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00:00I felt almost like there were claws in my back.
00:03It wanted us to be scared.
00:04Whoa, whoa, whoa!
00:05He would let you know that he is a savage killer.
00:08I will chew your lips off your face.
00:11Can I place him right here?
00:12Oh, look!
00:14Coughing!
00:15Ooh!
00:17It feels like it's inside my body.
00:18How did he kill you?
00:19Steve Bell!
00:21Oh, my god!
00:23There are things in this world that we will never fully understand.
00:33Understand.
00:35We want answers.
00:38We have worked years to build our credibility,
00:42our reputation,
00:45working alongside the most renowned professionals in the field,
00:50capturing groundbreaking proof of the paranormal.
00:53It's working!
00:54I can't give you an explanation.
00:57This is Our Evidence,
01:00our Ghost Adventures.
01:08It has been years since we last conducted
01:11an official Ghost Adventures investigation
01:14at my haunted museum in Las Vegas.
01:20But because of a string of deeply disturbing events
01:23events, we're back for what I can only describe
01:26as an emergency intervention.
01:29On July 15th, 2024, I was on the road in California.
01:34At 1.05 AM, I did a quick check of the museum security cameras
01:40on my phone.
01:41And at that time, I started hearing sounds.
01:46Very loud, unusual, unrecognizable sounds.
01:57But then something happened that gave a chill down my body.
02:01These very loud, growling sounds.
02:05It sounded like a Tyrannosaurus Rex was inside my museum.
02:09And this lasted for about 15 minutes.
02:21There was also a voice of a woman saying the name David.
02:26David, David, David, David, David, David, David, David, David.
02:43Now, we tried to debunk these noises.
02:47I tried to explain them.
02:49But we just could not find any logical explanation
02:53as to why this occurred.
02:59There are other events that occurred,
03:02and I'm talking as recent as last week,
03:05involving a woman who claims she has seen a very tall,
03:10menacing male figure, right near the exhibit,
03:17where I just placed the remains of America's
03:22most prolific serial killer.
03:24Samuel Little, who died in 2020,
03:27preyed on marginalized women, killing multiple victims
03:32by strangulation over approximately 30 years.
03:35That's where I dropped it.
03:37Pulled the bird body out and rolled it down there.
03:39He confessed to 93 murders,
03:42and law enforcement says they have confirmed
03:45at least 60 of them.
03:48I'm deeply concerned that the introduction
03:50of his remains to the museum have given extra fuel
03:54to some of the most spiritually combustible items
03:58in the world,
04:00and that this evil monster's spirit
04:03has been summoned by the other cursed artifacts.
04:09We will begin by examining the already intense level
04:13of paranormal activity here,
04:15before the introduction of Samuel Little's ashes.
04:20John Shaw has been performing sideshow acts
04:23at the museum for six years,
04:25and has extensive knowledge of Satanism and the occult.
04:29I talked to him about the terrifying growls heard
04:36on the ballroom security camera.
04:38Every single effort has been exhausted
04:41in trying to debunk this, and we are still inconclusive.
04:46Now let's talk about the cause,
04:52the building's background.
04:55Back in the 70s, the devil worshipping
04:57that was factually taken place here.
05:01In 2016, I interviewed a woman who observed clear evidence
05:05of Satanic rituals in the basement of the museum building.
05:09First thing I saw was a pentagram on the floor,
05:14and then there was a circle around that pentagram,
05:18and I also saw blood drops.
05:21You're for sure you saw blood.
05:23Positive.
05:24A previous occupant of the building,
05:27with government documentation of her family's residence here,
05:31testified that her father participated
05:33in dark rituals in the basement,
05:35and that this is a place of unspeakable horror.
05:41There could, in theory, still be portals left here
05:45that maybe were not ever closed.
05:47Yeah, that sound to me...
05:51If you were going to create a sound
05:52that was going to sound like a portal opening
05:54to another realm of reality,
05:56that is exactly what I would think.
05:58Right.
05:59And it sounded like something opening,
06:00like a tear in the veil.
06:02It just gave me a chill when you said that for some reason.
06:04Yeah.
06:05In the Bible, the tearing of the veil occurs
06:08at the time of Jesus' death,
06:11and signifies a new kind of access to the afterlife.
06:17I asked John to take me to the sideshow room,
06:20where there have been hundreds of sightings
06:22of a little girl's spirit inside an unfinished room
06:26that can only be accessed by entering this old wagon.
06:31John believes this little girl could be something much darker,
06:34while mimicking the innocence of a child,
06:36and trying to attach itself to unguarded living souls.
06:39You guys here. Ready?
06:43On the way to the sideshow room,
06:46we stop at the ballroom,
06:47where the demonic sounds were captured on the security camera.
06:50Right over here, this is the security camera that captured the sounds.
06:57And just to the left of the security camera is this room here that is really at a focus for me as being a potential source of those sounds.
07:12This is the devil's rocking chair.
07:15The devil's rocking chair, which was involved in the exorcism of 12-year-old David Glatzel caused so many disturbing incidents at the museum that I was forced to temporarily close that exhibit in 2019.
07:31Not only do David Glatzel's growls during his exorcism sound eerily similar to those captured in the museum...
07:41I'm doing it!
07:44...but the name David is spoken aloud.
07:52So I want to focus a little bit more on investigations in here as well when we do...
08:00Whoa.
08:01You alright?
08:02Yeah, I just got really dizzy.
08:04I did not like that.
08:07Yeah, it looked like you were about to fall over.
08:09Yeah, I didn't like that.
08:10I just got dizzy.
08:11I just got vertigo really bad.
08:14This room has a history of causing debilitating dizziness.
08:19Two museum visitors have lost consciousness and collapsed in this exact same spot.
08:24Okay, right now we are going to go through this hallway here.
08:28This is going to lead to the sideshow area.
08:32This is where the sightings of the little girl have been hundreds.
08:38Since Aaron is the most childlike of us, I send him inside the circus wagon where the little girl is often seen to see if he can draw her out.
08:48Little girl, we want to know who you are.
08:52Can you appear for Aaron so we can take your picture?
08:56Aaron's Polaroids show that he is completely alone inside this wagon.
09:01But then he feels something unexplained just as I'm attempting to summon the little girl's spirit.
09:06Dude, something just grabbed...
09:09See this?
09:10See my little pouch here?
09:11I put all...
09:12Dude, something just grabbed my, like, Polaroid pouch.
09:15Was Aaron just touched by the little girl's spirit?
09:25We turn now to troubling paranormal activity that may have been stirred up by the addition of Samuel Little's remains.
09:33I meet with Joy Foster at my headquarters next door to the museum.
09:38What the heck?
09:41You okay?
09:42Yeah, you just scared me.
09:43It's okay.
09:44I do that sometimes.
09:45It is no surprise that Joy is jumpy.
09:48Just a week ago, she had a horrifying experience in the room where I keep the van that Dr. Jack Kevorkian used for illegal assisted suicides.
09:57Last week, I stopped by the museum, and it was around 9.30 p.m.
10:05I noticed you and a couple of your friends, and you were crying.
10:10And at that time, you said that you saw somebody in the museum.
10:16What did you see and what area?
10:18When we were about to turn into the Kevorkian office, down the hallway, there was a very tall shadow.
10:25But it was not quite a shadow.
10:26It was, like, white.
10:27So this thing crouches down and is, like, right by me, smiling.
10:44And I'm very uncomfortable at that point, and I felt almost like there were claws right in my back right here.
10:52So that's when I just, like, lost it.
10:54But, like, I couldn't go.
10:56I feel like I was just so overwhelmed and scared.
11:03And it just felt like a million things were just yelling at me that it was going to hurt someone.
11:07And I just, like, didn't know how to stop it from hurting someone.
11:10That this entity was?
11:11Yeah.
11:12Okay.
11:13And then it follows us into one other room.
11:20What other room?
11:21It followed us into the room that had Samuel Little's ashes and, like, all the kind of serial killer stuff in there.
11:28You mentioned Samuel Little's ashes.
11:29I didn't even mention him to you.
11:30You mentioned that.
11:31Yeah.
11:32I just remember that was one of the things I noticed in the room.
11:37I kind of almost focused on his ashes because they were in the back.
11:40And I just headed there.
11:41And then when I headed back out, it was just gone.
11:43So we just added his remains into the museum, I mean, just over about a month ago.
11:51As these events unfolded, I was alarmed by Joy's breakdown and took the Ovilus to the Kevorkian van room.
11:58And every single thing that you would say or I would say, we would then get the message.
12:06I said, wow, this room feels really heavy.
12:08It said heavy.
12:09Mm-hmm.
12:10I said, where's the entity?
12:11And you said, it's on the ceiling.
12:12What did we get on the Ovilus?
12:14Ceiling.
12:15Ceiling.
12:16We went and asked you.
12:17Think of a number.
12:18You said 1-1.
12:19I feel like I hear, like, 11, like 1-1.
12:23And what was on the Ovilus?
12:2411.
12:2511.
12:26Go look at the Ovilus.
12:28It was letting us know that it's listening to us.
12:39It can see us.
12:40It wanted us to be scared.
12:42And at that time, I remember both of my fists were stuck in this position.
12:49You ever had lockjaw?
12:50You know, you're biting so hard, you're just, you're waiting for your teeth to explode.
12:54I was waiting for my fists to explode.
12:57And I think that the aggression of this entity where you said you thought it was going to
13:01hurt somebody, I was feeling it.
13:03I was connecting to it.
13:06Why don't we walk in there real quick?
13:08You want to?
13:09Yeah.
13:10All right, let's do it.
13:11Okay.
13:12Before we even enter the building, the Ovilus transmits an ominous message.
13:18But because of this...
13:19I've never seen that before, right?
13:21That's crazy.
13:22Wait, what?
13:23Follow me for death.
13:24Yeah.
13:25What the ?
13:26They know that we're coming.
13:32We enter the building and I direct Billy to follow Joy with the XLS to the room containing
13:38Samuel Little's ashes.
13:40It does not feel good in here.
13:41Am I going to be the only one in here?
13:43Hold on.
13:44Whoa, whoa, whoa.
13:45Hold on.
13:46What was that?
13:47Something did like an acrobat.
13:48There's something in here.
13:49What are you feeling in here right now?
13:50It just feels like something is just, like, right here.
13:54At exactly the same time a figure appears on the XLS, Joyce says she feels a presence
14:01in the room.
14:02It just feels like something is just, like, right here.
14:09Hey, Samuel Little, why don't you give us the name of some of your victims?
14:12A lot of them haven't been identified.
14:15Where are they at?
14:17Oh, look!
14:19No way!
14:21What the is that all about?
14:24It's really direct.
14:25This is breathtaking.
14:27I ask a deceased serial killer where his victims' remains are, and I get some disturbingly
14:34specific direct communication.
14:37But then the communication continues.
14:39Can you give me another victim's name?
14:42Coffin!
14:43Again!
14:44What are the odds in that, bro?
14:47Where are you?
14:48Where are you?
14:51Oh, he says linger in the cellar.
14:54Go down there.
14:55Go.
14:56All right.
14:57Billy takes Joy to the basement to see if a female presence provokes a response from
15:02this serial killer of women.
15:05But Joy doesn't feel comfortable going any farther.
15:08I feel like he definitely wants me back there alone.
15:14I just don't know if it's going to be a good thing.
15:16Author Jillian Lauren wrote Behold the Monster after spending three years interviewing serial
15:26killer Samuel Little.
15:28I meet with her to get some insight on what kind of spiritual chaos his remains could be
15:34causing.
15:35What was his presence like?
15:36What was his energy like?
15:37Was there something about him that felt inhuman?
15:42I had three nicknames for Sam.
15:43Perv Grandpa, Snake Monster, and Three Card Monty.
15:52And Snake Monster was the frightening one.
15:55That was if I challenged him or talked too much, you know, shut your mouth or I'll crawl across
16:16this table and I will chew your lips off your face.
16:21He would say that?
16:22Yeah.
16:25The monster inside of him was always there.
16:28Yeah.
16:29He would let you know that he is a savage killer.
16:33He believed he owned his victims.
16:36Like he took their soul.
16:38Yeah.
16:39Like he took their breath.
16:41Like, I take your breathing from you.
16:45And then he gave it back sometimes.
16:47He, he gave his victim CPR.
16:50After he killed him?
16:52No, brought them back to life.
16:54And then killed him again.
16:57Are you serious?
16:58Yes.
16:59He was a soul taker.
17:07Jillian says Samuel Little left his personal effects to her in his will.
17:12Including the ashes from his cremation.
17:15You provided me with Samuel Little's ashes, his remains.
17:21And also some of the hand drawn portraits that he did of some of the victims.
17:27So I do gotta tell you, once we put his remains on display in the jail room, where there's also the remains of Charles Madsen, there has been some strange phenomena occurring in that room.
17:44And also a sighting.
17:47Um, why your reaction like that?
17:49Well, I had his, I had his remains in my house.
17:53When you received the ashes and you brought them into your house, um, you know this is my field of research.
18:03And we've investigated numerous cases involving remains and ashes.
18:07And that was always a common denominator in attachments and families.
18:11Especially when that person whose ashes they were, were an evil person, were a bad person, were possessed.
18:18Did you ever accept any weird, um, feelings or anything like that when the ashes were in your house?
18:25Any changes with you, your family or anything?
18:27Yes.
18:28You did?
18:29Yeah.
18:30It, it just got darker.
18:33And I got more and more depressed.
18:36And, uh, I just like, started to kind of fold.
18:41Every time I walked into the room, you know, and I, I got like a weird tremor.
18:47It wasn't okay having those ashes in the house.
18:50It wasn't okay.
18:52We take Jillian to the jail room to assess the energy generated by Samuel Little's ashes and his victim portraits.
19:05This portrait here says, Jillian Lauren, my book writer.
19:10Yeah.
19:11He had this incredible memory for faces and also he learned to draw in the Ohio State Reformatory.
19:18Mm.
19:19Ohio State Reformatory.
19:20Uh-huh.
19:21Really?
19:22That's where you learned to draw.
19:23I investigated there.
19:24He was there when, uh, there was a suicide.
19:27Like, uh, someone set himself on fire above his cell.
19:32What?
19:33Really?
19:34Mm-hmm.
19:35Yeah.
19:36We, we spoke to an inmate who walked us to a cell where inmates set himself on fire and committed suicide.
19:42That's the one, yeah.
19:44God, it's so weird when these connections start happening.
19:47These, like, synchronicities.
19:49How does it feel to be around his ashes right now?
19:55You evil .
19:58He was so evil.
20:00He was so evil, Zach.
20:02We step outside to process these extremely chilling revelations.
20:13Holy .
20:14Was that heavy or what?
20:15Billy was off camera.
20:16Billy, come here.
20:17Did you, were you feeling that same?
20:19Little .
20:20Oh, my God.
20:21My stomach feels nauseous.
20:22Like, look at my puke.
20:23Aaron makes a disturbing connection to the messages we got on the Ovilus with Joy.
20:28And, hey, he was saying where another body was, you know, the river and the coffin.
20:33Like, I wonder if he was trying to tell us where other bodies that he murdered were.
20:37And then I did it twice.
20:38Whoa.
20:39Look at this.
20:40No way.
20:41What?
20:42What the ?
20:43Coffin!
20:44Now it said coffin!
20:46Now it said coffin!
20:48But there's yet another chilling connection here.
20:52Along with coffin, the Ovilus says creek and river.
20:57Are these actually the words of a very specific Samuel Little victim?
21:02That's the only one that I ever killed by drowning.
21:10Jillian appears from inside the museum and tells us something that blows us all away.
21:15That's really important.
21:17Those details are really important.
21:19Yeah.
21:20Did he ever put, like, people in coffins and stuff?
21:22Um...
21:23Caskets.
21:24Yes.
21:25What?
21:26Yeah.
21:27Boxes.
21:28Yes.
21:29Was a diabolical serial killer taunting us by sending the words coffin and casket?
21:38And did he threaten our lives?
21:42Follow me for death.
21:44What the ?
21:45I guess.
21:46They know that we're coming.
21:52As we are getting ready to start our investigation, all four of us are at nerve center when I see an unexplained light in the ballroom.
22:01There was, like, two lights here, like bright white lights right here.
22:18And nobody is inside the museum.
22:20No.
22:21There was two lights right here.
22:22Oh, yeah, yeah.
22:23So we're just starting right now our investigation.
22:26As we were setting up, Billy and I were in the doll room, and we started receiving just some really chaotic EMFs that we could not explain.
22:35And every time I mentioned the name Gretchen, which is one of the most haunted dolls here at the museum.
22:41And then as we're all here observing, I just saw some lights over here, a couple lights, and we're all outside.
22:48What mic are you listening to right now?
22:51I'm just listening to all of them.
22:52You are?
22:53And if I start hearing something, I can kind of isolate which one's which.
22:56But right now it's a mix of everything.
22:57So where are the four microphones?
22:59So the four microphones, you can see one right here in the ballroom.
23:01Okay.
23:02That's a low subsonic frequency microphone.
23:04It picks up everything, but it really intensifies the low end.
23:07There's another mic right here.
23:09You can see the stand here.
23:10In the hallway.
23:11That's a shotgun boom mic.
23:12Okay.
23:13It's shooting down the hallway.
23:14Okay.
23:15In here, you can actually see it.
23:16See that cable there?
23:17Yes.
23:18That's a microphone that I placed into that room.
23:20Into the little girl.
23:21Exactly.
23:22It just dropped it.
23:23It goes to the little girl's room.
23:24The unfinished room.
23:25Yep.
23:26You just dropped it down there.
23:27It's laying on the devil's rocking chair right now.
23:30Billy and I now enter the museum and head to the ballroom, where the disturbing sounds
23:35were recently captured on the museum security cameras.
23:39All right.
23:40So it's all come down to this.
23:43There's so many unknown reasons that I have personally about why you chose me.
23:48Because I know you did.
23:50Why did you do those sounds on July 15th?
23:53Did you know that was my father's birthday?
23:56As I ask this question.
23:57Did you know that was my father's birthday?
23:58My infrared light unexplainably turns off and then on by itself.
23:59Zach.
24:00What?
24:01I got a really weird prickly feeling around my ears and my neck when you said that.
24:17It feels like something just moved in behind me.
24:19Now watch as this strange anomaly manifests out of the same mirror that we just captured
24:26this light from.
24:28What were those lights?
24:29I want to hear those sounds again.
24:42Do it for me now that I'm here.
24:45I want you to come through the veil.
24:47I want you to open it and tear it open.
24:51Whatever you are, I demand you to show yourself now.
24:56It's like literally something standing behind me right now with its hands on my shoulders.
25:05Because I can, I can feel, it's like a tingly.
25:09I'm being dead serious, dude.
25:11During this moment, Billy and I start heading upstairs when Aaron and Jay hear a strange sound
25:17in the ballroom.
25:24Did you just hear that?
25:25With this unexplained sound captured, Billy and I now try to elicit more activity by playing
25:50the actual audio of the disturbing sounds captured on the security camera.
25:54I'm going to play the sounds that we captured on that camera right there.
25:59Not only did we capture it on that camera, we captured it on the camera on the other side
26:03of the wall.
26:04Once I play these sounds, let us experience it with our own ears and our eyes.
26:24We have full body chills, man.
26:25David.
26:26David.
26:27David.
26:28David.
26:29David.
26:30David.
26:31David.
26:32David.
26:33Hey.
26:34Yeah.
26:35What if I brought the devil's rocking chair out, put it out in the ballroom?
26:36Bring it out.
26:37As I start trying to remove the devil's rocking chair, I realize it won't fit through the narrow
26:42edge.
26:43doorway.
26:44We sealed it inside of this room with a very thick piece of plexiglass through the
26:50door.
26:51this opening.
26:52So I now begin to remove it.
26:58I feel like this room had something to do with those sounds.
26:59Really?
27:00Because of the name David?
27:01Yeah.
27:02David.
27:03This room had the devil's rocking chair out.
27:04Put it out in the ballroom.
27:05Put it out in the ballroom.
27:06Bring it out.
27:07As I start trying to remove the devil's rocking chair, I realize it won't fit through the narrow
27:08doorway.
27:09We sealed it inside of this room with a very thick piece of plexiglass through this opening.
27:14So I now begin to remove it.
27:16I feel like this room had something to do with those sounds.
27:25Really?
27:26Because of the name David.
27:33Slide it down.
27:34Is this what you want?
27:46Ed and Lorraine Warren claimed this chair was the throne of the beast that possessed David Glatzel.
27:55They would also witness the chair rock violently back and forth, levitate, and move throughout the house by an unseen force.
28:03Why are you so quiet?
28:09We capture this light anomaly once again by the mirror shooting towards the chair.
28:14Then it does a 180-degree turn and retreats.
28:25Whoa.
28:29Whoa.
28:30That's the first spike I got, and that was on you.
28:33I get a spike near Billy with a 12.8 milligauss peak.
28:39I'll go by his camera.
28:40You see his camera right here?
28:42The meter is on the camera, and it's a .2, .1.
28:46It's not the camera.
28:48I'm just showing, look how fast I'm swinging this.
28:50I am withholding from telling you what the I'm going through right now because it just...
28:54It was on you.
28:55It did it twice on you.
28:56It was out there, and it jumped on me, and I literally feel like there's just like this force field around my body just holding on to me like this, and I don't like the feeling that I have.
29:07We want to take a moment and show just how black Billy's eyes look right now, and when we compare this footage with other footage taken from this same camera, it doesn't make sense why Billy's eyes look pitch black right now.
29:22Aaron, bring in ITC.
29:41Bro, I'm... I'm really angry right now, dude.
29:44As Aaron now enters the museum, I feel it's a good idea to get Billy out of this chair.
29:50So we make our way to the other side of the building to the jail exhibit.
29:55I begin to use the APFD processor and audio ITC device to see if I can communicate with Samuel Little, the most prolific serial killer in American history, and whose remains are contained in this very case.
30:12We asked you questions the other day, and you gave us where they're buried.
30:16Who are you?
30:17Who are you?
30:20What's your name?
30:21The only reason we're trying to initiate communication with this monster is to see if he will give any further information regarding the unsolved murders he committed, as he confessed to killing 93 individuals.
30:35And more than 60 of those murders have been matched to victims' identities, leaving over 30 still in question.
30:42Come.
30:43Come.
30:44Whoa.
30:45Come.
30:46Come.
30:47Come.
30:48Come.
30:49Come.
30:50Come.
30:51Come.
30:52Come.
30:53Whoa.
30:54Right after we received this crystal clear voice saying, come, the APFD processor stops working, so Aaron activates the polterpod.
31:04What do you think about your victim, Samuel?
31:07I love him.
31:08I love him.
31:10I love him.
31:11I love him.
31:12Yes.
31:13Yes.
31:14Yes.
31:15What do you think about your victim, Samuel?
31:16I love him.
31:17I love him.
31:18I love him.
31:20I love him.
31:22I love him.
31:23I love him.
31:24Yes!
31:25Yes!
31:26I love him.
31:27Yes!
31:28Yes!
31:31Samuel Little!
31:33Lieutenant.
31:35Whoa!
31:36Samuel Little!
31:39Lieutenant.
31:40Oh!
31:41Lieutenant.
31:43Whoa!
31:50What did it say?
31:53Hey, Samuel Little, you're a piece of .
31:56Did I say Bagans?
31:58Your last name?
31:59Yeah, that's my name.
32:03This spirit knows what it's doing right now.
32:06It's letting me know that it's getting personal
32:09by first saying my last name and then saying my first.
32:13To that.
32:15Bagans.
32:17To that.
32:18Bagans.
32:19Did I say Bagans?
32:20Your last name!
32:21Ouch.
32:22Ow!
32:23Ow!
32:24Where are you getting pains right now?
32:25I love someone, Jeff.
32:27There's a lot of other victims that are still unknown.
32:31Can you tell us the name of a victim so that we can give closure to their family?
32:37How did Samuel Little, he liked to strangle women, how did he kill you?
32:45Seatbelt.
32:46Seatbelt!
32:47Are you f***ing kidding me?
32:48Oh my God!
32:50Plain as day, seatbelt!
32:53How did Samuel Little, he liked to strangle women, how did he kill you?
32:59Seatbelt.
33:00Seat-
33:02Seatbelt.
33:03Seatbelt!
33:04Seatbelt!
33:05What did he do with your body after he strangled you?
33:09Seatbelt.
33:10Seatbelt.
33:11Seatbelt.
33:12Seatbelt.
33:13Seatbelt.
33:14Seatbelt.
33:15Seatbelt.
33:16Seatbelt.
33:17Seatbelt.
33:19Are there any protective spirits here that can help us right now, or the victims?
33:23Seatbelt.
33:24Seatbelt.
33:25Seatbelt.
33:26Seatbelt.
33:27Seatbelt.
33:28Seatbelt.
33:29Seatbelt.
33:30Seatbelt.
33:31Seatbelt.
33:32Seatbelt.
33:33Seatbelt.
33:34Seatbelt.
33:35Seatbelt.
33:36Seatbelt.
33:37Seatbelt.
33:38Seatbelt.
33:39Seatbelt.
33:40Seatbelt.
33:41Seatbelt.
33:42Seatbelt.
33:43Seatbelt.
33:44Seatbelt.
33:45Seatbelt.
33:46Seatbelt.
33:47Seatbelt.
33:49Seatbelt.
33:50Oh, who are we talking to?
33:54Robert.
33:55Robert?
33:56You're going to say Robert?
33:57Yeah.
33:59Who's in the hallway?
34:02The man.
34:03The man.
34:05Who's in the hallway?
34:07The man.
34:09The man.
34:10The man.
34:11The man.
34:13Can I say something right now?
34:15Yeah.
34:15There is somebody in that hallway.
34:18I agree.
34:19I got over there, and I could not get past that.
34:23Can I say something?
34:24Yeah.
34:24The amazing and scary inside that cell.
34:29All the stuff that just happened.
34:31You can call out Zach's last name.
34:34What's wrong?
34:35What are you doing?
34:36It's that encompassing feeling where it feels like it's inside my body grabbing me like this,
34:45doing weird shit.
34:45We now head back to Nerve Center and regroup for a new plan of attack.
34:54Okay, right now, I sent Aaron to the ballroom, and Aaron is setting up his Polaroid camera.
35:00Looks like some kind of professional one.
35:02I don't know the details of it.
35:03While he's doing that, Jay is setting up his slow-mo cam.
35:07That's going to capture, like, anywhere from 200 to 300 frames per second.
35:11Very high tech.
35:12We're going full visual right now.
35:13And Billy is going to follow me as I scan the museum with the XLS camera.
35:19We're going to immediately head back to the jail cell room to see if we can document who was just talking to us.
35:25Whoever we were just talking to, let us see you.
35:39With no figures in the jail area, we now head to the doll closet where something incredible is about to happen.
35:45Whoa, Billy.
35:55You got something?
35:56Yeah, he's grabbing the doll.
35:58Which one?
35:59I don't know, dude.
36:01I'm over here.
36:01He's grabbing the head of this doll.
36:04He can't stop grabbing the head of this doll.
36:07Now he's playing with the other doll.
36:08Wait, is it a stick figure?
36:10It's a big figure.
36:10He's playing with the doll.
36:12Whoa, now he's grabbing another doll.
36:14This is amazing.
36:17Watch as this entity is literally playing with the dolls and grabbing them.
36:22Could this entity be infusing them or taking their spirit energy?
36:26Dude, he's grabbing all the dolls.
36:28How tall is it?
36:29Probably about six feet, bent over right now.
36:31Are you serious?
36:32Playing with one of the dolls.
36:34Now he just disappeared.
36:36No way.
36:36Now he just disappeared.
36:39I just captured a tall figure in the doll closet grabbing all the dolls.
36:44It was grabbing this doll's head.
36:46Can we find out what doll that is?
36:48Wait, which one?
36:48Point to it.
36:49This one.
36:50It was grabbing this doll's head and then grabbing Gretchen.
36:53Can you see in there?
36:54Yeah.
36:55Do you see the creepy doll to the left?
36:57This guy.
36:58From what I remember, he was grabbing that doll's head.
37:02Can you move your eyes?
37:04Whatever entity that was grabbing that doll's head.
37:11Can you move the eyes of that doll?
37:22Right now I'm just shooting the room and the chair and everything in it.
37:25So hopefully if there's something going on with all that, hopefully I'll capture it.
37:29All right, so I just switched over the slow-mo camera.
37:33I just moved it over here with Aaron to shoot the Devil's Rocking Chair.
37:37My setting is at 240 frames per second.
37:40So if anything is coming out of the chair or sitting in the chair and moving around the chair,
37:45we should definitely pick it up.
37:47Jay decides to sit in the Devil's Rocking Chair while Aaron takes UV photos.
37:52Show yourself.
37:53Billy and I now descend into the basement.
38:03I just heard it.
38:26Whoa.
38:26I just heard it.
38:33Whoa, Billy.
38:37Yeah.
38:38What the ?
38:39Where are the guys at?
38:41They're in the ballroom.
38:42I immediately call Aaron and Jay to make sure they aren't in the jailroom.
38:46Where are you right now?
38:47Right now I'm sitting in the same spot with the Polaroid and Jay is sitting in the chair.
38:52How long have you guys been there?
38:54The whole time.
38:55You are never over at the jailroom, right?
38:58No, huh?
38:58We are in the basement, Aaron, and we just heard someone loud footstep walking above us.
39:04For real?
39:05Like somebody was in the jailroom.
39:08Oh my God.
39:11Not only did we hear footsteps, but now these strange sounds occur.
39:16And when we check the jailroom footage, not only is no one inside there, but the light turns on by itself.
39:22Who the is walking up there?
39:30I don't know.
39:30That's the jailroom.
39:32Did you hear that?
39:33Yes.
39:35Who's above us?
39:41Go.
39:48Aaron?
39:50Dude, they're back there.
39:51Why is the light on?
39:59Why is the light on?
40:00Oh my God.
40:02Who or what was making the footstep sounds in this room?
40:10Whoa, Billy.
40:11Yeah.
40:14Whoa, Billy.
40:16Yeah.
40:16And why did this motion-activated light turn on while nobody was inside?
40:24We firmly believe these are the spirits that we experienced incredible communication with and hear earlier.
40:31And we ask ourselves, is the man who made himself known, and whom our interviewee Joy is terrified of, the spirit of Samuel Little?
40:41After Aaron's Polaroids develop, we make a startling discovery while Jay was sitting in the devil's rocking chair.
40:49As you can see in this first photo, it's normal.
40:53Then, something starts appearing around him.
40:56And in the third photo, these strange light beams appear.
41:01And when Jay exits the chair, something truly shocking appears.
41:06An energy form seems to be traveling out of the chair, with several unusual speckles and spots around the chair.
41:14Could this be evidence of the very portal that we believe opened and caused the disturbing sounds captured on our security camera?
41:23As you can see mainly to fire, say, in the third photo.
41:29Oh, you deserve to be edges.
41:31All right.
41:34And now you are hiding.
41:35There is another night that we're waiting for you for you in this past.
41:38We追j yourself with the spirit of Paul and con� of John N 5 in the fourth time.
41:52And let us have a look.
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