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T-shirt classique avec l'œuvre Hunter S. Thompson créée et vendue par romeobravado

Aperçu de l'œuvre Hunter S. Thompson créée et vendue par romeobravado

Hunter S. Thompson T-shirt classique

Créé et vendu par romeobravado

23,99 $US

20,39 $US dès 3 acheté(e)s (designs au choix)

Style

T-shirt classiqueCoupe droite, col rond

23,99 $US

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Caractéristiques du produit

Un basique pour tous les jours, à assortir les yeux fermés.
Coupe carrée classique et confortable.
Tissu épais, les couleurs unies sont 100 % en coton pré-rétréci.
Le modèle mesure 1,88m et porte une taille L
La modèle mesure 1,60m et porte une taille S.
La modèle secondaire mesure 1,75 m et porte une taille M
Instructions de lavage : lavage à la main ou en machine à froid. Ne pas nettoyer à sec, blanchir, sécher au sèche-linge ou repasser sur l'imprimé.
Impression par une imprimerie indépendante conforme aux normes de l'Organisation internationale du travail.
Impression par une imprimerie indépendante qui s'approvisionne auprès de fabricants engagés à soutenir l'amélioration des pratiques de culture du coton par le biais de l'initiative Better Cotton.
Comme chaque article est fabriqué spécialement pour vous par votre fournisseur tiers local, il peut y avoir de légères différences dans le produit reçu

Hunter S. Thompson

Hunter Stockton Thompson (July 18, 1937 – February 20, 2005) was an American journalist and author, and the founder of the gonzo journalism movement. Born in Louisville, Kentucky, to a middle-class family, Thompson had a turbulent youth after the death of his father left the family in poverty. He was unable to formally finish high school as he was incarcerated for 60 days after abetting a robbery. He subsequently joined the United States Air Force before moving into journalism. He traveled frequently, including stints in California, Puerto Rico, and Brazil, before settling in Aspen, Colorado, in the early 1960s. Thompson became internationally known with the publication of Hell's Angels: The Strange and Terrible Saga of the Outlaw Motorcycle Gangs (1967). For his research on the book he had spent a year living and riding with the Angels, experiencing their lives and hearing their stories first-hand. Previously a relatively conventional journalist, with the publication in 1970 of The Kentucky Derby Is Decadent and Depraved he became a counter cultural figure, with his own brand of New Journalism which he termed "Gonzo", an experimental style of journalism where reporters involve themselves in the action to such a degree that they become central figures of their stories. The work he remains best known for, Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream (1971), constitutes a rumination on the failure of the 1960s counterculture movement. It was first serialized in Rolling Stone, a magazine with which Thompson would be long associated, and was adapted into a film starring Johnny Depp and Benicio del Toro and directed by Terry Gilliam in 1998. Politically minded, Thompson ran unsuccessfully for sheriff of Pitkin County, Colorado, in 1970, on the Freak Power ticket. He became well known for his inveterate hatred of Richard Nixon, who he claimed represented "that dark, venal, and incurably violent side of the American character"1 and whom he characterized in Fear and Loathing on the Campaign Trail '72. Thompson's output notably declined from the mid-1970s, as he struggled with the consequences of fame, and he complained that he could no longer merely report on events as he was too easily recognized. He was also known for his lifelong use of alcohol and illegal drugs, his love of firearms, and his iconoclastic contempt for authoritarianism. He remarked: "I hate to advocate drugs, alcohol, violence, or insanity to anyone, but they've always worked for me." After a bout of health problems, Thompson committed suicide at the age of 67. In accordance with his wishes, his ashes were fired out of a cannon in a ceremony funded by his friend Depp and attended by friends including then-Senator John Kerry and Jack Nicholson. Hari Kunzru wrote that "the true voice of Thompson is revealed to be that of American moralist... one who often makes himself ugly to expose the ugliness he sees around him."2