- 2 days ago
Category
🎥
Short filmTranscript
00:00:00I
00:05:01Goodbye.
00:05:02Bye.
00:05:03Bye.
00:05:04Bye.
00:05:05Bye.
00:05:06Bye.
00:05:07Bye.
00:05:08Bye.
00:05:15Bye.
00:05:23Poor Stefano, you didn't have to be quite so rude to him.
00:05:34Oh, he's hounded me for years.
00:05:36I can't shake him off.
00:05:37Just to be near me, he enrolled in the university.
00:05:39Now, summer school.
00:05:41He's crazy.
00:05:41You don't find that kind of devotion very much.
00:05:44Well, I hope so.
00:05:46Flo, are you coming over this evening?
00:05:48I would if I weren't busy.
00:05:50Ah, then good luck.
00:05:52Bye.
00:05:53Bye.
00:05:53Flo!
00:05:55Flo!
00:05:56Flo!
00:05:57Flo!
00:05:58Flo!
00:05:59Flo!
00:06:00Flo!
00:06:01Flo!
00:06:02Flo!
00:06:03Flo!
00:06:04Flo!
00:06:05Flo!
00:06:06Flo!
00:06:07Flo!
00:06:08Flo!
00:06:09Flo!
00:06:10Flo!
00:06:11Flo!
00:06:12Flo!
00:06:13Flo!
00:06:14ح!
00:06:15Give me USUT$$$$%!
00:06:16Let me go!
00:06:17。
00:06:18Oh!
00:06:20Man!
00:06:21Yes!
00:06:22Wait!
00:06:23There you go.
00:07:54Son of a bitch!
00:07:57What's happened?
00:07:58That guy was spying on us.
00:08:00Sean, what's the week of he was?
00:08:02Come back, Sean.
00:08:05Sean, come here.
00:08:06Where are you going?
00:08:24Sean?
00:08:45John?
00:08:49John?
00:08:54John?
00:09:08John?
00:09:10Where are you?
00:09:15John?
00:09:21John?
00:09:23John?
00:11:27I'll take it.
00:12:06Come again.
00:12:07Who is he?
00:12:08He's a doctor.
00:12:09Well, at least he seems to have good taste.
00:12:11Carol!
00:12:12Hi.
00:12:13Ciao, Carol.
00:12:14Ciao, Carol.
00:12:18Ciao.
00:12:19Ciao.
00:12:20Have you seen the paper?
00:12:22No.
00:12:23Why?
00:12:24Wait.
00:12:25You haven't heard?
00:12:26No.
00:12:27What's happened?
00:12:28Can I have your paper on her?
00:12:29Sure.
00:12:30Here you are.
00:12:31I must be going.
00:12:32Sorry.
00:12:33I've got to wait for you.
00:12:34Okay.
00:12:35Ciao.
00:12:36She was a friend of yours.
00:12:37She was a friend of yours, wasn't she?
00:12:39Dad.
00:12:40No.
00:12:41No!
00:12:42No!
00:12:43No!
00:12:44Daniela, passes have been canceled for today.
00:12:53I think that painting's one of the most moving things I've ever seen.
00:12:56Are you sure you haven't changed your opinion of Perugina?
00:12:59I'm not prepared to quite yet, I'm afraid.
00:13:02No, my dear, I just dropped in by chance.
00:13:05Sometimes even we professors get bored with books and have to look at the originals to regain our perspective.
00:13:10Anyway, I'm glad I ran into you.
00:13:12Chance is the spice of life, or maybe in my case it's necessity.
00:13:15You're mixing your metaphors.
00:13:17Variety is the spice of life.
00:13:18Necessity is the son of invention.
00:13:20Now you're mixing yours.
00:13:21Necessity is the mother of invention.
00:13:23And we're both becoming pedantic.
00:13:24That's my department.
00:13:27May I offer you a drink or something?
00:13:29Why not?
00:13:30But only on condition we don't discuss art aesthetics or the university.
00:13:35You know you have the nicest eyes when you haven't got your glasses on.
00:13:38No, don't.
00:13:39Please don't make fun of me.
00:13:41I wouldn't dream of it.
00:13:45You really surprised me the other day.
00:13:47I did?
00:13:48How?
00:13:49I would never have imagined that a product of, uh,
00:13:52of American technology could be so,
00:13:54so moved by the works of the old master.
00:13:57It's really quite refreshing.
00:14:00I don't know whether or not to take that as a compliment, but I will.
00:14:04That proves that some Americans know how to be less American than other Americans.
00:14:09You didn't come to Italy to buy the Colosseum?
00:14:11No, only to study.
00:14:12Well, I studied painting.
00:14:14Then I taught for two years in the South.
00:14:17Then I decided to specialize, applied for a scholarship in Italy.
00:14:21Do you like music, too?
00:14:22Of course I do.
00:14:23I thought you might.
00:14:24If I should get a couple of invitation tickets to an Academy concert, you wouldn't mind coming along?
00:14:29I'd love to.
00:14:31In fact, I'll count on it.
00:14:35There's no need to thank me.
00:14:36It's been a pleasure.
00:14:37Goodbye, friend.
00:14:39Goodbye, Jane.
00:14:40I'm sorry, but I don't want to go over all that again.
00:14:58I told you, Carol, I won't be able to see you anymore.
00:15:01Oh, no, you don't.
00:15:02You're not leaving me.
00:15:03I never promised you a thing.
00:15:05I can't face it alone.
00:15:06Friend of yours.
00:15:07Next time, Hanson.
00:15:08Ciao, Bella.
00:15:37Come on, honey.
00:15:38Take off all the rest.
00:15:39I've got another appointment.
00:15:40What's wrong?
00:15:41Oh, I get it.
00:15:42You want a little persuasion, huh?
00:15:44You're cute.
00:15:45Oh.
00:15:46Mmm.
00:15:47What's the matter?
00:15:48Hmm?
00:15:49Hmm?
00:15:50If you need something more, I have a mirror.
00:15:52And nice movies.
00:15:53Swedish movies.
00:15:54You want a little persuasion, huh?
00:15:59You're cute.
00:16:08What's the matter?
00:16:10Hmm?
00:16:13If you need something more, I have a mirror.
00:16:17And nice movies.
00:16:18Swedish movies.
00:16:21Of course, it'll cost you a little extra, if that's what you want.
00:16:25Well, that's a real good start.
00:16:27Why do all hang-ups come my way?
00:16:30Honey, even if you're queer or infant,
00:16:33you're paying the price I charge just the same.
00:16:38Don't kill me.
00:16:39Don't kill me.
00:16:40Say that to me.
00:16:41I'll kill you, you bitch.
00:16:42I'll kill you.
00:16:42I'll kill you.
00:16:54I'll buy this one.
00:16:59All right.
00:17:09Oh, Carol, where'd you been?
00:17:11You've been away?
00:17:13What happened?
00:17:14What's wrong?
00:17:15Can't you tell me?
00:17:15Nothing.
00:17:16Nothing.
00:17:17I have to go.
00:17:18I have an appointment.
00:17:19It's very urgent.
00:17:19I'm sorry.
00:17:21Bye.
00:17:22Watch out.
00:17:28Cow, Danny.
00:17:29Good job.
00:17:29Good job.
00:17:29Good job.
00:17:29Good job.
00:17:29Good job.
00:17:30Good job.
00:17:30Good job.
00:17:30Good job.
00:17:30Good job.
00:17:31Good job.
00:17:31Good job.
00:17:32Good job.
00:17:32Good job.
00:17:32Good job.
00:17:33Good job.
00:17:34Good job.
00:17:34Good job.
00:17:34Good job.
00:17:35Good job.
00:17:36Good job.
00:17:36Good job.
00:17:37Good job.
00:17:38Good job.
00:17:38Good job.
00:17:39Good job.
00:17:40Good job.
00:17:40Good job.
00:17:41Good job.
00:17:42Good job.
00:17:42Good job.
00:17:43Good job.
00:17:44Good job.
00:17:45Good job.
00:17:46Good job.
00:17:47Good job.
00:17:48Good job.
00:17:49Good job.
00:17:50Good job.
00:17:51Good job.
00:17:52Good job.
00:17:53Good job.
00:17:54Good job.
00:17:55Good job.
00:17:56Good job.
00:19:42No.
00:19:43Hey, what's the matter?
00:19:44First, you've got to take your clothes off.
00:19:51Whatever you say.
00:19:56Fuck you!
00:19:58Come on, come on.
00:20:09I'll strangle the bitch.
00:20:32I'll strangle the bitch.
00:21:02Let's not bother with that hook here.
00:21:06Come on, forget it.
00:21:07Leave her here.
00:21:32I'll strangle the bitch.
00:21:42Come on.
00:21:51I'll strangle the bitch.
00:22:00I'll strangle the bitch.
00:22:10I'll strangle the bitch.
00:22:40I'll strangle the bitch.
00:22:49I'll strangle the bitch.
00:22:58I'll strangle the bitch.
00:23:08I'll strangle the bitch.
00:23:17I'll strangle the bitch.
00:23:19I'll strangle the bitch.
00:23:29I'll strangle the bitch.
00:23:31I'll strangle the bitch.
00:23:40I'll strangle the bitch.
00:23:42I'll strangle the bitch.
00:23:51I'll strangle the bitch.
00:23:53I'll strangle the bitch.
00:24:03I'll strangle the bitch.
00:24:05I'll strangle the bitch.
00:24:14I'll strangle the bitch.
00:24:16I'll strangle the bitch.
00:24:17I'll strangle the bitch.
00:24:26I'll strangle the bitch.
00:24:38I'll strangle the bitch.
00:24:39I'll strangle the bitch.
00:24:51I'll strangle the bitch.
00:24:58I'll strangle the bitch.
00:25:01which was used to strangle Carol Peterson.
00:25:04Her body was then mutilated in the same manner as Signorina Heineken's.
00:25:09I have called you here today for a good reason.
00:25:12I want you to look at the full arc closely.
00:25:14If you ever saw one you think is similar,
00:25:16on any person you can identify, it is your duty to help us by reporting it.
00:25:22You will not be acting as a police informer, but as a civic-minded citizen.
00:25:27Because I believe you all want this killer to be brought to justice at once.
00:25:31And I hope, in a case like this at least,
00:25:33you will consider the police for what they are, your vigilant defense.
00:25:37After that, you can protest and riot when we're a bit reluctant to let you dismantle the state.
00:25:42Turn on the lights.
00:25:46That's all. Thank you.
00:25:48Let's cooperate this time.
00:26:00Daniela, what's wrong?
00:26:01Jane, I'm frightened.
00:26:24Come on, the inspector's given us all a shot.
00:26:26But you realize I'm the last person who saw Carol alive.
00:26:29How could that be?
00:26:30Well, I saw her get on a motorcycle with a couple of boys, Peter and George.
00:26:34Oh, she was in a terrible state.
00:26:36It was almost like a kidnapping.
00:26:37It's your imagination.
00:26:38Why would they want to kidnap her?
00:26:39I don't know.
00:26:40Anyway, neither of those boys was wearing a red scarf.
00:26:43You noticed?
00:26:45I don't know how it stayed in my mind.
00:26:47Come on, get in the car.
00:26:49And yet, I swear I've seen that scarf from somebody I know.
00:26:51Jane, please take me home.
00:27:07She wasine.
00:27:24Come on.
00:27:25Come on.
00:27:26Come on.
00:27:59Hello? Hello?
00:28:19A word of advice. If you want to be spared, don't try to recall who you've seen wearing that
00:28:26pooler, or else the colors red and black could mean for you what they meant.
00:28:30Who is this speaking? Hello? Hello? Who's calling? Answer me.
00:28:56Oh. Oh, thank God. It's you, Uncle Nino. I'm so afraid.
00:29:06Oh. Oh, thank God. It's you, Uncle Nino. I'm so afraid.
00:29:23Try and control yourself, my dear. Find some way of getting your mind off it all.
00:29:27I'm afraid. Don't leave me alone.
00:29:29Danny, just pack up and go away for a while. To the country house. The air there would be
00:29:35good for your nerves. Alone?
00:29:37I'd go too, but there's this business in Paris. It wouldn't be fair to leave you by yourself.
00:29:40Invite some of your friends to go with you. You'll soon get over your fright. All you need
00:29:45is some good fresh air. Say, you must know about everybody in town, don't you?
00:29:57Oh, no, I don't. I'm sorry, sir. It's like a seaport, this place. Strange spaces here every
00:30:03day. All sorts of colors, all sorts of races. In fact, you close your eyes and don't notice
00:30:07anyone. Oh, no. Believe me, I keep voting, but just how can I help you? For example.
00:30:15Do you sell scoffs? Should you sell this one? I handle those. That kind. Japanese silk
00:30:23prints. But, uh, I mean, they're rather ordinary. I have some right over there.
00:30:29Better sell this full eye. I might have sold one, of course. I can't recall them all.
00:30:34But can you remember who might have bought one? It's very important.
00:30:38No, I do a steady business, even if it does look unimportant. Do you believe I can recollect
00:30:43that? Who bought what here? Who bought this? Who bought that? They come in crowds and
00:30:47they go in crowds. If you do remember, call me at headquarters. You got that? That's
00:30:53for Inspector Martino. Uh-huh.
00:31:23Bad news. Ah, you know. I'm Johnny Tommaso, the scarf seller in the piazza. Because this afternoon,
00:31:48the inspector was snooping around, the inspector was snooping around. I believe I should sell
00:31:51the business. No, I'm not trying to blackmail. You want me to keep a friendly secret. To make
00:32:00sure I can pretend that I never sold you that full eye. Two million liars would be plenty
00:32:06now. Pretty cheap. We ought to pay the initial expenses. How do you mean? Have the money. You're
00:32:16responsible for my complete silence. See you tonight.
00:32:22So let's all meet at the station tomorrow at three o'clock. All right?
00:32:26Look, there are two plans on making out tonight, seeing as we're off for a lean weekend.
00:32:30Good job.
00:32:53Danny. Danny.
00:32:55Don't let me go.
00:32:56Danny, I have to talk to you.
00:33:01I must.
00:33:02Why don't you go away?
00:33:05Why don't you leave me alone?
00:33:07I've got to speak to you.
00:33:08You're going to listen.
00:33:12Danny, you have to.
00:33:14I don't!
00:33:18Danny!
00:33:20Danny, you've got to belong to me and no one else.
00:33:24Classes have been canceled for today.
00:33:33No!
00:33:34Let me go!
00:33:37Let me go!
00:33:40Daniela!
00:33:41Open this door!
00:33:43I've got to speak to you!
00:33:45What's going on up there?
00:33:46Who's out on the stairs?
00:33:49What are you doing up there?
00:33:53Oh, hello, Jane.
00:34:08Can you come over right away?
00:34:09I must talk to you.
00:34:10Right now?
00:34:11It's urgent.
00:34:14It's Stefano.
00:34:15What Stefano?
00:34:16He was wearing that scarf the day Flo died.
00:34:20Jane, it's terrible.
00:34:22Oh, come on.
00:34:23You need to relax.
00:34:25Let me help you, too.
00:34:29No, Jane.
00:34:30I remember it so well.
00:34:32Stefano was really wearing that scarf and he didn't ever wear it again.
00:34:35What have you got against that boy?
00:34:37He's so strange.
00:34:39So violent.
00:34:40He frightens me.
00:34:41And then, then what?
00:34:46Jane, you won't tell anyone, will you?
00:34:48Of course I won't.
00:34:51Surely you're not afraid of me, too.
00:34:54Oh, no, Jane.
00:34:55But I received this phone call from the killer.
00:34:58And he threatened to kill me, too, if I told anyone who it was that I'd seen wearing that scarf.
00:35:05Come in.
00:35:07Excuse me.
00:35:08I just wanted to say goodbye.
00:35:11Good evening, Jane.
00:35:12Good evening.
00:35:13I'll have to go now.
00:35:15If not, I'll miss my flight at ten.
00:35:16I'll phone you from Paris when I arrive.
00:35:19Take care of her, Jane.
00:35:21All right, till tomorrow morning.
00:35:23I can't go up to the villa till later.
00:35:24I have a few things to do in town.
00:35:26You didn't tell me.
00:35:27No, but I told Ursula and Katia.
00:35:28I'm sorry.
00:35:29Oh, you'll be all right.
00:35:30You'll have the others with you.
00:35:32You'd better dry off.
00:35:35I have to go.
00:35:36Have a good trip.
00:35:38But you promised.
00:35:40Yes, but I want to talk to Stefano first.
00:35:43He may be a strange boy, as you say, but that doesn't mean the killer's Stefano.
00:35:47I'll drive out later.
00:35:49Don't worry.
00:35:50No, no, no.
00:35:53No, no, no, no.
00:35:55I'll drive right back to see you.
00:35:57Oh, no.
00:35:57No, no, no, no.
00:35:57There we go.
00:35:58No, no, no.
00:35:58No, no, no, no.
00:35:59No, no, no, no, no, no.
00:36:00No, no, no.
00:36:01No, no, no, no.
00:36:02No, no.
00:37:32Excuse me, does Stefano Vancey live here?
00:37:44He's on the third floor, apartment eight, signorina.
00:38:31Hello? Hello? Anyone home? Anyone home? Is anybody there?
00:39:01Stefano? Stefano?
00:39:15Stefano?
00:39:17Stefano?
00:39:19Stefano?
00:39:21Stefano?
00:39:23Stefano?
00:39:25Stefano?
00:39:27Stefano?
00:39:29Stefano?
00:39:31Stefano?
00:39:33Stefano?
00:39:35Oh, my God.
00:39:53Voulez-vous quelque chose, mademoiselle?
00:39:55I was looking for Stefano Vancey. Excuse me.
00:39:58Signor Vancey's bed was unoccupied last night.
00:40:00I don't know if he's in town.
00:40:02I don't know.
00:41:32Brother, from here you can see the sauce of the Nile.
00:41:40Where's she from?
00:41:41You mean the one with the suntan makeup?
00:41:42She didn't buy it.
00:41:43Oh, with those legs, she could outrun a rabbit.
00:41:44I'm a rabbit.
00:41:45Hey, what do you think I'm here for?
00:41:47Make eyes at me.
00:41:50Come on, let's go.
00:41:52We still have a lot of shopping to do.
00:41:53Oh, bring the bread and the milk every morning.
00:42:06Please don't forget.
00:42:08I'll remember, signorina, every morning.
00:42:33Pretty girls, eh, Ballack?
00:42:35If you could only speak to them how they'd love it.
00:42:38The way they looked at you, you saw.
00:42:39Say, why don't you go up to the villa and pay them a visit?
00:42:42They're expecting you.
00:42:43Yeah, sure.
00:42:44No kidding, Ballack.
00:42:45You can measure them for shoes.
00:42:46What they came here for is a strong man like you.
00:42:50They love leather.
00:42:52Don't miss your chance, Ballack.
00:42:54Save one for me.
00:42:55Yeah, let's see.
00:43:55Oh, with all the windows barred, it seems like a prison.
00:44:05There's no one here most of the year.
00:44:07It was a paradise for thieves, so we put up the bars to discourage them.
00:44:10God, where's Jane?
00:44:11She must have found the roads full of traffic.
00:44:13Or she couldn't leave.
00:44:15Why not telephone?
00:44:16There we are.
00:44:17That's it.
00:44:18Ciao.
00:44:19Ciao.
00:44:25Yes, Llorina?
00:44:29Excuse me.
00:44:31Can you show me the road to Villa Santa Alba?
00:44:33Oh, yes.
00:44:34It's just up the hill, but slow down.
00:44:36It's bumpy.
00:44:37Well, I better have you check the car.
00:44:38I think there's a spring broken.
00:44:40It's impossible to check that until morning.
00:44:42But tonight, if you like, I'll go with you.
00:44:45Yes, if you please.
00:44:45You'll have to walk up the hill, though.
00:44:49I'm sorry.
00:45:01They told me she left three hours ago.
00:45:03Ah, then she's found interesting company, I guess.
00:45:06Stop joking.
00:45:07I'm afraid.
00:45:08I'm worried.
00:45:18Hey, girls, you can open this door or not.
00:45:21It's Jane.
00:45:26Oh, it's loud.
00:45:28Wow, what a climb.
00:45:31I had trouble with my car and I had to leave it in the village.
00:45:33Hi, Hal.
00:45:36Hi, Ursula.
00:45:38Danny was worried about you.
00:45:39Well, she was right.
00:45:40It's the fault of my driving, I suppose.
00:45:43Look, I've cleared the whole thing up.
00:45:44Stefano has nothing to do with it.
00:45:48Of course.
00:45:49Stefano's scarf was different.
00:45:51This had a red design on a black background.
00:45:53The one the inspector showed us was just the opposite.
00:45:56I'm so confused.
00:45:59If Stefano wasn't wearing that scarf,
00:46:03then who...
00:46:04I know he saw it on somebody.
00:46:06Look, forget about the scarf.
00:46:09I won't hear any more about it.
00:46:12Now, I could do with a drink.
00:46:13I think I've caught a cold.
00:46:15Oh, what a terrible day.
00:46:17Forget it, boys.
00:46:18Those three birds aren't for the likes of us.
00:46:20Forbidden fruits, the best there is.
00:46:22There's some grapes.
00:46:23Well, that niece of the owner is really ripe.
00:46:25I wouldn't mind spoiling her a little bit more.
00:46:27She looks willing enough to me.
00:46:28Let's go up there and give him a try.
00:46:29Yeah, we'll be wasting our time.
00:46:30Let's play mochi ball.
00:46:31Listen to Castanova, that's how you get to leave so much.
00:46:34I'd go for that exotic milk.
00:46:36The one with the long legs.
00:46:37Oh, yeah.
00:46:37Wow, what a grip she must have.
00:46:38She looks like a man-eater.
00:46:40I'd feel safe with one of the others.
00:46:41Ah, they're all the same in the dark.
00:46:42Well, maybe, but I'd like to start with that little boy.
00:46:44Of course, that's worse my way out.
00:46:45Ha, ha, ha, you got it all worked out, huh?
00:46:47You should give him a little cut.
00:46:54Well, I'm off to bed.
00:46:56Good night, Danny.
00:46:57Good night.
00:46:58Good night.
00:46:59Good night.
00:47:29Good night.
00:47:59Good night.
00:48:00Good night.
00:52:59Come on, you lizards.
00:53:02Breakfast is here.
00:53:04Come on.
00:53:05So is me.
00:53:07Oh, look, James.
00:53:18Oh, no.
00:53:20I twist my ankle.
00:53:21Oh.
00:53:22Milk, bread, and eggs.
00:53:29And things.
00:53:30Don't worry.
00:53:32Don't worry.
00:53:34It'll be all right.
00:53:35It's not broken.
00:53:36Why the hell are you standing there?
00:53:41Go get a doctor.
00:53:42Quickly.
00:53:42Yeah, sure.
00:53:43Oh, every員 and I, I say, I say, hey.
00:53:46Oh, yeah.
00:53:48Oh, yeah.
00:53:51Oh, yeah.
00:53:56Oh, yeah.
00:54:01Oh, yeah.
00:54:03I don't think it's anything serious, but if the swelling hasn't gone down by tomorrow, call me and we'll have it x-rayed.
00:54:25In case you don't sleep tonight, young lady, because of the pain, I'll leave you these.
00:54:29But don't take more than two.
00:54:30Some vacation.
00:54:34Haven't I seen you somewhere before?
00:54:36You might have.
00:54:39On the train. I remember now.
00:54:41You were in the same compartment.
00:54:43Yes, that's right.
00:54:46You went with your friends.
00:54:47I came later by car.
00:54:49If necessary, I can bring you into town tomorrow.
00:54:51Oh, my ankle isn't broken. I can drive myself tomorrow.
00:54:54Well, I'll be off.
00:54:56And if you want to reach me, you know where to find me.
00:54:57I'll see you till the door.
00:55:00Goodbye.
00:55:01Goodbye, doctor.
00:55:04Hmm, doctor's all right, huh?
00:55:06Not bad.
00:55:10You know, you should have something done about that road.
00:55:13It's not easy getting up here.
00:55:15Oh, excuse me.
00:55:16Oh, it's you, uncle. How are you?
00:55:25You were right.
00:55:26I'm okay.
00:55:27But where are you?
00:55:29Paris.
00:55:31It sounds as if you were calling from the next room.
00:55:34Uh-huh.
00:55:36Oh, yes.
00:55:37The weather's marvelous here.
00:55:38Oh, yes.
00:56:08Oh, it's like ice.
00:56:10I told you, sir.
00:56:11Oh, well, at least it's warm in the sun.
00:56:14Oh, thank goodness.
00:56:15Oh, thank goodness.
00:56:25Stefano!
00:56:29Stefano!
00:56:30Come out!
00:56:34What are you doing there?
00:56:39Danny.
00:56:43But I don't see anyone.
00:56:45I'm sure I saw someone a moment ago.
00:56:46It looked like Stefano.
00:56:48But Danny, you were frightened, that's all.
00:56:52It was Stefano.
00:56:55Let's go home now.
00:56:56If it was Stefano, you would have answered, no?
00:57:00No?
00:57:04Come on, Jane, this'll fix you up.
00:57:09The James Enkro.
00:57:11Bottoms up.
00:57:12Oh, boy.
00:57:15Niece didn't need champagne.
00:57:17She won't wake us up in the morning.
00:57:20Let's not excite the patient.
00:57:21She's full of goofbills now.
00:57:23She needs some rest.
00:57:24I think the piano will tune.
00:57:26She was there and ate her.
00:57:27Yes.
00:57:28How about a lullaby?
00:57:29Come on, then.
00:57:31Good night.
00:57:32Good night, everybody.
00:57:33Good night.
00:57:35Good night, Jane.
00:57:36Weren't the lights off?
00:57:36You can turn the big one off.
00:57:38I'm going out like a light, too.
00:57:41Night.
00:57:41Night.
00:57:42Good night.
00:58:06You two make wonderful company.
00:58:17What are you doing?
00:58:19Do you have a call, boy?
00:58:20Wish I had.
00:58:21No, I'm going to call Stefano, see if he's home.
00:58:23Oh, forget Stefano.
00:58:25Besides, Danny, it's late.
00:58:26If he answers, I'll hang out.
00:58:30Hell, it's out of order.
00:58:31Somebody's here.
00:58:37Maybe it's the doctor paying your late call.
00:58:55Who's there?
00:58:57Come on.
00:58:58You might as well open the door.
00:59:01Stefano.
00:59:07Stop!
00:59:12No!
00:59:13No!
00:59:29Stop.
00:59:30Stop!
00:59:30Stop!
00:59:30Stop!
00:59:31Stop!
00:59:31Stop!
00:59:31Oh.
00:59:36Oh.
00:59:41Oh.
00:59:46Oh.
00:59:50Oh.
00:59:53Oh.
00:59:56Oh.
00:59:59Oh.
01:00:03Oh.
01:00:07Oh.
01:00:13Oh.
01:00:19Oh.
01:00:23Oh.
01:00:25Oh.
01:00:27Oh.
01:00:28Oh.
01:00:32Oh.
01:00:34Oh.
01:00:36Oh.
01:00:38Oh.
01:00:40Oh.
01:00:42Oh.
01:00:44Oh.
01:00:46Oh.
01:00:48Oh.
01:00:50Did I sleep so late?
01:00:52Oh.
01:00:59Oh.
01:01:01Oh.
01:01:02Hey!
01:01:03I'm hungry!
01:01:04Aren't patients supposed to have their breakfast in bed?
01:01:28Ursula?
01:01:33Katya?
01:01:36Danny?
01:01:41Ursula?
01:02:01Danny!
01:02:05Danny?
01:02:11Danny?
01:02:13Danny?
01:02:15Danny?
01:02:17Danny?
01:02:19Danny?
01:02:22Oh!
01:02:24Danny?
01:02:26Danny!
01:02:32Oh!
01:02:34Oh!
01:02:36Oh!
01:02:38Oh!
01:02:40Oh!
01:02:41No!
01:03:11Daddy!
01:03:41Daddy!
01:04:11Red Milk!
01:04:36Anyone home?
01:04:41I have to pick up the empties.
01:05:06Anyone home?
01:05:08Well?
01:08:08Oh, God, no.
01:08:09Oh, God.
01:08:12Oh, God.
01:08:14Oh, God.
01:08:15Oh, God.
01:08:17Oh, God.
01:08:19Oh, my God.
01:08:49Oh, my God.
01:09:19Oh, my God.
01:09:49I don't think those girls are politically aware.
01:09:52Who cares?
01:09:52I'd like to have a whole beard.
01:09:54Oh, on a desert island.
01:09:56Naked.
01:09:56In a storm.
01:09:57In a storm?
01:09:58Why?
01:09:59It's more emotional.
01:10:00You need an assist?
01:10:19Oh, my God.
01:10:28Oh, my God.
01:10:31Oh, my God.
01:10:35Oh, my God.
01:10:44Oh, my God.
01:10:44Oh, my God.
01:10:45Oh, my God.
01:10:54Oh, my God.
01:10:54Oh, my God.
01:10:55Oh, my God.
01:10:57Oh, my God.
01:11:07Oh, my God.
01:11:10Oh, my God.
01:11:14Oh, my God.
01:11:35Oh, my God.
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