Death in Paradise - Season 14 Episode 04
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00:00Farmers, cultivators, trees, you know.
00:18Janelle, good to see you again.
00:21And you?
00:23So, how you feeling about today?
00:26Where's Patrick?
00:27Patrick, if we're going to do, there's no point wasting any time.
00:31No, sure, of course.
00:34He's over at the tasting bar.
00:38Your assistant's already there.
00:41Sorry?
00:42Anthony.
00:46I want to get my own startup going at some point.
00:49Got a few ideas floating around, but I don't want to rush into it too soon, you know?
00:54I guess.
00:55Do what you gotta do.
00:58Yeah.
00:59No, I will, I will.
01:01Oh, great.
01:02They're here.
01:04Afternoon.
01:05Afternoon, Patrick.
01:06Janelle.
01:07Anthony.
01:11So, the contract is being back to over.
01:14Should be ready to sign shortly.
01:16We thought we could have a drink while we wait.
01:20Sure.
01:21We just need a moment.
01:22Mm-hmm.
01:27What are you playing at?
01:29I told you I didn't want you here.
01:31Mom, the only way I can ever learn from you is if I see everything you do.
01:35Not just what you want me to see.
01:36I appreciate that, but this is too important to mess up.
01:39And that's what you think I'm going to do?
01:41Mess it all up for you?
01:44I didn't mean that.
01:45I'm sorry.
01:47Please.
01:47You just want to be included.
01:49All right.
02:01This is our new line.
02:02It's a 15-year-old, but has a more mature taste, with a thick, caramelly finish.
02:10It's like getting a big, warm hug from a drink.
02:14There's no master distiller better than Francesca.
02:17Well, thank you.
02:19The rum's been aged in oak barrels, and that bottle was drawn three days ago, just for today.
02:30Neat for me.
02:31Yes, I'm very proud of this mix.
02:35Look like it.
02:38Well, I suppose somebody should make a toast.
02:43Janelle?
02:45Sure.
02:48To doing business.
02:50To doing business.
02:52Cheers.
02:53Cheers.
03:01Go speak with the paramedics.
03:10On it.
03:13Were you the one that called it in?
03:15This is all my fault.
03:17Just stay calm and tell me what happened.
03:20Was it some kind of poisoning?
03:23Methanol, I think.
03:24I mean, the rum was, uh...
03:26No, no, this just should not have happened.
03:30Three victims on their way to the hospital.
03:32A fourth was found at the bar.
03:34They didn't make it.
03:36Oh, God.
03:37We love you.
04:00That's it. Keep it coming. That's it. Keep it coming. Keep coming. Keep coming. Whoa.
04:22Good morning, sir.
04:23You know you're about to change my life, right?
04:34So where's this going?
04:41I'll find a place for it. Thanks a lot, mate.
04:47Hey, sir. All right, so if I come in?
04:49Yeah, yeah, come through.
04:53Is that...
04:56The answer to my prayers? Oh, yes.
04:59Did you buy it?
05:00No, renting it. And for a pittance.
05:04I'll tell you this, dearest Thomas. So what do you want about St. Marie?
05:06What do you do?
05:07But it's dirt cheap here. It's got that going for it, if nothing else.
05:12You literally have no filter.
05:16Also, take a look at this.
05:23Check that out.
05:27Oh.
05:28So you've also got a satellite dish.
05:32Great.
05:33So, um...
05:35What's the thinking behind all this?
05:38Well, I've not got long left here, right?
05:41And now with my mum's case put to bed,
05:42I thought, you know, I might as well try and enjoy myself.
05:45The commissioner mentioned you closed the case.
05:49You feeling all right about it?
05:52Yeah.
05:53Of course.
05:54I'm good.
05:56Especially now I can watch the footy.
05:58With air con.
06:00Heaven.
06:00I mean, no offence.
06:03Fence coming.
06:03But the TV out here is not good.
06:09Sorry, did you want something?
06:12Actually, yes.
06:13There's been a poisoning.
06:15Accidental.
06:17Three people in hospital, one dead.
06:20That wasn't at a rum distillery by any chance.
06:24Yeah, it was.
06:25The Ambrose rum distillery.
06:27What did you know about?
06:33The victim's name is Patrick Ambrose, 37 years old.
06:43He owns the whole distillery.
06:46Like the other victims, he had a single shot of rum
06:50and started filling ill shortly after.
06:53Mm-hmm.
06:56Mm-hmm.
06:57Mm-hmm.
07:00Is that all you've got to say, Inspector?
07:03Mm-hmm.
07:05Is there a reason he's been like this?
07:07I think so.
07:09But he won't tell me what it is.
07:11Well, that's helpful of him.
07:13The paramedics know why Mr. Ambrose died
07:15and everyone else didn't?
07:17They assumed that he must have drunk
07:19a bit more than the others.
07:21It's a good way to go, though, right?
07:22I mean, if you got to go,
07:24you might as well die of a glass of rum in your hand.
07:26I don't think it was very pleasant for him, Officer Rose.
07:29I'm just saying.
07:32Bingo.
07:33I knew it'd be in here somewhere.
07:37Two days ago, I got a call on my mobile.
07:43D.I. Wilson speaking.
07:47Hello?
07:48Whoever it was didn't speak,
07:51and seconds later they hung up.
07:52So I checked the number out,
07:54and the call was made from this distillery.
07:57Called it back, went to reception,
08:00who said that call could have been made
08:01from any phone on the estate.
08:03No way of finding out who it was.
08:06Except now, I do know.
08:09But that's your number, sir.
08:12It is.
08:13Oh, just got shivers when you said that.
08:15So, it was Patrick that was phoning you?
08:20D.I. Wilson speaking.
08:24Hello?
08:27What do you think you wanted to say?
08:28Not Scooby.
08:30But him turning up dead two days later
08:33feels like too much of a coincidence for my money.
08:37You're not thinking it's suspicious.
08:41I am.
08:45The food, health and safety officers have confirmed
08:49it is contaminated.
08:51We...
08:52What?
08:53No.
08:53I must have distilled at the wrong temperature
08:56and not removed all the methanol.
08:58Could be a faulty thermometer or human error.
09:04Either way, this is on me.
09:05OK, let's not get ahead of ourselves.
09:09Just talk me through it.
09:11I drew the rum three days ago.
09:14The bottle was kept and sealed.
09:16I gave it to Patrick.
09:18It's been in his possession ever since.
09:21And this evening,
09:23it was Patrick who opened the bottle.
09:25I handed round four glasses,
09:28put some ice in everyone's apart from his.
09:32Patrick poured them each a shot
09:35and they all sipped their drinks.
09:38Cora was pouring Patrick a second shot
09:40while I was refreshing the glasses when...
09:44Are you all right, Patrick?
09:46They all started feeling ill not long after him.
09:53And why were these particular people here this evening?
09:57Patrick was selling the distillery to Miss Denise.
10:01They were about to sign the contract.
10:04But they didn't.
10:05So the distillery stays in the family?
10:11I suppose.
10:12I mean,
10:13there is only Cora left.
10:16I guess it's hers now.
10:18Right, well,
10:19thanks for your time, Miss Bower.
10:21Um, so, uh,
10:23you're not arresting me then?
10:27Not yet.
10:28Is it me or is this suspicious thing number two?
10:34Minutes before,
10:35Patrick Ambrose is about to sign a contract
10:38concluding the sale of this entire estate.
10:40He ends up dead.
10:42Why isn't?
10:44We need to go on to the Ambrose lawyers
10:46first thing tomorrow.
10:49But Patrick poured the drinks.
10:53Sir?
10:53If this was murder
10:56and the poisoning was intentional,
10:59how could the killer be certain
11:01that Patrick could pour a lethal dose
11:03into his own glass
11:04and not into everyone else's?
11:07Now, something about this doesn't make sense.
11:16Commissioner?
11:17You after me?
11:19I heard what happened at the Ambrose distillery.
11:22I guess you should know
11:23we're treating Patrick Ambrose's death
11:25as suspicious
11:25until we've reasoned not to.
11:28I was unaware he'd come back.
11:30Come back?
11:34It must have been about 18 years ago now.
11:38Patrick had a falling out
11:40with his father,
11:41Carnell Ambrose.
11:43And do you know the reason
11:44for their fallout?
11:45Carnell never said.
11:47And where's the dad now?
11:49He passed away
11:50six weeks ago.
11:52Sir Patrick must have only
11:55recently inherited the distillery.
11:58Then came back to sell it.
12:01The fact that Patrick Ambrose
12:03has been gone for 18 years
12:05then ends up dead
12:06not long after he returns.
12:08Suspicious thing number three.
12:11Thank you, sir.
12:12We'll keep digging into it.
12:14Let you know what we find.
12:15Okay.
12:18Okay.
12:23Commissioner.
12:27Are you doing all right, sir?
12:30You know,
12:31in light of your own situation?
12:34I'm doing absolutely fine.
12:37Thank you for asking,
12:38Officer Curtis.
12:39I'm doing all right, sir.
12:40I'm doing all right, sir.
12:40I'm doing all right, sir.
12:40I'm doing all right, sir.
12:41I'm doing all right, sir.
12:41I'm doing all right, sir.
12:42I'm doing all right, sir.
12:42I'm doing all right, sir.
12:43I'm doing all right, sir.
12:43I'm doing all right, sir.
12:44I'm doing all right, sir.
12:44I'm doing all right, sir.
12:45I'm doing all right, sir.
12:45I'm doing all right, sir.
12:46I'm doing all right, sir.
12:46I'm doing all right, sir.
12:47I'm doing all right, sir.
12:48I'm doing all right, sir.
12:48I'm doing all right, sir.
12:49I'm doing all right, sir.
12:50I'm doing all right, sir.
12:50I'm doing all right, sir.
12:51Inspector, you in there, sir?
13:16Morning.
13:17I wasn't sure...
13:19T.S. Thomas, are you ready for this?
13:20Ready for...
13:22That's really cold!
13:28That is temperature perfection.
13:3118 degrees Celsius, bang on.
13:33I mean, the downside is you have to keep all the doors and windows closed.
13:37Otherwise, it doesn't work properly.
13:38But it's a small price to pay, right?
13:42I'd rather be able to see the view myself, but each to their own.
13:50Oh, sir, I don't think Harry's enjoying this as much as you are.
13:57Oh, sorry to know you were there.
14:01Go on, go and get warm, mate.
14:02So is this how you plan to spend the next couple of months?
14:10Shut up in here, not enjoying the islands?
14:14Yeah.
14:14Anyway, down to business.
14:17Did you get anything of interest from the Ambrose family lawyers?
14:21Oh, yes.
14:22The victims are all doing well, sir, and are being discharged from hospital today.
14:29Now, ever since Patrick left home 18 years ago, Cora Ambrose has been helping her father
14:36to run the distillery.
14:38And from what they're saying, it took a long time for Cora to earn his respect.
14:44Sounds like he was pretty old-fashioned.
14:47Always wanted his son to take over the family business.
14:50But, over time, she slowly convinced him that she could do it.
14:56But he never got around to changing the will so she'd inherit.
14:59No.
15:00Apparently, Cora was devastated.
15:03She was about to lose everything she spent the last 18 years working for.
15:10Okay.
15:11I'll speak with Cora.
15:12You check in with Antonin Janelle Delise.
15:14Okay.
15:14So, I suppose I might as well be honest with you.
15:22Not a bad thing to be when the police were involved.
15:26Patrick and I never got on.
15:29That little scar near his forehead from one of our fights when we were teenagers.
15:34You must have been made up, then, when he ran away 18 years ago.
15:39Well, I can't say I wasn't.
15:40And, at first, Daddy kept putting money into his account, his monthly allowance.
15:48But, after a year had passed, he stopped, hoping it would force him to come home.
15:54Okay.
15:56Fast forward 18 years.
15:58Your father passes away, and he leaves everything to Patrick in his will.
16:05I was beyond angry.
16:09I can believe it.
16:10But, it does give you every reason to want your brother off the scene.
16:15Permanently this time.
16:16I don't know what I'm supposed to say to that.
16:20Apart from, you're right.
16:25My brother's death has left me with everything I've ever wanted.
16:30Well, you're not exactly dressing it up for me, I'll give you that.
16:36Well, I told you I'd be honest.
16:38And I am being.
16:40No more so than when I tell you it was not me that killed Patrick.
16:47I promise you.
16:48Oh, man has his own minibar.
17:07It's like the coolest thing ever.
17:11I mean, if I ever run my own business, I would totally get a minibar.
17:17That.
17:18And a big box of cigars.
17:21And everyone would be like, see that man over there?
17:25Him are the boss.
17:27Right?
17:28Um, what did you say?
17:30I'm sorry.
17:35Is everything okay, Officer Curtis?
17:36I just can't stop thinking about the poor commissioner
17:40and him losing his job.
17:42Yeah, I know.
17:44Oh, gosh.
17:56Officer Rose,
17:57why are you photographing the minibar?
18:00This isn't even a crime scene.
18:03Yeah, I know.
18:04But...
18:05It's my new approach to my investigative process.
18:10Because I think
18:11one of my thoughts
18:13is that sometimes
18:14I feel like I'm not doing enough.
18:17And I miss things.
18:19So,
18:20what's the new approach?
18:23From now on,
18:24I'm gonna do too much.
18:30Cora Ambrose definitely had reason
18:32to want her brother dead.
18:33She doesn't refuse to.
18:36As to whether she went as far as murdering the guy.
18:42What about those two?
18:44Nothing to suggest a motive.
18:46Miss Delise only met Patrick Ambrose
18:48for the first time a few days ago
18:50and Anthony only last night.
18:52And the fact that the sale of the distillery
18:54isn't going ahead
18:55means she's lost out big time.
18:57Hmm?
19:00Hey.
19:14All right, people,
19:15what you got?
19:16Okay, sir.
19:17The lab have come back.
19:21The bottle of rum
19:22was contaminated.
19:24There are traces in all four glasses
19:26but nowhere else.
19:27Post-mortem confirms
19:29methanol poisoning
19:30was the cause of death.
19:32The amount found in the victim's system
19:35was higher than the amount
19:37ingested by the other three.
19:39Which brings us back
19:39to the same question.
19:41If it was murder,
19:42how could the killer guarantee
19:43that Patrick would pour himself
19:44a lethal amount of poison rum
19:46but only put enough
19:47in the other three glasses
19:48to make the milk?
19:49So, um,
19:51Mr Ambrose
19:52drank his rum
19:53neat.
19:54Everybody else
19:55had ice in theirs.
19:57So maybe
19:58the poison got diluted
20:00when the ice melted.
20:02Except it's the same amount of poison
20:04whether it's in melted ice or not.
20:06Doesn't lessen the effect.
20:07Okay, then
20:08maybe the killer didn't care
20:09who else got killed.
20:11Took a risk
20:12and
20:12got lucky.
20:14Well, I don't believe in luck.
20:15And if that was their tactic,
20:17there's a world in which
20:17Patrick was the one that lived
20:18and the other three died.
20:19The opposite of what they wanted.
20:21Anything come from the search?
20:23Ah.
20:24There's something
20:24that might be of interest.
20:26It's about
20:27Janelle
20:29Dulis
20:30employment records.
20:33It turns out
20:35that she worked
20:36at the distillery
20:36one summer.
20:38She would have been
20:3819 at the time
20:40before she went to university
20:41in the States.
20:50She told us
20:51she only met
20:52Patrick Ambrose
20:53for the first time
20:53for the first time
20:53this week.
20:55But
20:55he must have been
20:56around back then, right?
20:58Not necessarily.
21:00I mean,
21:00this is the summer
21:01of 2007.
21:0218 years ago.
21:05Hang on.
21:05That's the same year
21:06Patrick left.
21:07I mean,
21:08I mean, that could have been
21:08a coincidence or...
21:09Oh, maybe not.
21:11Okay, go back to the distillery
21:13first thing.
21:14Talk to anyone
21:15that worked there in 2007.
21:17See what they know.
21:17Good evening, Commissioner.
21:23Is everything...
21:24Inspector, you've caused quite a stir.
21:25I see.
21:26Get over to the shack.
21:28Now.
21:28Okay, well, I'll get over there
21:29right away.
21:32I'm needed back at the shack
21:33as a situation occurring.
21:34Inspector,
21:46please explain to me
21:49what on earth
21:51you were thinking
21:51when you stuck
21:52that thing
21:53up there.
21:54Well,
21:56I was thinking
21:57I'd finally be able
21:58to watch match of the day.
21:59But I suspect
22:00that's not the answer
22:01you're looking for.
22:02What's the problem with it?
22:03It's an eyesore
22:04for which
22:05you sought
22:06no permission.
22:08Permission from who?
22:09Me.
22:10For what?
22:11As I would have told you
22:12to do so
22:13is illegal.
22:16Seriously?
22:18Illegal?
22:19You can just
22:20shove those up in London.
22:21No one gives a hoot.
22:22This
22:23is not one.
22:25I think it's because
22:26it's a public beach, sir.
22:28And an area
22:29of natural beauty.
22:32The council
22:32are really not happy.
22:34There's a penalty
22:35to pay.
22:37Of course there is.
22:41$150?
22:42Hmm?
22:44They've got to be kidding, right?
22:45No.
22:45I don't think they are.
22:47I suggest
22:47you pay that promptly
22:48and take that down
22:51even more so.
22:54Nice to see you again,
22:55Mervyn.
23:02Unbelievable.
23:05Oh, well.
23:06It's back to the dark ages
23:08for you, Mervyn.
23:09Well, sir,
23:10don't you think
23:10it's a bit of a waste
23:11to spend your last couple
23:12of months on the island
23:13pulled up watching TV?
23:16What else
23:16am I going to do?
23:18Well,
23:19you could spend
23:21some time getting
23:22to know more
23:22about your mother.
23:27Hold this, will you?
23:31You could maybe visit
23:33some of the places
23:34she used to go,
23:35talk to her friends.
23:35Did her neighbour,
23:38Brianna,
23:38ever mention anything?
23:41I don't know.
23:44Kind of.
23:47Brianna said
23:48there was this
23:48seafood place
23:50my mum used to eat at.
23:52It was her favourite,
23:53apparently.
23:54Then why don't you
23:55go and try it?
23:57Look,
23:57I'm sure this
23:58day of the match show
23:59is really good.
24:00Match of the day?
24:01Whatever,
24:01you can watch it
24:02all you want
24:03when you get back home.
24:07Sir,
24:08this is your one chance
24:10to get to learn
24:11more about your mother's life
24:12here on St. Marie.
24:19Yeah.
24:22I guess maybe
24:23you're right.
24:27Let me think about it.
24:31Do you know anyone
24:32who needs a new
24:32satter like this?
24:45Morning.
24:48Morning.
24:49Good morning.
24:50So what'd they say?
24:51August the 22nd,
24:522007.
24:53Was the last time
24:54Patrick and Janelle
24:55were both seen here.
24:57It's assumed
24:57that they had run away
24:59into the sunset together.
25:00But it's not definite.
25:02No one knows for sure.
25:03It's not much
25:04of a motive though.
25:05The fact that they
25:06had a summer romance
25:07back in the day.
25:08No.
25:09But at the same time,
25:10it's odd that when
25:11Patrick returns
25:12to the distillery
25:13after 18 years,
25:14so does Janelle.
25:16And the guy ends up
25:17dead within days
25:18of them seeing each other.
25:21Anna.
25:24Look,
25:26I understand
25:26it's your job
25:27to ask questions.
25:30But I wouldn't waste
25:31your time
25:31listening to gossip.
25:33So you're saying
25:33nothing happened
25:34between you
25:35and Mr. Ambrose?
25:37Nothing.
25:38This is your son,
25:40Anthony, right?
25:41Yes, it is.
25:43It says here
25:44his date of birth
25:45is the 28th of May,
25:472008.
25:48Yes.
25:51You sure that's right?
25:54Yes, I am.
25:56Well, that makes it
25:57nine months
25:58after you left
26:00the distillery.
26:01Nine months
26:02after the fling
26:03with Patrick Ambrose
26:04that you claimed
26:04you never had.
26:07Is that coincidence?
26:10Bear in mind,
26:11we can get a warrant
26:13for a paternity test.
26:18Patrick was his father.
26:23Did Patrick know?
26:25By the time I found out
26:26I was pregnant,
26:27he'd already disappeared.
26:29So I got on
26:30and raised Anthony
26:32by myself.
26:34And what about now?
26:35The fact that you
26:36and Anthony
26:37meet up with his father
26:38for the first time
26:39in 18 years.
26:40First time ever
26:41for Anthony.
26:42And now Patrick's dead.
26:45Is that
26:45really a coincidence?
26:47My coming back
26:49to that distillery,
26:50seeing Patrick,
26:52was purely business.
26:54For Anthony too?
26:56Anthony doesn't know
26:57that Patrick was his father.
26:59And I have no desire
27:00for him to find out now.
27:02That's my decision
27:04to make,
27:04not yours.
27:07He'll be back soon.
27:10So I must insist
27:11that you stop
27:12asking questions about it.
27:34The police were here?
27:36Mum, what's going on?
27:38Nothing.
27:39They just had a few questions,
27:40that's all.
27:42Nothing to worry about.
27:43So any particular reason
28:02we're eating out
28:03or you just fancy a change?
28:05I'm just doing what you said.
28:06Visiting places my mum went.
28:07This is where your mum ate.
28:12Where did you think
28:13we were going?
28:14It's a good idea
28:15of yours, this.
28:17I'm glad we came.
28:19Um, we'll order now.
28:24Right.
28:24Oh.
28:26Yeah, I will have
28:27the Creole shrimp salad
28:28and a Coke, please.
28:30Plenty of ice.
28:30Great.
28:31And you?
28:31I haven't even...
28:35You know what?
28:39I'll have what he's having.
28:41That's...
28:41Oh, and, uh,
28:42we're on the clock,
28:43so if you could ask the chef
28:44to, uh, get a wriggle on,
28:46that'd be greatly appreciated.
28:52Nice place, this, isn't it?
28:53Yeah.
28:55It is.
28:57Maybe you could talk
28:58to some of the staff,
29:00see if they knew your mother.
29:01Or I could,
29:02if you prefer.
29:04What do you think?
29:05I think
29:10Janelle Delise
29:11isn't giving us
29:12the full story.
29:13And my gut is saying
29:15it's something to do
29:15with what happened
29:1618 years ago.
29:22What is it?
29:24So now you're here
29:25who just wants to talk
29:25about the case.
29:27What else is there
29:28to talk about?
29:35Francesca,
29:39would you like another?
29:41Went down a bit
29:42too easily, that one.
29:44Maybe you just needed it.
29:46Maybe.
29:48I'm, um...
29:49I'm not really feeling
29:52myself at the moment.
29:54I'm not surprised
29:56that everything
29:57that's happened...
29:59It's all right.
30:05Tell me.
30:08There is, um...
30:10There's something I know
30:11that I should probably
30:12tell the police.
30:14But it feels wrong
30:16if I do, and...
30:19And it feels wrong
30:20if I don't,
30:21so I have no idea
30:22which way to turn
30:23or what to do.
30:29Then I think I do.
30:32Let me make a call.
30:34Hmm?
30:35I can't believe
30:38I've never been here
30:39before.
30:40This food is so good.
30:41I can see what was
30:42your mother's favorite.
30:43Yeah, it's really tasty.
30:47Oh.
30:50Are you finished already?
30:51If I wanted to see
30:55the station duty logs
30:56between, say,
30:58June and September
30:5918 years ago,
31:00where would there be?
31:03In the archive.
31:04Darlene would have to get it.
31:05Why?
31:06I've got a hunch
31:07about something.
31:12I'm going to pay.
31:14I'll see you back
31:14at the car.
31:16After Curtis,
31:17you might want to
31:18box that up to go.
31:19Check.
31:21Check.
31:24All right,
31:25Officer Curtis,
31:25that's great.
31:27I'll see you back
31:27at the station in a bit.
31:29Thanks.
31:34What's the matter
31:34with you?
31:35You are.
31:36You're always
31:37in such a rush,
31:38never pausing
31:39or taking a moment.
31:41Something tells me
31:42we're not talking
31:43about the case.
31:44No, sir.
31:45We're not.
31:47We're talking about you
31:48and how annoying
31:50you can be.
31:51Oh, great.
31:52Fun times.
31:52This was supposed to be
31:53a nice thing for you to do,
31:55not a quick working lunch
31:56kind of thing.
31:57And if you'd just
31:58taken a moment,
31:59you'd have seen
32:00there's a board inside
32:01with photos of customers
32:02on it.
32:03And there's one
32:04of your mother.
32:05Sir,
32:10there's so much
32:13you're going to miss
32:14if you don't just
32:14slow down.
32:20I know.
32:23I know.
32:27It's just,
32:28it's just my default,
32:29isn't it?
32:31I speed through things.
32:35I understand.
32:38And I apologize
32:39if I was being a bit,
32:41you know.
32:43Narki?
32:45It says the king
32:47of Narki.
32:49King?
32:58I understand
33:01you are torn.
33:02I don't want you
33:06to feel pressured
33:07in any way.
33:11It's just,
33:11it feels like a betrayal
33:13telling you what I know
33:15and it's not my secret
33:18to share.
33:20That feels like
33:22quite a weight
33:23you're carrying.
33:26It can't be easy.
33:28And it's been
33:29for so long.
33:30Well then,
33:32perhaps,
33:34let
33:34someone else
33:36help carry the weight
33:39with you.
33:47It's about
33:48Janelle Dullis.
33:51This is the coolest thing ever.
33:54Sir,
33:55your detective brain skills
33:57are seriously mad.
34:00Has anyone ever told you that?
34:02Not in those exact words.
34:05Ah,
34:05you found the duty log.
34:07Here it is.
34:09Janelle Dullis is in there.
34:11She entered the police station
34:13claiming that she wanted
34:14to report a crime
34:15on the morning
34:17of the 23rd of August,
34:192007.
34:20That's the day after
34:21she left the distillery.
34:22Sergeant Lily Thompson
34:23was the officer on duty.
34:26She started taking
34:26a statement,
34:28but Janelle changed her mind
34:30and walked out.
34:32So what crime
34:33was she going to report?
34:34I can answer that.
34:38Commissioner?
34:38I've just been talking
34:45with Francesca Mauer.
34:48It seems
34:49she knows
34:50what led
34:51Janelle Dullis
34:51to leave her job
34:53at the distillery
34:5418 years ago.
34:56It was Patrick,
34:56wasn't it?
34:59Wait.
35:00What are you saying?
35:02The evening
35:03of the 22nd
35:04of August,
35:052007,
35:06Francesca Mauer
35:08was leaving
35:09for the day
35:10when she came
35:12across Janelle
35:13running
35:14through the grounds
35:15of the distillery.
35:18She was distressed,
35:20in shock,
35:22crying.
35:24What had happened
35:25between her
35:25and Patrick?
35:26He raped her,
35:29didn't he?
35:32In light of that,
35:34we need to speak
35:35to Janelle.
35:36but we need
35:38to be sensitive.
35:39So,
35:41dear Thomas
35:42of Zakatis,
35:44I think you should
35:45conduct the interview.
35:46Mr. Lise,
36:01we appreciate you
36:02coming in
36:02to talk with us.
36:03Francesca spoke
36:04with you,
36:04didn't she?
36:05That's what this is about?
36:08Yes.
36:08That night,
36:23August 22nd,
36:242007,
36:25I was working late.
36:27I was in the storage room
36:29about to leave
36:30when Patrick appeared.
36:33Said he wanted a drink.
36:34I felt I couldn't see,
36:36you know,
36:38him being the boss's son.
36:40And,
36:41um,
36:41what happened then?
36:44He started ranting
36:46about his father.
36:47They'd had a big bus up
36:48that night.
36:50Do you know
36:50what it was about?
36:51There'd been a fire
36:52the week before
36:53that Patrick had caused.
36:55Burned down
36:55one of the outbuildings.
36:57Patrick had been
36:58messing about.
36:58They were about
37:00to start rebuilding
37:01and Mr. Ambrose Sr.
37:03was furious
37:03about how much
37:04it was going to cost.
37:06Patrick got it
37:07off his chest
37:07and I said
37:09I had to go.
37:12But I could tell
37:13he didn't want me to.
37:16Then he went
37:17to kiss me.
37:18I pulled away
37:19from him
37:20and tried to leave,
37:21saying I really
37:22needed to go now.
37:26He grabbed me.
37:28forced me
37:31to the ground.
37:34And he...
37:35We're so sorry,
37:45Janelle.
37:49When I heard
37:49Patrick was back
37:50on the island
37:51and putting the
37:51distillery up for sale,
37:54I knew straight away
37:55I had to buy it.
37:56so I could erase
37:59every memory
38:00of what happened there.
38:01How?
38:04By knocking it all down.
38:06Turning it
38:07into something else.
38:09Build it into
38:10a new business.
38:13Make it mine.
38:15Even if that meant
38:17coming face to face
38:18with Patrick Ambrose?
38:20Oh, I wanted to see him.
38:22to look him
38:25in his eyes
38:26the way I couldn't
38:2818 years ago.
38:30Because I'm stronger now.
38:33And how was it
38:34when you did?
38:37It was strange.
38:39He seemed a different man
38:41to how he was.
38:43How the bravado
38:44had gone out of him.
38:46He was guarded.
38:48Quiet.
38:48Like he was hiding
38:51something from the world.
38:53The truth may be
38:54of what he did to you.
38:59You both need to know
39:01even though I spent
39:04most of my life
39:05feeling hatred
39:06for that man,
39:07I did not murder him.
39:11Because that would mean
39:12I was no better than him.
39:15And I am.
39:18I am so much
39:20better than him.
39:32Thank you, Miss Bordy.
39:38Selwyn was so good
39:40this afternoon.
39:42Calming Francesca down,
39:44reassuring her
39:45it's not right
39:47he won't be there
39:48to do that anymore.
39:50Yeah.
39:51I'm thinking,
39:52you know what
39:53my favorite TV shows
39:54as a little boy?
39:56No.
39:58The Jungle Squad.
40:00Every Saturday morning,
40:029 a.m. sharp.
40:03I'd be there.
40:05Until one day,
40:06out of the blue,
40:08they got rid of
40:08my favorite character.
40:10Maurice the Mongoose.
40:11But,
40:13when this happened,
40:15loads of school kids
40:16got together
40:17and organized
40:18a petition
40:19to get Maurice the Mongols
40:21reinstated.
40:23Ah.
40:25Inspector,
40:26they've not finished
40:27interviewing Janelle Deleuze,
40:29so we can head back
40:30to the station now.
40:34Inspector,
40:34there's something bothering you.
40:37From the start,
40:39we've been working
40:40on the assumption
40:41that Patrick Ambrose
40:42was the victim.
40:44One of our suspects
40:44had to be the perpetrator.
40:46But in some ways,
40:48the opposite
40:49can also be true.
40:50Because now we know
40:51Janelle was a victim
40:52and Patrick
40:54was the perpetrator.
40:55Which makes me wonder,
40:57why would a perpetrator
40:59want to phone
40:59a police detective?
41:02And you know the answer?
41:05No.
41:07But now we're asking
41:08the right question,
41:10we can start looking
41:11at this piece of evidence
41:12in a new light
41:13and give it the attention
41:15it deserves.
41:22Officer Curtis,
41:24let me know how you get on
41:25with those prints, please.
41:26Yes, sir.
41:27Is there anything
41:27I can do, Inspector?
41:29Maybe don't speak.
41:32Just ignore him, Seb.
41:34What is this?
41:35It's the victim's study.
41:38His desk,
41:40his minibar,
41:41et cetera, et cetera.
41:44Why have we got these?
41:45Just in case.
41:51What exactly
41:52are you looking for, sir?
41:54I don't know.
41:56But now we're looking
41:57at the victim
41:57in a different light,
41:58we need to do the same
41:59for the crime scene.
42:00So, um,
42:03victim becomes
42:05perpetrator.
42:07Same rules apply.
42:09If you flip it
42:10on its head,
42:12what have we got?
42:13Um,
42:15okay.
42:16So,
42:24poisoned,
42:25poison,
42:26not
42:27poisoned.
42:30Wait a minute.
42:32Maybe that's it.
42:33The bottle of rum
42:34was contaminated
42:35with methanol.
42:37The poison got diluted
42:38when the ice melted.
42:39But if that's the case,
42:40how?
42:51You took these photos
42:52just in case?
42:53Yes, sir.
42:55Well, that's, uh,
42:57that's good work,
42:58Officer Rose.
43:00I think they might
43:01have just solved the crime.
43:03Inspector,
43:04we've got a match.
43:06But it's two
43:06different sets of prints.
43:08Who's are they?
43:08Well,
43:09one of the sets of prints
43:11belongs to one
43:12of our suspects.
43:13But the other one
43:14is odd.
43:15It's matched with someone
43:16not even connected
43:17to the case.
43:18A guy called
43:19Samson Lay.
43:22Who's Samson Lay?
43:24Well,
43:24he was arrested
43:25in Guadalupe
43:26for a bank robbery
43:26back in 2007.
43:28He later absconded.
43:31And there is still
43:32an outstanding
43:33warrant for his arrest.
43:35So what's he got to do
43:36with Patrick Ambrose
43:38being murdered?
43:38Everything.
43:42There'd been a fire
43:42the week before
43:43that Patrick had caused.
43:45Burned down
43:46one of the outbuildings.
43:47Patrick had a
43:48falling out
43:49with his father.
43:50Not first.
43:52Daddy kept putting money
43:53into his account.
43:54His monthly allowance.
43:56He was guarded.
43:59Quiet.
44:01Like he was hiding
44:02something from the world.
44:04You said the other
44:05set of fingerprints
44:06was from one of our suspects?
44:07Yes.
44:09Well, who is it?
44:15Miss Ambrose?
44:18I have a question for you.
44:21Do you recognise this?
44:22It's my phone number.
44:26I, I, I, I...
44:28I'll tell you what,
44:28while you're trying to
44:29formulate your answer.
44:31I want you to know
44:32that we found
44:33your fingerprints on this.
44:35So we know
44:35you definitely touched it.
44:37And there are tests
44:38that can be done
44:38to confirm
44:39whether this is
44:40your handwriting or not.
44:42So I'll ask you again.
44:43Do you recognise this?
44:46Yes.
44:48OK.
44:49Next question.
44:51Why did you write
44:52my number down?
44:53Because I think
44:54it's because a few days ago
44:56you were thinking of
44:57phoning me
44:57to report a crime.
44:58we've just checked
45:07the body
45:08currently lying
45:09at the mortuary
45:09and have confirmed
45:11it's not your brother
45:12Patrick Ambrose
45:13but a man called
45:14Samson Lay.
45:16You wanted to inform me
45:17that the man
45:18who returned home
45:19for the first time
45:20since 2007
45:21was an imposter
45:22who had spent
45:23the last 18 years
45:25pretending to be
45:25your brother.
45:26Am I right?
45:28What's going on?
45:29The thing is, Cora,
45:30now we know
45:31that the man
45:31who was murdered here
45:32two days ago
45:33wasn't in fact
45:33your brother
45:34it does beg the question
45:36where is Patrick Ambrose?
45:38I, I, I don't know.
45:40No?
45:41You see,
45:42I don't believe
45:43Patrick left
45:44this distillery
45:4518 years ago.
45:46I think he's still here
45:47underneath this building
45:50and I think it was
45:52you that killed him.
45:52No, that's
45:53I, I didn't.
45:55You didn't?
45:56Mm-mm.
45:57Because you see
45:58those people
45:58who just came in
45:59they've got all
46:00the kit needed
46:01to determine
46:01if there is in fact
46:02a body lying
46:03underneath this building
46:04and once they do
46:05they'll bring in
46:07a dig team.
46:08The night of
46:08the 22nd of August
46:102007
46:11was the last time
46:12Patrick was seen
46:13here at this distillery.
46:16Tell us what happened
46:17Cora.
46:20We know another crime
46:21was committed that night
46:23by Patrick.
46:25We know what he did
46:27to Janelle.
46:28Is it connected to that?
46:32Cora
46:32it's game over.
46:35Just tell us.
46:39I saw them.
46:41Janelle was in
46:42such a state.
46:43Patrick.
46:46He attacked me.
46:47and I realized
46:51what Patrick
46:51had done to her
46:52and I felt
46:55so hungry.
46:56Patrick,
46:57what have you done?
46:58And he just smiled.
46:59Answer me!
47:01I grabbed the nearest thing
47:03and I turned a bottle of rum
47:04and I hit him
47:07hard.
47:09He fell.
47:11Bunged his head on the floor
47:12and he never got out.
47:15This outbuilding
47:16was being rebuilt
47:17after the fire
47:18your brother started.
47:19I assume you moved
47:21the body in here
47:21and left it to the builders
47:22albeit unwittingly
47:24bury him for you.
47:26After that,
47:26all you had to do
47:27was convince Daddy
47:28that Patrick
47:29could run away.
47:29The suitcase
47:30with his clothes
47:31his passport
47:32and wallet
47:33and I threw it
47:33in the sea.
47:35And when you heard
47:36not long after
47:37that Patrick
47:37was drawing money
47:38from his account
47:39you realized
47:41that somebody
47:41found his suitcase
47:42and had taken
47:43his identity.
47:44I couldn't believe
47:45it when this man
47:46pretending to be
47:47Patrick turned up.
47:49No one realized
47:50apart from me.
47:52Well,
47:53why would they, right?
47:55I mean,
47:55I've seen photos
47:56of both Patrick
47:57and Samson
47:58from 18 years ago
47:59and they do
47:59kind of look similar.
48:02It was brazen
48:02of the guy
48:03that's for sure.
48:05But after doing
48:05some quick tests
48:06it's clear that
48:07Samson Lay
48:07was living hand to mouth.
48:09So the chance
48:10of selling this distillery
48:11and making millions
48:12of dollars
48:12was a massive risk
48:14but a risk worth taking
48:15which brings us
48:17full circle
48:18to his murder
48:20and why you killed him.
48:23Janelle Delis
48:24admitted to us
48:25this afternoon
48:25her plans to
48:26redevelop
48:28this distillery
48:29we think
48:31you caught wind
48:31of that
48:32and if the sale
48:33of the distillery
48:34went ahead
48:35Patrick's body
48:36would be discovered.
48:38That's why
48:39you had to
48:40stop it from happening.
48:42And that's why
48:42you wrote my number down.
48:44You're considering
48:45reporting Samson
48:46as an imposter.
48:48But Samson
48:48caught on to
48:49what you were doing
48:50didn't he?
48:51You phone the police
48:52and tell them
48:53who I am
48:54and I'm just
48:54going to tell them
48:55what you did
48:56to Patrick.
48:57He worked it all out.
49:00Which left you
49:01no choice
49:01other than
49:02to kill Samson Lay.
49:04All of which
49:05brings us
49:05to the final
49:06unanswered question
49:07in this whole affair.
49:09How did you do it?
49:10Like this bottle of rum
49:20the one that was
49:22opened two nights ago
49:23by Samson Lay
49:24your second victim
49:25did not in fact
49:27contain any methanol.
49:29So
49:30how did all four of you
49:32ingest methanol
49:33if it wasn't in the
49:34bottle of rum
49:34you drank from?
49:36Let's start with
49:36the non-lethal dose
49:38you administered
49:38to yourself
49:39Janelle
49:40and Anthony.
49:42Just enough
49:43to make you all ill.
49:45Well
49:45the ice
49:47answers that question.
49:51You laced
49:52the ice
49:53with methanol
49:53and when you made
49:55the three poison pieces
49:56you put them
49:58on top
49:58of the normal ones
49:59Francesca had
50:00already put out.
50:02So
50:03when she went
50:04to serve the ice
50:04for the first round
50:05of drinks
50:06she naturally
50:07took the ones
50:07at the top
50:08we assume
50:10having spent
50:11the last month
50:12with Samson
50:12in the house
50:13you must have
50:14noticed
50:14he drank his rum
50:15neat
50:16with no ice.
50:19Samson then
50:19poured the
50:20non-poison rum
50:21into each glass
50:22causing the
50:24methanol-laced
50:24ice to slowly
50:25begin melting
50:26administering
50:27the tiniest amount
50:28into yours
50:30Janelle's
50:30and Anthony's
50:31drinks.
50:31Now
50:34at this point
50:35Samson is
50:36sipping from
50:37a glass
50:37of rum
50:38that hasn't
50:38been poisoned
50:39so how
50:40and when
50:40did he ingest
50:41the lethal dose?
50:42Well
50:43I believe
50:44he'd already
50:45consumed it
50:45shortly before
50:46Janelle arrived
50:47to sign the
50:48contract.
50:48quite the
50:55soft drinks
50:55fiend
50:56was our
50:56Mr. Lay
50:56when I
50:58spoke with
50:58young
50:58Anthony
50:59DeLise
50:59who was
50:59the first
51:00to arrive
51:00that evening
51:01he recalls
51:02seeing
51:03Patrick
51:03finishing a
51:04can of
51:04soda
51:05when he
51:05got there
51:06afternoon
51:06I'm Anthony
51:11Janelle's
51:12assistant
51:12So
51:13let's take
51:15a look
51:15shall we
51:16Bingo
51:20we'll get
51:22this to
51:22the lab
51:22but I'm
51:24in no
51:24doubt
51:24there'll
51:25be traces
51:25of
51:25methanol
51:26in this
51:26can
51:26Just
51:28before
51:29Anthony
51:29and Janelle
51:30arrived
51:31while Patrick
51:31was distracted
51:32you spiked
51:33the can of
51:34soda
51:34with
51:34methanol
51:35They're
51:45arriving
51:45this
51:46time
51:46Which
51:53leaves
51:54one
51:54final
51:55task
51:55getting
51:57the
51:57poison
51:57into
51:58the
51:58bottle
51:59of
51:59some
52:00sort
52:00of
52:00distraction
52:01suffice
52:02to say
52:03when no
52:03one
52:03was
52:04looking
52:04in it
52:05went
52:05second
52:06round
52:06yes
52:07please
52:07once
52:16everyone
52:17had
52:17finished
52:17the
52:17first
52:17round
52:18you
52:19suggested
52:19another
52:19Francesca
52:21refreshed
52:21the glasses
52:22unwittingly
52:23disposing
52:23of the
52:24poison
52:24ice
52:25and
52:27then
52:27you
52:28poured
52:28Samson
52:28and
52:29only
52:29Samson
52:30a second
52:30shot
52:30so that
52:33his
52:33glass
52:33now
52:34contained
52:34traces
52:35of
52:35methanol
52:35are
52:38are you
52:38all right
52:38leading
52:39us to
52:39assume
52:40that
52:40the
52:41first
52:41shot
52:41must
52:42have
52:42been
52:42poisoned
52:42as
52:43well
52:43just
52:44like
52:44the
52:44other
52:44three
52:44were
52:45because
52:45they
52:46were
52:46all
52:46poured
52:46from
52:47the
52:47seemingly
52:47poisoned
52:48bottle
52:49but
52:52it
52:52was
52:52this
52:52that
52:53really
52:53killed
52:53him
52:54it
52:55was
52:55clever
52:56really
52:58clever
52:58and
52:59you
52:59would
52:59have
53:00us
53:00all
53:00fooled
53:00if
53:05it
53:05wasn't
53:05for
53:05this
53:06I'm
53:09sorry
53:10about
53:10something
53:11I don't
53:13think
53:13he
53:13was
53:13a
53:13good
53:14man
53:14but
53:15he
53:15didn't
53:16deserve
53:16to
53:16die
53:16but
53:21my
53:21brother
53:21did
53:21and
53:24I'm
53:24not
53:24sorry
53:25for
53:25what
53:26I
53:26did
53:26to
53:26him
53:26Cora
53:38Ambrose
53:39you're
53:41under
53:42arrest
53:42for
53:42the
53:42murder
53:43of
53:43Samson
53:43Lane
53:44you
53:44do
53:44not
53:45have
53:45to
53:45say
53:45anything
53:46but
53:46Amy
53:46for
53:47me
53:47to
53:47see
53:47Petician C.S.C. of Commissioner Patterson.
54:17Petician C.S.C. of Commissioner Patterson.
54:47Petician C.S.C. of Commissioner Patterson.
55:17Petician C.S.C. of Commissioner Patterson.
55:21Petician C.S.C. of Commissioner Patterson.
55:23Petician C.S.C. of Commissioner Patterson.
55:27Petician C.S.C. of Commissioner Patterson.
55:33Petician C.S.C. of Commissioner Patterson.
55:39Petician C.S.C. of Commissioner Patterson.
55:45Petician C.S.C. of Commissioner Patterson.
55:49Petician C.S.C. of Commissioner Patterson.
55:51Petician C.S.C. of Commissioner Patterson.
55:57Petician C.S.C. of Commissioner Patterson.
56:01Petician C.S.C. of Commissioner Patterson.
56:03Petician C.S.C. of Commissioner Patterson.
56:09Petician C.S.C. of Commissioner Patterson.
56:13Petician C.S.C. of Commissioner Patterson.
56:15Petician C.S.C. of Commissioner Patterson.
56:21Petician C.S.C. of Commissioner Patterson.
56:25Petician C.S.C. of Commissioner Patterson.
56:30This talented young woman is shot and killed at a football match
56:59And no one, including ourselves, saw or heard a thing
57:03Each of these suspects were on the pitch at the time of the murder
57:05So how could any one of them have shot in this?
57:08Your petition passed the 10,000 mark
57:11Look, I don't suppose you would like a drink this evening
57:14I would like that
57:15There she is
57:16Oh, mom!
57:18We're here!
57:18We're here!
57:19I'm sorry, I should have told you this before
57:21Back in Blighty and the 1970s
57:28When Call Midwife returns
57:30Sunday night at 5 past 8 on BBC One
57:32Action-packed bad-based crime drama and iPlayer
57:35Verdi is one tough cop
57:37Press red and you'll see what I mean
57:39Emily Watson and Paul Meskel star in the premiere of God's Creatures
57:44Tonight at 5 past 11 on BBC Two
57:47See you then
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