00:18:29Why don't you look at me?
00:18:34What are you so worried about?
00:18:35What happened?
00:18:39What happened?
00:18:40Tell her I didn't want her, didn't you?
00:18:42Didn't you?
00:18:42Yes, we told her you didn't want her for your own good.
00:18:45So?
00:18:46You killed her.
00:18:47Nonsense.
00:18:47But you did.
00:18:48You killed her.
00:18:48You killed a girl I love.
00:18:50Love?
00:18:51Disgrace, you mean.
00:18:52For you and the rest of us.
00:18:53You killed her!
00:18:55All of you.
00:18:57My family.
00:18:58My precious family.
00:18:59A gang, a murderous, a murderous, a murderous, that's what you are!
00:19:04Before I'd ever live with you again, I'd kill myself.
00:19:12But I'll do more than that.
00:19:14I'll pay you back.
00:19:25Don't disgrace me.
00:19:28Grace.
00:19:28Grace.
00:19:34Disgrace for you and the rest of us.
00:19:49I'll do more than that.
00:20:19Where's the nearest Salon?
00:20:25Thanks very much.
00:20:32Sheep herders, most of these Indians around here.
00:20:35Pretty good at it, too.
00:20:37You can pick up a reason for liking sheep.
00:20:40Three days from now, if you're around here, you can get the...
00:20:43Hey.
00:20:45Give me a drink.
00:20:46Sure.
00:20:50Get to see their ceremonial dances.
00:20:54They dance for two or three days.
00:20:56That's supposed to bring on rain.
00:21:02Whiskey.
00:21:03Go paddle your beads.
00:21:05No got beads.
00:21:06You give me whiskey.
00:21:07I pay.
00:21:08Funny thing.
00:21:10Generally brings rain, too.
00:21:12Some people don't like them.
00:21:14But they like for it to rain, don't they?
00:21:21Me want whiskey?
00:21:22Yeah.
00:21:23Help yourself.
00:21:25Get out of here, Pete.
00:21:27What's the idea?
00:21:27Against the law to sell it to them.
00:21:29Oh.
00:21:31The law.
00:21:32Huh?
00:21:32People always telling you what to do.
00:21:35I ain't sticking out my neck.
00:21:38What do you say, Indian?
00:21:39Whiskey.
00:21:40Now you get me in trouble.
00:21:42It isn't against the law to give it to them, is it?
00:21:44Well, I'm taking a chance.
00:21:46Isn't that too bad?
00:21:49Hey, Indian.
00:21:50Help yourself.
00:21:51Help yourself.
00:21:55How.
00:21:57That's where how came from.
00:21:59Here's the how.
00:22:02How.
00:22:04Hey.
00:22:05Have another?
00:22:07Sure.
00:22:12How.
00:22:12How.
00:22:14Sir, I told you Hunter.
00:22:18Now remember, Tanita, I didn't sell it to him.
00:22:20He gave it to him.
00:22:21Nada, Adel Sika.
00:22:22Oh, now, wait a minute.
00:22:24Hey.
00:22:24You don't let her run you like that, do you?
00:22:26Well, you're a man, aren't you?
00:22:28You keep up.
00:22:29Are you a man or aren't you?
00:22:32Sure.
00:22:32Well, then.
00:22:34How?
00:22:35How?
00:22:42Nada, mindo.
00:22:44Filna, ano, needo.
00:22:48My dear.
00:22:49Let me give you a little advice.
00:22:53Never.
00:22:54Never, as long as you live, ever take a man out of a bar.
00:22:59He never forgives or forgets.
00:23:03No good.
00:23:06Me?
00:23:07You.
00:23:10Prove it.
00:23:12I know.
00:23:13But, my dear lady, I'm drunk.
00:23:22Sober just the same.
00:23:24Oh.
00:23:24No good drunk.
00:23:28No good sober.
00:23:30No good.
00:23:32No good.
00:23:34Well, let's drink to it.
00:23:37It's funny.
00:23:42A moment ago, there was the glass there.
00:23:45Now it's gone.
00:23:47No, not just.
00:23:48I don't know.
00:23:49You, chin.
00:23:51They'll kiss him.
00:23:53Hey, good shot, Indian.
00:23:55Good shot.
00:23:55Good shot.
00:23:56Hit that one over there.
00:23:57That's the one.
00:23:59That's the one.
00:24:00That's the one.
00:24:01Let's go.
00:24:03Let it close.
00:24:03Let it close.
00:24:04Let it close.
00:24:04Let it close.
00:24:05Get the stick over here.
00:24:06Nice shooting, Indian.
00:24:07Nice shooting.
00:24:07Wait a minute.
00:24:08That one's mine.
00:24:09It's got my initials on it.
00:24:10It's my turn.
00:24:10Now, give me the gun.
00:24:12Give me the gun.
00:24:12Give me.
00:24:30I hope you're dead.
00:24:33Are you crazy?
00:24:35Do you want him to hang?
00:24:37Oh.
00:24:41He's dead?
00:24:43We have to get that bullet out.
00:24:45I'll go for the doctor.
00:24:47No!
00:24:48That'll get us into trouble.
00:24:50We have to get him away.
00:24:52Hide him, Savvy.
00:24:55Savvy.
00:24:57Savvy.
00:24:58Do you know where my shack is up on the mesa?
00:25:03Yeah.
00:25:04You take him there.
00:25:05You're right.
00:25:21You go to reservation, pronto.
00:25:23Get me Buck.
00:25:24White man's medicine.
00:25:25In my teepee.
00:25:28No, wait.
00:25:29You're drunk.
00:25:30My father will never let you come back.
00:25:31I'll go.
00:25:58No, God.
00:25:59No, you're wrong.
00:26:01I can't li park that.
00:26:04You're drunk.
00:26:04We'll come back up to there.
00:26:06There you go.
00:26:07No, no, no man.
00:26:17No.
00:26:19Did you say something that was doomed?
00:26:20It's Miss Nogood.
00:26:45How do you feel?
00:26:47Rotten.
00:26:50That's where the bullet is.
00:26:53The bullet?
00:26:56I don't remember now.
00:27:00We were shooting.
00:27:02Now I have to get it out.
00:27:05Yeah?
00:27:06Yes.
00:27:08I see.
00:27:11Hey, wait a minute.
00:27:17For what?
00:27:19Is the white man yellow?
00:27:22What happens if you don't get the bullet?
00:27:25He'll die.
00:27:32Well, that's all right with me.
00:27:35Just yellow.
00:27:38Yeah.
00:28:05Now, hold yourself quiet.
00:28:13Now, wait a minute, sister.
00:28:15Have you done this before?
00:28:17No, but I'm going to do it now.
00:28:20I know first aid.
00:28:22How did you learn that?
00:28:23My father sent me to school.
00:28:25I learned many things at college.
00:28:27One of them being that I'm no good.
00:28:32All right.
00:28:37Go ahead.
00:28:38Go ahead.
00:28:39Go ahead.
00:28:40Go ahead.
00:28:41Go ahead.
00:28:42Go ahead.
00:28:43Go ahead.
00:29:04The red man is the only man to stay in pain.
00:29:10Go ahead.
00:29:11Go ahead.
00:29:12Go ahead.
00:29:15My grandfather was captured by the Comanches.
00:29:16He let them cut off his hand finger by finger.
00:29:17But he wouldn't tell them what they wanted to know.
00:29:19They cut off his arm clear to the shoulder.
00:29:20He never made a sound.
00:29:25Yeah.
00:29:26But I'm not your grandfather.
00:29:29Must have been awful tough trying to shoot an arrow with one arm.
00:29:32with one arm? Oh, he got even with them all right. My tribe rescued him, and the Comanches
00:29:40who tortured him were taken. He had them pegged to the ground, and their skin torn off in
00:29:45little strips. They died. Playful people. You Indians? They call it frades, don't they?
00:30:02Donita, don't you? Donita, don't you? Don't you see? Don't you see? Don't you see?
00:30:32Donita, don't you see me? Donita, don't you see me? Donita, don't you see me?
00:30:52Am I dead? No.
00:30:54Are you going to live? Yes.
00:30:59Have you got a drink? No.
00:31:03And I'm going to live. How do you feel?
00:31:10Oh, swell. You were pretty good. I was surprised.
00:31:16Well, think of it. It must have hurt. Hurt? Oh, no. Put it back and let's do it all over again.
00:31:23Do you want to see the bullet?
00:31:25All right, bullet. Would you like to keep it?
00:31:29It's all yours. How's your boyfriend? My what?
00:31:36Mr. High. Oh, well, he's all right. Well, he's all right.
00:31:41Well, he's all right. Well, he's all right. Well, he's all right.
00:31:44My back. No, I'm all right. You do as I say. Oh, be good now.
00:31:51You'll stay if I have to hold you.
00:31:53All we seem to do is look at each other.
00:31:54We'll keep on looking, until I let you go.
00:32:09All we seem to do is look at each other.
00:32:13And we'll keep on looking, until I let you go.
00:32:15We'll keep on looking until I let you go.
00:32:23You must love that big Indian.
00:32:25What do you mean?
00:32:27Do you think I know you're doing this for him?
00:32:30That's true.
00:32:32But I don't want you to die either.
00:32:46Go to sleep.
00:32:49Sleep.
00:33:15Nice neighbors.
00:33:20Good game.
00:33:22Well, you have to do something.
00:33:29Look, look.
00:33:33All the way through college, huh?
00:33:39Well, I suppose I didn't see that.
00:33:41I don't think you did see it.
00:33:44Just crazy.
00:33:47About you.
00:33:50Nothing.
00:33:52Oh, I thought you said something.
00:33:54I was just thinking.
00:33:57Don't ever do that.
00:34:13I can't give them much for the tune, but it sounds all right.
00:34:32Does that mean something to you?
00:34:34It probably means that I'm on trial.
00:34:36Trial?
00:34:38For what?
00:34:39For what?
00:34:40For what?
00:34:41For what?
00:34:42For what?
00:34:45For what?
00:34:46For what?
00:34:49They wouldn't understand that.
00:34:50Well, I'll tell them.
00:34:52They won't believe it.
00:35:09For what?
00:35:11No?
00:35:13No problem.
00:35:15That's not enough.
00:35:17That's right.
00:35:19You, it's a man who's a man.
00:35:22Yeah.
00:35:24They're all right.
00:35:26They're all right.
00:35:29Can't miss it?
00:35:31Yeah.
00:35:32Now, wait a minute. I can explain all this.
00:35:52Who's the old buffalo talking?
00:35:54My father.
00:36:02What did he say?
00:36:07They said he must wear the garment of grief.
00:36:11What did they do to you?
00:36:13To them, I'm dead already.
00:36:32This is ridiculous.
00:36:37I've disgraced my tribe.
00:36:39Disgraced?
00:36:41Where have I heard that before?
00:36:44Disgraced?
00:36:46That's a hot one.
00:36:47Disgraced.
00:36:48Well, what happens now?
00:36:50It'll be all right.
00:36:52What's all right about it?
00:36:54I'm dead.
00:36:56I'm dead.
00:36:58I'm dead.
00:37:00I'm dead.
00:37:02I'm dead.
00:37:04I'm dead.
00:37:06I'm dead.
00:37:08I'm dead.
00:37:10I'm dead.
00:37:12I'm dead.
00:37:14I'm dead.
00:37:15I'm dead.
00:37:17The good sisters in Albuquerque will get me some words.
00:37:21And the big Indian. He'll go with you.
00:37:26I'm all through with the big Indian.
00:37:28Why?
00:37:45I'm dead.
00:38:03Disgraced.
00:38:06It's a beaut.
00:38:09On account of me.
00:38:11It's a funny one, too.
00:38:15I'm too good for someone.
00:38:27Now I'm not good enough.
00:38:29Now, I'm not good enough.
00:38:44But I'll do more than that.
00:38:46I'll pay you back!
00:38:59You said a mouthful.
00:39:03Listen, let me ask you something.
00:39:05Suppose you did marry the big Indian.
00:39:07How do you get married around here?
00:39:10Well...
00:39:12He brings me the skin of a grizzly bear.
00:39:15Beads of gold.
00:39:17I don't know.
00:39:18I don't know.
00:39:19I don't know.
00:39:20I don't know.
00:39:21I don't know.
00:39:22I don't know.
00:39:23I don't know.
00:39:24I don't know.
00:39:25I don't know.
00:39:26I don't know.
00:39:27I have a grizzly bear.
00:39:29Beads of turquoise.
00:39:31That means I love you.
00:39:34And then?
00:39:37Then I put a necklace of white beads around his neck.
00:39:41That means I'm happy.
00:39:48Look.
00:39:50In this hand, I have the skin of a grizzly bear.
00:39:54And in this hand, beads of turquoise.
00:40:05You don't mean...
00:40:06I mean this.
00:40:07I mean we're going to be married and I'm going to take you away from here.
00:40:10I'm going to take you to my home and you're going to meet my family.
00:40:13Will they be surprised?
00:40:15Will they be happy?
00:40:19Happy.
00:40:20Happy.
00:40:23Nobody could be so happy.
00:40:34Repeat after me.
00:40:35I, Tanita, take thee, Michael, to be my wedded husband.
00:40:40I, Tanita, take thee, Michael, to be my wedded husband.
00:40:44To have and to hold from this day forward.
00:40:48To have and to hold from this day forward.
00:40:51For better, for worse.
00:40:54For richer, for poorer.
00:40:57In sickness and in health.
00:40:59Oh, those are such pretty words.
00:41:01Huh?
00:41:02Repeat after me.
00:41:04For better, for worse.
00:41:06For better, for worse.
00:41:07For better, for worse.
00:41:09Our little house.
00:41:33Your little house, my dear.
00:41:36I'm in there.
00:41:37Good night.
00:41:39Michael, why did you marry me?
00:42:07Why do you think I married you?
00:42:14To play solitaire, I guess.
00:42:15Come in.
00:42:20Well, we're in Albany.
00:42:42It won't be long now.
00:42:47Say, would you mind writing a couple of telegrams for me?
00:42:51My arm still hurts.
00:42:53Mr. Hubert Carter.
00:42:56Stuyvesant Trust, Wall Street, New York City.
00:43:00Dear Dad.
00:43:01I'm on my way home with my wife.
00:43:05I'm on my way home with my wife.
00:43:06Arriving Grand Central, 11 a.m.
00:43:10She is the most wonderful girl in the world.
00:43:11And how you will all love her.
00:43:15And how you will all love her.
00:43:16Mother will be so proud that she is one of America's first families.
00:43:20Meet us at the station, Michael.
00:43:21Michael.
00:43:22Yes, sir.
00:43:23Yes, sir.
00:43:24Yes, sir.
00:43:26I have nice.
00:43:28And how you will all love her.
00:43:33Mother will be so proud as she is one of America's first families.
00:43:37first families meet us at the station Michael
00:43:50hello you look happy that's great will you do
00:44:17something for me ask me when we get off the train I want you to wear those pretty
00:44:25Indian clothes you do please but your family what will they think Michael
00:44:34won't they want me to look like one of them don't you understand I want them to
00:44:41see you for the first time just as I saw and who's the bride mrs. Carter we don't
00:44:50know Michael is keeping the secret and really one of his little idiosyncrasies
00:44:55here you are in there all right Eddie how about giving us a chance okay now we
00:44:58might understand that you perfectly right back here that's fine
00:45:04Michael has come through at last I never had as many photographers as that
00:45:09hold it mr. Carter hmm this is exciting maybe mr. Prentice is coming in smile
00:45:19please
00:45:23oh here it comes
00:45:27can she be left here's a branch of the Downhill family out there somewhere
00:45:36yes a cousin I think wasn't it I remember he he went to Princeton yeah yes but he
00:45:42could have a grown daughter by now all the most delightful people
00:45:47there's Michael
00:45:49yes
00:45:50oh
00:45:54oh
00:45:55oh
00:45:57oh
00:45:58oh
00:45:59oh
00:46:00oh
00:46:01oh
00:46:02oh
00:46:03oh
00:46:04oh
00:46:05oh
00:46:06oh
00:46:07oh
00:46:08oh
00:46:09oh
00:46:10oh
00:46:11oh
00:46:12I'm
00:46:14oh
00:46:26it's all right be quiet I've got you
00:46:29wait a minute boys you had to meet the family Dragon
00:46:32Wait a minute, boys. She has to meet the family first.
00:46:35All right, boys. I'll be right back. I promise you. I'll be right back.
00:46:42Well, here she is.
00:46:46Tonita, this is my mother.
00:46:49I'm very happy.
00:46:51And I'm...
00:46:52Of course, it's a great surprise.
00:46:56And this is my father, as a matter of fact.
00:46:59Our father.
00:47:00Aren't you, father?
00:47:02I'm very pleased to meet our father.
00:47:07As you can see, father's pleased, too.
00:47:10And this is my sister, Diana.
00:47:14And her husband, Jim Curzon.
00:47:16Welcome to our family.
00:47:18You don't look a bit like Michael.
00:47:20No.
00:47:21That's how we get on so well together.
00:47:24Oh, you'll be crazy about your sister, Diana.
00:47:27I'm crazy about them all, Michael.
00:47:29There, now, Mother, did you hear that?
00:47:31Now, isn't she sweet?
00:47:33Her hair's too black.
00:47:35Oh, yes.
00:47:36Well, you should see her father's.
00:47:38He wears his the same way.
00:47:40Oh, stop, Michael.
00:47:42All right, then.
00:47:46Now, we've got to get busy.
00:47:48My family can't have you all of themselves.
00:47:49The whole town's waiting.
00:47:51And they're not going to be kept waiting in vain.
00:47:53We'll be back soon.
00:47:55Come on.
00:47:56Come on.
00:47:56Mr. Carter.
00:47:57Hit it through.
00:47:58Hit it through.
00:47:59Oh, give it a break.
00:48:00What do you have?
00:48:00What are you saying?
00:48:01Oh, yeah.
00:48:03Oh, yeah.
00:48:04Oh, yeah.
00:48:05You're right, Mr. Carter.
00:48:07Get that back down.
00:48:08Mr. Carter.
00:48:10Yeah, yeah.
00:48:11No, I'm right.
00:48:12I don't know.
00:48:13Now, tell me.
00:48:13No, in a way.
00:48:14Oh, yes.
00:48:15You don't mind.
00:48:16Tell me, Mr. Carter.
00:48:17Let's get away from this.
00:48:47What's the matter?
00:49:07Oh, but an engine.
00:49:10Don't eat a storm cloud.
00:49:12Oh, I can't stand it.
00:49:14Give me my sauce.
00:49:15What did Mrs. Sykes say?
00:49:18What did Mrs. Lawson say?
00:49:19What were they all...
00:49:20Catherine, control yourself.
00:49:21Not so loud.
00:49:22We can't have the servers know about this.
00:49:24Yes, but won't they know about it?
00:49:25Won't the papers be full of it?
00:49:27Won't they know it if they see it in the papers?
00:49:28Yes, dear, yes.
00:49:29But they must know how we feel about it.
00:49:31That's what I mean.
00:49:32We've got to think faster.
00:49:33I'll be here in a moment.
00:49:34Miss Smith.
00:49:36Just a little higher, please.
00:49:39Remember you're addressing one of the first ladies of the land.
00:49:41Now, once again.
00:49:44Well, good morning, Mr. Carter.
00:49:46Mr. Carter.
00:49:47Very good.
00:49:50Mrs. McGregor, can't you stay in line?
00:50:07Good to see you again, Benson.
00:50:09It's good to see you, sir.
00:50:10This is Mrs. Carter.
00:50:12Well, uh...
00:50:13Welcome home, Mr. and Mrs. Carter.
00:50:25Michael, is it a home or a hotel?
00:50:28It's only 50 rooms.
00:50:29We call it home.
00:50:32Where's the family, Benson?
00:50:33They're waiting for you in the library, sir.
00:50:35Oh.
00:50:35I've been buying cameras.
00:50:39Cameras, sir?
00:50:41And iodine.
00:50:43You should have been there, Benson.
00:50:45Come on, dear.
00:50:46I'll show you upstairs, please.
00:50:47I'll show you upstairs.
00:51:06Diana.
00:51:06Yes, Mother.
00:51:07Father's right.
00:51:08Nobody must know how he feels.
00:51:10I won't be lost.
00:51:11Yes, but what can we do?
00:51:12Can we hide her under the bed?
00:51:15Hide her?
00:51:16No, Mother, dear.
00:51:20We're not going to do anything of a kind.
00:51:22We're going to bring her out.
00:51:24What?
00:51:24What are you talking about?
00:51:26Bring what out?
00:51:26Her family?
00:51:27That Indian with the shiny black hair?
00:51:30No.
00:51:31We're going to give a party.
00:51:32The biggest party ever held in New York.
00:51:34Everybody will be there.
00:51:35They'll all come to laugh at us.
00:51:37Well, they won't laugh.
00:51:38I'll fix Mrs. Squaw, so you won't know her.
00:51:41And everybody's going to believe we are just crazy about her.
00:51:48Oh, Hubert.
00:51:49How are you, Hubert?
00:51:55Good evening, Father.
00:51:59Oh, my dear.
00:52:13Where's the Indian?
00:52:16Diana.
00:52:17Perhaps she's a little shy.
00:52:19I'll go get her.
00:52:31Come in.
00:52:32Why, Tanita?
00:52:38It's late.
00:52:39Why aren't you ready?
00:52:40I'm ready.
00:52:48But what have you got that on for?
00:52:50You must be crazy.
00:52:52Michael asked me to.
00:52:54Oh.
00:52:55So he showed up at last, did he?
00:52:57I saw him this afternoon.
00:53:00He's been very busy all week seeing his friends.
00:53:03He has so many, you see.
00:53:04Yes.
00:53:04I see, all right.
00:53:06And now, my dear, we're going to get busy.
00:53:09This is the dress you wear.
00:53:11Oh, but...
00:53:12But Michael wanted me to wear this one.
00:53:14It was my wedding dress.
00:53:16He said...
00:53:17But Michael isn't going to get away with that.
00:53:20Well, you know what I mean.
00:53:21There's one thing you must learn about white men at once, Tanita.
00:53:24Never listen to them about clothes.
00:53:27And wait until he sees you in this.
00:53:29He'll adore you.
00:53:40When the circus begins, I wonder.
00:53:42She's misplaced her bow and arrows.
00:53:44It's a horse.
00:53:45She can't find her horse.
00:53:46Of course it's a horse.
00:53:48You can't ride around shooting arrows with our horse.
00:53:50Come, come, Catherine.
00:53:57I've seen you in your house before.
00:53:59Where's Michael's bride?
00:54:00Any moment now, Catherine.
00:54:01Oh, ho, ho, ho.
00:54:03I came all the way from Pittsburgh just to see her.
00:54:08Oh, ho, ho, ho.
00:54:09Oh, hello, Carolyn.
00:54:11Hello, Hubert.
00:54:12It must have been an amazing experience, Catherine.
00:54:15Most amazing.
00:54:16Mother-in-law to a storm cloud.
00:54:19Oh, ho, ho, ho.
00:54:21I've got to see her.
00:54:22Oh, you know, I've never seen a red skin.
00:54:26But look, there's old Charlie Williamson.
00:54:28If he wasn't walking, I think he was dead.
00:54:36Catherine, I'm really going to do it.
00:54:39As fit in his eye, yes.
00:54:45Hello, Michael.
00:54:48Hello.
00:54:50Big night for you, huh?
00:54:52Yeah.
00:54:52How have you been?
00:54:54I haven't seen much of you lately.
00:54:55That's tough.
00:54:59He doesn't like me very much, does he?
00:55:01For what reason?
00:55:03That's what I want to know.
00:55:05Give me one.
00:55:10And hey, I don't like you very much tonight, either.
00:55:14Yes, I know.
00:55:15The lunch we didn't have.
00:55:17We did have an engagement, didn't we?
00:55:19We did.
00:55:20But I had to go down to Wall Street.
00:55:22Of course, there are no telephones in Wall Street.
00:55:24I'm sorry.
00:55:34Hello.
00:55:36What are you two birds talking about?
00:55:38And what do I want to drink?
00:55:41I was telling you about Donito.
00:55:43Stage is all set.
00:55:46Hello, Bob.
00:55:47How are you?
00:55:48I'm fine, German.
00:55:49You're fine.
00:55:51Manhattan.
00:55:52What's new?
00:55:53Oh, nothing.
00:55:55Oh, I wouldn't say that, Bob.
00:55:57And I certainly admire your taste in women.
00:55:59What do you mean?
00:56:00I don't get you.
00:56:01No, and you certainly didn't get me this afternoon.
00:56:04I was at the ball game, too.
00:56:06And I waved and waved.
00:56:08But your attention was evidently all for the blonde lady.
00:56:12Not that I blame you.
00:56:14She was a beauty.
00:56:16Well, it looks as if it's going to be a nice party after all.
00:56:19Jim, hello.
00:56:19Oh, hello, friend.
00:56:21Excuse me.
00:56:26Wall Street, huh?
00:56:39Don't worry about that.
00:56:41So that was nothing, huh?
00:56:43Nothing.
00:56:44You dare do that to me.
00:56:46Nothing, Anna.
00:56:46Please don't like a scene.
00:56:48You dared.
00:56:49Bob, how dare you?
00:56:50Not so loud.
00:56:52I could kill you.
00:56:54I could kill you.
00:56:55You'll get fat threatening me.
00:56:58I'll do anything I please.
00:56:59Is that clear?
00:57:00Yes.
00:57:00Yes.
00:57:00Yes.
00:57:00Yes.
00:57:00Yes.
00:57:00Yes.
00:57:00Yes.
00:57:01Yes.
00:57:01Yes.
00:57:02Yes.
00:57:02Yes.
00:57:03Yes.
00:57:03Yes.
00:57:03Yes.
00:57:03Yes.
00:57:04Yes.
00:57:04Yes.
00:57:05Yes.
00:57:05Yes.
00:57:06Yes.
00:57:06Yes.
00:57:07Yes.
00:57:08Yes.
00:57:09Yes.
00:57:10Yes.
00:57:11Yes.
00:57:12Yes.
00:57:12Yes.
00:57:13Yes.
00:57:13Yes.
00:57:14Yes.
00:57:35This is so exciting.
00:57:36Is it really my party?
00:57:38Yes.
00:57:39Very nice.
00:57:41Oh, and this is my daughter, Mrs. Copperwaite, and Mrs. Copperwaite, how do you do, my dear?
00:57:59Mrs. Copperwaite? I didn't get the last part of the name.
00:58:02Waite. Bell-W-A-I-T-H-E, but pronounced Waite.
00:58:06I believe if you meet anybody, you might as well know what the name is, or else just say howdy.
00:58:12Howdy suit me.
00:58:13Well, come along.
00:58:19Where's Michael?
00:58:20I don't know, my dear. He's around here somewhere.
00:58:21This is Mrs. Lawson. How do you do?
00:58:24Good plaisir.
00:58:26I don't know, my dear.
00:58:27I don't know, my dear.
00:58:27I don't know, my dear. He's around here somewhere.
00:58:31Pardon me, you don't speak French. How stupid of me.
00:58:34Milcher, Dilkizel, Ligostone.
00:58:38Huh?
00:58:39Oh, I beg your pardon. You don't speak Apache.
00:58:48Howdy.
00:58:49How do you do, Mrs. Sight?
00:58:51Now, you come with me. I want you to meet the worst gossip in New York.
00:58:55Let's go get it over with.
00:58:57Diana has done beautifully by her.
00:59:00And Hubert, you're quite an actor.
00:59:02I'm not acting, my dear. I think she's lovely.
00:59:08Here she is, my dear.
00:59:09The most vicious town in town.
00:59:12Really, my dear?
00:59:13You flatter me.
00:59:14Oh, I won't see her.
00:59:17I want to see...
00:59:19Rouge on a red skin.
00:59:24I suppose you find our ways quite different from things on the, uh, the reservation.
00:59:35Heaps different.
00:59:36Old time, me no understand here.
00:59:38Of course.
00:59:40Oh, yes.
00:59:41What is it that you find strangest here?
00:59:44What is it that seems to trouble you most?
00:59:47Too much white men.
00:59:48Apache no like white men.
00:59:49Don't white men ever come on to your, uh, your reservation?
00:59:53Come sometimes, all right.
00:59:55Chase them.
00:59:56Catch them.
00:59:56Cut them hot out.
00:59:58What?
00:59:59Cut them hot out.
01:00:00My word, do your people hate us so much?
01:00:03No hate them.
01:00:04Like them.
01:00:05Heaps like them.
01:00:06Like them?
01:00:06I don't think I understand.
01:00:09Put them salt on hot.
01:00:10Cook them.
01:00:12Eat them.
01:00:13Heaps good.
01:00:14But you married a white man, after all.
01:00:20How did that happen?
01:00:21Him too skinny.
01:00:23Hot no good to eat.
01:00:24Fat him up.
01:00:25Take him home by and by.
01:00:27Kill him.
01:00:27Eat him.
01:00:31How much you weigh?
01:00:32Don't...
01:00:33Well, she's done it, Michael.
01:00:43She's won them all.
01:00:45Toughest gang in town, old boy.
01:00:47You have a cigarette?
01:00:48No.
01:00:49Oh, uh, Mrs. Carter.
01:00:54Come.
01:00:55Oh, and this is Mr. Brinton.
01:00:57Oh, my dear.
01:00:58Mr. Princess, that's your way to introduce the wretch.
01:01:01He's my nephew.
01:01:02And he's always given me much more trouble than my gout.
01:01:05Well, probably anybody can have my gout that wants it.
01:01:07As you can see, she's mad about me.
01:01:10At any rate, Lord, there's a gout.
01:01:12It's a grave question.
01:01:14He's a scoundrel and a heartbreaker.
01:01:16There isn't a married woman in the whole of North America that's safe from him.
01:01:19What a build-up.
01:01:21You don't buy that one, do you, Mrs. Carter?
01:01:22Of course not.
01:01:23Just looking at you, any woman could tell that she was completely safe with you.
01:01:26Oh!
01:01:28Good girl.
01:01:29Put him in his place.
01:01:31That calls for a drink.
01:01:32Champagne.
01:01:50What's that?
01:01:51Huh?
01:01:53Huh?
01:01:54I say, uh, what did you say?
01:01:56I said, well, uh, what did I say?
01:02:02Well, you said, uh, what's that?
01:02:05Well, what is it?
01:02:08Uh, wait a minute.
01:02:09Uh, you said, what is champagne?
01:02:12No, no, I meant, I never had any.
01:02:16Oh.
01:02:19What's it like?
01:02:21Well, it's like, uh, it's, uh, it's like, well, here.
01:02:27It's, uh, it's singing.
01:02:36It's the song of songs.
01:02:40I want to see you.
01:02:42There's no hurry.
01:02:43Yes, there is.
01:02:44Can I say there isn't?
01:02:45Come on, Bob.
01:02:47Diana, don't you know, never take a man away from a bar.
01:02:50He never forgives or forgets.
01:02:53There he is now.
01:02:54Would you know it was me, Michael?
01:02:59No, I wouldn't know it.
01:03:01And you're very proud?
01:03:04Well, I hope proud, anyway.
01:03:06You're great.
01:03:08Am I?
01:03:09It sure was a great triumph.
01:03:16What do you mean, Michael?
01:03:18I mean that.
01:03:20I told you to wear the other, didn't I?
01:03:21I didn't marry Miss Harris.
01:03:24I married an Indian.
01:03:29You don't like this.
01:03:31I was afraid you wouldn't.
01:03:33It's too much, and you don't want anyone else to see so much, do you?
01:03:38I'm glad you don't.
01:03:40I'm not shaking my head about your back.
01:03:42The way I lose, that's what I'm shaking my head about.
01:03:45I can't beat them at any turn.
01:03:47Every scheme I've ever had for revenge, they've just blown the smithereens.
01:03:50They?
01:03:52They?
01:03:53My family.
01:03:56My precious family.
01:04:02Always.
01:04:04Always right.
01:04:08Michael.
01:04:09What?
01:04:10What are you talking about, Michael?
01:04:16I'm talking about an Indian.
01:04:17I wanted you to come downstairs on a horse, shooting arrows all over the room, just as they expected you to.
01:04:23And I wanted my family to drop dead, I guess.
01:04:27Instead of that, you're the belle of the ball.
01:04:30I can't beat them.
01:04:31No.
01:04:33I can't beat them.
01:04:39In other words, you wanted to disgrace your family.
01:04:45That was the main idea, yes.
01:04:52But I came along and fell in love with you.
01:04:55Because I was an Indian.
01:05:00Of course.
01:05:02It's a very nice idea for revenge.
01:05:06Well, maybe it wasn't so nice.
01:05:09Oh, but it was.
01:05:10I mean, I understand.
01:05:15I'm sorry to disappoint you.
01:05:17Three, two, one.
01:05:32One, two, one.
01:05:34Let's go.
01:06:04Where are you going?
01:06:11Wait a minute.
01:06:13I don't want you to go.
01:06:15No.
01:06:16No, I don't.
01:06:17But I do.
01:06:19Would you say if I said, I'm sorry.
01:06:22Very sorry.
01:06:23No.
01:06:24If I said, I like you.
01:06:27Would you then?
01:06:29No.
01:06:30Donita, if I said, I love you.
01:06:35Not if you said the whole world could be mine.
01:06:37And every star in the sky.
01:06:45Do you see this bullet?
01:06:46I took it out of you once.
01:06:48And if you ever touch me again, I'll put it back in you.
01:06:50Donita, my dear.
01:07:06Thank you so much, Mrs. Carter, for everything you've done.
01:07:09And for the lovely party.
01:07:10I'll always remember it in you.
01:07:12But, Donita, what in the world?
01:07:13There's only one thing in the world.
01:07:15One thing I'll live for.
01:07:17Revenge.
01:07:18I don't know what you mean.
01:07:19I mean, what does he know about revenge?
01:07:22He's a white man.
01:07:23Just think, it would have satisfied him just to embarrass his family.
01:07:27What a revenge.
01:07:28She means, Mother.
01:07:29She means...
01:07:31She's an Indian.
01:07:33Take me out of here, please.
01:07:34Tominga.
01:07:35Tominga.
01:07:35Tominga.
01:08:04What's it singing now?
01:08:11One song.
01:08:13Wait till it sings in your veins.
01:08:16You laugh and do all sorts of crazy things.
01:08:20I think I'll laugh.
01:08:22It's funny.
01:08:23I knew I was going to like you.
01:08:26Just the way you came down those stairs.
01:08:28How did I come downstairs?
01:08:31That's your secret.
01:08:32I want to kiss you and learn them all.
01:08:34I've only one secret.
01:08:46I've left him.
01:08:48Really?
01:08:49For good.
01:08:51Oh.
01:08:53And I'm moving in.
01:08:55I see.
01:08:57And she's moving out.
01:08:59Not a bad idea.
01:09:00We'll both go together.
01:09:03No, you won't.
01:09:04Diana, I thought you were the one woman in the world who had what we call dignity.
01:09:08Well, I'm glad you thought so.
01:09:09Now you're going to think again.
01:09:11All my bridges are in ashes.
01:09:13You've got to take me back.
01:09:15Whether you want me or not.
01:09:16Well, I won't take you back.
01:09:18I won't be discarded, Bob.
01:09:20Is that clear?
01:09:22Of course it's clear.
01:09:23This isn't love.
01:09:25It's pride.
01:09:26I know the cotters.
01:09:28Bob, please.
01:09:29Listen.
01:09:29I'm through, see?
01:09:31Why, the very sight of you bores me.
01:09:33Everything.
01:09:33The way you walk.
01:09:34The way you talk.
01:09:34The way you think.
01:09:35You're no good.
01:09:36No good.
01:09:37Shut up, you squaw.
01:09:39No good at all.
01:09:41Any of you.
01:09:42She's right.
01:09:43Shut up.
01:09:44Both of you.
01:09:44Come on.
01:09:45She's going to have a fit.
01:09:46And I don't stay around women with fits.
01:09:48No.
01:09:49You're right, Bob.
01:09:51You're not going to stay around.
01:09:52You're not going to stay around.
01:09:57Bob.
01:10:02What have I done?
01:10:05What have I done?
01:10:12Help me.
01:10:13Save me.
01:10:15Save me.
01:10:17Save you.
01:10:19When you didn't love him.
01:10:21Oh, I don't want to die.
01:10:23I must have been crazy.
01:10:27You ought to be glad you killed him.
01:10:30You ought to be willing to die for him.
01:10:33I'd gladly die to satisfy my hate.
01:10:43I want to die.
01:10:44What are you staring at?
01:11:14I'll save you.
01:11:16How? How can you?
01:11:18I shot him.
01:11:19No.
01:11:20I shot him.
01:11:21Oh, yes.
01:11:22Listen to me.
01:11:23It's just what I'm looking for.
01:11:24It couldn't be better.
01:11:25What do I care about living?
01:11:27Life's rotten.
01:11:33Life's rotten.
01:11:35Come on. We'll get a cab.
01:11:36You can go back to it.
01:11:44Conley here spotted the guy just as he was making a dive for the subway.
01:11:52He yelled and I climbed him.
01:11:53Then I was just going to put...
01:12:01Where's the masquerade, sister?
01:12:03I just killed Robert Prentiss.
01:12:33There we go.
01:12:36I came here without taking off the subway flag and I found it flying around the corner.
01:12:40Then again I left the mob.
01:12:41I could say that, we had hanging out perhaps.
01:12:44That ciel.
01:12:44All right, back to that sociale.
01:12:45See you soon.
01:12:46His rocket has classmates.
01:12:48The Inf to Deb talk about the book.
01:12:50The Port, as the Separation�.
01:12:51Where do you think about his message above the radioりました?
01:12:52I don't have to climb up there.
01:13:14I like these swanky mortars.
01:13:16You don't have to climb upstairs.
01:13:22Let's go.
01:13:44The lady didn't lie.
01:13:46No.
01:13:52Right between the eyes.
01:13:58Them Indians sure know how to drill them.
01:14:02Not a bad looking damn.
01:14:04Even in them rags.
01:14:10Call up the chief and tell them a confession is okay.
01:14:12Come on out of there.
01:14:24Come on out of there.
01:14:42Let's go.
01:14:46Let's go.
01:14:50You didn't know that your wife walked in here and confessed, Mr. Carter.
01:14:53No, I didn't.
01:14:54Why do you think she confessed?
01:14:56Well, I might as well tell you.
01:15:00Because she loved me, I guess.
01:15:02Good reason, any time.
01:15:06Why did you do it?
01:15:08Well, he had it coming to him.
01:15:10Mm-hmm.
01:15:11Okay, Conley.
01:15:12Put him away for the night.
01:15:14Captain.
01:15:15Hmm?
01:15:16Can I see you?
01:15:17For a minute, yes.
01:15:18Alone, I mean.
01:15:19Not a chance.
01:15:20But, Captain, I've got to.
01:15:22I mean...
01:15:23I mean...
01:15:24I mean...
01:15:25Captain, will you?
01:15:26Please.
01:15:27I've ordered to take you out front, Mrs. Carter.
01:15:28What for?
01:15:29I've told you everything.
01:15:30Order.
01:15:31I'd advise you to come along.
01:15:32Come on.
01:15:33Come on.
01:15:34Come on.
01:15:35Come on.
01:15:36Come on.
01:15:37Come on.
01:15:38Come on.
01:15:39Come on.
01:15:40Come on.
01:15:41Come on.
01:15:42Come on.
01:15:43Come on.
01:15:44Come on.
01:15:45Come on.
01:15:54Come on.
01:16:09Listen, I'm going to get you out of this.
01:16:10I happened to be there when the police arrived.
01:16:12I made them believe that I did.
01:16:14They think you confessed to save me.
01:16:16I fooled them completely.
01:16:18All you have to do is keep your mouth shut.
01:16:20Get me?
01:16:22Get me?
01:16:23Michael.
01:16:24For what?
01:16:25What?
01:16:26What?
01:16:27What are you doing this for?
01:16:29Because I want to.
01:16:30Do you feel you owe it to me?
01:16:33No.
01:16:34I just know they're not going to get you.
01:16:37They're not here yet.
01:16:42They're not going to get you.
01:16:43They're not.
01:16:44Oh, Michael.
01:16:46They haven't got a chance.
01:16:49I didn't do it, Michael.
01:16:53I don't want you to think I did not.
01:16:58You didn't?
01:17:02Who?
01:17:03Diana.
01:17:04Diana?
01:17:05She wanted to live so much.
01:17:07I wanted to die and make you suffer.
01:17:09It was my revenge.
01:17:10Don't.
01:17:17Life wasn't worth living without you.
01:17:19After all, I don't.
01:17:22For better, for worse.
01:17:23Sickness, and health.
01:17:26Remember those words?
01:17:28Oh, Michael.
01:17:29Are we really together now?
01:17:31I was wrong.
01:17:36We were always together.
01:17:39I love you plenty all the time.
01:17:42I was just...
01:17:45no good.
01:17:48I was wrong, too.
01:17:50You're plenty good.
01:17:54Listen to that, will you?
01:17:56Ain't this some adventure, though?
01:17:57Fix up the slightest sound.
01:18:00Yeah.
01:18:01Even a kiss.
01:18:27Looking for one, at the end of the season.
01:18:28Alright.
01:18:29I have to go.
01:18:31I have to go.
01:18:33I can't wait.
01:18:34Go the hell, because I can't wait.
01:18:35Get Das.
01:18:36I'm sorry.
01:18:37I can't wait.
01:18:38I can't wait.
01:18:40The time of the season has to be!
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