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The Mysterious Traveler was an American media franchise created by Robert Arthur and David Kogan. All versions of the franchise focused on suspense and crime fiction, with occasional elements of horror or science fiction.
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00:00Mutual presents the Mysterious Traveler.
00:21This is the Mysterious Traveler, inviting you to join me on another journey into the
00:26realm of the strange and the terrifying.
00:28I hope you will enjoy the trip, that it will thrill you a little and chill you a little.
00:36So settle back and get a good grip on your nerves, if you can.
00:45Where are we going?
00:47Well, let us say for the moment we're taking a little trip into time in a story I call...
00:54New Year's Nightmare.
00:58As the old year entered its last minute, the crowds at the Club Tropicana were waiting
01:16expectantly for the clock to strike midnight.
01:19At a ringside table, a lovely young woman angrily whispers to the man with her...
01:25Chris, if you take another drink, I'll leave.
01:27Oh, Judy, this is New Year's Eve.
01:30It'll be 1947 in another minute.
01:33Gotta celebrate, don't I?
01:34Just one more.
01:35Just one more.
01:36Just one more.
01:37That's what you always say.
01:39I wouldn't mind if it were just tonight, but you're always getting drunk.
01:42Waiter!
01:42Another bottle of champagne!
01:44Nothing I say means anything to you, does it?
01:46You think because I've forgiven you a dozen times in the past, I'll do it again.
01:50But you're wrong, Chris.
01:58Happy New Year, darling.
02:001947 is going to be our year.
02:03No, Chris, it isn't.
02:04I won't marry a man who gets drunk in New York and wakes up the next day in another city.
02:09Oh, Judy, what are you saying?
02:11You don't mean that.
02:12You know I love you.
02:14Yes, Chris, you love me.
02:17But not enough to give up drinking.
02:20I'll miss you, Chris.
02:21I'll miss you terribly.
02:23But I know I'm doing the right thing.
02:26Judy, don't talk like that.
02:28I couldn't live without you.
02:29You know that.
02:30Won't you?
02:30I'm sorry, Chris.
02:32Here's your ring.
02:34Will you please take me home?
02:35You don't have to leave.
02:37If the sight of my drinking is too much for you, I'll go someplace else and do it.
02:40Martin will take you home.
02:41Happy New Year and goodbye.
02:44Goodbye.
02:44Do you mind finishing that drink, mister?
03:00It's five o'clock in the morning and I'm dead on my feet.
03:04Sure.
03:05Sure, I'll drink up.
03:08No matter what she says.
03:09That's right.
03:10Now, you better go home and sleep it off.
03:13Good night and a happy 1947 to you.
03:16Thanks.
03:17And the same to you.
03:18Hold on.
03:24Got to find another bar.
03:27New Year's.
03:29Got to celebrate.
03:31Hmm.
03:33Another bar across the street.
03:36Oh, got to celebrate.
03:39Hey, mister.
03:40Look out for that car.
03:41You're going to get run down if you don't?
03:42Look out.
03:43Oh, my...
04:00My head.
04:03Oh, it feels so funny.
04:06What's that noise?
04:08Those horns.
04:09Well, darling, it's midnight.
04:11New Year's.
04:12Oh, my head.
04:13It's strobbing so.
04:16Where am I?
04:18How did I get here?
04:19Why, darling, you live here.
04:22Live here?
04:24What are you talking about?
04:26Charles, I'd better call Dr. Smith.
04:29You look so strange.
04:31Hello?
04:32Connect me with Dr. Smith's apartment, please.
04:35Never seen this place before.
04:38Hello, doctor?
04:39This is Blanche Arnold.
04:41Yes.
04:42It's Charles.
04:43He isn't well.
04:44Could you come to our apartment at once?
04:47Oh, thank you.
04:48Goodbye.
04:50What do you mean, I live here?
04:53Who are you?
04:54Where am I?
04:56I'm your wife, Charles.
04:58This is our home.
04:59Don't you remember?
05:01You're my wife.
05:04You can't be.
05:04I'm not married.
05:06What am I doing here?
05:07What's your game?
05:08Charles, can't you remember anything about us?
05:12What are you talking about?
05:13I never saw you before.
05:15And why do you keep calling me, Charles?
05:16My name is Chris.
05:18Chris Andrews.
05:19Chris Andrews.
05:22So that's what the initial C.A. stood for.
05:25Oh, that noise out there.
05:27What are they making such a racket for?
05:28Because it's midnight, New Year's Eve.
05:31Midnight?
05:32New Year's Eve.
05:35But it was midnight hours ago when I left the club Tropicana.
05:40What are you talking about?
05:42Oh, that must be Dr. Smith.
05:43I'll answer it.
05:44Dr. Smith?
05:45I don't know any Dr. Smith.
05:49Oh, come in, Doctor.
05:50I'm so glad you're here.
05:52I think it's the amnesia.
05:54It seems to have left him all of a sudden.
05:56Charles?
05:57It's Dr. Smith.
05:58I don't know him, and I don't know you.
06:01And please stop calling me Charles.
06:03I told you my name is Chris Andrews.
06:05Mm-hmm.
06:06Why don't you sit down, Mr. Andrews?
06:08I'd like to talk with you for a few minutes.
06:10What about?
06:12Tell me, Mr. Andrews.
06:14What's the last thing you remember before finding yourself in this apartment?
06:19Why, Judy.
06:22She and I were at the club Tropicana, celebrating New Year's Eve.
06:26I see.
06:26I remember we quarreled about my drinking.
06:31I walked out on her and had a few drinks someplace else.
06:35Mm-hmm.
06:37That's all I can recall.
06:38Oh, my head.
06:40I've had hangovers, but I've never thought like this before.
06:43What time is it?
06:44It's just four minutes after 12.
06:48But it can't be four minutes after 12, New Year's Eve.
06:50That was hours ago when I left the Tropicana.
06:54Mr. Andrews, that was New Year's Eve.
06:571947.
06:59What do you mean that was New Year's Eve, 1947?
07:03This is New Year's Eve, 1948.
07:081948?
07:10What are you talking about?
07:12It's 1947.
07:13Well, here's the morning paper.
07:15You can see the date for yourself.
07:17Thursday, January 1st, 1948.
07:22No, it can't be.
07:24It can't be.
07:27A year gone?
07:28Just like that?
07:30Well, where did it go?
07:32I haven't lived it yet.
07:34Perhaps you'd better let me clear up a few things for you.
07:371948?
07:38My name is Smith.
07:39I was a resident physician until recently at the Park Hospital.
07:43While I was on duty last New Year's Day, 1947,
07:48you were brought into the hospital seriously injured
07:51to having been run over by a car.
07:54When you recovered consciousness five days later,
07:57you didn't know who you were.
07:59You were a victim of amnesia.
08:01Amnesia?
08:02Yes, and we didn't know who you were
08:04as you had no identification papers.
08:07But my wallet, uh, letters...
08:09They were gone.
08:11The only clue to your identity
08:12was a belt buckle with the initials, uh, C.A. on it.
08:16We didn't know your real name,
08:18so I called you Charles for the C.
08:20Uh, Blanche was your nurse.
08:23I've always liked your name, Charles.
08:25And that's your last name.
08:27We thought Arnold was as good as any,
08:29so you became Charles Arnold.
08:32But what have I been doing
08:34since the day I recovered consciousness?
08:36Well, you weren't discharged from the hospital until May.
08:39Uh, then you went to work as an insurance clerk.
08:42As an insurance clerk?
08:43But I don't know anything about being a clerk.
08:46I'm a reporter.
08:47Well, there was no way of learning
08:49what your occupation had been.
08:51Uh, so when Blanche learned of this opening
08:52in an insurance office,
08:54you applied for the position.
08:56And that's where I've been working?
08:57Up to now?
08:58Yes.
08:58And then after you got your job,
09:00we were married.
09:02Married?
09:04Charles.
09:05I mean, Chris.
09:07Don't you remember?
09:10I'm afraid Blanche, you really can't.
09:12Married.
09:14But Judy.
09:16Oh.
09:17It's like a dream.
09:19My head keeps throbbing.
09:21I keep expecting to wake up.
09:23There's a date in the paper.
09:25January 1st, 1948.
09:26Doctor, you said he might never get over his amnesia.
09:29Well, that was a strong possibility,
09:31but apparently the sounds of New Year's
09:33brought back his memory.
09:35You're gone just like that.
09:37Judy.
09:39My friends.
09:40Job.
09:42All gone.
09:44Doctor, where am I?
09:46I mean, what's the address of this apartment house?
09:48You're at 5718 North 13th Street.
09:51Philadelphia.
09:52Philadelphia?
09:52But how did I get to Philadelphia?
09:55That we don't know.
09:57All that I can tell you is that your accident occurred
09:59just a few blocks from here.
10:01Darling, I know what a shock it must...
10:03Strange.
10:05You must have called me darling many times in the past.
10:08And yet this is the first time I've...
10:10I've ever heard you call me that.
10:13Yes.
10:14I know.
10:16What did you say your name was?
10:18Oh, hello, Doctor.
10:34Come in, won't you?
10:36How are you, Blanche?
10:38All right, I suppose.
10:40How's Chris getting along?
10:41He's fine.
10:43It's just...
10:44Why, Blanche, what's this?
10:46I've never seen you cry.
10:47Hear, hear.
10:48No, it's just that everything's so changed.
10:53Those six months Chris and I were married
10:54before he regained his memory
10:56were the happiest of my life.
10:59And now?
11:00This past month since he got his memory back,
11:03it's been as though I were married to a stranger.
11:06It isn't as though he doesn't try to be nice to me,
11:10but it's also obvious.
11:11He doesn't love me.
11:12Now, Blanche, you mustn't say that.
11:14It's true, I tell you.
11:16How can a man love a woman those first six months
11:19as he loved me
11:20and then fall out of love with her
11:21when he's regained his memory?
11:24You must have patience, Blanche.
11:26It will take time for Chris
11:27to adjust himself to what's happened.
11:30He fell in love with you as Charles Arnold,
11:32and I'm sure he will as Chris Andrews.
11:35You just must give him time.
11:37Chris!
11:50Chris Andrews!
11:53Chris, it is you!
11:55Judy!
11:56Oh, Judy!
11:58Oh, just let me look at you.
11:59This can't be true.
12:01You're being here.
12:02Well, it is.
12:04It's been a long time.
12:06Yes.
12:07A year and a month since New Year's Eve, 1947.
12:11Chris, what are you doing here in Philadelphia?
12:13I live here.
12:14Well, so do I.
12:15I got a job with Ryan and Company
12:17as a copywriter here a few months ago.
12:20Look, Judy, we can't talk here on the sidewalk.
12:22That's right.
12:23Well, look, I live only a few blocks from here.
12:25We can go to my apartment.
12:26Oh, that's fine.
12:28There's so much I want to ask,
12:29and there's so much to tell.
12:31Here, let me have your hat and coat.
12:44Would you like something to drink?
12:45No, I don't drink anymore.
12:48Oh?
12:50Chris, you have changed.
12:53You look so much older.
12:54Well, you don't.
12:56You're as lovely as that night I saw you last.
12:58Thank you, Chris.
13:00Judy, you'll have to let me explain
13:02what happened after I left you
13:03that night at the Tropicana.
13:05If you find it difficult to believe,
13:07I won't blame you.
13:09It still seems like a nightmare to me.
13:12That night, after I left you...
13:22And so now you know everything.
13:24From the moment I last saw you to this one.
13:28Oh, no wonder you look different
13:30after having gone through an experience like that.
13:35Well, you're all right now.
13:36You know who you are.
13:38You're happily married.
13:39You have a job.
13:40I'm not happily married, Judy.
13:41Chris, you mustn't talk like that.
13:43Surely you must have loved your wife
13:45if you married her,
13:46and she hasn't changed.
13:48Judy, there's never been anyone for me but you.
13:50You know that.
13:51And you still feel that way about me.
13:53No, I don't.
13:54When we met tonight,
13:55that old look was still in your eyes.
13:58You do care.
13:58You know you do.
13:59Please, Chris,
13:59no matter how I feel about you,
14:01it's over now.
14:03You're married,
14:04and that's all there is to it.
14:06I wish you'd go,
14:08and I don't want to see you again.
14:10Chris,
14:21where have you been?
14:22I expected you home from work hours ago.
14:25I met a friend.
14:27Oh.
14:29Oh, you look so tired.
14:30Do you feel well?
14:32Blanche,
14:32this past month,
14:33I tried my best to be a good husband.
14:35Haven't I?
14:36Oh, you have been, darling.
14:38No, there's something missing,
14:39and you'll know it.
14:40Oh, it isn't your fault.
14:41It's mine.
14:43And as a result,
14:44we're both unhappy.
14:45You mustn't say that, Chris.
14:47I feel that in time,
14:49things will be as they were
14:51when we were first married.
14:53When you were Charles Arnold.
14:55No, but they won't be, Blanche.
14:56It's no use, I tell you.
14:58Chris,
14:59who was the friend you met tonight?
15:02The girl I was once engaged to.
15:04I see.
15:06Blanche,
15:07you've got to give me a divorce.
15:11No, Chris.
15:13I'll never do that.
15:14But why?
15:16You know I don't love you.
15:18What's the sense of going on like this?
15:20Chris,
15:20when you were Charles Arnold,
15:22you did love me,
15:23and we were happy together.
15:24I had your love once,
15:25and I mean to win it back.
15:27I won't give you a divorce.
15:44Hello, Judy.
15:45Chris.
15:46Chris,
15:47I asked you not to call on me again.
15:49Judy,
15:50I've got to talk to you.
15:51May I come in?
15:53Well,
15:55all right.
15:57But just for a few minutes.
16:00Judy,
16:01even if we hadn't met again a week ago,
16:03things wouldn't have been any different
16:05between my wife and myself.
16:07I'll never love her.
16:08And I'm not going on with her.
16:10What do you mean, Chris?
16:11I'm going to leave her, Judy,
16:12and start all over,
16:13someplace far away.
16:15I just came around to say goodbye.
16:18Are you set on leaving her?
16:20Yes.
16:21Nothing can change my mind about that.
16:23You've got to understand my position, Chris.
16:28I could never be happy with you
16:30if I thought I'd been the one
16:31who came between you and your wife.
16:34But if you are going to leave her,
16:36I would like to see you again
16:39when you're free.
16:40Would you, Judy?
16:41Yes.
16:43But I don't want to see you
16:44until she's given you a divorce.
16:46A divorce?
16:48Of course.
16:51Judy, I am going to be free.
16:53Nothing's going to prevent it.
16:55Nothing.
17:10Blanche,
17:10how would you like to go out tonight?
17:13Go out?
17:14Yeah, we might take in a show
17:16or go dancing.
17:19Didn't I ever take you out
17:21when I was Charles Arnold?
17:22Oh, why, yes.
17:24We used to have wonderful evenings together.
17:27Then.
17:27Well, why not now?
17:29Unless you don't want to.
17:31Oh, Chris,
17:32there's nothing in the world
17:34I'd rather do.
17:35Hey, why the tears?
17:37Oh, it's just that
17:38I'm so happy.
17:39Oh, come here.
17:41Oh, did this Mr. Arnold
17:42ever put his arms around you
17:44like this?
17:45Oh, yes, often.
17:48Chris, stop squeezing me
17:49so tight.
17:51Chris!
17:52Sorry, darling.
17:54Oh.
17:56Oh.
17:57You almost...
17:58You almost squeezed me to death.
18:00That's so you remember
18:01that I'm your husband
18:02and not Mr. Arnold.
18:05And Blanche...
18:06Oh, yes, Chris.
18:07I'm taking a week's vacation soon.
18:10What do you say
18:11if we go up to the Adirondack Mountains
18:12for a week of winter sports?
18:13Oh, Chris, I'd love to.
18:16Well, it'll be like
18:17a second honeymoon.
18:18Oh.
18:34Blanche, are you all right?
18:36It's only a few more feet
18:37to the top.
18:37I'm coming, darling.
18:39Oh, there you are.
18:47Oh, Chris.
18:48Oh, the view is wonderful
18:50from here, isn't it?
18:51You're right.
18:52Being up here
18:53is like being alone
18:54in the world.
18:55Yes, just the two of us.
18:57Oh, this past week's
18:59been a wonderful one, Chris.
19:01I've never been so happy.
19:02Nor have I.
19:03Oh, be careful, Chris.
19:04Don't go so near the edge.
19:06That canyon's
19:064,000 feet deep.
19:08Oh, this ledge
19:08is perfectly safe.
19:09Come over here
19:10and take a look
19:10at the valley below.
19:11All right.
19:12Oh, please keep
19:14your arms around me, Chris.
19:15Looking down like this
19:16frightens me.
19:17There.
19:18You're safe in my arms.
19:21Chris, why are you
19:22looking at me that way?
19:23What way, dear?
19:25I don't know.
19:27Is your head
19:29throbbing again?
19:30No, dear.
19:31I don't suppose
19:34you've changed your mind
19:35about giving me a divorce.
19:36Have you?
19:38Giving you a divorce?
19:40But I thought
19:41we were
19:41so happy together.
19:44Yes, that's the impression
19:45I meant people to get.
19:47Chris, you can't be serious.
19:49Why, everything's been wonderful
19:51these past few weeks.
19:52Oh, I see it won't be any use
19:53trying to talk you into it.
19:55What do you mean?
19:57I'm sorry, Blanche.
19:58I don't want to do this,
20:00but you've given me
20:01no alternative.
20:02It's really your own fault
20:03that you must die.
20:05Let go of me.
20:06Let go of me.
20:07No, you struggling, darling.
20:09No one can see or hear you.
20:11You can't possibly escape.
20:13You can't pull me off
20:14that ledge yesterday
20:15and I'll hang you.
20:16I don't think so, dear.
20:17We've been so happy
20:18these past few weeks.
20:20I'm sure the police
20:21will see it
20:22as an unfortunate accident.
20:23Stop pushing me
20:24toward the edge.
20:25Chris, don't.
20:26I'll give you a divorce.
20:27I'll give you anything.
20:27I'm afraid
20:28it's too late for that.
20:30Chris!
20:50Chris!
20:50Good evening, Judy.
20:51May I come in?
20:53Why, yes, of course.
20:55How are you, Chris?
20:56Oh, I'm all right.
20:59I, uh,
21:00want to thank you
21:01for the note you sent me,
21:02uh, when Blanche died.
21:04I can't tell you
21:05how sorry I was
21:06to hear about it, Chris.
21:07Yes, it...
21:08it all happened so quickly.
21:10Hmm.
21:12What have you been doing
21:13since then?
21:14Oh, just working.
21:16Trying to straighten myself out.
21:18Yes.
21:19Um, Judy,
21:21perhaps I shouldn't talk about it
21:22now, seeing that
21:23Blanche has only been gone
21:25a month, but
21:25I've been thinking
21:27of leaving town.
21:30Will you come with me?
21:31Please sit down, Chris.
21:33You make me nervous
21:34walking back and forth
21:35like this.
21:35All right.
21:37But you haven't
21:38answered my question.
21:40Well,
21:41it isn't easy
21:42to answer.
21:43It would be
21:43if you said yes.
21:44I see in your eyes
21:48you mean no.
21:50Why?
21:53Chris, I've met
21:54someone else recently.
21:56Someone else?
21:58But you said
21:59if I were free
21:59you'd marry me.
22:00I didn't say
22:00I'd marry you.
22:01I said if you were free
22:02I'd like to see you again.
22:05But now I'm
22:06not even sure of that.
22:08You're so different
22:09from what you used to be.
22:10Stop being clever.
22:11If you didn't say
22:12you'd marry me
22:13you implied as much.
22:14Geez, Chris,
22:14you're making it
22:15so difficult for me.
22:17I'm making it
22:17difficult for you.
22:19And I suppose
22:19what I've been through
22:20doesn't count.
22:21I risked my life
22:22to get you.
22:23Risked your life?
22:24Chris, what are you saying?
22:25Are you such a fool
22:26as to believe
22:26that Blanche
22:27fell off that mountain?
22:29Chris, you didn't.
22:31Yes.
22:32And I did it
22:32because you said
22:33you'd marry me
22:33if I were free.
22:34Oh, no.
22:34I meant a divorce.
22:35But she wouldn't
22:36give me a divorce.
22:37It was the only way
22:38I could gain my freedom.
22:40And now you tell me
22:41there's someone else.
22:41Oh, Chris.
22:42I did it for you.
22:44And you're going
22:45to marry me?
22:45No, I won't.
22:46If I can't have you,
22:47no one else will.
22:47Chris, what's the
22:48matter with you?
22:49Chris!
22:49We were meant
22:50for each other, darling.
22:51In life and in death.
22:52Chris, if you come
22:53any closer,
22:53I'll scream for help.
22:55No, don't.
22:56Chris, don't.
22:57You won't marry me.
22:59You'll never marry
23:00anyone else.
23:02There.
23:05He'll never have you.
23:06Open up in there.
23:10But whenever you
23:11are mine,
23:12call the police.
23:15I didn't want
23:16to do it, darling.
23:17But you forced me to.
23:21Oh, my head.
23:22It throbs so.
23:24Everything's like
23:25a nightmare.
23:27Open up in there.
23:28This is the police.
23:29The police?
23:31I've got to get away.
23:44Oh, they're closing
23:44in on me.
23:45There's no escape
23:46from this room.
23:47Let's work our way
23:47down from this end
23:48of the rope to the other.
23:49They'll never take me
23:50alive.
23:51Never.
23:51I've got five bullets.
23:53Four for them
23:53and the last for myself.
23:55Ladies and gentlemen,
23:56you may be
23:57behind me.
23:57I had one of those
23:58chimneys.
23:58Oh, my head.
23:59It keeps throbbing so.
24:01If I could only think.
24:03All this can't be real.
24:04It's like a horrible dream.
24:06They're coming for me.
24:07Wait.
24:08There's someone
24:08behind that chimney
24:09over there.
24:10Get them to cover.
24:10They'll never
24:11take me alive, never.
24:12I'll show them.
24:15Keep down, Mike.
24:16Why don't you
24:16come and get me?
24:18Finish your head
24:19out with me, huh?
24:20I'll show you.
24:24Come on, Mike.
24:25This gun is empty.
24:26Oh, empty.
24:27You'll never
24:27take me alive.
24:29Never.
24:29He's climbing up
24:30on the ledge.
24:31It's 15 stories.
24:32I'm coming, Judy.
24:33I'm coming.
24:35He's going to jump.
24:36I'm falling.
24:37Falling.
24:43You'll never
24:43take me.
24:44Never.
24:45I'm falling.
24:48Falling.
24:49Doctor,
24:50the patient's
24:50recovering consciously.
24:52Yes, you're right.
24:53He's opening his eyes.
24:55Oh, my head.
24:57It drops.
24:58It drops so.
25:01Where am I?
25:03Oh, it was a dream.
25:06Not for you.
25:07Oh, thank heaven.
25:09Now, you must be quiet.
25:10You've been in a serious
25:11accident.
25:12Accident?
25:13Yes.
25:14You were hit by an
25:15automobile New Year's
25:16morning.
25:17Would you mind
25:18telling me your name?
25:19There weren't any
25:20identification papers
25:21in your clothing,
25:22and we'd like to
25:23inform your relatives
25:24of what's happened.
25:26My name?
25:27It's.
25:30It's.
25:32I can't remember
25:32my name.
25:33I see.
25:34Well, what about
25:35your address?
25:36Can you remember
25:36that?
25:38No.
25:40No, I can't
25:40remember anything.
25:41Now, you mustn't
25:41get excited.
25:42It'll all come back
25:43to you.
25:44You received a
25:45fractured skull
25:46from the accident.
25:48There was a
25:48mountain.
25:49Mountain?
25:50You mean you
25:51live near one?
25:52I don't know.
25:56There was a
25:57mountain, and
25:59the police were
25:59chasing me, and
26:01I jumped off a
26:03high building.
26:04It's all mixed
26:06up.
26:07You probably
26:07dreamed that while
26:09you were unconscious,
26:10but you're all right
26:11now.
26:12Just need rest and
26:12quiet.
26:13Where am I?
26:14You're in the Park
26:15Hospital, Philadelphia.
26:17Philadelphia?
26:18Philadelphia?
26:19What day is it?
26:20It's January 5th,
26:221947.
26:23It's 7.26 in the
26:25evening.
26:27And you don't
26:27know my name?
26:28No.
26:28All we have is your
26:29belt buckle with
26:30the initials C.A.
26:33C.A.?
26:34Nurse, will you
26:35look after the
26:35patient now?
26:36I'll be in to see
26:37him later tonight.
26:38Yes, doctor.
26:40Are you
26:40comfortable?
26:41The initials C.A.
26:44What do you
26:45suppose they stand
26:46for?
26:47Perhaps the C is
26:48for Charles.
26:51Charles?
26:53Charles?
26:54I don't know.
26:56Well, suppose I
26:57call you Charles,
26:58just for the time
26:59being.
27:00I always like to
27:01name Charles.
27:02All right.
27:03What's your name?
27:05I'm Miss Thompson,
27:06but you can call me
27:07Blanche.
27:09And Charles, let me
27:10be the first to wish
27:12you a happy 1947.
27:13This is the
27:37mysterious traveler
27:38again.
27:39Have you enjoyed
27:40our little trip?
27:41Oh, by the way,
27:43I want to wish you
27:43all a very happy
27:45new year.
27:46And I do hope
27:46you'll be careful
27:47about making new
27:48acquaintances.
27:50And perhaps you'd
27:50better keep an eye
27:51on the old ones,
27:52too.
27:53After all,
27:54who can foretell
27:55the future?
27:56Not even Chris
27:57Andrews,
27:58or should I say
27:59Charles Arnold,
28:01knows what's in
28:02store for him.
28:03But we do,
28:05don't we?
28:06And speaking of
28:08the future,
28:08I...
28:09Oh, you're
28:10getting off here.
28:11I'm sorry.
28:13But I'm sure
28:13we'll meet again.
28:15I take this
28:16same train
28:17every week
28:18at this same time.
28:19You've just heard
28:33The Mysterious Traveler,
28:35a series of dramas
28:35of the strange
28:36and terrifying.
28:37In tonight's cast
28:38were Maurice Toplin,
28:39Stuart Brody,
28:40Louise Fitch,
28:42Hester Sondergaard,
28:43and Mort Lawrence.
28:44Original music
28:45was played
28:45by Doc Whipple.
28:46The Mysterious Traveler
28:47is written and directed
28:48by Bob Arthur
28:49and David Cogan.
28:54Listen next week
28:55over most of these stations
28:56to a tale titled
28:57No Grave Can Hold Me.
29:00Another tale
29:01of The Mysterious Traveler.
29:07The Mysterious Traveler
29:09has been presented
29:09from our New York studios.
29:11Carl Caruso speaking.
29:12This is the Mutual
29:13Broadcasting System.
29:17The Mysterious Traveler
29:18is attributed to Catherine
29:19of the Cannes.
29:20The Mysterious Traveler
29:21is drummed into
29:22the��릴
29:23rats and their
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