Shetland - Season 10 Episode 04
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00:00There's been a report of a domestic disturbance at this address.
00:02We've nothing to hide.
00:03So she gave Amy the happily ever after and put Stevie on the mainland ferry?
00:07It was an impossible call.
00:09Morag, did the Shannon sisters know that you were involved in their case?
00:12Did you set us up?
00:13I thought the stuff was on that boat.
00:15So that means they still need to land the gear, right?
00:17If it's not on the boat, then they're going to know someone talk.
00:20Jesus Christ!
00:22What did I tell you, sir?
00:23There is a couple of missing paper statements. I will try and find them.
00:30This is a police officer we're talking about.
00:32Don't do the word of this to Billy.
00:35That's how you lot operate, isn't it?
00:37Something like this happens and you go looking for a scapegoat.
00:40The one I saw in the dead woman's garden, it was her.
00:42Seems there were some disturbing reports that came from the children's homes where Stevie was placed.
00:47I don't trust her, Amy.
00:50We're a family after all.
00:51You, your mum, me.
01:09I'm going to win this time.
01:10No, you're not.
01:11Yes, I am.
01:13Snap!
01:15I win.
01:15Stephen!
01:20Stephen!
01:36Mum! Mum! Mum!
01:38Wake up, Mum!
01:45Hello.
01:56I'm Edie Tulloch.
01:58I'm a social worker.
02:00I need to have a wee word with your mum.
02:03Is she here?
02:15So, thank you so much.
02:29Yes, carcs Course.
02:32Yes, were you.
02:34Hm,
02:36bye.
02:36Goodbye.
02:37Me, Bye.
02:38My God!
02:39Yes,den!
02:40Goodbye.
02:40Thank you very much.
02:41God.
03:12Will says he's working for you. Last thing he needs is to get dragged into any more shit.
03:17Hooray! And here he is.
03:20You're up early.
03:22I've got a wee favour to ask you.
03:28Stuart, will you give us a minute, please?
03:32Cheers.
03:37I don't think your mum likes me very much.
03:40Don't!
03:42Stuart's my best pal and I've known him since I was seven.
03:46Don't.
03:51What do you want?
03:52Well, we arrested a couple of couriers who were bringing drugs in for the Callaghan's.
03:58Long story short, they've got a man here in Sheetland who they're working with.
04:05And?
04:07And I want you to get me the name.
04:08How am I supposed to do that?
04:11You work at the harbour.
04:13You see things.
04:17Then you know exactly who can get me that name.
04:20What if I don't want to?
04:21Well, we'll just have to call you a parole officer, won't we?
04:24In fact, should we, should we do that now?
04:29Do it.
04:31Do it.
04:34Would you rather go back inside and be your lackey for the rest of my life?
04:36But you listen here.
04:37I have been working on this case for more than six months and I am this close to getting a result.
04:45You get me that name, I'll drop me a charge.
04:48How about that?
04:51Hmm?
04:51Call me when you've got something.
05:01Give him plenty of water and tell your mum no more bloody cake.
05:08Call you later.
05:10Everything okay?
05:11Uh, Aidan was sick last night and Luke can't seem to calm him down.
05:18Well, I guess it's good that Luke's mum's there.
05:22She can look after him.
05:25So, I was thinking, since it's just us, we should do something.
05:33You know, maybe we could go to the beach or I could go and get stuff for a picnic.
05:38Don't you think it would be better going to the police station?
05:41Why?
05:42To tell them about you being at Edie Tulloch's house.
05:46See, but this is why I stayed.
05:48You asked me to help you.
05:49Aye, but I didn't think that we'd just stroll in and confess.
05:54Well, it's better that you come forward with the truth than then find out your lies.
05:59Look, I'll come with you.
06:00Okay, we'll explain that you made a mistake and we'll just get it all sorted out.
06:04Amy, it doesn't work like that.
06:07What?
06:10Look, I'm...
06:12There's Calpoll in the bag.
06:15I'm going to go to the shops.
06:17What?
06:19Stevie.
06:27Good morning, Stevie.
06:28I'm afraid we're going to need you to come back down to the station.
06:32Sorry, I don't have time.
06:33Well, you're going to have to make time.
06:35Or we could do it here, at your flat.
06:39Right.
06:39Let me see.
06:53Oh, my.
07:07Oh, man.
07:16Decent prices today.
07:18What?
07:20I was looking for some work.
07:21I wondered if maybe you could help me out.
07:23I've got all the crew I need, son.
07:25Well, it's not for fishing work.
07:27It's for the other sort of work.
07:31Callahan sort of work.
07:33I think you've got the wrong guy.
07:37Well, maybe you know the right guy, though.
07:39Like, you can point me in the right direction
07:40or you can give me a phone number or something.
07:42Move!
07:54Chris Burnett is positive he saw Stevie in Edie Tulloch's garden
07:59on the day we think she was killed.
08:01And then there's the taxi driver who picked up a woman
08:03who looked like Stevie and drove her to Luniswick.
08:07And her motive is what? Revenge?
08:08Well, essentially, yes.
08:11Stevie blamed Edie for putting her into care.
08:13Because anyone that's been through the care system is a criminal?
08:16No.
08:17That's not what we're saying.
08:19You just said she killed Edie because Edie put her into care.
08:22It's a potential motive.
08:23I spent a year in care.
08:27And overall, for me, it was a positive experience.
08:30In fact, if it wasn't for the people who took care of me and my family,
08:33I wouldn't be here today.
08:35And we're very grateful that you are here.
08:37But Stevie Shannon did not have a positive time in care.
08:42Her case files prove that.
08:43And if she did resent Edie, maybe she used that resentment to take it out on her.
08:48Yeah, plus, Amy and Stevie's mum died after Edie removed them from their home
08:54and they blame her for that.
08:56Chris Burnett's statement won't stand up in court.
08:59And just because Stevie took a taxi to Luniswick doesn't mean she killed Edie.
09:02But there's the unidentified print.
09:05Okay.
09:06And if they're a match to Stevie Shannon, you're on your way to building a case.
09:09But she's under no obligation to give you her prints.
09:13Frankly, given what you have, I'm so surprised you even brought her in.
09:24He's right.
09:26We don't have enough.
09:27But if we can get her prints...
09:29There's no way she's going to let us take her fingerprints.
09:32We'll be lucky if we even get her to talk in there.
09:35So what are we going to do?
09:39I've got an idea.
09:45Sorry to keep you waiting.
09:48Right.
09:49Okay.
09:56Okay.
09:58Just so you know, Stevie,
10:00we have a witness who gave a fairly accurate description
10:05of the person that was in Edie Tullock's garden.
10:08Now, we can't say for sure,
10:11but we think that person
10:13might have been Amy.
10:18We know this is difficult.
10:20Amy's your sister.
10:21But we wanted to ask whether you might be able to give us some insight
10:26into her state of mind.
10:29What?
10:30Well, because you've been around her recently.
10:33Yeah, and you said yourself,
10:36Amy blames Edie over the death of your mum.
10:40No, I didn't.
10:41Oh.
10:42Um, I'm pretty sure you did.
10:45Hang on.
10:46Yeah, you said,
10:49Amy's never come to terms with what happened to mum.
10:51She wants someone to blame
10:53and Edie's convenient.
10:58I mean, Amy had issues with Edie, didn't she?
11:02She was suing social services.
11:06Maybe the case was taking too long.
11:08She got frustrated.
11:09I've used to lost your minds.
11:13You think that Amy killed Edie Tullock?
11:18It's a pretty compelling motive.
11:19And given recent events,
11:22I mean, it's pretty clear
11:23that something's not right in that flat.
11:25What events?
11:28Someone called the police
11:29to report that Aidan was in danger.
11:33Yeah, it was just a prank call.
11:34How can you be so sure?
11:37Because Amy isn't violent.
11:38I know her.
11:40But do you?
11:42I mean, you two only got back in touch,
11:44what was it, a year ago?
11:47That's practically strangers.
11:49You don't know what you're talking about.
11:51You've got no idea
11:52what me and Amy are.
11:53You'd never understand.
11:55And see this,
11:56what you two are trying to do.
11:58Get between us.
11:59They've been trying to do it for years.
12:00Social work, the courts, the police.
12:02You've all tried to keep us apart
12:04so it won't work.
12:08See the shit that we went through
12:09when we were kids?
12:11It bonds you for life.
12:12Sounds to me like you didn't get anything from her.
12:19She said she knew it was a prank call.
12:21What?
12:24Alex, the domestic at Amy Shan is the other night.
12:26Do we know who reported it?
12:27I'm still saying it's anonymous.
12:28Yeah, but there'll be a recording of it somewhere, yeah?
12:30Do you think I could get a copy of it?
12:32Mm-hmm.
12:32Now?
12:33Today?
12:34Sure, I'm on it.
12:35You think Stevie made that call?
12:36Well, maybe, yes.
12:38Why on earth would she report her own sister
12:40to social services?
12:41Well, because Stevie thinks
12:43the whole world is trying to get in between
12:44her and her sister
12:45and maybe, maybe,
12:47that includes Luke and Aiden too.
12:53Yes, Alan, what?
12:55Sorry to catch you at work
12:56but I think you're going to need to come up to the clerk.
12:59This might be important.
13:02Okay.
13:05I know.
13:18I've been through everything.
13:20Twice.
13:21I still can't explain
13:22where the Tulloch money came from.
13:25Unless
13:25we entertain the idea
13:29that Robert Tulloch was taking bribes.
13:37What about the missing bank statement?
13:39Did you find it?
13:40No.
13:40I contacted the bank
13:42and they're sending a copy over to you today
13:43but even without that
13:45there's a clear pattern
13:47of what was going on.
13:50Look, maybe we should talk to Billy.
13:53He worked with Robert.
13:54Robert
13:55might be able to throw some light
13:57on all of this.
13:57I would like us to have
13:59a little more evidence
14:00before we go accusing
14:01his dead friend
14:03of corruption.
14:05So how do we move forward?
14:09Ray Powell.
14:11Gina Powell's husband.
14:13Ray was one of Robert Tulloch's old cases.
14:17Gina doesn't trust the police.
14:20Said they ruined our family.
14:22Mary?
14:23Maybe she knows something
14:24about Robert.
14:25I can pull that case for.
14:26Yeah, okay, great.
14:29And Sandy.
14:31We keep this between you and me
14:33for now, okay?
14:35Of course.
14:44An assault.
14:46A violent, unprovoked assault
14:48on a defenceless boy.
14:50I'm a grown man too.
14:53And Tom Jameson did this to you?
14:57Why did he do it?
14:59What does that matter?
15:01Fact is, he committed a crime.
15:03You need to go over there
15:03and arrest the man.
15:04Margaret, do you think...
15:05All to your respect, Minister.
15:06I'm talking with your sister now.
15:10Ethan.
15:12Was this about Jess being pregnant?
15:16Yeah.
15:17And her dad,
15:18not happy about it.
15:19He banned me from seeing her.
15:22You were with her yesterday, though.
15:24Are you trying to justify this?
15:26I'm just trying to understand it.
15:28Well, understand this.
15:31None of us are happy about this baby.
15:35Ethan's too young to be a parent.
15:38We try to speak to them.
15:40Try to persuade them that Jess should...
15:42make an arrangement,
15:46but they wouldn't hear of it.
15:49Isabel, of course,
15:51digging her heels in.
15:52I've never met a woman
15:53so keen to become a gran.
15:55So,
15:56here we are.
15:58Two kids.
15:59Their whole lives ruined.
16:01Jess wants to get the baby adopted.
16:05You never told me that.
16:06She was talking to Edie about it.
16:09Edie Tulloch?
16:12Edie said she'd look into it.
16:16That was before she,
16:17you know,
16:19died.
16:20Who else knew about this?
16:22What's your name?
16:44Will Loudon.
16:45Give me your phone.
16:47What?
16:47Your phone.
16:52Go here.
16:57Say Jacob's sent you.
16:58Cute kid, by the way.
17:07Gina.
17:10Can I have a word?
17:11I've been going over
17:21your late husband's case file.
17:24Why?
17:24We've had cause to look into
17:26Robert Tulloch's time in the police.
17:28Robert arrested Ray
17:30in connection with the robbery
17:31of a goods container
17:33at Lairwick Docks.
17:34According to the transcript
17:36of his first interview,
17:37Ray said that he was with
17:39you and David
17:40at the time that
17:41the robbery happened.
17:43So?
17:44So,
17:45there's no mention
17:46of the alibi
17:47in his second interview.
17:49He just submitted
17:51a signed confession.
17:53I don't understand
17:55the problem.
17:56Was Ray with you
17:58that night?
17:59Well, it doesn't matter now.
18:01Gina.
18:02If he didn't do it,
18:04he shouldn't have
18:05gone to prison
18:06back then.
18:08All this.
18:08Here,
18:09Lanniswick.
18:11This was Robert's
18:12kingdom.
18:14He manied his.
18:16But bloody Ray
18:17couldn't resist it.
18:19Pulling off jobs
18:19right underneath Robert's nose.
18:21Way too big a temptation.
18:23He made an enemy
18:24of Robert Tulloch.
18:27Sorry,
18:27are you telling me
18:28that Robert
18:30framed Ray
18:32because Ray was
18:33goading him?
18:35You don't get it.
18:36I'm telling you
18:37that Ray
18:38wasn't with us
18:40the night of the robbery.
18:42Just like he said
18:43in his confession.
18:44A fish supper, please.
19:09I'm Will.
19:12Sheila.
19:13Jacob sent me.
19:20Jacob from the harbour.
19:23Does Jacob want chips?
19:25No, he told me
19:26to come here
19:26to see about some work.
19:28You want to work here?
19:33Maybe I can speak
19:34to the boss?
19:35I'm the boss.
19:37Salt and vinegar?
19:38Yeah, no.
19:41No.
19:44That's 15.
19:50Here.
19:58Thanks.
19:59What the hell's that about?
20:12I don't know.
20:18I'm going to take my break, Sheila.
20:21I'll be back in an hour.
20:22I'm not sure you are.
20:24Iona.
20:41Iona.
20:42Stevie, where the hell have you been?
20:45Hi, Amy. How are you doing?
20:50It's just a routine follow-up.
20:53Routine? You're here because you think I'm an unfit mother.
20:57Nobody thinks that, Amy. And it's for your protection too.
21:02It means if we get any more of these anonymous reports, we can take them with a pinch of salt.
21:08Where is the wee one anyway?
21:11He's with Luke. It's Luke's mum's. The whole family's up there this week.
21:15You didn't want to go?
21:17I was planning to, but I had to stay here. Stevie needed me for...
21:22And how is Stevie?
21:25Aye, she's fine.
21:32I admit, I was in the wrong eye. I should never raise my hands to Ethan.
21:37You make it sound like you give him a clip around the ear.
21:40Right.
21:42This is what Ethan's mum woke up to this morning.
21:46Jesus.
21:47I'm sorry. I...
21:49That was...
21:51Yesterday was a tough day.
21:53Was it?
21:54It's not an excuse. I'm just saying that isn't something that I would normally do.
21:59Ethan says you banned him from seeing Jess. Is that right?
22:03Is that your thing, is it?
22:04Deciding who your daughter gets to spend time with?
22:07No. I never said they couldn't speak to each other ever again.
22:11This baby has caused a lot of grief between us and Ethan's family, so I thought it best if they kept away from each other until after the baby was born.
22:17Yeah, Margaret Stone doesn't seem too happy about Jess being pregnant.
22:20Margaret's never happy.
22:21What about you and Isabel? How do you feel about Jess becoming a mum?
22:26It's what she wants, so we're behind her.
22:30Is it? Is it what she wants?
22:35Did you know that Jess had gone to Edie Tulloch about putting the baby up for adoption?
22:40No, I didn't.
22:42You don't seem too surprised by it.
22:45Jess is alone to herself. She stopped surprising me years ago.
22:48Did Edie speak to you about it?
22:54No, I barely spoke.
22:56Apart from a grudging hello now and again.
22:58You never discussed it with her?
23:00No.
23:01So why do you think Jess went to Edie?
23:04Like I say, Jess is unpredictable.
23:09So how do you feel about it now?
23:12Knowing what they were planning.
23:13Look, you brought me in here because of what happened with Ethan, right?
23:16Now, I've admitted to the assault, so let me just sign whatever it is I have to sign so that I can go.
23:24I need to get home.
23:25Is Ethan okay?
23:38Well, he's got a sore face, but I think he'll live.
23:42Poor kid.
23:44Still, at least now we know Tom Jameson's got a violent streak.
23:47Well, yes and no.
23:49I mean, to be fair, the man's had a tough time.
23:52He's lost his job, he's got health issues, and now his daughter's gone and got herself up the duff.
23:56That doesn't excuse beating up a kid.
23:59No, it does not.
24:01Alex, could we charge Tom Jameson and bail him for now and get someone to drop him off back home?
24:07Sure.
24:07Anyway, we're going to have to find some time to talk to Jess, see when she last saw Edie.
24:14According to Ethan, Jess went to see Edie a couple of weeks ago about finding a family to adopt the baby.
24:20Well, it makes sense, doesn't it, given Edie's history in family services.
24:23Did the Jamesons know that Jess has given up the baby?
24:26Tom Jameson didn't, was this?
24:29Oh, I've got to go and see Loudon.
24:32I'll catch you later.
24:34Okay.
24:34Can I get you some tea?
24:37No, I'm good.
24:40Ever than all right?
24:43Actually, I went out to Linuswick to see Gina Powell.
24:50I think we need to have a chat about Robert Tulloch.
24:53Robert? Why?
24:55Some things have come to light, Billy.
24:59Things I can't explain.
25:01And, you know what, I'll wait.
25:07Thanks.
25:07Oh, he's a handsome boy.
25:28Amy, it's me!
25:28Good to see you, Stevie.
25:38Ah, Morag's just checking in after the police visit the other day.
25:42Nothing to worry about.
25:43Like I said to Amy, just an informal visit.
25:47See how everybody's doing.
25:50You have to give notice.
25:52Well, that's not strictly true.
25:54I'm pretty sure you can't show up on an ounce like.
25:56Stevie, will you leave it?
25:58Amy, listen to me.
26:00There's rules and procedures that she's not following.
26:02It's fine, okay?
26:03It's not fine.
26:06This is my family.
26:10Now, go in the other room and let me and Morag finish up here.
26:13I'm sorry about that.
26:37No, you're fine.
26:38She's just looking out for you, like her sister should.
26:41Look, I'll need to drop by again when Aidan's here.
26:46But as far as I'm concerned, there's nothing to worry about.
26:50Except what you have with Aidan and Luke.
26:53That's what's important.
26:55Don't let anyone get in the way of that, Amy.
26:57No matter who they are.
26:58What do you mean, you can't do it?
27:14It's only been a morning.
27:16It's just too dangerous.
27:18It's just a name-loading.
27:20I think they're on to me.
27:21Who?
27:22The people who work for the Callaghan's.
27:24Right, and what makes you think that?
27:25I got a tip-off this morning and it turned out to be bullshit.
27:30Why do you know?
27:31Because why would they piss me about like that?
27:34What if they know that I'm working for you lot?
27:35I think you've been paranoid, Mick.
27:37I'd rather be paranoid than dead.
27:39I'm done.
27:44Sorry, I'm done.
27:49All right.
27:50Hey.
27:53What if I did something for you?
27:56Like what?
27:57I don't fucking know.
27:58What do you want?
28:01I want to see my daughter.
28:03What?
28:04Erin?
28:04I want more access to Erin.
28:05Oh, come on.
28:06Please.
28:06Loudon, you know I can't do something like that.
28:09Oh, dear.
28:19All right.
28:20All right.
28:21Okay.
28:23I'll make a phone call.
28:27It's me.
28:29I've found the grass.
28:33Well, she said she had no concern, so maybe that'll be the end of it.
28:39Look, I'll call you back.
28:43What are you doing?
28:46I think it's better if I go.
28:48What?
28:50Go?
28:50Go where?
28:52Back to Aberdeen.
28:55Why?
28:57I'm obviously in the way.
28:59That's not true.
29:01Amy.
29:02I heard you at the door.
29:05You and my Gabe talking about getting rid of me.
29:08I mean, she made it perfectly clear that I shouldn't be around you or Aiden.
29:13That's not what she meant.
29:14It's exactly what she meant.
29:18Look, she was just talking, okay?
29:19And it's not...
29:21It's not like I agree with her.
29:23Didn't disagree with her, though.
29:26Didn't stand up for me, did you?
29:27Stevie, stop.
29:32I'm sorry, okay?
29:35Just this stuff with Aiden, it's freaking me out.
29:39But I don't want you to leave.
29:41I need you.
29:44Especially now.
29:49Why don't we do that picnic?
29:54Here, just you and me.
29:55It'll be like the old days, back in the house.
30:01Except this time I'll actually have something to eat.
30:06Tell you what, why don't you, um...
30:09You take the car.
30:10Go to the supermarket and get some food.
30:13Nothing healthy, mine.
30:14Just junk food and wine.
30:16I'll get everything sorted here.
30:19Please.
30:21Stay.
30:22Just, at least for one more night.
30:29Bye.
30:29Bye.
30:30You were right.
30:48I'm always right.
30:49But remind me again what it is I'm right about this time.
30:52Alex got the recording of the 999 report made about Amy Shannon.
30:56Stevie Shannon made the call.
30:57So she did report her own sister?
30:59Let's go.
31:00What?
31:01Now?
31:01She made a malicious report where I've grinded her aether.
31:04And then we'll have her prints.
31:06Your sister's been lying to us.
31:20About what?
31:22About being in Edie Tillach's house.
31:27On the day she died.
31:28Okay, she went up there, yes.
31:32But she didn't see or talk to Edie.
31:35So you knew about this?
31:37You were going to come by the station today to explain.
31:41She's already been at the station.
31:43Yeah.
31:44This morning.
31:45And do you know what?
31:47She never said anything about being at Edie Tillach's house.
31:50Okay, well, like I said, she's worried about how it looks.
31:55But even if she went up there, she didn't do anything to Edie.
31:59How can you be sure?
32:00Because she would have told me.
32:01Did she tell you about the phone call?
32:05What phone call?
32:05What phone call?
32:20Well, isn't the couple always arguing?
32:25And there's a wee boy in there.
32:27I'm just...
32:28I'm worried that he might be in danger.
32:33Are you okay?
32:36Why would she do that?
32:45Now, if that's Stevie, can I talk to her?
32:47I didn't know if you wanted red or white, so I just got both.
32:53How could you, Stevie?
32:56After everything I've done for you.
33:02Edie's my son, your nephew, and you told them he was in danger.
33:07No, they're...
33:08They're lying.
33:10That's not true.
33:11I heard the recording, Stevie.
33:12Let me talk to her.
33:14That's not me.
33:15They've made it up.
33:16They're...
33:17They're faking it, so it sounds like me.
33:19No, no.
33:20No, no, there is no they.
33:22There is no big conspiracy working against us.
33:25There is only you.
33:27And I'm...
33:28And I'm done with you.
33:36Amy.
33:37I think you should come with us to the station.
33:39Jess and Ethan hadn't called the ambulance.
34:08Who knows what would have happened.
34:11You know what?
34:12I do owe you my life, Jess.
34:23What happened?
34:24Just took my prints, asked me a few questions.
34:26Did they charge you?
34:28So you're going to go to prison?
34:32So I'm right if he does go.
34:34Jess.
34:35What?
34:36He attacked Ethan.
34:38And I said I was sorry.
34:40So?
34:41That doesn't change anything.
34:44I never thought you were capable of doing something like that.
34:48We've all got our secrets.
34:49What?
34:54Jess.
34:55I'll deal with her.
35:14Make yourself comfortable.
35:19I'll get you some water.
35:21Thanks.
35:21What is it?
35:36You don't know them like I do.
35:37What are you talking about?
35:40You don't know how they work.
35:42They twist things.
35:44Stevie, you made that call.
35:46You sent the police to my house.
35:48I know.
35:48And I'm sorry.
35:53But don't worry.
35:54I'm going to put everything right.
35:57I promise.
35:59And I'm going to make sure she can't take Aiden off you.
36:03I'm going to make sure she can't take Aiden off you.
36:16I'm going to make sure she can't take Aiden off you.
36:22The soul of your name.
36:41Baby, baby, baby, baby, baby, baby, baby, baby.
36:50I'll fade away.
37:02And did she say where she was?
37:04No, but she sounded weird, like she was gonna do something.
37:09Like what?
37:10She said she was gonna make sure she didn't take Aidan away.
37:13She? Sorry, who is she?
37:15Stevie was there this afternoon when she came round to visit.
37:18When who came round to visit, Amy?
37:20Oh, Christ.
37:27Billy.
37:28Morag, where are you?
37:30I'm back at the house.
37:32I need you to get in the car and come into the station.
37:35What?
37:37Just do as I ask, Morag.
37:41Morag?
37:42Yeah, no, no, I'm here, I'm here.
37:44What's going on?
37:46We can't find Stevie Shannon.
37:48I think she might head to the house.
37:56I think she's here.
38:00Morag.
38:16Stevie?
38:20Do you want to come out, pet?
38:25If you want to talk, I'm here.
38:30Stevie?
38:33Okay, Sandy, find out if there's anyone near the house and get them over there.
38:37I want to.
38:38No, no, no, no, no, no, Billy.
38:39You need to stay here.
38:40The hell with that.
38:43I know you had it tough, Stevie, and I'm sorry.
38:45You've got a bad deal and you've every right to blame us, but we were just doing our jobs.
38:51You took her from me.
38:55You stole her.
38:57You and Tulloch.
38:58We had to, Stevie.
39:00Your mum was a good person, but she couldn't cope.
39:02My mum.
39:04You think I give a shit about that useless junkie?
39:07You took Amy from me.
39:10I remember everything.
39:13You and Tulloch took us outside.
39:15I saw the looks between yous.
39:20I remember you grabbing me while she threw Amy in the car.
39:27I can still smell your perfume.
39:30You're wearing it now, aren't you?
39:34It fucking stinks.
39:37You.
39:41You took my sister from me.
39:43You've still got Amy.
39:46It is not the same.
39:48She is different.
39:50She has Aidan and Luke and her work in a flat with fucking tea towels.
39:55I want the old Amy.
39:57You know, just me and her.
39:58Nobody else.
39:59Just like it was in the flat.
40:02You can't have that.
40:04I know.
40:06You can't have it, Stevie.
40:08I said.
40:10I know.
40:12You can't.
40:14You can't have it, Pete.
40:17You can't.
40:20You can't have it.
40:22I'm sorry.
40:29I'm so sorry.
40:30I'm sorry.
40:37Morag?
40:42Morag.
40:43I don't worry.
40:44Oh.
40:45I don't worry.
40:46I don't worry.
40:47I don't want a charge, Sandy.
41:14As far as I'm concerned, there was no crime here.
41:17Did she say anything, Warag?
41:19About what?
41:22Edie.
41:23No, no, she was speaking about the day we took her and Amy away.
41:29Let me mean Edie we should have handled things better.
41:33You did what you could, love.
41:35Yeah, and a fat lot of good that did.
41:44She's hit a shock.
41:45Hi, her and me both.
41:49I'll leave you to it.
41:51Let me know if you need anything.
41:53Sandy, Elliot, I thought she was asking about Robot.
41:58Any idea why?
42:00No.
42:02I'm sure it'll keep her.
42:05Just take care of him, Warag.
42:06Hello?
42:18Is that Loudon?
42:21Yeah.
42:22Are you looking for a job?
42:25Right, yeah, yeah, yeah, yeah, yeah.
42:27Yeah, hey.
42:28How did you get this number, though?
42:30Look, if you're not interested.
42:32Well, no, I am, yeah, 100%.
42:34Good.
42:35Because I might have someone on tonight.
42:36Nothing too big, but I need an extra pair of hands.
42:39Yeah, okay.
42:40Right.
42:41Well, keep your phone on, yeah?
42:43And I'll let you know when and where later.
42:45I didn't get your name, though.
42:47We'll do the proper introductions tonight.
42:48I'll be in touch.
42:57She was strangled, tied to a post.
43:04And left to rot in her garden.
43:12Edie Tulloch, your social worker.
43:15And then there's Morag McCabe, another social worker,
43:21who you attacked in her own home this afternoon.
43:29I didn't do this.
43:30But you were in Luniswick.
43:33You were in Edie Tulloch's house.
43:36No, I was in her garden.
43:37Why were you in her garden?
43:41I don't know, I just...
43:43I wanted to see her.
43:45Right, so you spoke to her?
43:48No, no.
43:50I mean...
43:52I wanted to look at her.
43:54Why?
43:57I just...
43:58I wanted to look at her.
44:04See if she still looked the way that she did when...
44:08she came to the house that day.
44:11And did she?
44:13No.
44:14She looked like a wee old woman.
44:18Wait, let me get this straight.
44:19You, er...
44:20You didn't go into the house.
44:22You didn't talk to Edie Tulloch.
44:24And you didn't attack her,
44:26like you tried to attack Morag.
44:28I just watched her through the window,
44:29and then I went back to Amy's.
44:33Okay.
44:33Was she with anyone else?
44:39The thing is, Stevie,
44:43it's really hard for us to believe you.
44:46You say one thing,
44:48and then you go and do something that completely contradicts that.
44:51This morning,
44:53you told us you and Amy were bonded,
44:56that you would do anything for each other,
44:59and then we find out that you reported her to children's services.
45:05No, I didn't...
45:06I didn't mean that.
45:09So why did you do it?
45:11I think I wanted us to have that feeling again.
45:15What do you mean?
45:17What feeling?
45:19Like...
45:21Chaos.
45:23When everything's out of control and you're falling.
45:31When I was 13,
45:33I spent a year in a children's home in...
45:36Bantford.
45:38Well, again, I don't...
45:39I don't remember.
45:41Anyway, yeah.
45:42The kids there, they would...
45:43They'd play this game where they'd imagine the families
45:47that would adopt them.
45:51It's bullshit.
45:54Nobody fucking wanted us.
46:00I never fantasized about a new family.
46:04I just wanted to be at home,
46:06with Amy,
46:08with the chaos,
46:10and the falling feeling.
46:13I was happy.
46:17There.
46:19With Amy.
46:26Having Amy's the only person that's ever loved me.
46:28I didn't do this.
46:44So what are your thoughts?
46:46It sounded like the truth to me.
46:48But we've been here before.
46:50Oh, come on.
46:52Even you can't think that children's home story was a lie.
46:55Maybe it was, maybe it wasn't.
46:58Jesus, you are cynical.
47:00What?
47:01I'm not going to form an opinion on someone
47:02just because they've given me the little orphan Annie's shtick.
47:06Day I called her.
47:09Ah.
47:11All right.
47:13Right, thanks.
47:15So,
47:16Stevie's prints are not a match for the set
47:19that were found at the Tullock house.
47:22So,
47:22where does that leave us?
47:24With no suspect
47:26and no motive.
47:28Okay, well look,
47:29it's not a total washout.
47:30We can still charge Stevie
47:31for making a false report
47:32and that's before the assault on Morag.
47:35Yeah,
47:36except Morag's already said
47:37she doesn't want to press charges.
47:39That's not her choice to make.
47:41Um,
47:42I'll take a view over it.
47:43We should, um,
47:45probably release Stevie for now.
47:47I'll go and sort it.
47:47Shit!
47:50I'm supposed to be going out.
47:51Er,
47:52I'm meeting a friend.
47:53I'm supposed to be going out.
48:23and I'll leave you to it.
48:34You...
48:51I'm sorry.
48:53I'm sorry.
48:54I'm sorry.
48:55I'm sorry.
48:56I'm sorry.
48:56I'm sorry.
48:56I'm sorry.
48:57I'm sorry.
48:57I'm sorry.
48:58I'm sorry.
48:58I'm sorry.
48:59I'm sorry.
48:59I'm sorry.
49:00I'm sorry.
49:01I'm sorry.
49:01I'm sorry.
49:02I'm sorry.
49:03I'm sorry.
49:03I'm sorry.
49:04I'm sorry.
49:05I'm sorry.
49:06I'm sorry.
49:07I'm sorry.
49:08I'm sorry.
49:09I'm sorry.
49:10I'm sorry.
49:11I'm sorry.
49:12I'm sorry.
49:13I'm sorry.
49:14I'm sorry.
49:15I'm sorry.
49:16I'm sorry.
49:17I'm sorry.
49:18I'm sorry.
49:19I'm sorry.
49:20You made it then.
49:45Sorry, sorry, sorry.
49:46Hey, look where I ran into.
49:49It's Ed.
49:50You remember Ed, don't you, Ruth?
49:52Yes, I do.
49:54How are you doing, Ed?
49:55I'm fine.
49:57I thought we could all eat together.
49:59Sit down, both of you.
50:01I'll go to the bar, get us a nice bottle of wine.
50:03Eh, no, I'm fine.
50:05No wine for me first.
50:05Yeah, nor me.
50:11We didn't bump into each other.
50:13He called me, invited me for dinner.
50:15It's all right.
50:16I didn't know you were coming.
50:18I don't know what he's playing at.
50:19You know, I think it's pretty obvious.
50:23Look, I'll get out of your way.
50:25No, no, it's fine.
50:26Just stay.
50:26It's OK.
50:28To be honest, I'm short-staffed at the pub.
50:29I could do with being there.
50:32Tell James I'll get my revenge.
50:34You know, it's not that I don't want to.
50:38At dinner I meet you, it's just, you know.
50:41Yeah, yeah, I know, I know, it's fine.
50:44Catch you later.
50:45Yes, go on, go.
50:51Where's he going?
50:52Did you scare him away?
50:55You scared him away?
50:57It'd be a bloody Scylla Black impression.
51:06C.I. Calder, leave a message.
51:09Hi, it's Will.
51:09I've got some information for you, right?
51:12So, just meet me at the fish market in an hour and don't be late, please.
51:28See you later.
51:58How can I help you?
52:05No, I was wondering if I could speak to D.I. McIntosh, please.
52:19Ray was with me the night the robbery at the docks took place.
52:25Robert arrested him at the house the next morning.
52:29At first I wasn't worried, I knew Ray hadn't done it.
52:31I figured he'd be at the station a couple of hours and then he'd come home.
52:36But the day dragged on and he didn't come back.
52:40And then about ten o'clock, Robert came to see me.
52:47He said they were keeping him in overnight.
52:52Holes in his story they needed to check.
52:55I told him, you've got it wrong.
53:00He was with me.
53:02What did Robert say?
53:03He said it would be better if Ray wasn't at home.
53:13That I should lie and say he'd been out all night.
53:17Robert was tired of him, wanted him off the aisles.
53:25He made it quite clear that I was to help him do that.
53:29But you refused.
53:30Yes, of course I did.
53:34But then, Robert reminded me that Edie was the head of family services.
53:44And one word from him and she would start investigating us.
53:49Kids get taken from their mums all the time, Gina.
54:04You can either stand by Ray.
54:08Or you can lose David.
54:15Did Edie know about this?
54:19I don't know, but I couldn't take the chance.
54:21I did what he said.
54:21I betrayed Ray.
54:25I mean, to be fair to him, he understood why I had to do it.
54:27He never blamed me for it.
54:28Why didn't you report this, Gina?
54:32Who to?
54:34To another police officer.
54:36Sergeant McCabe was here at that time.
54:40Sergeant McCabe?
54:42You mean Robert Tulloch's pal?
54:58OK.
55:26OK.
55:27Thank you very much.
55:28I'm just saying, you've got a type.
55:33I don't have a type.
55:34You do.
55:36You're like the charming losers.
55:37The useless arty ones.
55:40You want to be someone's muse.
55:42Shit.
55:43Don't be too hard on yourself.
55:46The heart wants what the heart wants.
55:48Yeah, I'm sorry, James.
55:50I've got to go.
55:53Look, I'll see you later.
55:54Take care.
56:04I'll see you later.
56:12Lydon?
56:25You there?
56:32Let's see if there's a fucking wind-up.
56:38Hi, it's Will. Sorry I can't come to the phone right now. Read my message.
57:08Lydon?
57:18Lydon?
57:30Lydon?
57:34Lydon?
57:44Lydon?
57:46Lydon?
57:48Lydon?
57:50Lydon?
57:52Lydon?
57:54Lydon?
57:56Lydon?
57:58Lydon?
58:00Lydon?
58:02Lydon?
58:04Lydon?
58:06Lydon?
58:08Lydon?
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