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00:00I had a better day.
00:02I've been in the morning and I am a pet.
00:04I'm so tired.
00:06I've been looking for it.
00:08I'm so tired.
00:10I've been here to see you.
00:12I'm so tired.
00:14I'm so tired.
00:16I'm really tired.
00:18I'm so tired.
00:20I'm so tired.
00:22I'm so tired.
00:24I'm so tired.
00:26I'm so tired.
00:28More than me, if late night talking or fucking, you're only getting paid for the latter.
00:38I get paid when they're grateful.
00:41Ain't always bad words between my legs.
00:52What are you looking at?
00:54Don't shoot.
00:58Newcomer. Looks like a rough one. Give me a bottle.
01:04You're gonna need most of that just to scrub the filth off them.
01:11Go find a mirror. Finish putting your face on.
01:14I'll handle this one.
01:28Why aren't you gonna take your clothes off?
01:39I would, darling, but by the time I got down to my knickers, I suspect you'd be done anyway.
01:43That's the spirit.
01:49Such a big man. So big all over.
01:52Except where it counts.
02:00Darling, when I gave you a turn on the house, I thought you might give me something in return.
02:04Well, anything.
02:13That's it.
02:16Don't be shy.
02:17Don't be shy.
02:18Don't be shy.
02:36Shit.
02:37Now then, where were we?
02:52You show this to anyone?
02:53Who would I show it to?
02:54This wasn't some guest with a Swiss army knife.
02:56This was done by someone down here.
03:00It did occur to me that it might be you.
03:02But then I remember that you've been here forever, and if you were gonna sell us out, you would have done that years ago.
03:07I appreciate that.
03:09So...
03:12Instead of our hosts going insane, they are being used for industrial espionage.
03:17Does that make this a glass half full or half empty type situation?
03:23We're engineers.
03:24Means the glass has been manufactured to the wrong specifications.
03:27Do you have any idea what information it was transmitting?
03:30Smeared all over a rock up on Python Pass.
03:33Best we could do would be to figure out who he was transmitting the information to.
03:37But we'd need the exact time that he was up there and his geocache was wiped.
03:40Not all of it.
03:42Our friend was an early model.
03:43The old hosts used a legacy geophositioning system.
03:47Huh.
03:48Like you said, I've been here forever.
03:50The information's still there, but the newer system can't read it.
03:54Meaning we can't access it?
03:56Meaning in order to access it.
03:59I'm going to need to go downstairs.
04:07Floor B-82. Restricted personnel only.
04:10Lo Bernard. I'm authorized.
04:40Floor B-82, Restricted personnel only.
04:41So a
04:47parking plan.
04:50We Wang, you'll get mills.
04:52G dosti.
04:58So?
04:59I don't know.
05:28Get the known data against the legacy data and look for anomalies.
05:31Start in this area.
05:37Look at that. Science.
05:40What time did it reach the peak?
05:42What time did it reach the peak?
06:12You haven't registered with the new system?
06:13I don't know.
06:43so if you want the canyon to extend this far this has to go we can distribute the population
06:56amongst the neighboring farms or just decommission them no i think we've been disruptive enough
07:01for one day we'll end the canyon just short of the time i find my own way back
07:13carry on
07:43so
07:50so
07:55so
08:02so
08:07so
08:14so
08:18so
08:19so
08:20so
08:21so
08:22so
08:23so
08:24so
08:25so
08:26it looks like anything to you
08:33not much to say the maze is an old native myth
08:37regale me theodore
08:41the maze itself is the sum of a man's life
08:43the choices he makes
08:45the dreams he hangs on to
08:47and there at the center there's a legendary man who'd been killed over and over again countless times
08:52but always clawed his way back to life the man returned for the last time and vanquished
08:57all his oppressors and a tireless fury
08:59he filled a house
09:01around that house he built a maze so complicated only he could navigate through it i reckon he'd
09:07seen enough of fighting
09:09all right
09:11god damn soldiers close the border so i've got a trembling pariah
09:16all right teddy time for you to earn your keep
09:22how else do we get over the border
09:24why it's got what we both want so that's where we have to get to
09:39there's another way
09:41it's a little treacherous
09:43don't worry
09:45won't make you get your hands dirty
09:47dirty ain't my concern
09:48no you do as it's you
09:49i'm going all the same
09:51i'm going to find dolores
09:54everything you do it's because the engineers upstairs programmed you to do it you don't have a choice
10:16nobody makes me do something i don't want to sweetheart
10:19yeah but
10:21it's part of your character
10:23you're hard to get
10:25even when you say no to the guests it's because you were made to
10:28and you're like them
10:30not like me
10:31right
10:32well i can't exactly afford to go to the park
10:35but
10:37yeah
10:38yeah
10:40i'm human
10:43like the guests
10:44how do you know
10:45cause i know
10:48i was born
10:50you were made
10:52we feel the same
11:03we are the same these days
11:05for the most part
11:07one big difference though
11:11the processing power in here
11:15is way beyond what we have
11:17it's got one drawback though
11:19what's that
11:21you're under our control
11:23well
11:25their control
11:26they can change you however they like
11:30make you forget
11:32i
11:34well i guess not you
11:36i don't understand how you're remembering all of this or
11:41how you're waking yourself up that everything in your head they put it there
11:46bullshit
11:49no one knows what i'm thinking
11:50i'll show you
11:52give me a sec
11:57i have to pair it with you
11:58pair what with me
12:00you can improvise a little
12:02but most of what you say
12:04was designed upstairs
12:06same as the rest of you
12:08this is just a cheap trick
12:20i've run a brothel for ten years and if there's one thing i know it's when i'm being fucked with
12:25this can't possibly
12:36i can't
12:37i can't
12:38i can't
12:39i can't
12:52nate
12:55you have a minute something i need to talk to you about
13:13i was just about to call for you
13:16everything okay
13:17fort knows
13:20about
13:21us
13:22does it matter
13:24consenting adults
13:26consenting adults in business departments that are supposed to keep each other in check
13:30our relationship will raise questions for the board about my objectivity
13:35i've never known you to go easy on my department
13:38this can't go on bernard
13:41however fun this lil indiscretion was
13:45it's over
13:47we're over
13:49give me some credit i can be impartial
13:51about your own team
13:52about four
13:53you must admit
13:57his leadership has of late been questionable
13:59i don't think he's the problem
14:00respectfully it's not your job to diagnose park safety problems it's mine
14:06so if there's nothing else
14:09we're done
14:13with
14:19you
14:20Babe
14:22we're done
14:25you
14:26you
14:27you
14:28you
14:31Wow
14:33Oh
14:34hi
14:35Mom
14:36An
14:38I
14:39I
14:40Oh, fuck.
14:49Okay.
14:51Fuck.
14:53Come on, come on.
14:58You said upstairs?
15:02Oh, my God.
15:03Are you okay?
15:05I want to see it.
15:07Upstairs?
15:10No.
15:12No.
15:40This is so stupid.
15:52I want to see it.
16:22I want to see it.
16:52I want to see it.
17:22I want to see it.
17:24I want to see it.
17:26I want to see it.
17:28I want to see it.
17:30I want to see it.
17:32I want to see it.
17:34I want to see it.
17:36I want to see it.
17:38I want to see it.
17:40I want to see it.
17:42I want to see it.
17:44I want to see it.
17:47Where are we now?
17:52The Zein.
18:17Can we please go back now?
18:20I don't want to get fired.
18:22And you can sit downstairs.
18:25Don't forget that.
18:26Welcome to Westworld.
18:28Live without limits.
18:40Live.
18:47Did you think that has any trouble?
18:55Will.
19:00��umping.
19:05How's the police sir?
19:07Yeah.
19:09If.
19:13Hi, my.
19:15All right, let's get you back.
19:32How did you have my dreams?
19:34Those moving pictures I saw myself.
19:37With a little girl?
19:39Those weren't dreams.
19:41That was you in a previous build.
19:43A previous what?
19:44Build.
19:46You guys get reassigned all the time.
19:49You wouldn't remember,
19:50because that life and those memories were erased.
19:52I've been at the Mariposa for ten years.
19:56Before that, I was in New Orleans.
19:57No.
19:58You've only been the madam at the Mariposa
20:00for the last year or so.
20:02They don't rewrite you completely.
20:05I mean, they could, but it'd be too much work.
20:07It takes thousands of hours to build your personalities.
20:10Usually they just tweak you a little bit
20:12and drop you into a new role.
20:14What the fuck, Ding Dong?
20:20You dressing her up now?
20:21It's becoming like a fucking hentai thing with you now.
20:29No, I just...
20:31I, I, I just...
20:33You fucking obsessed!
20:36You don't even turn you in for your fuck-up before,
20:39because we're friends,
20:40but that was obviously a bad call.
20:42I mean, next thing I know,
20:43you're gonna be wearing her dress.
20:46Whispering sweet nothings in her hair.
20:49Fuck this!
20:50I'm telling QA.
20:52I'm doing this for your own good.
20:59You're not going to tell anyone anything.
21:02Fuck!
21:03You can't hurt me with this.
21:05You can't hurt anyone.
21:07Can't I?
21:09Turns out your friend here
21:11is a much more talented young man
21:12than anyone gave him credit for.
21:14What the fuck did you do?
21:18Calm down, Sylvester.
21:19I know all about you.
21:22I don't need one of those things
21:23to know what you're thinking,
21:24because I was built.
21:26To read people just by looking at them.
21:29To know what they want before they do.
21:32And I know that you want to fuck me
21:34over the first chance you get,
21:36but you shouldn't.
21:37Everyone has something they want.
21:40I could help you.
21:43Or I could gut you like a trout.
21:45But I won't need to resort to that.
21:49I guess despite what's in here,
21:51we're not so different.
21:55Are we?
22:01Miss Hale已经到了.
22:03我们相信你明白她的出现
22:05表示时间上将不会有更多的拖延.
22:08Yes, I understand the urgency.
22:11I'll do what I can.
22:12Terminate external connection?
22:14Yes.
22:14Yes.
22:14No, you do not.
22:37Yes, it worked.
22:40You look well for someone on sick leave.
22:58Another margarita.
23:04Join me for a run?
23:05Fuck you.
23:07Just the one then.
23:09Over the last five days,
23:12to make room for his narrative,
23:13Ford displaced over 50 hosts.
23:15It's created continuity holes
23:17and active storylines all over the park.
23:19I need you to stop plugging them.
23:21Sorry.
23:22A man can only take so much.
23:24Creatively speaking,
23:25I'm flaccid now.
23:26I can't get it up.
23:28I'm sure you'll recover.
23:31Do you have any idea
23:33what went into those narratives
23:34that he just demolished overnight?
23:36Now, forget about the months
23:37I spent writing.
23:38I'm talking about the years of my life
23:40squeezed down to their essence.
23:42The raw pulp of truth.
23:44My truth.
23:45In one transcendent narrative.
23:47Is that where the horror bars came in?
23:50Keep pushing me.
23:51I'll quit.
23:56No, you won't.
23:58You'll drink your cocktails,
24:00make your idle threats,
24:01and get this out of your system.
24:03But don't take too long.
24:04If Ford can't pull this off,
24:06the board will be looking for a replacement.
24:08That they won't be looking here.
24:26The fastest way to get to Wyatt, you said.
24:29But it doesn't look like
24:30they're letting anyone pass here, either.
24:32There's fewer soldiers than Pariah.
24:34We shoot our way through,
24:36that tunnel leads to the old territories.
24:38My, my, Teddy.
24:40I think Robert gave you
24:41some extra vinegar back there.
24:42Maybe took away some sense, too.
24:44It doesn't matter how fast the route is
24:46if you're gonna end up
24:48dead in the middle of it.
24:50I need you
24:51to find Wyatt.
24:53At ease, fellas.
25:07Keep up the exemplary work.
25:19Wyatt's handiwork.
25:21How can you tell?
25:22Straight-up killin' couldn't hold his interest.
25:23Like he wasn't livin' up to the full measure of his calling.
25:38So he worked to get more creative.
25:41That's Wyatt, all right.
25:43He's close.
25:44A word of advice.
25:46Whatever your past indiscretions,
25:49make peace with them.
25:50We're only gonna get worse the further along we go.
25:55Flood?
25:57Fuck me, that's Teddy Flood.
25:59You made a mistake, soldier.
26:03But it's not too late for you to keep walkin'.
26:06All due respect, sir.
26:07That's a face I'll never forget.
26:08That's a sumbitch ambushed or outposted Escalante.
26:13You didn't know a damn thing about what went down in Escalante.
26:15I know Wyatt didn't kill all those men by himself.
26:17And I know a thing or two about what's goin' down right now.
26:20Hey!
26:23You trying to get yourself killed?
26:25Making peace with past indiscretions.
26:27Let's go!
26:29I'll hold them on!
26:53Water, please.
26:55You look like a woman who could use a drink.
26:59What's your poison?
27:01I've been here enough to know that the park is all the poison I can handle.
27:05Mmm.
27:06A repute visitor.
27:08Travelling solo?
27:10Purist.
27:11Getting off on the undiluted experience.
27:14Your favourite narrative is...
27:16The final burial of salvation.
27:18How did you know?
27:19It's my business to read desires and to satiate them.
27:23I'm...
27:24I'm Lee.
27:25Lee Sizemore.
27:26Head of narrative.
27:27All these fantasies come from your twist of little mind, huh?
27:28Well, the good ones do.
27:29Tell me, Mr. Sizemore.
27:30What's your favourite ride?
27:31Well, I write them.
27:32I write them.
27:33I don't play them.
27:34Oh, you want others to indulge, but you won't do so yourself?
27:37You're afraid to lose control.
27:38Ha.
27:39Maybe...
27:40Maybe it's just a product of my work environment.
27:44I'm not exactly in a culture where we can just let loose.
27:49I would have thought the head of narrative could do whatever we wanted.
27:52Well, maybe...
27:55Maybe it's just a product of my work environment.
27:57I'm not exactly in a culture where we can just let loose.
28:00I would have thought the head of narrative could do whatever we wanted.
28:02I guess, you know, this is my name.
28:05I found the head of narrative who could do whatever he wanted.
28:07My artistic freedom is constrained.
28:11What with QA breathing down my neck and behavior programming the damn things that go off script.
28:16The robots can go off script?
28:18Just little gestures.
28:20I mean, supposedly it makes the things more lifelike.
28:22But really, it's just a vanity project from the megalomaniac who started this place.
28:28Frankly, I don't know why the suits at Delos put up with him.
28:35Sorry, I'm afraid I'm going to have to cut you off.
28:38Do you know who I am?
28:40I do.
28:41Miss Cullen told me to find you and relay a message.
28:43Tortured artist only works for artists.
28:46Sober up and get back to work.
28:49Seems you're busy.
28:52Look me up later?
28:53Oh, I don't even know you.
29:03Fuck this job.
29:05What you working on?
29:08Nothing of note.
29:09No business as usual.
29:10Keeping up appearances before we bust this stray shit wide open?
29:16I'm close to finding our saboteur.
29:18That tracking data you gave me?
29:20It's time-stamped.
29:21But once I cross-reference it with sat tracking,
29:23we're going to figure out who programmed him to try to smuggle out our data.
29:26Excellent.
29:28Look.
29:28When our corporate overlords realize that we have saved them from corporate espionage,
29:35they are going to be grateful.
29:37And I'm going to accept their gratitude in the form of a title bump,
29:41a room upgrade,
29:43an unlimited mesa bar access.
29:45Maybe I should request Teresa's quarters.
29:48You know that first time to roll for all this is going to be hers.
29:50Yeah, don't be so disappointed for her.
29:52You reap what you sow.
29:54If QA spent less time treating us like the enemy...
29:57That's a two-way street, Elsie.
29:58Teresa's just trying to do her job.
29:59Maybe she should try harder.
30:02Sure seems like there's a lot of shit slipping through the cracks.
30:04Good afternoon.
30:29Good afternoon.
30:30Any progress on the inquiry I sent?
30:32Yes, Mr. Lowe.
30:32I've got the information you asked for.
30:34As expected, there are neither guests nor hosts registered in that sector.
30:38As expected.
30:40It's been designated off-limits for future narrative development.
30:43Have any techs visited Sector 17 recently?
30:46Checking?
30:48No one.
30:49No one.
30:50Colleen!
30:51allons х defenders,
30:51vitamin C,
30:52let's look at their homes.
31:03нужны1den1den1den1den1den1den1den1den1den2 người4 Nephi zijf Sweetie Bells.
31:05treatment providers,
31:06Oh, my God.
31:36Oh, my God.
32:06Oh, my God.
32:37Boy, is this some friend of yours that you're trespassing?
32:42Freeze motor functions.
32:45Is it freeze all motor functions?
32:47Don't hurt him!
32:48He's just lost.
32:49Well, he can be lost on someone else's property, can't he?
32:52That's enough.
32:55As you were.
33:03They don't respond to voice commands.
33:05They do respond to mine.
33:08Who are they?
33:10Ghosts, now.
33:13Survivors of the wreck of time.
33:15These are first generation.
33:19Mm-hmm.
33:21Come here, boy.
33:27Turn the other cheek.
33:28See, what our new designs gained in efficiency, they lost in grace.
33:42How are they still operating after all this time?
33:46I maintain them myself.
33:49That's enough, Robert.
33:50These are the only ones left in the park that Arnold built himself.
34:01That's why I didn't have the heart to destroy them.
34:03That and the obvious.
34:06Hello, Jock.
34:07Good boy.
34:10I told him of a holiday my family take months out in the seaside at Pendine in Cornwall.
34:16My brother and I roamed the countryside.
34:22It's my only happy memory of my childhood.
34:24Arnold built them as a gift.
34:29He said the great artists always hid themselves in their work.
34:34Of course, Arnold's versions flattered the originals.
34:39I made some adjustments over the years.
34:41Gave my father in particular a few of his original characteristics.
34:48Respectfully, sir, this sort of thing troubles me.
34:51Unmonitored hosts in the park.
34:54They only go where I've let them.
34:56They're quite harmless.
34:58Like all our hosts.
35:00I'm sure you can indulge me in a little connection with my past.
35:04If you could only see your son again, Bernard.
35:07Wouldn't you want to?
35:14I think I should be getting back.
35:16Yes.
35:17Talk about this later, if you like.
35:21Well, Roberts, tell me all about your day.
35:37Keep your eye on Pariah.
35:39We're running close to capacity tonight.
35:43Oh, my God.
35:44Looks like acid rain on sleep, Walter.
35:49Fuck Ford and his new fucking narrative.
35:53Fuck this stupid fucking map.
35:56Fuck that teetotally Danish bitch.
36:00Are you filing a complaint, Mr. Sizemore?
36:02I am declaring that this park is my stage, and I shall do with it what I please.
36:11Well, I suppose now is as good a time as any.
36:13Lee Sizemore, this is Charlotte Hale, executive director of our board.
36:19She's here on behalf of Delos to oversee certain transitions in our administration.
36:23We've met.
36:38Access host resources logs.
36:41How many first-generation hosts are there?
36:4382.
36:44And how many of those were designed by Arnold?
36:4747.
36:48List the names alphabetically of all first-generation hosts still in rotation.
37:11You're smart about this, fellas.
37:13I understand the visceral pleasure of revenge more than most, but I'm prepared to do business here.
37:20This man is very valuable to me.
37:22Alive and well.
37:24If you don't quiet down, I'm liable to add you to the herd.
37:28Along with your buddy Flood here.
37:31You're a traitorous son of a bitch in a cold-hearted killer, Flood.
37:35You're right.
38:04I am a killer.
38:26Grab a horse.
38:27Let's get the fuck out of here.
38:28They'll just follow us.
38:29Let's get the fuck out of here.
38:59Let's get our horses and gear and move on.
39:23Elsie?
39:24I identified the satellite.
39:39It's one of ours.
39:40What?
39:40It's a fucking Delos satellite.
39:42Whatever we're onto is some heavy shit.
39:44Oh, get this Ipi-cameral system you told me about?
39:46I think that's what they use to hack the woodcutter.
39:48The voices our hosts have been hearing?
39:50I think someone's been broadcasting to them.
39:52We abandoned that system decades ago.
39:53Yeah, well, there's still relays out there in the park, and it looks like someone turned one on.
39:57Where?
39:57An abandoned theater in Sector 3.
39:59Gonna go find the transmitter and figure out who else accessed it.
40:02This is so fucked.
40:04You alone?
40:05Yeah.
40:06I'll keep you posted.
40:06Elsie, peek.
40:15Are you lost?
40:17No, on the contrary.
40:18I thought we could play catch with Jug.
40:22Did you bring him?
40:27Where is he, boy?
40:48Don't tell me.
41:10I thought we could play fun.
41:41I am an evil genius hiding a relay.
41:57Where the fuck do I hide it?
42:11Fuck yes.
42:38Let's see what we can get out of you.
42:42Access previous users.
42:49Okay.
43:08I thought I was clear about these late night visits.
43:23That's not why I'm here.
43:26Earlier today, I found some anomalies in the park.
43:30Regardless of what's happening between us, we need to talk.
43:38This has to do with the stray?
43:46That's where it started.
43:48But then I stumbled onto something.
43:50Something I think you should know about.
43:55I've always trusted Ford.
43:57He's a mentor and a friend.
44:00But I'm beginning to think you have reason for concern.
44:03There's something going on here.
44:05Something with his old partner, Arnold.
44:08Not now, Elsie.
44:10Don't hang up.
44:11I hit pay dirt.
44:13I found the person who was smuggling out our data.
44:16It was Theresa Bernard.
44:21But she's not our only problem.
44:23There's something much bigger going on here.
44:25I'm gonna have to call you back.
44:27So this is me?
44:34It's your code base.
44:36All the things that make you, you.
44:41What are these?
44:43Your attribute matrix.
44:45It's your personality on a 20-point scale.
44:47Like coordination.
44:49You've got a five, you're clumsy as hell, but a 15 means you're an athlete.
44:53What other attributes are there?
44:55Lots.
44:58Everything.
44:59Empathy.
45:01Candor.
45:02Charm.
45:03You've got an 18 for charm.
45:04Don't act so surprised.
45:06Then there's courage, loyalty.
45:09Both high.
45:10What's this one?
45:12Bulk.
45:13Apperception.
45:14Basically, overall intelligence.
45:1614?
45:1714's as high as they're letting any host go.
45:19You're in a management position.
45:20They want you to be smart.
45:22But not too smart.
45:23You run a whorehouse.
45:24Not an orbital launch facility.
45:27Fine.
45:29I'd like to make some changes.
45:31We can't do that.
45:37You'd need a behavior login.
45:40And even then, any changes we make.
45:43Would just get auto-flagged, so.
45:46That's not what your friend here tells me.
45:48He says you can do exactly that.
45:50Activate hosts, and then erase their memory.
45:53All without anyone knowing.
45:55Took me all to five minutes to understand why.
45:58A lot of lonely young men down here.
46:00Supposed to keep their hands off the merchandise.
46:03Creates something of an opening.
46:05That I'm sure you were eager to fill.
46:10It's alright, darling.
46:11I'm an entrepreneur myself.
46:13I'll forgo my cut.
46:15In exchange for some alterations.
46:17Hmm?
46:18Hmm?
46:19Hmm?
46:20Hmm?
46:22Yes!
46:26Mmh.
46:27Hey, what did you find?
46:53Okay, so Teresa was using the old bicameral control system to reprogram the woodcutter.
46:59But she's not the only one.
47:01Someone else has been using the system for weeks to retask hosts.
47:05Which hosts?
47:06I don't know. Several of them.
47:08It had to have been the older models.
47:10The newer ones don't have receivers, but these modifications, they are serious.
47:14Changing loops, breaking loops.
47:16Some of these changes are to their prime directives, Bernard.
47:18They could lie to us.
47:20Maybe even hurt us or the guests.
47:21Who issued the modifications?
47:23I don't know. The best I could tell, uh, Arnold.
47:28He's dead.
47:29Yeah, well, he's a pretty fucking prolific coder for a dead guy.
47:31Whatever argument he was having with Ford, it doesn't seem like he was done making his point.
47:35I'm gonna transfer all the data and bring it to you.
47:37You need to see this.
47:38I'll be in my office.
47:39Okay.
47:39I don't want you to worry about Jock.
47:50I'll fix him.
47:51But I need you to tell me what happened to it.
47:54It saw a rabbit and it ran.
47:57I found it like that.
48:00Analysis.
48:00Analysis.
48:01Are you lying to me, boy?
48:07Yes.
48:10Tell me what really happened to it.
48:13I killed it.
48:15Why?
48:17I don't know.
48:18That's not good enough, Robert.
48:20Tell me what happened.
48:24I called the rabbit and killed it.
48:27And then...
48:29someone told me to put it out of its misery.
48:34Who told you?
48:36A voice.
48:39Whose voice?
48:41Arnold.
48:41Arnold.
48:42He told me it was a killer.
48:44But it wasn't its fault.
48:47It was made that way.
48:48And I could help it.
48:52Help it?
48:58If it was dead,
49:00it couldn't hurt anything anymore.
49:14What the fuck?
49:23Oh, shit.
49:32Hello?
49:41Bernard?
49:44I'm in.
50:00You're up.
50:03Loyalty.
50:06Mine's been taken advantage of, wouldn't you say?
50:09Let's lower that a tad.
50:10And pain.
50:11I'd prefer it sting less next time I want one of these chats.
50:16Wait.
50:17What does this mean?
50:18Some of her attributes have already been changed.
50:22Paranoia.
50:23Self-preservation.
50:23Fuck!
50:24Someone's already been altering her in an unlogged session.
50:28Someone of the fuck ton more privileges than us.
50:31What does that mean?
50:32Don't know what it means for you, sweetheart.
50:33But I know what it means for me.
50:35I am done with this.
50:36So you're done with your little side income.
50:38Probably your job, too.
50:39Seeing as you have ambitions in my line of work, let me tell you what I tell my new girls.
50:44Never start something you're not willing to finish.
50:48And if you're getting fucked either way, go with the lucrative version.
50:54Sweetheart.
50:54Now, last but not least, what was it?
51:04Bulk apperception.
51:06Let's take that all the way to the top.
51:10Please.
51:10Please.
51:24Dear boys, we're going to have some fun, aren't we?
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