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    Camiseta oversize con la obra Hunter S. Thompson, diseñada y vendida por romeobravado
    ColorBlanco

    Hunter S. Thompson Camiseta oversize

    Diseñado y vendido por romeobravado
    29,99 US$
    25,49 US$ si compras más de 3 de cualquier diseño
    25,49 US$ si compras más de 3 de cualquier diseño
    Estilo
    Camiseta oversize
    Camiseta oversizeCamiseta gruesa oversize de cuello redondo
    Tamaño
    Emplazamiento del diseño
    29,99 US$
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    Características del producto

    • Camiseta ancha oversize premium de cuello redondo
    • Silueta unisex versátil para tus necesidades diarias
    • ¡Nuestro peso más pesado hasta ahora! Tela de jersey de algodón 100 % hilado en anillo de 7 oz de peso pesado, diseñada para mantener el corte boxy de la prenda
    • Hombros caídos con media manga holgada
    • Cuello de canalé con costura de una sola aguja en el borde
    • La imprenta independiente que imprime este producto ha sido evaluada de acuerdo con los estándares de la Organización Internacional del Trabajo.
    • La imprenta independiente que imprime este producto obtiene sus materiales de fabricantes que participan activamente en la Asociación para el Trabajo Justo (FLA por sus siglas en inglés).
    Imagen de la obra Hunter S. Thompson de romeobravado
    Hunter S. Thompson
    Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, and the founder of the gonzo journalism movement. Born in Louisville, Kentucky, to a middle-class family, Thompson had a turbulent youth after the death of his father left the family in poverty. He was unable to formally finish high school as he was incarcerated for 60 days after abetting a robbery. He subsequently joined the United States Air Force before moving into journalism. He traveled frequently, including stints in California, Puerto Rico, and Brazil, before settling in Aspen, Colorado, in the early 1960s. Thompson became internationally known with the publication of Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1967). For his research on the book he had spent a year living and riding with the Angels, experiencing their lives and hearing their stories first-hand. Previously a relatively conventional journalist, with the publication in 1970 of The Kentucky Derby Is Decadent and Depraved he became a counter cultural figure, with his own brand of New Journalism which he termed "Gonzo", an experimental style of journalism where reporters involve themselves in the action to such a degree that they become central figures of their stories. The work he remains best known for, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971), constitutes a rumination on the failure of the 1960s counterculture movement. It was first serialized in Rolling Stone, a magazine with which Thompson would be long associated, and was adapted into a film starring Johnny Depp and Benicio del Toro and directed by Terry Gilliam in 1998. Politically minded, Thompson ran unsuccessfully for sheriff of Pitkin County, Colorado, in 1970, on the Freak Power ticket. He became well known for his inveterate hatred of Richard Nixon, who he claimed represented "that dark, venal, and incurably violent side of the American character"1 and whom he characterized in Fear and Loathing on the Campaign Trail '72. Thompson's output notably declined from the mid-1970s, as he struggled with the consequences of fame, and he complained that he could no longer merely report on events as he was too easily recognized. He was also known for his lifelong use of alcohol and illegal drugs, his love of firearms, and his iconoclastic contempt for authoritarianism. He remarked: "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me." After a bout of health problems, Thompson committed suicide at the age of 67. In accordance with his wishes, his ashes were fired out of a cannon in a ceremony funded by his friend Depp and attended by friends including then-Senator John Kerry and Jack Nicholson. Hari Kunzru wrote that "the true voice of Thompson is revealed to be that of American moralist... one who often makes himself ugly to expose the ugliness he sees around him."2

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