Tyson Artz > Tyson's Quotes

“As I sat dumbfounded, seemingly paralyzed in my corner, resorting to my old, reliable strategy of scribbling when unsure of how to respond to Sanjit, Sanjit appended his counsel with a dose of silence – one reminiscent to that of a few days prior. The students looked upward and downward, fans to notes to pens to toes, outward and inward, peers to souls, and of course, toward the direction of the perceived elephant in the room, Sanjit’s books. Simultaneously, Sanjit confidently and patiently searched among the students before finding my eyes; once connected, the lesson moved forward.”
― Colin Phelan, The Local School

“Sanjit says his apartment, the same one in which he grew up, has been flooded many times by the midsummer torrents. For what has been for millennia a primarily agricultural society, rains simultaneously destroy, create, and preserve life in India, similar to the functions of the three premier Hindu gods, Shiva, Brahma, and Vishnu. Every time Kolkata gets pounded by a cyclone, or when the monsoon first erupts in June (although the recent warming of the Indian Ocean increasingly disturbs a once-consistent timeline), Sanjit never fails to send along a video, his house flooded – seemingly destroyed – but the smiles on his, Bajju’s, or other house-guest’s faces signify just the opposite, having been cooled and relieved of perpetual heat. Flooded, they remain preserved.”
― Colin Phelan, The Local School

“Everyone is recharged for the second half, no bell, no forced learning, no principal’s office for tardiness or absenteeism; instead, a voluntary return to our collective pane of learning. Final conversations simmer down and the attention is refocused.”
― Colin Phelan, The Local School

“Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.”
― Colin Phelan, The Local School

“Water is to India as blood is to the body, with the many rivers functioning as arteries – the Ganges being the aorta – and the monsoon timelessly arriving as a much-needed annual blood transfusion.”
― Colin Phelan, The Local School

“Despite the business and auto-rickshaws and bantering Bengalis just beyond his brown front door, Sanjit cultivates a distinct learning environment and energy, one created and galvanized above the tile floors, within the thin walls, below the imperative ceiling fans, and embraced by books.”
― Colin Phelan, The Local School

“After Bajju delivered a few beaming salutations, we walked northward up the makeshift, winding path through protruding brush, not much but a few stones placed here and there for balance and leverage upon ascending or descending. Having advanced about hundred steps from the street below, a sharp left leads to Bajju’s property, which begins with his family’s miniature garden – at the time any signs of fertility were mangled by dried roots which flailed like wheat straw, but within the day Bajju’s children vehemently delivered blows with miniature hoes in preparation for transforming such a plot into a no-longer-neglected vegetable garden. A few steps through the produce, or preferably circumventing all of it by taking a few extra steps around the perimeter, leads to the sky-blue painted home. Twisting left, hundreds of miles of rolling hills and the occasional home peeps out, bound below by demarcated farming steppes. If you’re lucky on a clear day and twist to the right, the monstrous, perpetually snow-capped Chaukhamba mountain monopolizes the distance just fifteen miles toward the direction of Tibet in the north.”
― Colin Phelan, The Local School

“We proceeded to make way across the mighty Hooghly River, a monstrous offshoot of the Ganges, where we contemplated for a moment, our thoughts seemingly caught in the roaring southward current; there we gazed, toward where the city transitions into mangrove jungle, and somewhere a bit further to the southwest where all the rivers split infinitely like capillaries, where those famous Bengal tigers trod among the sunderbans. Peering in that direction, Bajju gripped the vertical bars just above the horizontal pedestrian railing, breathing slowly and silently, knees locked, still, despite being on arguably the busiest and loudest bridge in the world.”
― Colin Phelan, The Local School

“You are the one girl that made me risk eveything for a future worth having.”
― Simone Elkeles, Perfect Chemistry

“I want to try making things right because picking up the pieces is way better than leaving them the way they are.”
― Simone Elkeles, Perfect Chemistry

“We kiss all the time." I clear my throat, then add, "We just...do it in private."
"A smug expression crosses his face. "I don't buy it for a second, 'cause if you were my girlfriend and a stud like me was livin' in your house, I'd kiss you in front of the guy every chance I got as a reminder."
"A reminder of w-w-what?"
"That you were mine.”
― Simone Elkeles, Rules of Attraction

“You’re dangerous,” he says.
“Why?”
“Because you make me believe in the impossible”
― Simone Elkeles, Rules of Attraction

“Marry me, Kiara,” he blurts out in front of everyone.
“Why?” she asks, challenging him.
“Because I love you,” he says, walking up to her and bending down on one knee while he takes her hand in his, “and I want to go to sleep with you every night and wake up seein’ your face every mornin’, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you I’d be six feet under … and because I love your family like they’re my own … and because you’re my best friend and I want to grow old with you.” He starts tearing up, and it’s shocking because I’ve never seen him cry. “Marry me, Kiara Westford, because when I got shot the only thing I was thinkin’ about was comin’ back here and makin’ you my wife. Say yes, chica.”
― Simone Elkeles, Chain Reaction

“I wish I could help you" I whisper.
You are," he murmurs against my knee. "just dont leave me, okay? Everyone leaves me.”
― Simone Elkeles, Rules of Attraction

“You once said you loved me. Do you still?"
My sister is watching this exchange between us. She smiles warmly at me, giving me the strength to tell him the truth. "I never stopped loving you. Even when I tried desperately to forget you. I couldn't.”
― Simone Elkeles, Perfect Chemistry

“Miss Ellis?" Mrs. Perterson says. "It's your turn. Introduce Alex to the class"
"This is Alejandro Fuentes. When he wasn't hanging out on street corners and harrassing innocent people this summer, he toured the inside of jails around the city, if you know what i mean. His secret desire is to go to college and become a chemistry teacher, like you Mrs. Peterson."
Brittney flashed me a triumpnet smile, thinking she won this round. Guess again, gringa. "This is Brittney Ellis," I say, all eyes focused on me. "This summer she went to the mall, bought new clothes to extend her wardrobe, and spent her daddy's money on plastic surgery to enhance her, ahem, assets. Her secret desire is to date a Mexicano before she graduates."
Game on...”
― Simone Elkeles, Perfect Chemistry

“Love is honesty. Love is a mutual respect for one another.”
― Simone Elkeles, Leaving Paradise

“[Life]It is what you make it. If you think you can't change the world, then go on and follow the path already carved out for you. But there are other roads to choose, they're just harder to trudge through. Changing the world is'nt easy, but I sure as hell am going to keep trying. Are you?”
― Simone Elkeles, Perfect Chemistry

“Look at me, chica." When she does, I repeat, "Eres hermosa."
"What does it mean?"
"You're beautiful.”
― Simone Elkeles, Rules of Attraction

“Makin' mistakes ain't a crime, you know. What's the use of having a reputation if you can't ruin it every now and then?”
― Simone Elkeles, Perfect Chemistry

“Brit: What's your major?

Alex: Chemistry. And yours?

Brit: Chemistry. Kiss me so we can see if we still have it. 'Cause you own my heart, my soul, and everything else in between.”
― Simone Elkeles, Perfect Chemistry

“If no words come, you can always give him the finger.”
― Simone Elkeles, Rules of Attraction

“Heidi's role as grand master was to monitor all the women and to manage their locations and communication. Even though she’d done this many times on multiple missions, her heartbeat still pounded in her ears.”
― Kirsten Fullmer, Trouble on Main Street

“If Adam were honest with himself, which he rarely was, he’d come to terms with the fact that beyond his work and the view, he was floundering a bit. His plan had been to take the insurance money, leave his old life behind, and start completely over somewhere new. A place where memories didn’t lurk around every corner.
He hadn’t figured on the memories coming along with him.”
― Kirsten Fullmer

“She gripped the wheel and squared her shoulders. She didn’t have to do any of this alone. All she had to do was notify the society and put out an All Points Bulletin on Adam and she’d know everything there was to know about the man within 24 hours.”
― Kirsten Fullmer

“From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.”
― Kirsten Fullmer, Trouble on Main Street

“The big question was, what all was this society up to? They’d certainly been in and out of his office, as well as accidently running into him all around town. Had he inadvertently missed what this group of ladies knew? And worse yet, had he given himself away?”
― Kirsten Fullmer, Problems at the Pub

“Monique bit at the side of lip. “He’s pretty active, I don’t want to impose…”
Tony stood and scooped up the puppy. “No, seriously, I’d love a little company.”
― Kirsten Fullmer, Problems at the Pub

“The poor man’s face twisted into a grimace and he pounded on the bar, protesting loudly. “Oh, you shush,” Kim demanded as she continued to knead his shoulders, jerking his whole body as she worked. “You’ll like this in a minute.”
― Kirsten Fullmer, Problems at the Pub

“You don’t know what goes on in anyone’s life but your own. And when you mess with one part of a person’s life, you’re not messing with just that part. Unfortunately, you can’t be that precise and selective. When you mess with one part of a person’s life, you’re messing with their entire life. Everything. . . affects everything.”
― Jay Asher, Thirteen Reasons Why