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Bon Odori is the meeting point of Patrick Shiroishi's sax physicality and Randall Taylor's (Amulets) deeply intense ambient textures.
Kimyō was built at a distance, trading sounds and loose ideas over a few weeks. The music breathes unevenly—heavy chord changes, irregular rhythms, distorted guitar—collapsing finally into one dense, imploding mass. Brief, collective and quietly overwhelming.
