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00:00Part of Cairo, in the middle of the Arab Spring.
00:03Why does Jonathan Pine, respected Hotelier,
00:05risk his career by snitching on his guests?
00:07If there's a man selling a private arsenal
00:09and those weapons can cause a lot of pain
00:11to a lot of people, then you just do it.
00:14Anyone can do it.
00:16I want to put you inside his operation.
00:23We will give you money, but you have to leave the boy here.
00:25We contact you.
00:28Go!
00:29He saved me.
00:30What's his name?
00:31Thomas Quint.
00:32No, he's bloody not.
00:33You're Pine from Switzerland.
00:36Thank you very much, sir, for rescuing me.
00:39You're very welcome, Danny.
00:40Welcome to the family.
00:43Angela Burr is closer than anyone's ever been
00:45to cracking Richard Roper's offshore operation.
00:47The company is called Trade Pass.
00:50You are my lead actor.
00:52You make the deal.
00:53No one really knows what we're selling.
00:54No one wants to know.
00:56If they did, they wouldn't sleep at night.
00:58This is our little contribution.
01:01Safe haven for the wretched of the earth.
01:03Justifies us being here.
01:06Every soldier fights for money, Andrew.
01:08These men are selling their skills same as anyone else.
01:10Even traitors can be forgiven.
01:11They have to commit.
01:12They have to make a decision.
01:13Jesus.
01:14I want my money back, Mr. Roper.
01:15If you do not pay, there will be consequences.
01:16Why'd you do it, Jonathan?
01:17You have to commit.
01:18You have to make a decision.
01:19Wait a minute!
01:20Wait a minute!
01:21Wait a minute!
01:22Wait a minute!
01:23Wait a minute!
01:24No!
01:25No!
01:26No!
01:27No!
01:28No!
01:29No!
01:30No!
01:31No!
01:32No!
01:33No!
01:34No!
01:35No!
01:36No!
01:37No!
01:38No!
01:39No!
01:40No!
01:41No!
01:42No!
01:43No!
01:44No!
01:45No!
01:46No!
01:47No!
01:48No!
01:49No!
03:36Identify the body, then they'll burn it.
03:38No one gets the ashes.
03:39No one will know, not even his family.
03:41What about Danny?
03:43No, not even Danny.
03:45Richard Roper will remain a missing person.
03:48And you, Jonathan Pine, you never came to this godforsaken place.
03:51You all right?
03:58Yeah, I didn't sleep last night.
04:00Just last night?
04:02Don't worry, you'll sleep well after this.
04:04No.
04:06No.
04:07No.
04:08No.
04:09Just one of you will perform identification.
04:11Who says?
04:12I say.
04:13Now listen here, I've had enough of this.
04:41Shifting bloody sands.
04:42Angela, it's all right.
04:44It's not all right.
04:45None of this is all right.
04:47She'll do it.
04:49We've both waited so long for this.
04:53You've waited longer.
04:56Ella.
04:56Ella.
05:01Ella.
05:12Ready?
05:13No.
05:18Can you confirm?
05:20This is Richard Roper.
05:22Yeah, it's him.
05:23Sure?
05:23Sure.
05:26Yeah.
05:28Yeah.
05:28Yeah.
05:42Thank you, man.
05:43Good afternoon.
05:44Hope you're doing OK.
05:45It's Colin and Claire, and it's London Central.
05:47And the headline is the Amazon.
05:49The bank is off.
05:51Broke forecasts from the UK economy this year.
05:53Click demolished.
05:54You allowed the українoc from the UK to the UK.
05:54No.
05:58B
06:06ustein you.
06:07Hey there, fight your turn.
06:08Tell me a bit.
06:08Oh you're at right now.
06:09I'm sorry.
06:10Any
06:11One second.
06:16Teresa, hi.
06:17Hi.
06:18Corky escaped again.
06:20I'm so sorry.
06:21Did he wake you?
06:23Well, no, because it's 4.30 in the afternoon.
06:26Of course it is.
06:26Of course it is.
06:27Sorry.
06:27Yeah.
06:29You, sir, are a flirt.
06:31What are you doing disturbing our neighbour, eh?
06:34Come on.
06:35You work at night, don't you?
06:36I do, yes.
06:38Yeah.
06:38What do you do?
06:39You're like vampires.
06:40I work in a bank, so yes, basically, yeah, I am.
06:47All right.
06:48I'd love to have dinner soon, if you dare to journey across the hall.
06:55Yes, maybe, one day.
06:58Yeah.
06:59Sorry again.
07:00All good.
07:01Come on, you.
07:02Yeah, bye.
07:03Bye.
07:03Bye.
07:07Corky.
07:10Let me get into trouble.
07:13This is the MI6 quarterly evaluation for Alex Goodwin, director of the nighthouse unit.
07:19Shall we begin?
07:21Sure.
07:21So, Alex, is there anything keeping you awake at night?
07:27No.
07:30No.
07:31And how's your family?
07:33Family's great, yeah.
07:35And romantically, any developments on that front?
07:39Yeah.
07:41Actually, I've started going out with my neighbour.
07:43I see you've requested to stay with the night owls for another three years.
07:49Yes.
07:49Yep.
07:50How do you feel about that?
07:52I feel good.
07:53Um, I love working for Rex Mayhew.
07:56I love my team.
07:57From a central ops point of view, we've learned more from the night owl surveillance unit led
08:06by Alex Goodwin than from a dozen agents in the field.
08:10Nocturnal surveillance of the top hotels has proved pivotal to our cleanup operation in
08:15the city of London.
08:16The night owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:26and avert terror threats across the city.
08:29The night owl, that's a nocturnal surveillance unit?
08:32That's right, yeah.
08:33It's not exactly glamorous.
08:36Does it need to be?
08:38No.
08:38Right.
08:46It's quite work.
09:00It's, uh, not the most dramatic.
09:03But who needs heroes?
09:09Hello, Alex.
09:10Basil.
09:11Just dropping off the new wish list.
09:13Usual rogues gallery.
09:16Don't know how you do it.
09:18Stuck here every night.
09:19Sat in the dark, watching the world through a screen.
09:22I'm worried you'll go blind.
09:25Well, as head of the Riverhouse Supervisory Council,
09:29I am formally sanctioning a further three-year extension for the night owl unit,
09:34under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:40Thank you very much.
09:41Thank you, Myra.
09:42I've taken a look at your file.
09:44Six years.
09:45Alex, you refuse all promotions, all offers for posts abroad.
09:50I love being at home.
09:53Sorry to disappoint you.
09:56You don't disappoint me, Alex.
09:59If I'm honest, you frighten me.
10:02Just a reminder, nothing above the parapet.
10:11That face is too pretty to lose.
10:12A lot of intelligence officers come through this room.
10:18Some of them shout.
10:19Some of them scream at me.
10:22Some even throw things.
10:23But the ones I really worry about turn up every three months.
10:27They sit there and they smile, just like you.
10:32They say nothing, like you.
10:35And then one day, they explode.
10:43You need to talk to me, Alex.
10:46Tell me who you really are.
10:47I am the man who will not explode.
11:01I am the man who is waiting for post-strait.
11:21Hi, Mike.
11:24Hey.
11:25When you're settled, do a troll on all today's phone calls
11:28through hotel switchboards.
11:30I've got the latest list of bad guys.
11:32Basil Carapetian delivered them personally.
11:35Eat spanks on mum, that man.
11:40Sorry I'm late.
11:43St. Albans traffic is a disgrace.
11:45I'm judging you.
11:46Either to my wife.
11:48How's your day, Alex?
11:49Fine, thank you, Alid.
11:51You manage some sleep?
11:54A little.
12:06Oh, Kaderov's moving again.
12:09Mike, follow him.
12:11For reference, he's number 12 on the list.
12:13Thanks to Bulgarian Mafia with a bit of child trafficking on the side.
12:17Where are you running to, Mr. Kaderov?
12:19I worked at the Mumbai Carlton in the 90s.
12:27That sort of antic tended to mean a sexual assignation with the boy on reception.
12:32Or he's just getting a paper.
12:35That's for the white room.
12:36Sally, party in the white room tonight.
12:38Copy that.
12:39On roof.
12:39Here we go.
12:50Oh, busy room for a school night.
12:54Sally, you there yet?
12:55Just arriving.
12:57How do I look?
13:00Impeccable.
13:02Eyes only.
13:03Please?
13:03I promise.
13:04I promise.
13:05No touching.
13:10Number 12, your 10 o'clock.
13:15Whiskey on the rocks.
13:15Sally, don't win too much.
13:39You're not the show here.
13:40Never am.
13:41Mike, all angles.
13:45I want to see the whole room.
13:52So, who else is on tonight's list?
13:59Something wrong?
14:02Mike, zoom in on that man in the corner.
14:06Who is he?
14:07Just do it now.
14:07Now.
14:11What you're looking at here is the real United Nations.
14:20Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:25One big happy family.
14:28Jericho looks like a teddy bear.
14:30Don't let him near your neck on a bad day.
14:33I'm sorry.
14:34I'm sorry.
14:35I was hoping to catch Rex before the party.
14:41Is he right?
14:42No?
14:42He's talking to some girl.
14:43Oh.
14:44He's working on his fucking birthday.
14:45Well, no.
14:46She's far too attractive to boot.
14:47Now, listen, will you do me a thing?
14:48Yes.
14:49Will you?
14:50I'll do it.
14:51I'll do it.
14:52I'll do it.
14:53I'll do it.
14:54I'll do it.
14:55I'll do it.
14:56I'll do it.
14:57I'll do it.
14:58I'll do it.
14:59I'll do it.
15:00I'll do it.
15:01I'll do it.
15:02Yes.
15:03Will you quit this and go in there and tell those handsome young men in chinos we need
15:07more glasses.
15:08Glasses.
15:09Yes.
15:10OK.
15:11Oh, sorry, but that table can't help us.
15:15Can we get you to help us?
15:22He's waiting.
15:23And I have to go.
15:25Roxana, you hear anything more about this, you call me.
15:28OK.
15:29Thank you, Rex.
15:30And you tell Noah about this, Claire.
15:31Yeah.
15:32I have to.
15:33I am.
15:34Which is it?
15:35Yeah.
15:36I have to.
15:37Yes.
15:38Bye.
15:39Bye.
15:40Go.
15:41Go.
15:42Go.
15:43Go.
15:44Go.
15:45Go.
15:46Go.
15:47Go.
15:48Go.
15:49Go.
15:50Go.
15:51Go.
15:52Go.
15:53Go.
15:54Go!
15:55Go!
15:56Go.
15:57Go.
15:58Go.
15:59I got your message.
16:07Show me what you've got.
16:11Taken last night.
16:13Old Roper field man.
16:14What's he doing coming to London under a false name?
16:16You sure I'd swim?
16:17Absolutely sure.
16:20You talk to anyone else about this?
16:22How could I?
16:23I'm Alex Goodwin now.
16:24And you should stay that way.
16:29Rex, I'd like to talk to Burr.
16:31Absolutely not.
16:33Angela's retired, fully detached.
16:35She barely leaves her French retreat
16:37and won't want to be disturbed over some soldier for her.
16:42Who is your mini-met before the party?
16:46She was a friend.
16:50What kind of friend?
16:51The kind you never saw.
16:53My dear boy, listen to me.
16:55I'd had my way.
16:56He'd be on a beach in Bali now.
16:58You're a state pension in your pocket.
17:01Yoga teacher in your bed.
17:03You chose to stay.
17:06And I gave you one condition.
17:08Jonathan Pine never existed.
17:12Nobody in that garden has any idea who you are.
17:17Alex Goodwin stands before me now.
17:19And it so happens I've grown rather fond of him.
17:22Well, he's fond of you too.
17:24Glad to hear it.
17:25Rupa is dead.
17:27The past is the past.
17:29He spent five years creating you anew.
17:34Let's not ruin it for one chance sighting in Mayfair.
17:39May I keep this?
17:40Oh, I have, um, I have a new number.
17:46Best to use this from now on.
17:56Memorize and eat.
17:57You know the drill.
17:58Alex, what on earth are you doing here?
18:15Myra, hello.
18:16Don't you know it's bad luck to see an owl during the day?
18:19Rex said that this owl needs a bit of vitamin D, so here I am.
18:23Wise man.
18:24You know, I'm so grateful to Rex.
18:29He's made me feel welcome from the moment I took the reins at the river.
18:33He's a good man.
18:34Yeah.
18:34He recruited you, didn't he?
18:36Yes, he did.
18:36Is it Nigeria?
18:38That's right, Port Harcourt.
18:39Private contractor.
18:41IT mainly.
18:42We met, he was there, and there was an opportunity.
18:46I put my hand up and...
18:47Do you think he's all right?
18:51What?
18:52Why'd you ask?
18:54I'm worried about him.
18:56He didn't mention anything to you?
18:58No.
18:59No, no.
18:59Right, have a lovely time.
19:01Thank you, you too.
19:02SPF.
19:02Yes, okay.
19:03No less than 50.
19:04Ha ha ha.
19:05Jeez.
19:06Happy birthday, dear Rex.
19:12Happy birthday to you.
19:18Yes, take cheers.
19:20Okay, thank you.
19:21Thank you for coming to this auspicious occasion.
19:25After this, it's just a funeral, isn't it?
19:26See it?
19:27No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
19:36people who have the same love of their country, and what that country stands for, or should,
19:43or should.
19:44You know, a nation's security service is the truest expression of itself.
19:52You know, we are its soldiers and its priests, and as such, we have a choice.
19:58We can serve blindly, whatever the occasion, or we can take a view.
20:07Know thyself.
20:10So, uh, indulge an old trooper when he says the same to you now.
20:16And now, fuck off and get pissed.
20:19I swear.
20:20Careful.
20:21Careful.
20:30No, Denny, the hall's in the middle.
20:32You're not watching the cups, Denny.
20:36Thomas is watching the cups, aren't you, Thomas?
20:46The air code looks like a teddy bear.
20:48I don't want to hear your neck on a bad day.
20:53May I, may I keep this?
20:55I'm honest.
20:56You're right there.
20:59Thomas is watching the cups.
21:01Sergeant Thomas.
21:01There's your man.
21:14His name is Jaco Brouwer, 42 years old.
21:18Some African, but he spent the last six years as a fixer for cartels in South America.
21:22He arrived at Heathrow under a Dutch Antilles passport, name of Michelle Hebert.
21:27And he's staying at a small hotel in Richmond, the Rogers.
21:31So, how did he end up playing poker at the Mortimer?
21:34I don't know.
21:35My hunch is he was told to keep out of the main London hotels, but went off piece.
21:39Addiction issues.
21:40I want to know what he's doing in London.
21:43How do you know him?
21:46From a previous life.
21:49What previous life?
21:50I can't say, Mike.
21:51I'm not allowed to tell you.
21:53And I have no official authority to follow or trail him.
21:55So, up to you.
21:56I've never been to Richmond.
22:05Guys, cancel your plans.
22:07We're going fishing tomorrow.
22:09It'll be nice to see some light.
22:20Our camera's on the move.
22:23Stay on his tail, Graham.
22:25Copy that.
22:27Travelling east on the tow part.
22:29Sally, take position on the bridge.
22:31Here he is.
22:34In position.
22:35Yeah, I see him.
22:42He's heading up towards the cafe.
22:44Eyes on target.
22:53Willie, moving.
22:55Got it.
22:55On my way.
22:56It looks like he's got a date.
23:15The photo's in common.
23:18Elliot.
23:19The shipment arrives in Katahinyo port in three days.
23:41Once it's through customs, we're ready to press go.
23:44And you'll make the anniversary.
23:46No problem.
23:47We're on schedule.
23:49But my chief wants the shipment list.
23:52Full spec, government stamped in a diplomatic briefcase.
23:56I'll speak to my client.
23:57But they want to keep documentation minimal.
23:59For obvious reasons.
24:00This isn't your average gun run.
24:02This isn't your average gun run.
24:02Think of it as his insurance policy.
24:06He knows his mind, your chief.
24:09He learned from the past.
24:11Calls himself a...
24:12Mike, Mike, can you just clean that up?
24:15On it.
24:19I'll be in touch.
24:20Yeah, hello.
24:22Go and feed the ducks.
24:23And they'll go on in the Londoners thing with your eyes.
24:27Any of them see it up on the Sunday morning?
24:29No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
24:34How are we doing?
24:45Uh, go ahead.
24:48He knows his mind here, chief.
24:51He learned from the best.
24:54Calls himself Richard Roper's true disciple.
24:58Nothing quite as pretty as Napalm at night.
25:04Do you mean anything to you?
25:07No.
25:09No.
25:21Calls himself Richard Roper's true disciple.
25:29I don't know.
25:34All right, Alex, I've got Yakko's coffee date.
25:55Okay.
26:00Adam Hollywell is a middleman.
26:02He connects dozens of UK companies with clients abroad, often in the shadows.
26:07He calls himself the Alternative Foreign Office.
26:10The question is, who's he working for this time?
26:20I'm a straight home park.
26:22Just here on MF would be great.
26:29Sally.
26:34Okay, we know who owns the house.
26:44Who?
26:45We do.
27:01I'll call you back.
27:04Rex.
27:11Alex.
27:12I'm sorry.
27:24Rex.
27:25Alex.
27:25Alex.
27:25Alex.
27:26Alex.
27:27Rex, Alex, I'm driving down tomorrow.
27:36We need to talk.
27:37We do.
27:38When you get here, park away from the house.
27:40Use the side entrance library.
27:43I have something to show you.
27:57We need to talk.
28:27I can't.
28:29Celia.
28:31Alex, Alex, something terrible has happened.
28:33Celia, whoa, whoa, whoa, whoa, slow down.
28:35Tell me what's happening.
28:37Rex is dead.
28:38He's dead.
28:40Alex, Alex, I don't know what the puzzle's here and the police.
28:45You've got to come, please.
28:47I can't.
28:53Alex, go to the river.
28:54All right.
29:00All right.
29:04How did you hear?
29:34Celia called me, asked me to come as soon as I could.
29:45Myra wants me to deal with the locals, keep the noise down.
29:52It seems Rex had a stash of pills Celia knew nothing about, took them in the shed with a bottle of Macallan.
30:00Classy bastard.
30:03Do you have any idea why he would take his own life?
30:06Was it something he wasn't telling us? Debts? An affair?
30:09No. Rex is the most loyal man I know, to Celia more than anyone.
30:13Then what?
30:14I'll send full cavalry tomorrow to sweep the place. Anything you can think of, call me.
30:26Celia, what happened?
30:29He was agitated. He said he'd found something, wanted to talk to you. It was about your man.
30:36Um, and then I got a call from the vets saying that the dog's medicines were ready.
30:46When I got back, shed door was open. I just knew the people. What have you got involved in?
30:56What have you got involved in? What have you got involved in?
31:12When the rye isn't et, you know the drill.
31:36Memorize and eat. You know the drill.
31:59Let's go.
32:29Let's go.
32:59Let's go.
33:19It's been five years.
33:21Creating you anew.
33:23Let's not ruin it for one chance,
33:27It's sighting in Mayfield.
33:57Maynus is my land, your chief.
34:26Pulse himself, Richard Roper's true disciple.
34:40Rex, you said you'd call me at six. Where are you?
34:44Rex?
34:47Hello?
34:56Okay, I traced the number you sent me.
35:03Send me.
35:04It belongs to Roxana Bolaños.
35:06She's Colombian, but works as a shipping broker out of Miami.
35:10Haven't been able to link her to Yakko or Hollywell yet.
35:13All right, we need to talk to her, now.
35:25I'm seriously, what are you doing?
35:27What?
35:33We're watchers, Alex.
35:35Eyes and ears.
35:36We're not the show, remember?
35:38What's going on?
35:43Rex Mayhew was murdered.
35:48And the Riverhouse are involved.
35:51So I need to talk to Roxana Bolaños.
35:55So, what's your favorite place to live in America and you have to be a person when you get out?
36:05I'm so sorry.
36:06Do you like the cinnamon glaze?
36:07There's a gentleman waiting for you at the front desk.
36:09He says he needs to talk to you.
36:14Sorry.
36:15Excuse me, guys.
36:16I'm just going to run into the restroom real quick.
36:18Sorry.
36:20Get me a dessert.
36:21Yes?
36:22Okay.
36:23Excuse me.
36:24Did you get a name?
36:25No.
36:26Just this way.
36:29Roxana Bolaños?
36:31Yes?
36:32I'm here on Rex Mayhew's behalf.
36:34Oh, yeah.
36:35You were at his house the day of the birthday party.
36:37Yes.
36:38And we need to talk.
36:40Uh, so, where's Rex?
36:43Get your things.
36:44Make your excuses.
36:45I'll tell you everything in the car.
36:46In the car?
36:48Excuse me.
36:49Sorry.
36:50Um, I'm not going anywhere with you.
36:53I need to talk to Rex.
36:54This is ridiculous.
37:00Trust me.
37:01Rex won't answer.
37:03He's dead.
37:09You left this phone for me.
37:11You and I, there are only two numbers on it, so we need to talk.
37:14Your life could be in danger.
37:16Get your things.
37:17I'll wait for you outside.
37:27Room booked to the Bridcott Hotel, Queensway.
37:30I've called in a favour from Tony to keep watch.
37:33That's room 122.
37:34Check outside 11 in tomorrow.
37:47Come in.
37:48Come in.
37:49Come in.
37:50Come in.
37:51Come in.
37:52Come in.
37:53Come in.
37:54Come in.
37:55Come in.
37:56Come in.
37:57Drink.
37:58Sure.
37:59Have a seat.
38:01Okay.
38:11Okay.
38:12Listen.
38:16Have a seat.
38:29Okay, listen.
38:32All I need is to ask you a few questions.
38:35How do you know Rex?
38:40How did you know him?
38:42Start at the beginning.
38:44Take your time.
38:46I have a small trading outfit in Miami.
38:55I met Rex at one of those City of London dinners just schmoozing and we've been in contact ever since.
39:09Why were you there on the day of his birthday party?
39:11Because I've been working on something.
39:17In Colombia?
39:18Yes.
39:19An import company in Cartagena is buying UK machine tools for oil pipelines. I grew up there. My family's from there. They trusted me to broker the deal.
39:29We used to lug an intermediary. Adam Holywell.
39:32Name of the import company?
39:34It's a buddy kiddo commerce.
39:36So what happened?
39:38Something started to feel wrong.
39:43What do you mean?
39:45Like I wasn't being told the whole story.
39:47About what was in the shipment?
39:49Yes.
39:50So I took it to Rex.
39:54He said that he would look into it and that's why I was calling him.
39:58Who knows you met him?
39:59No one.
40:00Ever heard of a man called Jaco Brower?
40:06No. Why?
40:10What about this man?
40:17No. No, I don't think so.
40:31Listen, until we know what happened to Rex, you should stay here tonight.
40:34No, I can't. I have a flight booked in Miami tomorrow. I have to leave.
40:37No, we'll deal with that.
40:38No, I actually have to go.
40:40This has everything you might need. Tony will stay with you and we will need your phone.
40:46It's for your own safety, okay? I'll be back soon.
40:49Well, how long are you going to be?
40:51I promise you're in safe hands.
40:53Wait, what's your name?
41:03Bingo. That's our shipment.
41:10The ship is called the Alcestis. It left Felixstowe a month ago and it docks in Cartagena, Colombia tomorrow.
41:21We also found out who runs Barquero Commerce. I'm sending that to you now, Alex.
41:25Okay.
41:27His name is Teddy Dos Santos. He lives in Medellin. Now I can find nothing on him until 2018.
41:34Whoever cleaned his background knows their stuff.
41:36All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:42The formation of Barquero Commerce and a charity foundation.
41:47What charity foundation?
41:49It's called the Aurora, based in Medellin.
41:53My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:02Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:08My name is Eduardo Dos Santos. And Aurora, you need me.
42:11Sully, I need to know what my cabin is really sending to Colombia when the ship docks.
42:15We need to stop the cargo from leaving Cartagena Port. Find a way.
42:16Buy you some time.
42:17And tell Graham to stay on Jakob Rower.
42:18Okay. And where are you, Alex?
42:19Right.
42:20And where are you, Alex?
42:25Sally, I need to know what Myra Cavendish is really sending to Columbia when the ship
42:32docks.
42:33We need to stop the cargo from leaving Cartagena Port.
42:37Find a way, worry some time.
42:39And tell Graham to stay on Jakob Rower.
42:42Okay.
42:43And where are you, Alex?
42:46Some of the stuff we started to sell on, Five Year Rule.
42:56Okay.
42:57So we got attics, furniture, arts, interior sculptures, documents.
43:03Through there?
43:04Through there.
43:05Richard Roper, terrible man, beautiful taste.
43:08Let me know if you need anything, I'll be upstairs.
43:16ANCHOR PRO относящ쓰 me anOUR Aha.
43:21?
43:26Yes.
43:31Well, it's OK.
43:32Well, some people have to go.
43:33Annih报veda.
43:35I ran along on the street.
43:37No.
43:38Attention.
43:41你在那儿ですか?
43:42Что?
43:43I don't know.
44:13I don't know.
44:43I don't know.
44:45I don't know.
44:47I don't know.
44:49I don't know.
44:51I don't know.
44:53I don't know.
44:55I don't know.
44:57I don't know.
44:59I don't know.
45:01I don't know.
45:03I don't know.
45:05I don't know.
45:07I don't know.
45:09I don't know.
45:11I don't know.
45:13I don't know.
45:15I don't know.
45:17I don't know.
45:19I don't know.
45:21I don't know.
45:23I don't know.
45:25I don't know.
45:27I don't know.
45:28I don't know.
45:29I don't know.
45:31Mr. Roper? Guest for you.
45:36Hi, Danny.
45:39Michael Oakes.
45:43Remember me?
45:44I'll leave you to it. I'll be outside if you need anything.
46:02Look, I'm sorry I didn't come before.
46:06There were rules I had to obey for protection.
46:09Mine or yours?
46:10Both.
46:11So what's changed?
46:13Because something tells me this isn't just pastoral care.
46:19Okay.
46:23I just need to know.
46:28Do you know this man?
46:29Why?
46:30Because I think your father knew him.
46:33Why did he have this photograph?
46:35Who is he?
46:36Never seen him.
46:37Danny, please, just look again.
46:40Just take one more look.
46:41Sorry, sorry.
46:42Michael, is it?
46:44Yeah.
46:45You're a fucking liar.
46:47You destroyed my family.
46:49You never once were honest with me.
46:52So why should I give you anything?
46:57Huh?
47:00Okay.
47:08I shouldn't have come.
47:15Sorry.
47:16See you in another ten years.
47:17See you in another ten years.
47:18See you in another ten years.
47:23There's something I haven't told you.
47:24There's something I haven't told you.
47:38About your father.
47:48He was, uh, executed by his captors.
47:55Executed by his captors.
48:04When?
48:06Six years ago.
48:08That's fucked.
48:09What was it I thought?
48:10What was it I thought?
48:12What was it I thought?
48:13I'm sorry you had to find out like this.
48:37I'm sorry, Danny.
48:38Excuse me, but when is your friend coming back?
48:56He won't be long.
48:58Look, I've got people expecting me in Miami.
49:02I have to get back.
49:03Please.
49:05He's been gone since last night.
49:06Can I at least have my phone?
49:08Look, I'm afraid I can't do that.
49:10Like I said, he's going to be back soon.
49:12He's just been held up.
49:15I think I'm going to be sick.
49:17Can I get you anything?
49:18I'm going to be sick.
49:19Jacko Broward just received a delivery to his hotel.
49:40A diplomatic briefcase.
49:42He's booked on a flight to Barcelona tomorrow at 8am.
49:45Okay.
49:46Tell the team we're going to Spain.
49:48I'm on in.
49:50I'll cover the entrance.
49:58Graham says you've asked him to bring firearms.
50:10We're night owls, not operatives.
50:13It's just a precaution.
50:13This previous life of yours you mentioned, do you want to tell me about it?
50:27I was someone else once.
50:29But he had to go away.
50:31Who was he?
50:32I'll tell you when this is over.
50:37I might just hold you to that.
50:42That's him.
50:43Taxi!
50:44Can you hold that...
50:45Taxi!
50:47Excuse me!
50:48Oh, shit!
50:50No.
50:52Bloody terminal.
50:53Yeah, fine.
50:54Thanks.
50:55Taxi!
51:04Let's go.
51:19He's taking the N2 North, heading towards Girona.
51:22Copy that.
51:24We're on him.
51:30Turning left into the Hotel Rossinau.
51:34See if that guy has a room there.
51:35Yeah, checking now.
51:36See you in there.
51:53See you in there.
51:53Hello, good morning, something is happening outside, I think I can hear you.
52:11Okay, thank you very much.
52:18Yep.
52:19Yakko is booked into room 249.
52:21Got it.
52:23Okay, thank you, I'll find it.
52:25Okay, thanks.
52:27Master key, room 249.
53:04Good to see you again.
53:09I'm gonna do a Facebook poll.
53:11Sir Ravaron.
53:12Happy to see you again.
53:13Thank you, Ron.
53:14What's your name?
53:15What's your name?
53:16What's your name?
53:17What's your name?
53:18What's your name?
53:19How are you doing?
53:20Everything.
53:21What's your name?
53:22We have a virtual room.
53:23I'll come from the 4th floor.
53:24My name is the floor.
53:25Jacob, Teddy, be your friend.
53:31Come here, it's so nice to see you.
53:34Tell me everything. How's London?
53:37Good.
53:39They look tired.
53:43Did you stay out of trouble?
53:44I did my best.
53:46I know. You always do the right thing.
53:51So, you have something for me?
53:53Yes, the shipment lives where the government's stamp has requested.
53:57But they're insisting on no more contact until the anniversary.
54:02The British always have arm's length.
54:06Let's go check the documents in the room, then get some rest.
54:10It's a long flight back to Colombia tomorrow.
54:11Teddy Dos Santos is here, and they're on their way home.
54:25We got him.
54:26Keep him in the room.
54:28I want to talk to him.
54:29You are in room 249, correct?
54:39Yeah.
54:40I said it's all.
54:43I'm sorry.
54:44I'm sorry.
54:44You are a good man, Jacob.
54:56Robert knew a soldier when he saw one.
55:10Show me.
55:11Teddy, I had no idea.
55:32I swear.
55:33Let's go.
55:35I'm on this, sir.
55:45Still got him?
55:46No, listen.
55:46We've lost him.
55:47We've lost the signal.
55:48They must be on to us.
55:50Clear the system and move Roxanna.
55:52Mike, delete everything off the system.
55:54What?
55:55Delete everything off the system.
55:56Do it now.
55:59You're still not here.
56:00What is?
56:01Get out of there.
56:02Now.
56:05Once you find Tony.
56:17Who is it?
56:17Who is it?
56:17No.
56:38No.
56:38No.
56:40Greg, Greg, Greg.
56:41No.
56:42What else?
56:45Yes.
56:46Yes.
56:46No, no, no, no, no.
56:53No, no, no, no, no, no.
56:54Hey, buddy, buddy.
57:16Hello.
57:23Hello.
57:24I'm a old friend of Mr. Maradon.
57:27I think he has a room in the fourth floor.
57:29I'll leave with him there,
57:31but can I remember the name, please?
57:46Who are you?
58:16Hey!
58:18Hey, how are you?
58:20Hey, how are you?
58:22No, no, no, no, no, no.
58:23No, no, no, no.
58:25Hey!
58:28Hi, this is Alex Goodwin.
58:48Please leave a message.
58:58Please leave a message.
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