Down Cemetery Road - Season 1 Episode 02- A Kind of Grief
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00:00I feel used. Fuck off.
00:02Yeah, I feel special.
00:04Like a bride.
00:06Yeah, you look like one.
00:08Where does your husband think you are?
00:13Where does your wife think you are?
00:18Doing really important work.
00:22Public service.
00:24She's not wrong.
00:26No, no, no.
00:33I'm hungry.
00:35Well, it's a room service. You want something?
00:37Mm-mm.
00:41Is that him checking up on you?
00:43No.
00:44In the form of taking the office,
00:46trying to crack another case wide open.
00:49Meanwhile, we can't afford to feed the fucking cat.
00:53Fuck's sake.
00:56PHONE RINGS
00:59Yeah?
01:00This menu is weird.
01:01Want us checking for a break?
01:02Yeah, this is she?
01:03A very decent way.
01:04Come on.
01:05Excuse me.
01:06Fuck off.
01:08How did he seem to you last time you saw him?
01:09Same.
01:10Same Joe as always.
01:11And could you describe that default state?
01:12Like Joe?
01:13Like Joe.
01:14But Joe about to go to the pub.
01:15Like Joe.
01:16But Joe about to go to the pub.
01:18Anything else?
01:19Anything else?
01:20Yeah.
01:21He seemed like a man not planning on slitting his wrist.
01:22Yeah.
01:23He seemed like a man not planning on slitting his wrists.
01:25Like Joe.
01:26But Joe about to go to the pub.
01:27Anything else?
01:28Anything else?
01:29Yeah.
01:30He seemed like a man not planning on slitting his wrists.
01:31With respect, we never quite know what anyone else is thinking.
01:32With respect, you're talking out of your arse. Were you married to him for 30 years?
01:33Because I always knew what Joe was thinking.
01:34He was thinking, I need a shit.
01:35I don't think my colleague meant that-
01:36I need a shit.
01:37I need some play games.
01:38And I'm like, I'm like, you know.
01:39I'm like, you know.
01:40I were just joking.
01:41I'm just joking.
01:42Like, you know, I'm not going to dog.
01:43You're just joking.
01:44Like, you know, I'm joking.
01:45You're okay.
01:46I'm just joking.
01:47I'm joking.
01:48I'm joking.
01:49I don't think my colleague meant to-
01:50But I was joking.
01:51It's a joke.
01:52It's a joke.
01:53It's a joke.
01:54I'm joking.
01:55It's a joke.
01:56you're talking out of your arse. Were you married to him for 30 years?
01:58Cos I always knew what Joe was thinking.
01:59He was thinking, I need a shit, I need some cake, I need a wank,
02:02I need to listen to Dizzy Gillespie.
02:04He was a man of impulses, he was a man of enthusiasms.
02:06Joe did not do depression.
02:10There are a lot of poetry books in his office.
02:14I didn't say he wasn't clever.
02:17So there was a bright mind trapped in a humdrum existence.
02:22Are you actively trying to be offensive?
02:25I think my colleague meant to say,
02:28could his lifestyle have been a cause of depression?
02:31Joe wasn't depressed, he wanted to be a private detective.
02:34He was living his dream.
02:36How was work for Joe?
02:38Same as always.
02:40Depended on how well you lot were doing your jobs.
02:43I mean, by rights.
02:45We should have been rolling in it.
02:47But there were a lot of debts.
02:49Where were you last night?
02:55With a friend.
03:00I'm sorry I have to ask, Mrs...
03:02Miss...
03:07...Bone.
03:10But...
03:11...could the state of your marriage have been a cause for Joe to...
03:15...take action?
03:17He appeared to be habitually sleeping in the office.
03:20To count, she's uncomfortable.
03:23That's not a reason.
03:24To kill yourself.
03:25His razor was found in his hand.
03:31Joe was squeamish around blood.
03:33If he was going to do it, that's not how he'd do it.
03:35Which hand?
03:36Um...
03:37Left hand.
03:38Oh, he's right handed.
03:39He would have passed the razor from...
03:41...hand to hand.
03:43I'm going to head off now.
03:46Uh, I'm afraid you need to formally identify the body.
03:49What, you haven't done that already?
03:50You're his next of kin.
03:53So it might not even be Joe?
03:55Miss Bone, suicide is an extremely traumatic form of bereavement.
04:01Denial is often the first stage.
04:03We can refer you on to some support services if you'd like.
04:06It can help to talk about it in order to accept it as a reality.
04:12Okay.
04:13Okay, let's do it.
04:14Let's go and see my dead husband.
04:18Do you want to lead the way?
04:23I don't... I don't want to.
04:36What's she doing here?
04:37Witness statement.
04:40She found your husband.
04:41Who's that woman? Did you know her?
04:46Fuck, Sarah.
04:47You hired an actual private detective to look for a child that you don't know?
04:56The hell were you thinking?
04:57That woman was Joe's wife.
04:58She, uh...
04:59Who?
05:00Who?
05:01What's she doing here?
05:02Who?
05:03Who?
05:04Who?
05:05Who?
05:06Who?
05:07Who?
05:08Who?
05:09Who?
05:10Who?
05:11Who?
05:12Who?
05:13Who?
05:14Who?
05:15Who?
05:16Who?
05:17Who?
05:18Okay.
05:48If you don't find the fucker who did this, I will.
06:18If you don't find the fucker who did this, I will.
06:48If you don't find the fucker who did this, I will.
06:51I will.
06:53I've learned to trust my head to turn
07:01Fuck it
07:17I'm sorry, Betty. There's nothing to eat
07:23Unless
07:25No, I don't blame you
07:31Fucking hell
07:36Zoe, it's your mother-in-law
07:44I'd appreciate it if you could return my calls
07:48We're having a gathering tomorrow
07:52To celebrate Joe's life, obviously it can't be the official shiver yet
07:57Since his body hasn't been released
07:59Friends will be gathering at my house in the afternoon
08:03I'd appreciate it
08:04If you could make the time to come
08:22Hey
08:36Try and have a little nap
08:39Yeah?
08:40I'll just get you a blanket
08:46You going to work?
08:51No, I'm going to work at home
08:52The office is shit right now
08:57I've got compliance poking around my trades
09:00As if they've not got anything better to do
09:02Oh no, that's a scarf, not a blanket
09:04It's the size of a football bitch
09:07Yeah, the bigger, the posher
09:09It's Paula's
09:11Why do we have Paula Inshin's scarf?
09:14Well, she left it here
09:15I tried to give it back, but Gerald had already gone
09:18So
09:19This could be
09:20This is my way back in
09:22This is a legit excuse
09:23To contact Inshin
09:24Right
09:26So
09:26We will have it dry cleaned
09:28And
09:28Get it delivered
09:30Or we give it to him in person
09:32Drive over there
09:34What?
09:35The Cotswolds?
09:36Yeah
09:36Yeah
09:38God, wouldn't you love a nosy around their place?
09:43Look
09:43Look at that
09:46Look
09:46Oh my God
09:51Cottage
09:52It's bigger than the whole fucking village
09:55Yeah, I'm not sure they'd want that
09:56I mean, I don't want that
09:57I don't feel that
09:59No, fresh air
10:00And countryside
10:01It'll do you good
10:02Here
10:04What, you want it dry cleaned today?
10:07Yeah, if you've not got anything else to do
10:09But Mark, I'm
10:10I'm in shock
10:12I'm grieving
10:12Come on, you hardly knew this, Joe guy
10:14Okay
10:15All right, can we have a
10:18A nice, normal day, please?
10:20What are you doing?
10:21Well, I'm going to go to the dry cleaners
10:22And then I'm going to have a nice, normal day
10:23Because, you know, everything's fine
10:25No, I didn't find a dead body
10:26I'm not at all traumatised
10:27Actually
10:28I might go to have a nice picnic lunch by the river
10:30Yeah, lovely
10:31Will you calm down, please?
10:32No, don't think so
10:33Okay, fuck it
10:34Just go to work myself, then
10:36See ya
10:36Bye
10:51I don't know.
11:21I don't know.
11:51I don't know.
12:21I don't know.
12:51I don't know.
12:53You're lost.
12:57You know we put tape across the door for a reason.
13:00Yeah, I'm sorry. I was just, um...
13:02Being nosy.
13:03Yeah, we get a lot of your time.
13:07Old students, rubberneckers, aspiring true crime podcasters.
13:13Though they don't tend to get quite as caught up in things as you do, Sarah.
13:17How do you know my name?
13:19Police officers talk to each other.
13:21You think you're helping with your little investigations, but you're not.
13:26You're getting in the way, and respectfully, you've no idea how fucking stupid you're making yourself look.
13:32Can I leave, please?
13:48You're free to leave whenever you like.
13:50Oh, tip, Sarah.
14:08Get one of those whodunit games.
14:12Captain Partridge in a diner room with a copper pipe.
14:16Read a murder mystery.
14:18Scratch the itch that way.
14:19There's trouble for everyone.
14:20Professor McGrath.
14:36I thought I'd find you here, in your office.
14:41Room for a small one?
14:42Oh, always room for one with a full bottle of the posh stuff.
14:46Haven't seen you for a while.
14:48Oh, that charming husband of yours.
14:49How is the old fucker?
14:51Oh, he's...
14:53You know.
14:55So, how are things with you, Tony?
15:00He's still inexplicably not cancelled.
15:03The college has been ideologically captured.
15:07It's all safe spaces and gender justice and being shamed on TikTok just for eating the students a harmless bit of uptake.
15:15Oh, it must be awful for you.
15:16It's a lone voice of reason raging against the dying of the lie.
15:20You're really the victim in all of this.
15:22The Joan of Arc of the English fucking faculty.
15:25Well, I need something from you.
15:27Oh, how delicious to be kneaded by Zoe Baum.
15:33Sarah Trafford, Tucker she was then.
15:36You taught her.
15:39You don't expect me to remember every recalcitrant twonk I've dragged through the English curriculum.
15:43No, just the women.
15:47What about this?
15:51Er, jump from the college tower.
15:53Influence of hallucinogenics.
15:56Survived against all odds.
15:57Et cetera, et cetera, blah.
15:58But any bells ringing?
16:00Actually, this one, yes.
16:02Yeah, clever girl.
16:03She memorised the whole of the wasteland.
16:06And the fucking footnotes.
16:08Bit weird.
16:09Yeah, clever women.
16:12Weird.
16:15I was sorry when she went splat.
16:17Can't say I was surprised.
16:19It's like...
16:21some students look over the parapet and see a desperately ordinary future.
16:25And in this one's case,
16:27they literally look over the parapet.
16:29I know she's attractive,
16:34but I didn't expect you to remember quite this much, Tony.
16:37Well, yeah, because she's still hanging around Oxford.
16:40I see her in the college.
16:41Like a murderer returning to the scene of the crime.
16:43I'd offer to help,
17:02but closest I've ever been to a chicken
17:04is the end of a fork.
17:07Bloody pigs swarming all over,
17:10leaving their non-biodegradable shit.
17:12Yeah.
17:13Then why do they suddenly give a toss
17:15about what happens to some crappy burnt-out squat?
17:18Oh, did you know them then,
17:19the people who live there?
17:20Woman wasn't one for a chinwag.
17:23The others came and went,
17:25oh, used to give the kiddie a few eggs.
17:28Funny little thing.
17:29Oh, eggs.
17:31Now you're talking.
17:33Oh.
17:35Yeah.
17:36Nothing late since the blast.
17:38Bits have all clamped shut.
17:40I can relate.
17:41You're not on the mains gas, then, are you?
17:46No.
17:47Not used to as hard down here.
17:48Council shut it off years ago.
17:51Duggers.
17:52Yeah?
17:53You're all right.
17:53I'll take that for you.
17:54Oh.
17:55Thanks a lot.
17:57Have a good evening.
17:58Cheers.
17:59Hope she lays soon.
18:01Bye.
18:10Bye.
18:12Bye.
18:26Bye.
18:26Bye.
18:27Bye.
18:31you are aware the pressure the department is under
18:39i wonder if the department could think of this situation a bit like a game of chess
18:44you know you you watch it for hours i think there's nothing going on but that's only because
18:50you're seeing what's happening on the surface
18:51do spare me the zen master wankery did your mad dog agent not get the uh no more dead civilians memo
19:03sir it was a field decision sir it was a field decision was it manic another one
19:10i must visit this field someday
19:13he set fire to it which one of the cut price cray brothers have you got on this one
19:21the um
19:23the younger
19:26ah yes well no wonder i've had a litany of complaints
19:31with that fucking chaos factory in the mix well i've made him aware that i cannot protect him
19:36forever sir you couldn't protect him if he used you as a condom
19:39has the sniffer woman been dealt with amos had a quiet word splendid and a child
19:47uh tucked up in this safe house sir why wasn't i informed sent proof i know it's hard to believe
19:53but uh even i have to occasionally report upwards to the minister oh apologies note yourself better
20:02but uh better communication needed yes maybe we should start a little whatsapp group
20:10actually that's uh that's a great idea i could make a note and i think i still have your mobile number
20:16mobile number number
20:18get off my table
20:20where is our target still in the winds sir but we'll find him
20:31i'll just reassure everyone my end the lunatics are running the asylum
20:34you tell them we've got this yes and i'll add a a little you go girl
20:40hmm just to keep things jaunty do you know what i think
20:43malik i think you're barely in control of this situation
20:47i think you need to get your sweaty little arse back to oxford
20:50and take control of your agent in the field
20:53before he blows up a packed school bus and we all lose our fucking jobs
20:57maybe it wasn't a totally awesome idea going back to the office where the
21:05horribleness happened
21:07i keep replaying it in my mind
21:09recovering traumatic memories can be very
21:11oh what's that word
21:13brain fuzzy you know
21:15no
21:15except this one it gets clearer each time
21:19like i had to go back there again wigs i just
21:22i just don't i don't think it's suicide
21:25yeah i feel better for saying that out loud
21:36good that's good
21:38my god
21:40except that everyone is acting like i'm deluded
21:43what
21:44like mark thinks me looking for diner is some kind of psychosis
21:47even the policeman in joe's office treated me like an idiot in need of a hobby
21:51and how do you feel about that
21:56oh my god
21:59what
22:01you're using your social worker voice
22:02what
22:03you think i'm crazy too
22:04what i didn't say that i didn't say that
22:05yes you just did
22:06no no no and i would never use that word honestly i just think maybe
22:11you might have gone
22:13a tiny bit wonky
22:15okay
22:16it was just a gas explosion sir honestly ruthie explained it all again to me last night
22:22and diner will probably show up completely fine
22:26after all this blows over and
22:28poor joe silverman sir
22:30he must have been in a really dark place
22:33i just think
22:34i think you've just got to let it go
22:38let it go
22:41okay
22:48you know when i was 10
22:50i found my granddad dead on the toilet
22:52i know
22:54you know and i only released that trauma 20 years later in an ayahuasca healing hut
22:59in glastonbury and you know look at me now
23:02you know look at me now
23:09i've got lucy
23:11i've got lucy
23:13i've got lucy
23:15i've got lucy
23:17i've got lucy
23:19sarah
23:21oh hey lucy
23:23one of my playgroup mums
23:30bit of a cow to be honest
23:31very dark energy
23:32hello lovely
23:33hey
23:34how you doing
23:35do you um
23:36do you know sarah
23:37er
23:38we've met
23:39bye i'll see you next week
23:41bye bye gracie
23:42bye bye darling
23:44gracie
23:46not dinah
23:47are you okay sarah
23:51i've been chasing a kid and it's not even her
23:55it's not even her
23:57oh my god
24:01i'm a fucking idiot i'm sorry i'm so sorry i'm so sorry i don't know what i'm doing
24:11sir
24:12oh my god i don't know what
24:14ecου
24:27oh
24:29oh
24:30oh
24:32oh
24:34oh
24:35oh
24:39oh
24:42Silverman had to go.
24:47I might have suggested something more plausible.
24:50Axel's an assassin.
24:51He's a psychopath.
24:53Not in a good way.
24:54You have arrived at your destination.
25:00Right, where are you?
25:02Satner says that I'm here.
25:05Oh, my good God!
25:07Where did you fucking...
25:09Move!
25:10Right.
25:12Let's get this weird school inspection over with.
25:15Fucking milk tea.
25:20Here it comes.
25:27I miss my teddy.
25:29I know you did.
25:33Steph, look!
25:35Hello.
25:37Well, this is quite the Montessori, isn't it?
25:47You could have bought her some finger paints or something.
25:49What's your problem?
25:50You say keep her safe.
25:51This is safe.
25:52She's got a toy.
25:54She keeps asking for her teddy bear.
25:55Please, for God's sake, let's get her the bear.
25:58We're not monsters.
26:00She says she left it at home.
26:02And my problem, Amos, mate...
26:12Is that I'm not entirely sure what you're up to.
26:15It's very simple, Hamza.
26:19Mate.
26:21We sit tight and let the target come to us.
26:25We use the C-H-I-L-D...
26:28...as B-A-I-T.
26:30How's that going to work exactly when we're in here with the curtains drawn...
26:36...we've got no idea where the target is...
26:38...and we've got no way of finding out...
26:39...because Axel Crane will pick up his fucking phone!
26:42Language.
26:43Sorry. I'm so sorry.
26:44I'm...
26:47Don't listen to him.
26:48I'll call him.
26:50But we keep the leash loose.
26:51My brother is, er...
26:53Well, he's an artist.
26:55He can't be stifled.
26:58Oh, God.
27:01Oh, God.
27:08Christ.
27:11It's like a Soviet playground.
27:30...
27:40Comfort.
27:41You're molested in?
27:43Look...
27:44Oh, God.
27:45Let's go.
27:46Oh.
27:48Oh, God.
27:49Oh, God.
27:50Oh, God.
27:51No, I'm coming.
27:52I'm parse this lesson with any of the other guy's gonna...
27:55I don't know.
28:25Christ, we're not actually going to do the flying thing again, are we?
28:35What? What are you doing here?
28:37I thought I'd come and watch.
28:40What are you going here?
28:41Naughty girl.
28:43Do you mind if I...
28:45I'm here to find out who killed my husband.
28:50What's your excuse?
28:52Oh, is this part of your healing process?
28:55What is this?
28:58Jay said it was suicide.
29:01I'm sorry for your loss.
29:04Joe couldn't slice cake, let alone his own wrist.
29:06I was wrong about everything.
29:08I'm sorry, but your husband did kill himself.
29:11Listen, before you turned up, Joe's work was boring as fuck.
29:14It was dog theft, insurance fraud,
29:17sitting outside Didcote Parkway Travelodge waiting for some sweaty middle manager to finish shagging his au pair.
29:23It was nothing.
29:24Then you walked in, you said the name Dinah Singleton, and now he's dead and you're up on a roof.
29:28It's got nothing to do with me.
29:29Fine, okay, you go back to your faro and ball life, to your kimchi and your nutribullet and your bland but undoubtedly tasteful scatter cushions and you won't have to think twice about poor old Joe, who died because he was helping you.
29:42Why did you let yourself get so fucking small?
29:50What happened to the girl who came to Oxford actually wanting to fly?
29:54Well, you know, I've been thinking a bit about you too, Zoe.
30:01Where were you when your husband died?
30:09You've got a choice, Sarah.
30:11You can chuck yourself off the roof, or you can help me give Joe's life a shred of dignity and meaning, or you can help me and then you can chuck yourself off the roof.
30:19I don't give a fuck, but make up your mind, because there's no point in hanging around here, confusing the gargoyles.
30:24God, does everything you say have to be, like, really horrible?
30:30No, you're right. I'm sorry. I'm sorry.
30:38You make your way down when you're ready to talk.
30:42Preferably by the stairs.
30:46It was chaos at the hospital.
30:48It's a hospital.
30:49Yeah, no, but I'm sure I saw a nurse put a child in the back of an SUV.
30:54And there was this businessman, Gerard, who I thought was involved somehow.
30:59Turns out he wasn't.
31:02What about this guy that you think is following you?
31:05What's he look like?
31:07Well, he's got a ponytail and a beard.
31:11Drives a grey van.
31:14No more detail than that?
31:15Um, yeah, no, er, well, he's, he's black.
31:20Yeah.
31:21Well, why not say that?
31:25I don't know. I just thought it was inappropriate.
31:26Fuck's sake, woman. I'm sorry, woman. Is that inappropriate?
31:30So, whoever killed Joe could be the man with the ponytail, could be somebody else.
31:39Probably planted the bomb as well.
31:42But why was Joe on their radar?
31:43What had he done to put him in danger?
31:45Because, no offence, but yours and Joe's investigation so far amount to pretty much fuck all.
31:49Wait, wait, so you think that house was deliberately blown up?
31:55Yeah.
31:57The gas had been shut off.
32:01Um, oh, I, I, I go, er, I go left here, so, er, er...
32:05Okay, well, I'll walk you home.
32:08Pick up a cab from there.
32:10Oh, thanks.
32:11It's not for the company.
32:13It's dangerous out there.
32:14Er, well, this is me, so...
32:23Nice.
32:26Okay.
32:28Oh.
32:30Forgot.
32:33Who left this for you?
32:37Don't get emotional. It's just your invoice.
32:41Payable within 28 days.
32:44Joe might be dead.
32:45But the bailiffs aren't.
32:47I really am so sorry about Joe.
32:51Me too.
32:56Actually, I need a piss.
33:00Could I...
33:00Yeah, yeah, yeah, of course.
33:10Shh.
33:11My husband's asleep.
33:11Don't be shy.
33:15That was aimee.
33:23Okay.
33:33Fuck.
33:35Shit.
33:36Fuck.
33:36Fuck.
33:38Oh, my God.
34:08Oh, bollocks.
34:13Oh, shit.
34:18Wait there, wait there.
34:21Oh, fuck.
34:23Wait, wait, wait, wait.
34:29I'm sorry, it keeps breaking.
34:31Yeah, no shit.
34:32Wait, hang on, I'll see you.
34:41Out.
34:42I'll see you.
35:12I'll see you.
35:42Message from your assistant.
35:51Did that toast do something to piss you off?
36:09Do you really not know why I'm upset?
36:20Oh, my God.
36:22I waited up for you.
36:24Your phone was off.
36:24I called Wigwam, almost called your mum.
36:27I was this close to calling the police.
36:28Okay, okay, okay.
36:32Aren't you going to say sorry?
36:35Aren't you going to say sorry?
36:37For what?
36:38I found a dead body mark.
36:41I could have used a bit of support, but instead you just banged on about getting Paula Inchon's scarf dry-cleaned.
36:48You have one job.
36:49I bet you didn't even take you to the dry-cleaners.
36:51Oh, my God.
36:53I'll wash the fucking thing myself.
36:55What are you doing?
36:59It's too late.
37:00It's too late.
37:00It's too late.
37:01It's too late.
37:02Now, Inchon pulled out of the deal.
37:06Good.
37:10I don't want you doing business with him.
37:12Clearly.
37:14I'm sorry, what does that mean?
37:17I gather you've been sniffing around the hospital asking questions because of your obsession with Dinah Singleton.
37:22No, it's not an obsession, actually.
37:23I just caught you looking at footage of the fucking explosion on my phone.
37:28Were you looking for her?
37:32Fuck.
37:36Your weird fixation is probably why my actual grown-up deal has gone south.
37:40Grown-up?
37:41Yeah, grown-up.
37:42Real life.
37:43It's not like chasing after some imaginary kid.
37:46She's not imaginary.
37:49Okay, she's not the kid that I imagined her to be, but she's definitely not.
37:53You're not even making any sense.
37:54I'm just trying to look out for a really vulnerable kid, okay?
37:57Who nobody asked you to help.
37:59It's none of your business, Sarah.
38:02It's all projection.
38:03Just, just let it go, like a normal person.
38:13Do you know what?
38:15I, I'm just going to stay in London tonight.
38:22Get my assistant to put me into a hotel.
38:24Oh, my.
38:36Hi.
38:37I need to speak to someone.
38:40Anyone in charge?
38:41It's urgent.
38:42Mrs. Trafford.
38:44Can I help you?
38:45Oh, hi.
38:45Yeah, can I show you something?
38:48Come with me.
38:49You all right?
38:50Um, you know, I, I just want you to take a look.
38:53Okay, so, um, the outer door was slightly open.
38:57I pushed the pane of glass.
39:01The scarf got caught on the doorknob.
39:04I pulled the scarf free, and I went through into the inner office.
39:09That's when I saw Joe.
39:10And you're certain you didn't go any further into the room?
39:15You didn't touch Mr. Silverman's body?
39:22I'm certain.
39:32I can't promise a result.
39:34Yeah, I need to get something sent to forensics.
39:42Yeah, I need to get something sent to forensics.
39:42I need to get something sent to forensics.
40:12I'm on my lunch break.
40:26Oh, sorry.
40:27I expect you're knackered from your busy schedule of sitting in your SUV doing sweet, funny nothing.
40:33What do you want?
40:34I want to know why I've just had a flag on the Silverman case.
40:37Hmm?
40:38I thought you'd put the frighteners on, but a certain person's busy sticking their beacon again.
40:45You might have to...
40:48Take further steps.
40:51Ooh, right.
40:53Don't do, mate.
40:55All right, fine.
40:56Send him in.
40:57But tell him to be discreet, plausible, domestic.
41:03I'm talking choking on a fishbone, not stabbed at the nose hole with a nunchuck.
41:09Oh, my gosh.
41:25Oh, my gosh.
41:27Go ahead.
41:30Oh, my gosh.
41:32Oh, my gosh.
41:33What are you avoiding rope?
41:34Oh, my gosh.
41:35Oh, my gosh.
41:36Boo.
41:37Oh, my gosh.
41:38Mark, you still here?
41:59Hello?
42:04Hello?
42:08Mark?
42:12Mark?
42:18Fuck.
42:20Fuck.
42:30Fuck.
42:32Fuck.
42:34Sorry.
42:36We were just coming over to you.
42:38Park message said you were all by yourself.
42:40So we thought we'd just quickly pop some treats round.
42:44Look, we don't need to know anything about what's going on with you and Marky.
42:46That's your personal business.
42:48That's your personal business.
42:50But if you wanted to tell us everything, you know, that's fine too.
42:52There's a stranger in my house.
42:54I don't need to know anything about what's going on with you and Marky.
42:56That's your personal business.
42:58Do you see what you look like?
43:00Do you see what you look like?
43:02Er, he went out through the back gate.
43:04You know what, let's just get you back inside, yeah?
43:06I don't need to know anything about what's going on with you and Marky.
43:08That's your personal business.
43:10But if you wanted to tell us everything, you know, that's fine too.
43:12There was a stranger in my house.
43:14God, I'm sure it must feel that way sometimes.
43:16She doesn't mean Mark.
43:18Do you see what you look like?
43:20Er, he went out through the back gate.
43:22You know what, let's just get you back inside, yeah?
43:24Yeah.
43:26Yeah, come on.
43:28Hey.
43:30Come on, Sarah.
43:32It's all right.
43:34Hey, why don't we pop some of your hands up?
43:36I don't know.
43:38I don't know.
43:40I don't know.
43:42Hey, why don't we pop some of your business cards in round here, Rufy?
43:46He can do anything.
43:48Locked drains, mulching.
43:50I mean, his skill set is phenomenal.
43:52Look, Gwen.
43:53Oh, it's embarrassing.
43:55No, I'm just so proud of you.
43:57Captain Helpful, you're an asset.
44:01We've got to go and pick up the kids.
44:03Are you going to be all right from here, sir?
44:05Er, er, yeah, yeah, yeah, yeah, I'll be fine.
44:08I could stay for a bit.
44:12Yeah, please.
44:13Yeah, just, just for a bit.
44:15It's...
44:16It's all right.
44:17Captain Helpful rides again.
44:19Oh, no.
44:22Okay.
44:23Bye.
44:24Can you go in first?
44:26Yeah, yeah, yeah, yeah, yeah.
44:28Yeah.
44:29Absolutely.
44:30Um...
44:35Hello?
44:40It's all good.
44:41Take that?
44:42Yeah.
44:43Oh.
44:52Let's get you feeling safe.
44:54Shall we?
44:56How about I check the locks?
44:58You make us some tea?
45:00Sounds great.
45:01Thanks, Rufus.
45:04Yeah.
45:06Okay, tea.
45:10Wigwam's always talking about how...
45:14...scary it is...
45:16...to be a woman on your own.
45:21How do you feel so defenceless?
45:23Yeah, it's frightening sometimes.
45:27The windows are fine.
45:28I'll check the back door.
45:38Hey.
45:39All done.
45:41Safe as houses.
45:43As it were.
45:45How about we say, fuck tea,
45:46and have a proper drink?
45:49Fuck tea.
45:50Fuck tea.
45:53Good of you to finally grace us.
45:54I'm sorry.
45:55I'm sorry.
45:56I've been very busy.
45:57I wish you long life.
45:58Oh, what's worth living without me?
45:59I'm sorry.
46:00I'm sorry.
46:01I'm sorry.
46:02I've been very busy.
46:03I wish you long life.
46:04Oh, what's worth living without my Joey?
46:06Look at us.
46:07Look at us.
46:08We should be sitting shiver.
46:10Instead of telling stories, everyone's asking questions.
46:11Oh, what's worth living without my Joey?
46:12Look at us.
46:13We should be sitting shiver.
46:17Instead of telling stories, everyone's asking questions.
46:18When can we have the funeral?
46:19I can't answer that.
46:20I'm so sorry.
46:21He wouldn't do this.
46:22It's not in his character.
46:23It's...
46:24It's...
46:25It's...
46:26It's...
46:27It's...
46:28It's...
46:29It's...
46:30It's...
46:31It's...
46:32It's...
46:33It's...
46:34It's...
46:35It's...
46:45It's...
46:46It's...
46:47It's...
46:48It's...
46:49It's...
46:50It's...
46:51It's a happy person.
46:52You didn't want to be married to him anymore, and he knew that.
46:57It's...
47:01It's...
47:02as his widow, you can't ignore them.
47:06With respect, Dennis, you have no idea the...
47:10I've been a nightmare, I've been dealing with...
47:12No, no, no, what I mean is, I mean, you mustn't mourn him.
47:17Not for him or for me, but for you.
47:25Must have messed your mark up, though.
47:27Well, the thing with, er, what's his name?
47:34Joe. Yeah.
47:37Poor guy.
47:39Imagine me in such a bad way, you do that.
47:44Guess you never know what's going on with people.
47:47Yeah, but Rufus, I don't think he killed himself.
47:52Well, OK.
47:54You know why I hired him?
47:58Er, I'm sorry, Tomega?
48:00We're dying in a single chair.
48:01I think she's been taken.
48:04I think she's out there somewhere in danger.
48:08I think that someone blew up the house,
48:11and I think they're trying to cover it up,
48:13and I think they broke into Joe's office,
48:16they slit his wrists, and they made it look like suicide.
48:20That's quite a theory.
48:21Yeah, I know.
48:21Like, literally everyone thought I was fucking crazy
48:24until I went to the police today with cold hard proof.
48:28Oh, yeah?
48:28Yeah.
48:30Joe's blood was on the doorknob.
48:33It got on the scarf I was wearing.
48:36Killer got careless.
48:37Gosh.
48:41You're quite the little Nancy Drew.
48:46Shall we get some more wine?
48:48Hey, er...
48:49I'll get it.
48:53Get one of Mark's Barolos.
48:55He won't mind.
48:56Well, not mine.
48:56You all right?
49:03Hey, I found this on the floor.
49:07It looks important.
49:09Oh, no, it's just Joe's invoice.
49:11I'll get that fresh bottle.
49:12It looks so cool.
49:14Anything you want me to get to,
49:16I'll get it.
49:17Hello.
49:18And I'll get it.
49:19I'll get it.
49:20Let's go.
49:23Let's go.
49:23Let's go.
49:26Everything you want.
49:35Let's go.
49:36So next time you want me to walk in.
49:37Let's go.
49:38Let's go.
49:40Let's go.
49:41Let's go.
49:42Rufus.
49:44Coming.
49:52Gonna find the Barolo.
49:53He wrote me a note. He was gonna drop the case.
50:01On the upside, I run a monthly board games night.
50:05You're always welcome to join.
50:08Sometimes we play Cluedo.
50:12He was such a nice man.
50:15Do you want me to...?
50:17Please.
50:25Much as I'd like to pretend otherwise,
50:28I'm a very ordinary PI.
50:30And this is shaping up to be a very extraordinary investigation.
50:35If you do keep going,
50:37have a look at whoever died in that explosion.
50:40I've put in a Freedom of Information request about the Singletons.
50:44It might point you in the right direction.
50:46Fuck, it actually worked something out.
50:51I should call Zoe.
50:53Can I have that letter?
50:55That's a...
51:04Are you alright? Do you want some more wine?
51:06I'm alright, thanks.
51:09Don't wanna drink too much.
51:11Might get careless.
51:14You know?
51:16Leave blood on the doorknob.
51:18Okay, Rufus, that's not funny.
51:21It's not meant to be.
51:23You know what was funny, though?
51:26The noise Silverman made when he died.
51:30Like a little girl.
51:32I had to put my fingers in his nose to shut him up
51:35while he bled out all over his lovely hardwood floors.
51:37Who are you?
51:41You can still call me Rufus.
51:44But my real name's Axel.
51:46Your friendly neighbourhood assassin.
51:49Where you planted the bomb?
51:51Yeah, and you know what?
51:52It wasn't my best work.
51:55The kid.
51:57Messy.
51:59Anyway, I think it's about time you wrap this up.
52:02No, no!
52:03Get the fuck away from me!
52:04Get the fuck away from me!
52:05Get the fuck away from me!
52:06Oh my God!
52:08Oh my God!
52:32Get the fuck away from me!
52:33I like that.
52:34Oh my God!
52:35Get the fuck away from me!
52:36Oh my God!
52:38Get the fuck away from me!
52:39Get the fuck away from me!
52:41No!
52:42Look out ahead.
52:44See danger come!
52:46I want a pistol!
52:48I want a gun!
52:50I'm scared, baby!
52:52I want a run!
52:55I want a gun
52:56I'm scared, baby
52:59I want to run
53:01This world's crazy
53:04Give me the gun
53:07Baby, baby
53:10Ain't it true
53:13Don't be immortal
53:16When I'm with you
53:19But all I want is strong
53:23In my head
53:25I want to run
53:27To a different way
53:30I met a man
53:33He told me straight
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