- 2 days ago
Full Episode of In Other Words, I Love You
Category
🎥
Short filmTranscript
00:00:00I've always described the world in words, people, moments, places, all through metaphors and margins.
00:00:12You okay?
00:00:13Like my mom, self-made, stubborn, and never wrong.
00:00:18Almost there. You excited for your first day?
00:00:20She calls this a fresh start. I call it terrifying.
00:00:30You've got this. Just be yourself.
00:00:33That's kind of the problem.
00:00:53Oh, you're not a style.
00:00:56Really?
00:01:00I want to say goodbye.
00:01:03Okay.
00:01:05Morning, class.
00:01:08And you're not seated because?
00:01:11I don't have a seat.
00:01:14Ah, a new transfer. Alice Keaton, right? Let's see.
00:01:21Now, there's a spot next to Charles.
00:01:24Charles case, sorry.
00:01:26Seriously? A charity case sitting next to Charles?
00:01:29God, why is she?
00:01:31Quiet, Charles.
00:01:36I've always had words for everything, but in that moment, I forgot them all.
00:01:44Charles, move your things.
00:01:56I'd rather not.
00:01:57She'll be a distraction.
00:01:59From what?
00:02:00Sleeping.
00:02:01From everything.
00:02:02If anything, Charles, Miss Keaton will be a positive influence on you.
00:02:06That's enough.
00:02:07She can sit here. It's fine.
00:02:12Back to Golding.
00:02:14You got it.
00:02:15I'm Sherry Vaughn.
00:02:16Alice Keaton.
00:02:17It's very important that we look at the other's intentions.
00:02:20What he's talking about, their experience of the time.
00:02:24Wait.
00:02:28You sat next to Charles?
00:02:29She didn't.
00:02:30You totally shut her down.
00:02:31Oh, I knew it.
00:02:33Don't take it personally.
00:02:33He's impossible.
00:02:35Can everyone stop acting like the goal is getting into his pants?
00:02:38What?
00:02:39He's hot.
00:02:40Everyone kind of is.
00:02:43I...
00:02:44I've seen...
00:02:45Connor.
00:02:46He's not my type.
00:02:47You're joking.
00:02:48I don't find bullies attractive.
00:02:50Hey!
00:02:50Be careful.
00:02:51You're talking about the king of Ashford.
00:02:54The what?
00:02:55His family basically own the school.
00:02:57And the town.
00:02:58Maybe even the country.
00:03:00Yeah.
00:03:00Everyone's tried to get close.
00:03:02No one can get past his ego.
00:03:04You're not the first to get iced.
00:03:05Okay, first of all, I wasn't iced.
00:03:08It's more like a mutual decision.
00:03:11And second, I think he's arrogant, cold, thinks he's untouchable.
00:03:16But if you really look at Charles, he just seems isolated, like he's faking out.
00:03:21Honestly, I just think he's lonely and kind of pathetic.
00:03:24What?
00:03:29No, go on.
00:03:35You were saying I'm lonely and pathetic.
00:03:42Next time, read the room before opening your mouth, American.
00:03:50We're not in Kansas anymore, Alice.
00:03:54Hey, how was your first day?
00:04:11Uh, good.
00:04:12Anything exciting happen?
00:04:13Not really.
00:04:14Super uneventful.
00:04:17Really?
00:04:18How's your new job?
00:04:19Yeah, all right.
00:04:21Get this?
00:04:21They said we can stay in the servant's wing.
00:04:23Seriously?
00:04:24Hmm.
00:04:25Apparently, the young master won't mind the company.
00:04:28The young master.
00:04:29This is your boss's house.
00:04:33Yeah?
00:04:34Isn't that incredible?
00:04:36I mean, I wouldn't call it a house.
00:04:38It's a museum with better landscaping.
00:04:42Wait here.
00:04:47I'll talk to the butler.
00:04:53Wow.
00:04:54Rich people.
00:04:56You've topped yourselves again.
00:05:00Stephen King.
00:05:03First edition!
00:05:04I'm breaking and entering now.
00:05:15How American of you.
00:05:17I...
00:05:18You've been paying rent here in my head.
00:05:32Trying to fight it hard.
00:05:37You can get up now.
00:05:40I...
00:05:40I'm trying.
00:05:42Wait!
00:05:44Are you serious?
00:05:46Well, you said you were trying.
00:05:49What is wrong with you?
00:05:51Funny.
00:05:52I was about to ask you the same thing.
00:05:54What are you doing in my house?
00:05:58You...
00:05:58Wait.
00:06:00Your house?
00:06:01My house.
00:06:02My library.
00:06:03And now, apparently,
00:06:05my unwanted guest.
00:06:08Ah, Master Charles.
00:06:10You must be Miss Alice, Anne's daughter.
00:06:12She said you'd be moving in today.
00:06:14She what?
00:06:15There...
00:06:15There's been some kind of misunderstanding.
00:06:18You see,
00:06:18I'm not actually moving in.
00:06:21Is that so?
00:06:22Yeah.
00:06:22I'm not staying here.
00:06:24Like, at all.
00:06:25That's a shame.
00:06:26You might seem quite pleased with the arrangement.
00:06:27Well,
00:06:28I just don't think it's appropriate.
00:06:31Well,
00:06:31if you're sure,
00:06:32then absolutely not.
00:06:35Come on, Alice.
00:06:36Alice, you must stay.
00:06:40It will be fun, my dear classmate.
00:06:46I'm dead.
00:06:48I'm dead.
00:06:48Like, mentally,
00:06:50socially,
00:06:51and actually dead.
00:06:58Just trying to figure out
00:06:59how exactly my life went off the rails.
00:07:03Get it together, Alice Keaton.
00:07:05You've been through hell.
00:07:06I'd never find someone
00:07:07I'd make my head spin around.
00:07:10Actually, no.
00:07:11No one's ever gonna be the thing I need.
00:07:12They all just let me go.
00:07:12This is hell.
00:07:14But baby,
00:07:15you saved me.
00:07:16Good morning.
00:07:17Good morning.
00:07:17So, is that Miss Keaton?
00:07:35What thing doesn't know?
00:07:36That's what's been closed for months.
00:07:38She's going to be late.
00:07:45Okay.
00:07:45How long is this thing gonna take?
00:07:47Maybe I'll just walk?
00:07:49Five miles to school.
00:07:53Okay.
00:07:53If I sprint,
00:07:55maybe I'll make it before first period.
00:07:57Or die of exhaustion on the way.
00:08:03Or die of exhaustion on the way.
00:08:06What are you doing here?
00:08:08Didn't you already leave?
00:08:11Wait.
00:08:12Did you come back for me?
00:08:16Relax.
00:08:17I forgot my textbook.
00:08:19Don't flatter yourself.
00:08:21Wait.
00:08:25Since you're already here,
00:08:26maybe you could be a decent person
00:08:29and give me a ride?
00:08:32No.
00:08:34Seriously?
00:08:35Your car is huge.
00:08:37Yeah.
00:08:38I know I'm not a fan of sharing.
00:08:42Says the guy who forced me to live in his house?
00:08:48Unbelievable!
00:08:59Ashford Institute, please.
00:09:05Who needs an entitled brat anyway?
00:09:08Sir, you called the cab.
00:09:10Why not just give Miss Keaton a lift?
00:09:16Why not just give Miss Keaton a lift?
00:09:18And have the whole school go crazy.
00:09:20She's new.
00:09:21Well, everybody's already talking.
00:09:24So you're worried about her?
00:09:25You're overthinking.
00:09:27I just don't like drama.
00:09:35Asshole.
00:09:35Hey.
00:09:37Morning, Klaus.
00:09:40Back to Golding.
00:09:42Remind me what he's saying through Lord of the Flies.
00:09:49Mr. Kenwood,
00:09:51care to share what you found so amusing?
00:09:53Not particularly.
00:09:54Oh, I insist.
00:09:57You seem very entertained by Golding.
00:10:00I'm not entertained by Golding, sir.
00:10:02On the contrary.
00:10:04I think his ending is...
00:10:06weak.
00:10:08Wait, wait.
00:10:09You actually read it?
00:10:10Quiet.
00:10:13That's an interesting take.
00:10:14Explain.
00:10:17He had the setup for something brutal.
00:10:20Something honest.
00:10:21But in the end,
00:10:22he backed out.
00:10:23He could have left the boys on the island.
00:10:25Forced them to confront
00:10:26the collapse of all morality.
00:10:28Let them choose survival.
00:10:30Or death.
00:10:31But instead,
00:10:32he gave them a rescue boat.
00:10:34Slapped a happily ever after
00:10:35on a book about savagery.
00:10:40It's a waste.
00:10:42Don't you think?
00:10:43I'm delightfully surprised, Charles.
00:10:45Didn't think you had such
00:10:46strong literary opinions.
00:10:48I'm always a model student, sir.
00:10:50Let's not get ahead of ourselves.
00:10:51So,
00:10:55a critique of Golding's mercy.
00:10:57Anyone disagree?
00:10:58I think Golding knew exactly what he was doing
00:11:15by ending the book that way.
00:11:17It's not mercy,
00:11:18it's irony.
00:11:20How so?
00:11:20The rescue isn't a happy ending.
00:11:25You don't just walk back into society
00:11:27and forget you're a monster.
00:11:29Golding didn't save them,
00:11:30he left us with the discomfort
00:11:31of pretending they could be saved.
00:11:33That's an interesting take,
00:11:34Miss Keita.
00:11:35You still think it's a harsh critique?
00:11:37In some ways,
00:11:39but not harsh enough.
00:11:41Yes,
00:11:42it's a critique of toxic masculinity,
00:11:44but still,
00:11:45Golding sympathized with them.
00:11:47And the civilized world?
00:11:49Toxic,
00:11:50violent,
00:11:50he didn't call that out nearly as much.
00:11:52So, yeah,
00:11:53I don't think Golding pushed far enough,
00:11:54but I think it's unfair
00:11:55to call it a happy ending.
00:11:56Thank you,
00:12:01Miss Keaton.
00:12:02Well said.
00:12:04Anyone else?
00:12:07Both opinions are valid.
00:12:09Okay,
00:12:09that's kind of epic.
00:12:10And let's not forget,
00:12:11Golding faced major backlash
00:12:13when he first published the book.
00:12:15Good literature will always divide opinion.
00:12:20What's happening to me?
00:12:26Okay,
00:12:27what is going on?
00:12:28Why is everyone staring at me?
00:12:30Well,
00:12:31you're new
00:12:32and apparently had a thing with Charles.
00:12:34A what now?
00:12:36You two are in the middle
00:12:37of the most epic feud
00:12:38Asher's teen in years.
00:12:40We're not even fighting.
00:12:41Well,
00:12:41according to everyone,
00:12:42you confessed your love on day one,
00:12:44got rejected,
00:12:45begged to sit next to him,
00:12:47got rejected again.
00:12:49And today in class,
00:12:50you broke down crying about
00:12:51not believing in happy endings
00:12:53and stormed out in tears.
00:12:56You were there,
00:12:57Sherry.
00:12:58That is not what happened.
00:13:00Doesn't matter.
00:13:02People believe
00:13:02what they want to believe.
00:13:04And they want Charles
00:13:05to be flawless,
00:13:06untouchable.
00:13:07Wow.
00:13:08Is misogyny
00:13:10like a rich kid thing
00:13:10or just a British specialty?
00:13:12Honestly,
00:13:13both.
00:13:14But seriously,
00:13:15Alice,
00:13:16some people already
00:13:17see you as a threat.
00:13:25Okay.
00:13:26Loaded.
00:13:28It's like the new girl's
00:13:29in for a rough
00:13:30first semester.
00:13:46Hello?
00:13:48Hello?
00:13:50Is somebody out there?
00:13:53Oh, come on!
00:13:54Fine.
00:14:21Seriously?
00:14:22Seriously?
00:14:25Shit.
00:14:31What the hell?
00:14:33Anne,
00:14:34I thought you were
00:14:35having dinner with Alice?
00:14:36She hasn't come home.
00:14:37Her phone is off.
00:14:38Maybe you've seen her
00:14:39this evening?
00:14:43Yikes.
00:14:43Looks like the new girl's
00:14:45in for a rough
00:14:46first semester.
00:14:46She hasn't come home.
00:14:47She hasn't come home.
00:14:48She hasn't come home.
00:14:49I'll have it sent over.
00:14:50I'll have it sent over.
00:14:51Alice!
00:14:52Alice!
00:14:53Alice!
00:14:54Alice!
00:14:55Mr. Pelton!
00:14:56Charles Kenwood here.
00:14:57I was wondering if I could get the timetable
00:14:58for Alice Keaton.
00:14:59She hasn't come home.
00:15:00I'll have it sent over.
00:15:01Check the common room in the library.
00:15:02I'll take the rest.
00:15:03Alice!
00:15:04Alice!
00:15:05Alice!
00:15:06Come on, Alice.
00:15:07Close your eyes and jump.
00:15:08It's fine.
00:15:09I'll have it sent over.
00:15:10I'll have it sent over.
00:15:11I'll have it sent over.
00:15:12Check the common room in the library.
00:15:13I'll take the rest.
00:15:14Alice!
00:15:15Alice!
00:15:16Alice!
00:15:17I'll have it sent over.
00:15:18It's dead.
00:15:19I'll have it sent over.
00:15:20I'll have it sent over.
00:15:21They were still on.
00:15:23You don't have it sent over...
00:15:24Alice.
00:15:25Ask me something.
00:15:26Come on, Alice.
00:15:27Close your eyes and jump.
00:15:28It's fine.
00:15:29You're fine.
00:15:30You're fine.
00:15:31Come on.
00:15:32Alice.
00:15:33Close your eyes and jump.
00:15:34It's fine.
00:15:35You're fine.
00:15:36Come on.
00:15:37Come on.
00:15:39Alice.
00:15:40What are you doing here?
00:16:10Can you get off me first?
00:16:21You're welcome.
00:16:25I didn't say thank you.
00:16:26I figured saving your life might only be basic manners.
00:16:29Someone just dumped swamp water on me.
00:16:32Excuse me if I'm not feeling very polite.
00:16:34You smell like a biology experiment.
00:16:37Wow.
00:16:38You should try falling out of a window into someone's arms and getting insulted for
00:16:42it.
00:16:43You wouldn't recommend it.
00:16:44You're heavier than you look.
00:16:47I hope you pull your shoulder.
00:16:50Are you okay?
00:16:55No, but I will be.
00:16:59Someone did this on purpose.
00:17:00What do you think, golden boy?
00:17:03Don't worry.
00:17:04I can handle it.
00:17:05I'm sorry.
00:17:17Sorry.
00:17:18Did you just apologize to me?
00:17:24Don't get used to it.
00:17:25I wouldn't dream of it.
00:17:29Alice?
00:17:30Over here.
00:17:31Oh my god.
00:17:32You okay?
00:17:35Why are you drenched?
00:17:38Yeah.
00:17:39I just took a weird shower.
00:17:42Top exploded.
00:17:43Come on.
00:17:44Let's go you home.
00:17:45Alice Keaton, right?
00:17:46I heard you staged the whole thing for attention.
00:18:02I know how this place works.
00:18:27If you don't do anything about it, it's only going to get worse.
00:18:32I'll look into it.
00:18:34Charles?
00:18:35Good on you.
00:18:37How many here would speak up?
00:18:42I can't believe someone actually locked you in.
00:18:46That's insane.
00:18:47Where the hell was the school when this was happening?
00:18:50They're busy protecting their golden boys and trust funds.
00:18:52Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out
00:18:57last night.
00:18:58Please.
00:18:59He just didn't want a lawsuit.
00:19:01Being a scholarship student has its perks, like saving a fortune on tuition and getting
00:19:23into schools that normally wouldn't even let you pass the gates.
00:19:28Yay!
00:19:29We miss you in Paris.
00:19:30Though there are enough Americans to remind us of you.
00:19:33But sometimes, being here means staying behind.
00:19:37And watching Ashford Elites go on a two-week enrichment program you can never afford.
00:19:44Have fun.
00:19:45Bring me something overpriced and unnecessary.
00:19:52The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:19:58So, yeah.
00:19:59I didn't go.
00:20:01What are you doing here?
00:20:22Do you not believe in shirts?
00:20:24Do you not believe in dignity?
00:20:26It's comfortable.
00:20:27You look like a rejected Ewok.
00:20:29This...
00:20:30This is not even your kitchen.
00:20:31And this is not even your house.
00:20:33And yet, you're here, dressed like this.
00:20:36Just don't look.
00:20:37Go away.
00:20:38Hard not to.
00:20:39And you're walking around dressed like that.
00:20:41What do you guys call it?
00:20:43Um...
00:20:44Buzzkill?
00:20:45Cockblock.
00:20:46You're insufferable.
00:20:48You're the one cosplaying at breakfast.
00:20:50You know what?
00:20:51I don't get it.
00:20:52Why didn't you go on that tour?
00:20:53I thought rich people lived for that kind of thing.
00:20:55Why do you think?
00:20:58Where would I go?
00:21:00I could practically recite the itinerary in my sleep.
00:21:03Florence.
00:21:04Walk in the great footsteps of Dante, Michelangelo, Da Vinci and Titian.
00:21:09Or Titian, if you want to sound extra pretentious.
00:21:13Then Venice, because everybody loves a good canal and getting lost in the most confusing city on earth.
00:21:19Next stop, Napoli.
00:21:21Marvel at Pompeii.
00:21:23Pretend you're shocked.
00:21:24Ancient people had plumbing.
00:21:26The final stop, Paris.
00:21:28The ultimate city of romance.
00:21:31And, naturally, Woody Allen's favourite city outside of New York.
00:21:38That's word for word.
00:21:41I told you.
00:21:42I've done this tour so many times I could run it.
00:21:45Okay, but still, it's Europe.
00:21:47Most people would kill for that chance.
00:21:49Most people haven't had their phones stolen in Paris.
00:21:52Twice.
00:21:53Also, I hate the accommodations.
00:21:55Aren't they all five-star hotels?
00:21:58Standard rooms in five-star hotels?
00:22:00No, thank you.
00:22:02Wow.
00:22:03Some were born in Rome, huh?
00:22:05That's unfortunate.
00:22:06It's a very chaotic city.
00:22:08One word of advice?
00:22:09Shut up.
00:22:10That's two words.
00:22:13You're weird.
00:22:14Loud.
00:22:15You're annoying.
00:22:16You're in my kitchen.
00:22:17You have three other kitchens.
00:22:18And I prefer this one.
00:22:19Just for today.
00:22:20Come back when you've got a shirt on.
00:22:22Come back with normal clothes on.
00:22:23You didn't have to come.
00:22:24Don't tell me what I have to do.
00:22:34Master Charles, roads are flooded.
00:22:36Staff won't make it tonight.
00:22:37Will you be alright sorting dinner?
00:22:39I've got it sorted.
00:22:42I've got it sorted.
00:22:55Jesus, what are you doing?
00:22:57Relax.
00:23:00I'm here to make a deal.
00:23:01What deal?
00:23:02You nearly gave me a heart attack.
00:23:08You'll survive.
00:23:10I'm not selling my body.
00:23:16I'm not selling my body.
00:23:21Wow.
00:23:22I am deeply offended.
00:23:25That thought disgusts me.
00:23:27Then what are you doing?
00:23:28The staff's off tonight.
00:23:30I'm buying dinner.
00:23:34Did you seriously think I'd spend a hundred pounds on-
00:23:36No, I- I-
00:23:37Jesus.
00:23:39Wait.
00:23:41You think I'm not worth one hundred pounds?
00:23:43I'm not spending one hundred pounds to snort Chewbacca.
00:23:47You know what?
00:23:48Dinner's cancelled.
00:23:52Are you sure about that?
00:23:55I present to you.
00:23:57Meatball spaghetti, stir-fried veggies, and french fries.
00:24:00You're welcome.
00:24:02Interesting combo.
00:24:03Well, I know we're not in Italy or France, but this will do.
00:24:07It's...
00:24:08Good.
00:24:14Was that a compliment?
00:24:16Although...
00:24:18I am obliged to inform you.
00:24:20Meatball spaghetti isn't Italian.
00:24:22It's American.
00:24:23And french fries, likely born in South America.
00:24:26You should read more.
00:24:28Put it down.
00:24:30I paid for it.
00:24:32You really just have to win every argument, don't you?
00:24:34To be fair, you make it very easy.
00:24:38It's only easy because it costs you a hundred pounds.
00:24:40You know, if you'd ask for more, I probably would have given it to you.
00:24:44I'll make sure that.
00:24:59Okay, Alice. It's fine.
00:25:02You're fine.
00:25:03You're fine.
00:25:04You're fine.
00:25:10911, what's for your emergency?
00:25:16911, what's for your emergency?
00:25:18It's my dad.
00:25:19He needs help.
00:25:20He just had a stroke.
00:25:21Okay, miss.
00:25:22Hurricane constant traffic shut down.
00:25:23We'll get to you as soon as we can.
00:25:24Please, he's not well.
00:25:26I understand.
00:25:27Can you confirm your address?
00:25:31Yes, I'm right here.
00:25:32All right.
00:25:35My daughter.
00:25:36Please stay with me, dad.
00:25:37Please.
00:25:42No.
00:25:44Please wake up.
00:25:50Dad, please.
00:25:51Please don't leave me.
00:25:52Please wake me.
00:25:58What are you doing here?
00:26:28You were crying. Loudly. Kind of hard to ignore.
00:26:36Right. Sorry for the noise.
00:26:40Wait, no snarky comeback?
00:26:42Not tonight, I'm too tired. If you're here to argue, knock yourself out.
00:26:49You were calling for your dad, right?
00:26:52A hurricane hit New York. Power went down, traffic froze.
00:26:58Dad had a stroke, but he couldn't get out in time.
00:27:04I sat there with a candle while he laid there. Peaceful. Like he was asleep. But he wasn't.
00:27:19So that's why you and your mum moved here?
00:27:22This used to be our hometown. After dad left, we had nowhere else to go.
00:27:34What are you doing?
00:27:40Come on.
00:27:41Wait, I thought the peril was out.
00:27:58It is. We have our own generator.
00:28:01Wow. Rich people houses her.
00:28:04Just for tonight, I'll allow it.
00:28:08Allow what?
00:28:10You can call this place your house. So enjoy it.
00:28:13Stephen King's first edition. Alan Gisberg's handwritten letters.
00:28:17Jane Austen's notes. All yours.
00:28:20This is your home, Alice Keaton.
00:28:33Careful. Almost sounded sweet.
00:28:36Don't push it.
00:28:37Okay then.
00:28:41I have one request.
00:28:47What is it?
00:28:50Are you ever going to make a move?
00:28:55Wait. Give me a second. I'm thinking.
00:28:59You had one wish. Anything in the world.
00:29:03And in the middle of a thunderstorm, inside a literal mansion, you chose chess.
00:29:09Yeah. Got a problem?
00:29:11It's just so cool, like spies or genius villains in movies.
00:29:15It's literally a board game.
00:29:17Says the guy who owns a custom set.
00:29:20Wait. Does the knight go diagonally?
00:29:23For the tenth time, it moves in an L shape.
00:29:27One.
00:29:28Two.
00:29:29Then turn.
00:29:31There.
00:29:32Happy?
00:29:33Ecstatic.
00:29:34You know.
00:29:35That's suicide.
00:29:37Or a brilliant long term sacrifice.
00:29:40You are playing checkers at a chess board.
00:29:42Still beating you in sarcasm.
00:29:43You literally haven't won any past arguments.
00:29:45Golding disagrees.
00:29:47It's going to be a long night.
00:29:49Oh my god.
00:29:50Oh my god. No.
00:29:51Why? What's that like that?
00:29:52You can't do that.
00:29:53Oh my god.
00:29:54Can I do that?
00:29:55Oh my god.
00:29:56You had your shot but you went about it all wrong.
00:29:59Tied to pull you in close as we're locked on your phone.
00:30:02All yourself work as I'm moving on.
00:30:06Oh you're showing up at my door.
00:30:11Holding your heart there inside your hands.
00:30:14Maybe he's not so awful after all.
00:30:25Um, who are you?
00:30:32What are you doing here?
00:30:33Well your parents said you were still at home.
00:30:35Thank god you skipped that boring grand tour.
00:30:38Who needs Italy and France again, right?
00:30:40When did you get back?
00:30:41Last night.
00:30:42From Zurich.
00:30:43You didn't answer my messages.
00:30:47I missed you.
00:30:48Anyway, thought I'd come surprise you.
00:30:50Apparently, I'm transferring to Ashford.
00:30:53Your parents were so thrilled.
00:30:55They didn't tell me about this.
00:30:56I wanted to deliver the happy news myself.
00:30:58They said it'd be lovely for us to reconnect.
00:31:02You know, considering the engagement and all.
00:31:06Engagement.
00:31:08Oh, did no one tell you?
00:31:11He's promised.
00:31:12Old money stuff.
00:31:13Very retro.
00:31:14I didn't agree to that.
00:31:15You didn't have to.
00:31:16It's never up to us.
00:31:19Where did you find this little toy?
00:31:21Serena.
00:31:22I can hear you, you know.
00:31:24Oh, an American.
00:31:27How refreshing.
00:31:32Goodbye.
00:31:33Your little toy has quite the tempo.
00:31:34Serena.
00:31:35Serena.
00:31:36Can you please just stop?
00:31:37What?
00:31:38Teasing the help.
00:31:39What?
00:31:40Teasing the help.
00:31:41Hello.
00:31:42Hello.
00:31:43Hello.
00:31:44Hello.
00:31:45Hello.
00:31:46Hello.
00:31:47Hello.
00:31:48Hello.
00:31:49Hello.
00:31:50Where are you going?
00:31:51You still owe me breakfast.
00:31:52You only paid for dinner.
00:31:54I have homework.
00:31:55Goodbye.
00:31:56Your little toy has quite the tempo.
00:31:57Serena.
00:31:58Can you please just stop?
00:31:59What?
00:32:00Teasing the help.
00:32:01That's her.
00:32:02That's her.
00:32:03That's the one from Kenwood's house.
00:32:04Was she like the maid or something?
00:32:06Oh my god, what's wrong with people?
00:32:07What?
00:32:08You're holding the help?
00:32:09This is the one from Kenwood's house.
00:32:12That's her.
00:32:13That's the one from Kenwood's house.
00:32:14Just beginning to help.
00:32:16That's her.
00:32:17That's the one from Kenwood's house.
00:32:19Was she like the maid or something?
00:32:22Oh my god, what's wrong with people?
00:32:26I love you.
00:32:27Don't be afraid.
00:32:28Don't be afraid of me.
00:32:29It's just beginning to help.
00:32:32Oh my god, what's wrong with people?
00:32:35They're saying you live with Charles.
00:32:37Oh, and Serena.
00:32:39What about her?
00:32:40Apparently she told everyone you were caught sneaking into his room.
00:32:44Of course she did.
00:32:57Careful, Alice. You're starting to look desperate.
00:33:02I'm sorry.
00:33:12Can you help me?
00:33:13Yes, I know, it's 1066.
00:33:15Come to the music room. Urgent.
00:33:17I just remembered I need to check something.
00:33:20You guys go ahead.
00:33:21Yeah, okay.
00:33:28Hello? Is someone there?
00:33:30Piracy! This is getting old!
00:33:44Wait. Music room, what?
00:33:49James?
00:33:50Was anybody in here earlier?
00:33:52Just Miss Serena. Said she was waiting for you.
00:33:56Sir?
00:33:58Sir, it's raining!
00:33:59It's raining!
00:34:10Come on, Alice. You're fine.
00:34:13You're not that girl again.
00:34:15Wait, can you remind me one more time?
00:34:24Okay.
00:34:25Rooks move in straight lines.
00:34:27Yeah.
00:34:28Bishops move diagonally.
00:34:30And knights...
00:34:31The knight's the weird one.
00:34:32Rooks.
00:34:33Rooks.
00:34:34Straight lines.
00:34:35Into ships.
00:34:36Diagonally.
00:34:37Hello?
00:34:38The text?
00:34:39You okay?
00:34:42Are you hurt?
00:34:43No.
00:34:44No.
00:34:45I feel my soul.
00:34:59I feel my soul
00:35:02The text
00:35:05Are you okay? Are you hurt?
00:35:08I'm okay
00:35:10I saw the text and I thought
00:35:12I didn't see the message
00:35:13Serena took my phone, I didn't know
00:35:16I'm sorry
00:35:17I'm okay
00:35:19You're gonna catch a cold
00:35:22You're freezing
00:35:22You didn't have to come
00:35:23Don't tell me what I have to do
00:35:29Give me hope that feels like hope
00:35:35That wasn't a mistake
00:35:52If that's what you're about to say
00:35:54I wasn't going to
00:35:57You're really bad at this, you know
00:36:11What? Kissing?
00:36:14Hiding feelings
00:36:14Dump those Ewok pyjamas
00:36:38Oh, you wish
00:36:41Seriously
00:36:43It's a cock block
00:36:44You kissed me
00:36:47That's basically consent to everything
00:36:51Dangerous words, Keaton
00:36:57I might hold you to that
00:36:58You'll be working in pairs on your comparative essays
00:37:10The list is on the board
00:37:12One, two, three, four
00:37:17Paper planes
00:37:20Are you okay?
00:37:21Fly me to outer space
00:37:24That's where I'll see your face
00:37:29And have you with me
00:37:33You're distracting
00:37:42You're welcome
00:37:51They're either enemies or secretly married
00:37:57Honestly?
00:38:00Both
00:38:00I was sure I'd never find someone
00:38:04To make my head spin around
00:38:06No one's ever gonna be the thing I need
00:38:09They all just let me down
00:38:10But baby
00:38:12You saved me
00:38:14Till I'm brand new
00:38:16Everything's so different now
00:38:19So, the knight goes in an L shape, right?
00:38:24Why is that the only one you remember?
00:38:26Because it's weird
00:38:27And I like weird
00:38:30Check
00:38:38You're cheating
00:38:45I'm winning
00:38:46There's a difference
00:38:47You are very distracting
00:38:49And you like it
00:38:51I will be there for your day
00:38:53I'll be there in the darkest days
00:38:58I'll hold you in my arms
00:39:01Charles
00:39:02We need to talk
00:39:05I expected poor judgment
00:39:13But this in my house
00:39:16It isn't what it looks like
00:39:17Nope
00:39:17Kissing a servant's daughter
00:39:20In the family library
00:39:22Enlighten me then, Charles
00:39:23We came back tonight
00:39:25After speaking with Serena
00:39:26Imagine our surprise
00:39:28Walking in on
00:39:29This
00:39:30She isn't just
00:39:31You have no right
00:39:33To barge in
00:39:34On my property
00:39:35I care about her
00:39:39I'm not ashamed of her
00:39:41That's enough
00:39:42That's enough
00:39:42Why do you care?
00:39:46We're protecting our son's future
00:39:48And our name
00:39:51You think this protects me?
00:39:52We think
00:39:53She does not belong
00:39:55In your world
00:39:56Then maybe I don't either
00:40:00You're ready to give up everything
00:40:04For a girl you barely know
00:40:06Yes
00:40:09Then
00:40:10Are you sure
00:40:12She's ready?
00:40:19I'm asking you
00:40:20Do you think she's ready
00:40:22To lose everything
00:40:23Regardless of how little
00:40:25That is
00:40:25Just to be with you?
00:40:27What are you talking about?
00:40:29You left us no choice, son
00:40:30You shouldn't disobey your father
00:40:32Pelton
00:40:35It's Frederick Kenwood
00:40:37Ah, Mr. Kenwood
00:40:39How can I help?
00:40:40If a scholarship student
00:40:42Were to violate our behavioural code
00:40:45In a public setting
00:40:46With photographic evidence
00:40:48Would that warrant a review?
00:40:51Yes, sir
00:40:51So
00:40:54Answer me again
00:40:56Do you think
00:40:58She's ready
00:40:59To lose everything
00:41:00Just to be with you?
00:41:11Charles
00:41:12What happened?
00:41:13Did your parents say something?
00:41:14Are they mad?
00:41:15Is everything okay?
00:41:17Pack your things
00:41:18You can't stay here anymore
00:41:20What?
00:41:23My parents fired your mother
00:41:25She's leaving
00:41:26So are you
00:41:27Wait, what?
00:41:28Why?
00:41:29Is it because of us?
00:41:31We can fix this
00:41:31I'll get a job
00:41:32Anything
00:41:32Stop, stop it
00:41:33You don't get it
00:41:34If I don't walk away from this
00:41:36They'll cut me off
00:41:38Okay?
00:41:39No card
00:41:40No trust
00:41:41No support
00:41:42Nothing
00:41:44Then
00:41:44Then we'll figure it out
00:41:46We don't need all that
00:41:48We can
00:41:48Do you think of us
00:41:49Do you really think
00:41:50I'm going to live like that?
00:41:54So that's what this was
00:41:56Just fun
00:41:58Until it got inconvenient
00:41:59What did they promise you?
00:42:04Nothing
00:42:05They just reminded me
00:42:09Of what's real
00:42:11Charles
00:42:14I'm not stupid
00:42:15You don't just turn into a cold stranger
00:42:18Because of one conversation
00:42:19What did they threaten you with?
00:42:26What did they threaten you with?
00:42:28This is the difference between me and you
00:42:30What?
00:42:31You think you know me
00:42:32Or what I have
00:42:34You don't
00:42:35Alice
00:42:36You're still lying
00:42:38I'm not
00:42:38Alice
00:42:39Look around you
00:42:40This mansion
00:42:42You thought was a museum
00:42:43It's my
00:42:45House
00:42:45My world
00:42:47I was bored into this
00:42:49I am not choosing
00:42:50Between this
00:42:51Or fun
00:42:54Don't do this Charles
00:42:58You don't mean it
00:42:59It was fun
00:43:01But you
00:43:02You
00:43:04You don't compare
00:43:05To what I own
00:43:05I'll survive the loss
00:43:08Right
00:43:12I should have known
00:43:15Guys like you
00:43:18Don't end up
00:43:18With girls like me
00:43:19You play with them
00:43:23Then you throw them away
00:43:24Go to sleep Alice
00:43:32This fall is a little more
00:43:40Than I expected
00:43:42In so deep
00:43:45I can barely see
00:43:47Myself
00:43:48Yeah around me
00:43:52Feels so heavy
00:43:53But depleted
00:43:54But I find
00:43:58And that's the place
00:43:59To test
00:43:59Myself
00:44:01Oops
00:44:09Oh sorry
00:44:27Didn't see you there
00:44:29Then again
00:44:30Nobody does
00:44:31Move please
00:44:32Try begging
00:44:35You know what
00:44:41Keep it
00:44:42Poor thing
00:44:48So dramatic
00:44:49Don't
00:44:51Excuse me
00:44:53I warned you
00:44:54Walk away
00:44:56Serena
00:44:56Last week's group assignments
00:45:18Were mostly forgettable
00:45:20But one pair surprised me
00:45:22In a good way
00:45:23Charles Kenwood
00:45:25And Alice Keaton
00:45:26Would you mind giving us
00:45:28A short summary
00:45:29She loves the sound
00:45:30Of her own voice
00:45:31Better have it
00:45:32Our essay explored
00:45:42What happens
00:45:42When two fundamentally
00:45:43Different voices meet
00:45:45Like logic and chaos
00:45:47Or silence and noise
00:45:48Different worlds
00:45:51Different rules
00:45:52At first glance
00:45:55They clash
00:45:56But what makes
00:45:57The story interesting
00:45:58Is what happens next
00:45:59Confusion
00:46:00Curiosity
00:46:02But in the end
00:46:03Some stories
00:46:04Aren't about staying
00:46:05And yes
00:46:06There is no such thing
00:46:08As a happy ending
00:46:08And yes
00:46:18There is no such thing
00:46:19As a happy ending
00:46:20Is she still talking
00:46:23About the essay
00:46:24Miss Keaton
00:46:27Dramatic as always
00:46:30Alright
00:46:31Thank you Alice
00:46:32That was
00:46:34Laid
00:46:35Are you okay?
00:46:37That good literature
00:46:40Always stirs something
00:46:42Hello?
00:46:45Hi, this is Alice Keaton
00:46:46This is Whitmore Press
00:46:47We've been following your work
00:46:49We'd like to offer you
00:46:50A long-term publishing contract
00:46:51Name your price
00:46:52We'll make it work
00:46:54Sorry, what?
00:46:58That's
00:46:59Kind of
00:47:00Insane
00:47:01Who's behind this?
00:47:02Your sponsor wishes
00:47:03Is to remain anonymous
00:47:04Can
00:47:05Can I meet them?
00:47:09I want to
00:47:10Please
00:47:11Or at least
00:47:13Tell me a name
00:47:13Sorry
00:47:17They wish to stay in office
00:47:18So they're only interested
00:47:19In whether it's not the person
00:47:20I'd really like to meet them
00:47:22I'm sorry Miss Keaton
00:47:23They were very good
00:47:24I think the most generous
00:47:25Orc we've ever given
00:47:26A new answer
00:47:27I see
00:47:28Congratulations again
00:47:30You got the interview
00:47:35It's just an interview
00:47:36I haven't gotten it yet
00:47:38Still
00:47:38Alice Keaton
00:47:39At Oxford
00:47:40That's iconic
00:47:41You okay?
00:47:52Yeah
00:47:52I'm so excited
00:47:55It's done Mr. Kenwood
00:48:08Miss Keaton signed the contract
00:48:10Good
00:48:12It's a generous deal
00:48:14You sure you don't want it to know?
00:48:17No
00:48:17No, it's better if I stay out of her life
00:48:21I will be fine
00:48:23I'll be there in your darkest days
00:48:29Congratulations Alice Keaton
00:48:32Go live the life
00:48:34You were always meant to
00:48:36Your engagement and advancement
00:48:42Should align perfectly
00:48:43With the Foundation Gala
00:48:44And the Browns already offered
00:48:47To host the London reception
00:48:49It's all coming together
00:48:52Beautifully
00:48:53I've lost my appetite
00:48:57I'll go check on him
00:49:02What's your problem Charles?
00:49:12Disengagement
00:49:13Is not happening
00:49:15It's not up to you
00:49:15You know that
00:49:16Serena
00:49:17We're not doing this
00:49:18You've changed
00:49:21Or maybe I finally just stopped
00:49:26Pretending
00:49:26Or maybe I finally just stopped pretending
00:49:26I'll be at the Farm
00:49:34To tell you
00:49:36Like to tell you
00:49:37Any other requests
00:49:38What have you got here?
00:49:39You know that
00:49:39You haven't June
00:49:40Let me tell you
00:49:41A Wanne
00:49:42You're in all
00:49:43I know that
00:49:44Toll
00:49:45On
00:49:45You're in all
00:49:45You're in all
00:49:46You're in all
00:49:47You're in all
00:49:48You're in all
00:49:49I'm in all
00:49:50I'm in all
00:49:50I mean they're
00:49:50Tarles, you're the sponsor. You've been funding Alice Keaton this whole time.
00:50:01So?
00:50:02You lied to everyone, including her.
00:50:05I protected her.
00:50:09You loved her.
00:50:11Still do.
00:50:13Let it go, Serena.
00:50:16There's no point.
00:50:20I need a favour. Find out when the Oxford interview is.
00:50:31And make sure Alice Keaton won't show up.
00:50:38Anything? No?
00:50:40She's not answering. The interview's almost over.
00:50:43Well, she won't just not show up. Something's wrong.
00:50:48Where's Alice?
00:50:49Alice, when was the last time you heard from her?
00:50:52Last night. She said she was prepping all evening.
00:50:58James, track someone for me.
00:51:02Wait, where are you going?
00:51:03Chill, okay?
00:51:07Chill, okay. It won't hurt you.
00:51:14Yeah, we're just supposed to keep you away from the interview. That's it.
00:51:25Shit!
00:51:26Come back!
00:51:27Come back!
00:51:27I
00:51:29I don't know.
00:51:59I don't need a second guess.
00:52:29I don't have a name.
00:52:31Oh.
00:52:33The interview! What time is it?
00:52:35Easy. It's okay.
00:52:37Someone already contacted the university.
00:52:39Anne sent in your writing samples.
00:52:41They've rescheduled your interview for tomorrow.
00:52:43Wait, what? Who?
00:52:45No idea, but it's all taken care of.
00:52:47What did you say?
00:52:51Nothing.
00:52:53I just...
00:52:55had a dream.
00:52:57I got him!
00:53:07Oh, I knew it!
00:53:09Oh, too bad Charles isn't here to watch you crush it.
00:53:13He's not here.
00:53:15Oh, you didn't know?
00:53:17Know what?
00:53:19He left.
00:53:21A few days ago.
00:53:23Yeah, everyone doesn't really know where he went.
00:53:25Honestly, Asher has been quieter without him.
00:53:27It's probably for the best.
00:53:29Come on.
00:53:31Alice?
00:53:33The summer I met Charles Kenwood was loud.
00:53:35Chaotic.
00:53:37Unexpected.
00:53:39And with his absence...
00:53:41Come on!
00:53:43Come on!
00:53:45It ended quietly.
00:53:47Like summers always do.
00:53:49Did you feel it from across the room?
00:53:51Did you feel a little ancient to me?
00:53:53And joining us today,
00:53:55we're going to talk to Charles Kenwood was loud.
00:53:57Chaotic.
00:53:59Unexpected.
00:54:01And with his absence...
00:54:03Come on!
00:54:05It ended quietly.
00:54:07Like summers always do.
00:54:09Like summers always do.
00:54:11And joining us today,
00:54:13the decade's most unexpected literary phenomenon.
00:54:17Alice Keaton.
00:54:18Thank you for having me.
00:54:19No.
00:54:20Your words moved millions.
00:54:22They say your stories feel real.
00:54:25Especially the ones about love.
00:54:28Which brings us to the most obvious question.
00:54:30How's your dating life like these days?
00:54:32No comment.
00:54:34A little bird told me that the past four years
00:54:36has been just writing and working.
00:54:39Not even a single date.
00:54:40Let me guess a bird named Shiri.
00:54:42She caught me!
00:54:43Still no comment.
00:54:44Alright, alright.
00:54:45No matter what you say,
00:54:47you write love like someone who's lived it.
00:54:51If you're so real...
00:54:52Because once, I did.
00:54:53That's why today we're here sharing the story behind Alice Keaton's love.
00:54:58And no one ever quite matched the light after that.
00:55:01And let's give it up for Alice Keaton one more time.
00:55:05Congratulations Alice.
00:55:06The numbers just came in.
00:55:07You broke your own record.
00:55:08That's... incredible.
00:55:09We're thinking celebration?
00:55:10Press?
00:55:11Photos?
00:55:12Maybe tonight?
00:55:13Actually, there's something I'd rather do.
00:55:15I'd like to meet with the person who believed in me first.
00:55:16My sponsor.
00:55:17You're sure?
00:55:18Yeah.
00:55:19Just once.
00:55:20Tonight, 7pm.
00:55:21I'd like to meet with the person who believed in me first.
00:55:22My sponsor.
00:55:23I'd like to meet with the person who believed in me first.
00:55:24My sponsor.
00:55:25You're sure?
00:55:26Yeah.
00:55:27Just once.
00:55:28Tonight, 7pm.
00:55:29I'd like to meet with the person who believed in me first.
00:55:34My sponsor.
00:55:35You're sure?
00:55:36Yeah.
00:55:37Just once.
00:55:38Tonight, 7pm.
00:55:40I'd like to meet with the person who believed in me first.
00:55:45My sponsor.
00:55:46You're sure?
00:55:47Yeah.
00:55:48Just once.
00:55:49Tonight, 7pm.
00:55:50My sponsor.
00:55:51You're sure?
00:55:52Yeah.
00:55:53Just once.
00:55:55Tonight, 7pm.
00:56:07Good evening.
00:56:12Good evening.
00:56:15May I sit?
00:56:20Hey, Mr. Nonchalant.
00:56:25Hi.
00:56:27Hi.
00:56:30You look well.
00:56:33And you look like you just stepped out of a GQ cover.
00:56:37You always did.
00:56:39You were expecting someone else.
00:56:42I was...
00:56:44hoping.
00:56:46But I guess I always knew.
00:56:48I didn't come here to confuse you.
00:56:51Or to reopen anything.
00:56:54I just wanted to say congratulations.
00:56:57Oh.
00:57:02I didn't know you were still reading.
00:57:04You were rich enough not to do so.
00:57:06Always.
00:57:08Either way,
00:57:10your sponsorship started my career, so...
00:57:13No.
00:57:14You...
00:57:15You earned everything.
00:57:18Every word.
00:57:20Every page.
00:57:23Every reader.
00:57:25That's what I came to say.
00:57:30It was good to see you again.
00:57:31I hope.
00:57:32Charles.
00:57:35Can you just...
00:57:37wait a little longer?
00:57:38No longer.
00:57:45I think I knew it was you.
00:57:48There was one email.
00:57:50You said something.
00:57:52It felt familiar.
00:57:54Really?
00:57:55Kinda had that...
00:57:56rich asshole with a conscience energy.
00:57:58Very on brand.
00:58:00I should have anonymized my grammar.
00:58:02Too late.
00:58:03Your semicolon usage gave you away.
00:58:05Still the only girl I know who flirts through punctuation.
00:58:08Still the only guy I know who uses wiles unironically.
00:58:14You've changed.
00:58:16But...
00:58:18Not really.
00:58:20You haven't changed.
00:58:22But maybe you've grown into who you really were.
00:58:26Anyway.
00:58:28I wanted to say...
00:58:33And...
00:58:35Thanks for being here tonight.
00:58:37You didn't have to come.
00:58:39Don't tell me what I have to do.
00:58:41I do.
00:58:44You didn't have to come.
00:58:46Don't tell me what I have to do.
00:58:48Don't tell me what I have to do.
00:59:08If you could go back.
00:59:10If you had the chance to do it all again.
00:59:12Would you do anything differently?
00:59:13This is me.
00:59:15Right.
00:59:17I'm still mad at you, you know.
00:59:19I'm still in love with you, you know.
00:59:21I'm still in love with you, you know.
00:59:22Oh.
00:59:25Oh, oh, oh, oh, oh, oh, oh, oh…
00:59:28I'm still mad at you, you know.
00:59:31I'm still in love with you, you know.
00:59:35I'm still in love with you, you know.
00:59:43Do you want to come in for a bit?
00:59:45You're asking your ex, who you haven't seen in four years, to come into your hotel at approximately 11 p.m.
00:59:56You were right. You never were that smart.
01:00:00You don't have to come.
01:00:01Don't tell me what I have to do.
01:00:15Stop quoting yourself.
01:00:19I recycle. It saves energy.
01:00:22This feels wildly irresponsible.
01:00:24You sound like a disclaimer.
01:00:26You're the one who once called romance a distraction.
01:00:29I said that?
01:00:29Yeah, before calling Wuthering Heights overrated.
01:00:33Still is.
01:00:34You're lucky you're a good kisser.
01:00:40That is cute to me.
01:00:41Don't you dare quote poetry.
01:00:43I wasn't going to.
01:00:45I forgot all of it the day you left.
01:00:47Then shut up and prove it.
01:00:55I still can't believe this is happening.
01:00:57I told you that you're the worst enemies or secretly married.
01:01:01And I told you they're both.
01:01:02I vow to always tell you the truth.
01:01:31Except for when you ask how your cooking was.
01:01:35Then I lie.
01:01:37Respectfully.
01:01:39I vow to keep choosing you.
01:01:42Loudly.
01:01:43Quietly.
01:01:45Always.
01:01:46I vow to argue with you at least twice a week.
01:02:01Especially over Shakespeare.
01:02:02I vow to write you in your every story.
01:02:06Even when I say I didn't.
01:02:08You will always be a part of my life.
01:02:12If she quotes Austen in this toast, I'm out.
01:02:14No you're not.
01:02:15You're going to cry harder.
01:02:16I can't believe you picked Paris.
01:02:36To the smell of roses. I can't believe you picked Paris such a cliche honeymoon destination
01:02:45Guard your phone relax. Just don't dress like a walking inheritance
01:02:52You are not wearing that on our honeymoon
01:02:56Please Alice go change don't tell me what I have to do
01:03:00No, no, no, no, that is not an invitation to do not take off these clothes
01:03:10Overruled you look much better about them
01:03:18To the ones who loved in silence in chaos and chapters you will find your way home
01:03:30Be on my own
01:03:48My King
01:03:50it's up to us to make sure that we can gain what's been passed through these books
01:04:05help us develop learn and grow
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