- 1 week ago
Category
ðŪïļ
GamingTranscript
00:01My name's Pine. I'm the night manager.
00:03Richard Roper is selling arms in the heart of Cairo in the middle of the Arab Spring.
00:08Why does Jonathan Pine, respected hotelier, risk his career by snitching on his guests?
00:12If there's a man selling a private arsenal and those weapons can cause a lot of pain to a lot of people, then you just do it.
00:19Anyone will do it.
00:21I want to put you inside his operation.
00:23He will give you money, but you have to lead the boy here.
00:30We can't take you.
00:32Go!
00:34He saved me.
00:35What's his name?
00:36Thomas Quint.
00:37He's bloody not.
00:38You're Pine from Switzerland.
00:41Thank you very much, sir, for rescuing me.
00:44You're very welcome, Danny.
00:45Welcome to the family.
00:48Angela Burr is closer than anyone's ever been to cracking Richard Roper's offshore operation.
00:52The company is called Trade Pass.
00:55You are my lead actor.
00:57You ever make the deal?
00:58No one really knows what we're selling.
00:59No one wants to know.
01:01If they did, they wouldn't sleep at night.
01:05This is our little contribution.
01:07A safe haven for the wretched of the earth.
01:09It justifies us being here.
01:11Every soldier fights for money, Andrew.
01:13These men are selling their skills, same as anyone else.
01:15Even traitors can be forgiven.
01:16They have to commit.
01:17They have to make a decision.
01:18Jesus.
01:19I want my money back, Mr. Roper.
01:20If you do not pay, there will be consequences.
01:21Why'd you do it, Jonathan?
01:22You have to commit.
01:23You have to make a decision.
01:24I want my money back, Mr. Roper.
01:25If you do not pay, there will be consequences.
01:26Why'd you do it, Jonathan?
01:27You have to commit.
01:28You have to make a decision.
01:29We'reMAKING YEN.
01:30You have to make a decision.
01:31Wait, wait a minute.
01:44Wait a minute now.
01:50No!
01:52No!
01:53No!
01:54We are now walking into a castle.
01:56Let's go.
01:57No.
03:28So, shall we talk about tomorrow?
03:32No.
03:34There'll be no official autopsy, no photos, no record of death.
03:40We'll just identify the body, then they'll burn it.
03:43No one gets the ashes.
03:44No one will know, not even his family.
03:46What about Danny?
03:48No, not even Danny.
03:50Richard Roper will remain a missing person, and you, Jonathan Pine, he never came to this godforsaken place.
04:00You all right?
04:03Yeah, I didn't sleep last night.
04:05Just last night?
04:06Don't worry, you'll sleep well after this.
04:11Don't worry, you'll sleep well after this.
04:13No, just one of you will perform identification.
04:41Who says?
04:43I say.
04:45Now listen here, I've had enough of this.
04:46Shifting bloody sands.
04:47Angela, it's all right.
04:49It's not all right.
04:50None of this is all right.
04:52She'll do it.
04:52We've both waited so long for this.
04:57You've waited longer.
05:00Good luck.
05:05Good luck.
05:16Ready?
05:17Go.
05:18Can you confirm, this is Richard Roper.
05:27Yeah, it's him.
05:28Sure?
05:32Yeah.
05:33Good afternoon, hope you're doing okay.
05:50It's Colin and Claire, and it's London Central.
05:52One second.
06:16Theresa, hi.
06:22Hi.
06:23Corky escaped again.
06:24Oh, I'm so sorry.
06:26Did he wake you?
06:28Well, no, because it's 4.30 in the afternoon.
06:30Of course it is.
06:31Of course it is.
06:32Sorry, yeah.
06:34You, sir, are a flirt.
06:36What are you doing disturbing our neighbour, eh?
06:39Come on.
06:40You work at night, don't you?
06:41I do, yes.
06:42Yeah, what do you do?
06:44You, like, vampire or something?
06:46Um, I work in a bank.
06:49So, so yes, basically, yeah.
06:51Yeah, I am.
06:52All right.
06:52Um, I'd love to have dinner soon, if you dare to journey across the hall.
06:59Um, yes, um, maybe, uh, one day.
07:03Yeah.
07:04Sorry again.
07:04Oh, good.
07:06Come on, you.
07:07Yeah, bye.
07:08Bye.
07:08Bye.
07:12Corky.
07:15Let me into trouble.
07:18This is the MI6 quarterly evaluation for Alex Goodwin, director of the Night Owls Unit.
07:24Shall we begin?
07:26Sure.
07:27So, Alex, is there anything keeping you awake at night?
07:31No, uh, no.
07:36And how's your family?
07:38Family's great, yeah.
07:40And romantically, any developments on that front?
07:44Yeah.
07:45Actually, I've started going out with my neighbour.
07:50I see you've requested to stay with the Night Owls for another three years.
07:54Yes, yep.
07:55How do you feel about that?
07:57I feel good.
07:58Um, I love working for Rex Mayhew.
08:01I love my team.
08:05From a central ops point of view, we've learned more from the Night Owl Surveillance Unit,
08:11led by Alex Goodwin, than from a dozen agents in the field.
08:15Nocturnal surveillance of the top hotels has proved pivotal to our cleanup operation in the city of London.
08:22This is not...
08:23The Night Owl's patience and diligence has allowed us at MI6 to infiltrate hostile networks
08:31and avert terror threats across the city.
08:34The Night Owl, that's a nocturnal surveillance unit?
08:37That's right, yeah.
08:38It's not exactly glamorous.
08:39Does it need to be?
08:43No.
08:43I...
08:44It's quiet work.
09:04It's not the most dramatic.
09:07But who needs heroes?
09:09Hello, Alex.
09:15How's that?
09:16Just dropping off the new wish list.
09:18Usual rogues gallery.
09:21Don't know how you do it.
09:22Stuck here every night.
09:24Sat in the dark, watching the world through a screen.
09:27Worried you'll go blind.
09:29Well, as head of the Riverhouse Supervisory Council,
09:34I am formally sanctioning a further three-year extension for the Night Owl unit,
09:39under the leadership of Alex Goodwin and the continued supervision of Rex Mayhew.
09:44Thank you very much.
09:46Thank you, Myra.
09:47I've taken a look at your file.
09:49Six years.
09:51You've refused all promotions, all offers for posts abroad.
09:55I love being at home.
09:57I'm sorry to disappoint you.
10:01You don't disappoint me, Alex.
10:04If I'm honest, you frighten me.
10:11Just a reminder.
10:13Nothing above the parapet.
10:16That face is too pretty to lose.
10:19A lot of intelligence officers come through this room.
10:23Some of them shout.
10:24Some of them scream at me.
10:26Some even throw things.
10:28But the ones I really worry about turn up every three months.
10:33They sit there and they smile.
10:36Just like you.
10:38They say nothing like you.
10:40And then one day,
10:43they explode.
10:48You need to talk to me, Alex.
10:51Tell me who you really are.
10:52I am the man who will not explode.
11:06I am the man who will not explode.
11:06I am the man who will not explode.
11:26Hi, Mike.
11:29Hey.
11:30When you're settled, do a troll on all today's phone calls through hotel switchboards.
11:35I've got the latest list of bad guys.
11:37Basil Carapetian delivered them personally.
11:40Eat spangs on mum, that man.
11:45Sorry I'm late.
11:48St. Albans traffic is a disgrace.
11:50I'm judging you.
11:51Leave that to my wife.
11:53How's your day, Alex?
11:54Fine, thank you, Alid.
11:56You managed some sleep?
11:59A little.
12:11Oh, Kaderoff's moving again.
12:14Mike, follow him.
12:16For reference, he's number 12 on the list.
12:18Links to Bulgarian Mafia with a bit of child trafficking on the side.
12:22Where are you running to, Mr. Kaderoff?
12:24I worked at the Moombay Carlton in the 90s.
12:32That sort of antic tended to mean a sexual assignation with the boy on reception.
12:37Or he's just getting a paper.
12:40That's for the white room.
12:41Sally, party in the white room tonight.
12:43Copy that.
12:44On roof.
12:44Here we go.
12:55Oh, busy room for a school night.
12:59Sally, you there yet?
13:00Just arriving.
13:02How do I look?
13:05Impeccable.
13:06Eyes only.
13:08Please?
13:08I promise.
13:09I promise.
13:10No touching.
13:15Good evening, Maddie.
13:16Oh.
13:189, 12, near 10 o'clock.
13:20Whiskey on the rocks.
13:28Oh, wait.
13:29Oh, wait.
13:29Oh, wait.
13:30Oh, wait.
13:30Oh, wait.
13:31Oh, wait.
13:33Oh, wait.
13:34Oh, wait.
13:36Oh, wait.
13:37Sally, don't win too much.
13:43You're not the show here.
13:45I never am.
13:49Mike, all angles.
13:50I want to see the whole room.
13:57So, who else is on connected list?
14:04Mike.
14:04Something wrong?
14:07Mike.
14:07There's him in on that man in the corner.
14:11Who is he?
14:12Just do it now.
14:21What you're looking at here is the real United Nations.
14:25Americans, Russians, Ukrainians, Serbs, Croats, Angolans.
14:30One big happy family.
14:31Yeah.
14:33Yako looks like a teddy bear.
14:35Don't let him near your neck on a bad day.
14:38Oh, Lord.
14:38Oh, say do you?
14:39Oh.
14:43Oh.
14:47Oh.
14:48Someone said something...
14:48Oh, lodÐļКŅ.
14:49I'm sorry, I was hoping to catch Rex before the party.
14:59When you pass, he's talking to some girl.
15:01He's working on his fucking birthday.
15:03Well, no.
15:04She's far too attractive to boot.
15:06Now, listen, will you do me a thing?
15:07Yes.
15:07Will you grab this and go in there and tell those handsome young men in Chino's we need more glasses?
15:13Glasses?
15:14Yes.
15:16Oh, sorry, but that's how you can...
15:18I have to go.
15:30Roxana, you hear anything more about this, you call me.
15:32Okay, thank you, Rex.
15:34And you tell them now about this, clear?
15:42Hi!
15:43Hi!
15:43Hi!
15:48I got your message.
16:12Show me what you've got.
16:12Taken last night.
16:18Old Roper field man.
16:19What's he doing coming to London under a false name?
16:21You sure I'd swim?
16:22Absolutely sure.
16:25You talk to anyone else about this?
16:27How could I?
16:28I'm Alex Goodwin now.
16:29And you should stay that way.
16:34Rex, I'd like to talk to Burr.
16:36Absolutely not.
16:37Angela's retired, fully detached.
16:40She barely leaves her French retreat and won't want to be disturbed over some soldier for hire.
16:45Who was her mini-map before the party?
16:51She was a friend.
16:55What kind of friend?
16:56The kind you never saw.
16:58My dear boy, listen to me.
17:00If I'd had my way, you'd be on a beach in Bali now.
17:03You're state pension in your pocket.
17:06Yoga teacher in your bed.
17:07When you chose to stay, then I gave you one condition.
17:13Jonathan Pine never existed.
17:17Nobody in that garden has any idea who you are.
17:22Alex Goodwin stands before me now, and it so happens I've grown rather fond of him.
17:27Well, he's fond of you too.
17:29Glad to hear it.
17:30Rupert is dead.
17:32The past is the past.
17:33I spent five years creating you and you.
17:39Let's not ruin it for one chance sighting in Mayfair.
17:44May I keep this?
17:45Oh, I have a new number.
17:51Best to use this from now on.
18:01Memorise and eat.
18:02You know the drill.
18:17Alex!
18:18What on earth are you doing here?
18:20Myra, hello.
18:21Don't you know it's bad luck to see an owl during the day?
18:24Rex said that this owl needs a bit of vitamin D, so here I am.
18:28Wise man.
18:29You know, I'm so grateful for Rex.
18:34He's made me feel welcome from the moment I took the reins at the river.
18:38That's a good man.
18:39Yeah.
18:39He recruited you, didn't he?
18:41Yes, he did.
18:41Is it Nigeria?
18:43That's right.
18:43Port Harcourt's.
18:44Private contractor.
18:46IT, mainly.
18:47We met, he was there, and there was an opportunity.
18:51I put my hand up and...
18:52Good.
18:53Do you think he's all right?
18:54Why'd you ask?
18:59I'm worried about him.
19:01He didn't mention anything to you?
19:03No.
19:03No.
19:04No, no.
19:04All right, have a lovely time.
19:06Thank you, you too.
19:07SPF.
19:07Okay, yes, okay.
19:08No less than 50.
19:09Happy birthday, dear Rex.
19:17Happy birthday to you.
19:23Yes, thank you.
19:25Okay, thank you.
19:26Thank you for coming to this auspicious occasion.
19:30After this, it's just a funeral, isn't it?
19:31See?
19:32No, no, I am genuinely grateful to be able to celebrate my 60 years surrounded by colleagues,
19:41people who have the same love of their country, and what that country stands for, or should.
19:48You know, a nation's security service is the truest expression of itself.
19:57You know, we are its soldiers and its priests, and as such, we have a choice.
20:03We can serve blindly, whatever the occasion, or we can take a view.
20:12Know thyself.
20:13So, uh, indulge an old trooper when he says the same to you now.
20:21And now, fuck off and get pissed.
20:25I said, have fun.
20:34No, Danny, the ball's in the middle.
20:36You're not watching the Cubs, Danny.
20:41Thomas is watching the Cubs, aren't you, Thomas?
20:43Thomas is watching the Cubs, aren't you, Thomas?
21:06Thomas is watching the Cubs, aren't you, Thomas?
21:08Thomas is watching the Cubs, aren't you, Thomas?
21:10Thomas is watching the Cubs, aren't you?
21:10Thomas is watching the Cubs, aren't you, Thomas?
21:15Here's your man.
21:19His name is Jaco Brower, 42 years old.
21:23South African, but he spent the last six years as a fixer for cartels in South America.
21:27He arrived at Heathrow under a Dutch Antilles passport, named Michel Hebert.
21:32and he's staying at a small hotel in Richmond, the Rogers.
21:36So how did he end up playing poker at Mortimer?
21:38I don't know.
21:40My hunch is he was told to keep out of the main London hotels
21:43but went off piece.
21:44Addiction issues.
21:46I want to know what he's doing in London.
21:48How do you know him?
21:51From a previous life.
21:54What previous life?
21:55I can't say, Mike.
21:56I'm not allowed to tell you.
21:57And I have no official authority to follow or trail him.
22:00So, up to you.
22:02I've never been to Richmond.
22:10Guys, cancel your plans.
22:12We're going fishing tomorrow.
22:14It'll be nice to see some light.
22:25Our gambler's on the move.
22:28Stay on his tail, Graham.
22:30Copy that.
22:31Travelling east on the tow part.
22:34Sally, take possession on the bridge.
22:36Here he is.
22:39In position.
22:40Yeah, I see him.
22:47He's heading up towards the cafe.
22:49Eyes on target.
22:50Willie, move in.
22:59Got it.
23:00On my way.
23:01He looks like he's got a date.
23:15He looks like he's got a date.
23:21Photos in common.
23:23Hell yeah.
23:24Who's that?
23:41Who's that?
23:42The shipment arrives in Cartagena Port in three days.
23:46Once it's through customs, we're ready to press go.
23:49And you'll make the anniversary.
23:52No problem. We're on schedule.
23:54But my chief wants the shipment list.
23:57Full spec, government stamped in a diplomatic briefcase.
24:01I'll speak to my client, but they want to keep documentation minimal.
24:04For obvious reasons.
24:05This isn't your average gun run.
24:07Think of it as his insurance policy.
24:11He knows his mind, your chief.
24:12Daddy! Come back here!
24:14He learned from the best.
24:16Calls himself.
24:18Mike, Mike, can you just clean that up?
24:20On it.
24:24Well, I'll be in touch.
24:25Yeah, I know.
24:27Go and feed the ducks.
24:29And no going on the Londoners doing my eyes.
24:31How are we doing?
24:50Uh...
24:51Go ahead.
24:51He knows his mind, your chief.
24:56He learned from the best.
24:59Calls himself Richard Roper's true disciple.
25:03Nothing quite as pretty as napalm at night.
25:09Mean anything to you?
25:11No.
25:14No.
25:14Calls himself Richard Roper's true disciple.
25:29I'll be fine.
25:53All right, Alex.
25:54All right, Alex, I've got Yakko's coffee date.
26:04Okay.
26:05Adam Hollywell is a middleman.
26:07He connects dozens of UK companies with clients abroad, often in the shadows.
26:12He calls himself the Alternative Foreign Office.
26:15The question is, who's he working for this time?
26:24Homily Street, Hall Park.
26:26Okay.
26:31Just here on MF would be great. Thank you.
26:54Sally.
27:00Okay, we know who owns the house.
27:03Who?
27:05We do.
27:08I got you back.
27:24No!
27:37Rex.
27:38Alex.
27:39I'm driving down tomorrow.
27:40We need to talk.
27:42We do.
27:43When you get here, park away from the house.
27:45Use the side entrance, library.
27:47I have something to show you.
27:54I don't know.
28:24I don't know.
28:54Let's go over the river.
29:24Let's go over the river.
29:54Let's go over the river.
29:55Let's go over the river.
29:59Let's go over the river.
30:00Let's go over the river.
30:01Let's go over the river.
30:02Let's go over the river.
30:03Let's go over the river.
30:04Let's go over the river.
30:05Let's go over the river.
30:06Let's go over the river.
30:07Let's go over the river.
30:08Let's go over the river.
30:09Let's go over the river.
30:10Let's go over the river.
30:11Let's go over the river.
30:12Let's go over the river.
30:13Let's go over the river.
30:14Let's go over the river.
30:15Rex is the most loyal man I know.
30:17To see you more than anyone.
30:18Then what?
30:22I'll send full cavalry tomorrow to sweep the place.
30:30Anything you can think of, call me.
30:32And what?
30:33Oh no.
30:34Celia.
30:35What happened?
30:37He was agitated.
30:38He said he'd found something.
30:39Wanted to talk to you.
30:48It's about your man.
30:57And then I got a call from the vets saying that the dog's medicines were ready.
31:03When I got back, the shed door was open.
31:08I just knew the people.
31:11What have you got involved in?
31:27I'm gonna rise and eat. You know the drill.
31:57. . .
32:12. . .
32:16. . .
32:21. .
32:23. .
32:25Oh, my God.
32:55Oh, my God.
33:26Creating you and you.
33:29Let's not ruin it for one chance sighting in Mayfield.
33:34Oh, my God.
34:04Oh, my God.
34:34Rex, you said you'd call me at six.
34:47Rex, where are you?
34:49Rex?
34:52Hello?
34:52Okay, I'll trace the number you sent me.
35:08Show me.
35:09It belongs to Roxana Belanios.
35:12She's Colombian, but works as a shipping broker out of Miami.
35:15Haven't been able to link her to Yakko or Hollywell yet.
35:18All right, we need to talk to her, now.
35:30All right.
35:31All right.
35:31What?
35:31We're watchers, Alex.
35:40Eyes and ears.
35:41We're not the show, remember?
35:43What's going on?
35:48Rex Mayhew was murdered.
35:51And the river house are involved.
35:55So I need to talk to Roxana Belanios.
35:59So I'm going to sort of play right place.
36:07If you live in America, I don't have to be able to sort of when you get out of it.
36:10I'm so sorry to start.
36:12You like to sit in the glaze?
36:12There's a gentleman waiting for you at the front desk.
36:15He says he needs to talk to you.
36:16Sorry.
36:20Excuse me, guys.
36:21I'm just going to run to the restroom real quick.
36:23Sorry.
36:24Get me a dessert.
36:25Yes?
36:26Okay.
36:28Excuse me.
36:29Did you get a name?
36:30No.
36:31Just this way.
36:35Roxana Belanios?
36:36Yes?
36:37I'm here on Rex Mayhew's behalf.
36:40Oh, yeah.
36:40You were at his house the day of the birthday party.
36:42Yes.
36:43And we need to talk.
36:44Uh, so, where's Rex?
36:48Get your things.
36:49Make your excuses.
36:50I'll tell you everything in the car.
36:52In the car?
36:54Excuse me.
36:55Sorry.
36:56Um, I'm not going anywhere with you.
36:58I need to talk to Rex.
37:00This is ridiculous.
37:06Trust me.
37:07Rex won't answer.
37:08He's dead.
37:14He left this phone for me.
37:16And you and I are the only two numbers on it.
37:18So we need to talk.
37:19Your life could be in danger.
37:21Get your things.
37:22I'll wait for you outside.
37:32Room booked to the Bridcott Hotel, Queensway.
37:34I've called in a favour from Tony to keep watch.
37:38That's room 122.
37:40Check out 7-11 tomorrow.
37:52Come in.
37:53Drink.
38:05Drink.
38:07Sure.
38:21Have a seat.
38:21Okay, listen.
38:37All I need is to ask you a few questions.
38:40How do you know Rex?
38:45How did you know him?
38:47Start at the beginning.
38:49Take your time.
38:51I have a small trading outfit in Miami.
39:01I met Rex at one of those, um, City of London dinners, just schmoozing, and we've been in contact ever since.
39:14Why were you there on the day of his birthday party?
39:20Because I've been working on something.
39:22In Colombia?
39:23Yes.
39:25An import company in Cartagena is buying UK machine tools for oil pipelines.
39:31I grew up there, my family's from there, my family's from there, they trusted me to broker the deal.
39:35We used to lug an intermediary.
39:37Adam Hollywell.
39:38Name of the import company?
39:41It's a bunny kiddo commerce.
39:42Is that what happened?
39:43Is that what happened?
39:43Something started to feel wrong.
39:48What do you mean?
39:51Like I wasn't being told the whole story.
39:53About what was in the shipment?
39:55Yes.
39:57So I, I took it to Rex.
40:00He said that he would look into it, and that's why I was calling him.
40:04Who knows you've met him?
40:05No one.
40:09Ever heard of a man called Jaco Brower?
40:13No.
40:14Why?
40:20What about this man?
40:24No.
40:25No, I don't think so.
40:34Listen, until we know what happened to Rex, you should stay here tonight.
40:40No, I, I can't.
40:40I have a flight booked to Miami tomorrow.
40:42I have to leave.
40:42No, we'll deal with that.
40:43No, I, I actually have to go.
40:46This has everything you might need.
40:48Tony will stay with you, and we will need your phone.
40:51It's for your own safety, okay?
40:53I'll be back soon.
40:54Well, well, how long are you going to be?
40:56I promise you're in safe hands.
40:58Wait, what's your name?
40:59Bingo.
41:09That's our shipment.
41:20The ship is called the Alcestis.
41:22It left Felixstowe a month ago, and it docks in Cartagena, Colombia tomorrow.
41:26We also found out who runs Barquero Commerce.
41:28All right, so I'm sending that to you now, Alex.
41:30Okay.
41:32His name is Teddy DeSantos.
41:35He lives in Medellin.
41:36Now, I can find nothing on him until 2018.
41:39Whoever cleaned his background knows their stuff.
41:41All I've got is a very sudden entry into legitimate business in Colombia about six years ago.
41:48The formation of Barquero Commerce and a charity foundation.
41:52What charity foundation?
41:54It's called the Aurora.
41:57Based in Medellin.
42:01Aurora queremos brindar alegrÃa y esperanza a los cientos de jÃģvenes que han sido marcados por las dÃĐcadas de violencia en nuestro paÃs.
42:11Lo mismo vengo de ese mismo.
42:12My safe haven project for refugees is the true expression of my belief in a commitment to the wider world.
42:21Because my good fortune means nothing unless it also lifts up my fellow mayor.
42:27My name is Eduardo DeSantos.
42:29And Aurora needs you.
42:33Sally.
42:34I need to know what my cabin is just really sending to Colombia when the ship docks.
42:38We need to stop the cargo from leaving Cartagena port.
42:42Find a way.
42:43Bury some time.
42:45And tell Graham to stay on Jakob Rower.
42:47Okay.
42:49And where are you, Alex?
42:50Alex?
42:50Some of the stuff we started to sell on, 5-year rule.
43:02Okay.
43:02So we've got attics, furniture, arts, interior sculptures, documents.
43:08Through there?
43:09Through there.
43:10Richard Roper, terrible man, beautiful taste.
43:14Let me know if you need anything, I'll be upstairs.
44:50So you're a friend and family, this house?
45:17Yes.
45:18Well, I've been abroad for a few years.
45:21No running.
45:22I'm his unofficial godfather house, so I thought I'd pop in and say hello.
45:27Well, apart from his mother, nobody else comes to see him, so I'm sure he'll be happy to see you.
45:34Good.
45:37Mr. Roper?
45:38Guest fee.
45:39Hi, Danny, I'll leave you to it, I'll leave you to it, I'll be outside if you need anything.
45:52Look.
45:53Look.
46:07I'm sorry I didn't come before.
46:08I'm sorry I didn't come before.
46:10There were rules I had to obey for protection.
46:14Mine or yours?
46:15Both.
46:16So what's changed?
46:17Because something tells me this isn't just pastoral care.
46:21Okay.
46:22I just need to know, do you know this man?
46:34Why?
46:35Why?
46:36Because I think your father knew him.
46:38Why did he have this photograph?
46:40Who is he?
46:41I've never seen him.
46:43Danny, please.
46:44Just look again.
46:45Sorry.
46:46Just take one more look.
46:47Sorry.
46:48Michael.
46:49Michael.
46:50Is it?
46:51Yeah.
46:52You're a fucking liar.
46:53You destroyed my family.
46:55You never once were honest with me.
46:58So, so, why should I give you anything?
47:02Huh?
47:06Okay.
47:14I shouldn't have come.
47:18Sorry.
47:25See you in another ten years.
47:45There's something I haven't told you.
47:48about your father.
47:53About your father.
47:57He was, uh, executed by his captors.
48:09When?
48:11Six years ago.
48:13That's fucked.
48:14Why wasn't I told?
48:15I'm sorry you had to find out like this.
48:23I'm sorry you had to find out like this.
48:29I'm sorry Danny.
48:32No.
48:34I'm sorry you had to find out like this.
48:42I'm sorry, Danny.
48:58Excuse me, but when is your friend coming back?
49:01He won't be long.
49:02Look, I've got people expecting me in Miami.
49:07I have to get back.
49:08Please.
49:10He's been gone since last night.
49:11Can I at least have my phone?
49:13Look, I'm afraid I can't do that.
49:15Like I said, he's going to be back soon.
49:17He's just been held up.
49:20I think I'm going to be sick.
49:22Can I get you anything?
49:23I'm going to be sick.
49:32Jacob Brouwer just received a delivery to his hotel.
49:45A diplomatic briefcase.
49:47He's booked on a flight to Barcelona tomorrow at 8am.
49:50Okay, tell the team we're going to Spain.
49:55I'm on in.
50:02I'll cover the entrance.
50:03Graham says you've asked him to bring firearms.
50:15We're night owls, not operatives.
50:17It's just a precaution.
50:18This previous life of yours you mentioned, you want to tell me about it?
50:31I was someone else once.
50:34He had to go away.
50:36Who was he?
50:37I'll tell you when this is over.
50:42I might just hold you to that.
50:47That's him.
50:48Taxi!
50:49Can you hold that...
50:50Taxi!
50:52Excuse me!
50:53Oh, shit!
50:55No.
50:57Bloody terminal.
50:58Yeah, fine.
50:59Thanks.
51:00Taxi!
51:07Let's go.
51:23He's taking the end to north, heading towards Girona.
51:28Copy that.
51:29We're on it.
51:30Turning left into the Hotel Rossignol.
51:39See if our car has a room there.
51:40Yeah, checking out.
51:57See you in there.
52:00Hello, Abuelas.
52:13Uh, something is happening out there.
52:15I think I can live.
52:16No.
52:17Okay.
52:23Yoko.
52:24Yoko's booked into room 249.
52:26Got it.
52:29All right.
52:30Okay, thanks.
52:32Master key, room 249.
52:33Ah, okay.
52:35Ah, okay.
53:03Ah, okay.
53:11It's a pleasure to see you again.
53:19Mr. Laron.
53:20Beatrice.
53:21Good to see you.
53:22Good to see you.
53:23How are you doing?
53:24Very good.
53:25Good to see you.
53:26We have an habitual room for you with the fourth floor.
53:29Yeah, go.
53:33Teddy.
53:34Dear friend.
53:35Come here, it's so nice to see you.
53:37Hmm?
53:38Tell me everything.
53:39How was London?
53:40Good.
53:41You look tired.
53:47Did you stay out of trouble?
53:49I did my best.
53:50I know.
53:51You always do the right thing.
53:53So, have something for me?
53:57Yes.
53:58The shipment lives where the government's stamp has requested.
54:02But they're insisting on no more contact until the anniversary.
54:06The British always have arms length.
54:10Let's go check the documents in the room.
54:12Then get some rest.
54:14It's a long flight back to Colombia tomorrow.
54:16Teddy Dos Santos is here and they're on the way up.
54:30We got him.
54:31Keep them in the room.
54:32I want to talk to him.
54:34You are in room 249.
54:35Correct?
54:36Yeah.
54:37Second floor.
54:38You are a good man, Jacob.
54:39Robert knew a soldier when he saw one.
54:40You are a good man, Jacob.
54:41Robert knew a soldier when he saw one.
54:58You are a good man, Jacob.
54:59You are a good man, Jacob.
55:00Robert knew a soldier when he saw one.
55:05You are a good man.
55:19I am a good man.
55:21Really?
55:34Teddy, I had no idea. I swear.
55:38Let's go.
55:48I'm almost there. You still got me?
55:50No, listen. We've lost them. We've lost the signal. They must be on to us.
55:54Clear the system and move Roxanna.
55:57Mike, delete everything off the system.
55:58What?
55:59Delete everything off the system. Do it now.
56:04You're still not here.
56:05What is? Get out of there. Now.
56:07What's your phone, Tony?
56:08Who is it?
56:09Who is it?
56:10What's your phone, Tony?
56:11Who is it?
56:12Who is it?
56:13Who is it?
56:14Who is it?
56:19Aren't you phone, Tony?
56:21Who is it?
56:22Who is it?
56:43No.
56:44Grant, Grant, Grant.
56:45Great, great.
56:49What is it?
56:51Please.
56:57No, no, no, no, no, no, no, no.
56:59Hey, what is it? What is it?
57:15No, no, no, no, no.
57:28Hello.
57:30I'm a old friend of Mr. Maradon.
57:32I think he has an apartment in the 4th floor.
57:34I'll stay with him there,
57:36but can I remember the number?
57:39Who are you?
58:09Who are you?
58:39Hi, this is Alex Goodwin.
58:53Please leave a message.
59:09Please leave a message.
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