Mike How
Beautiful ambient soundscapes. Surely one of the best albums of the year in this vein with an inspired concept and stacked list of contributors! Each track is like the rotation of a microscope to reveal a new dimension worthy of inspection.
JLP
Hypnotic, contemplative, and surprisingly pleasant despite its dark theme, this recalls the upbeat and ironic chanting at a funeral described by Chuang Tzu. “You have gone back to your true self while we remain as men! Alas! Alas!”
Favorite track: Ways to Be Remembered (feat. Kallie Lampel).
yourcolleague
the concept and the sounds on here fit so well. I love how every track is so different, really highlighting the decomposition phase they each tackle.
Favorite track: Bloat (feat. Haruhisa Tanaka).
Miles Egan
There are some really lovely soundscapes here but it's not afraid to use tension and dissonance to build a richer narrative.
Favorite track: Worms In (feat. Laraaji).
ghosttropics
When I was a child, there was a rabbit that had fallen into the window well by the door of my childhood home and died. Every day when I passed by I'd see this once recognizable form slowly turn into something unfamiliar. This memory stuck with me all my life and i think it was the first time I grappled with the concept of impermanence. I find this album comforting, a reminder that death and life are intertwined and that the things we look away from can still hold beauty and meaning.
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Includes three cassettes:
✨ Julius Smack - Starlight
🥀 Saapato - Decomposition: Fox on a Highway
❄️ Strategy - A Cooler World
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While working a job that required frequent drives between Philadelphia and a remote warehouse to sort furniture, Brendan Principato, the artist behind the project Saapato, noticed a fox on the side of the highway that had been struck dead by a car. Its vibrant red coat stood out against the asphalt. Day after day, the fox remained there, gradually transitioning from serene lifelessness to an unrecognizable state, a haunting reminder of nature’s cyclical processes.
This encounter sparked a year-long exploration of decomposition—not merely as a biological process but as a metaphor for transformation, interconnectedness, and renewal. The result is Saapato’s forthcoming album, a deeply conceptual project inspired by the five stages of decomposition: fresh, bloat, active decay, advanced decay, and dry/remains. In researching decomposition, Principato learned about the intricate network of factors that drive it: animals, bacteria, fungi, temperature, moisture, and time. Recognizing the inherently interwoven nature of these forces, he chose to mirror this interplay in the music. What began as a series of foundational “skeleton tracks” that Principato produced quickly evolved into a collective endeavor, with a wide array of guest musicians and sound artists contributing additional processing and instrumental textures to Principato's source material. These collaborators act as symbolic “decomposers,” breaking down and reshaping the sonic landscape to create an altered final form of the music found across the album.
The album features contributions from an extraordinary roster of artists, including Laraaji, Shuta Yasukochi, Loris S. Sarid, James Bernard & marine eyes, KMRU, Diatom Deli, Haruhisa Tanaka, Ki Oni, Green-House, Golden Brown, Early Fern, Gregg Kowalski, Kallie Lampel, Ben Seretan, Patricia Wolf, and Nailah Hunter. Each artist adds their own unique perspective, resulting in an evolving, organic soundscape that captures the delicate balance of creation and decay.
The result is not only a sonic journey but also a philosophical meditation on the interconnectedness of life, death, and renewal. In the process of decomposition, nothing truly disappears—everything transforms, sustains other life, and/or persists in some form. This ethos permeates each moment of the album, inviting listeners to reflect on the beauty of impermanence and the cycles that shape all living things.
credits
released March 25, 2025
Written, Recorded & Mixed by Saapato
Rewritten, Rerecorded, Remixed, Reworked, Decomposed, Destroyed, Changed, Shifted, & Morphed by all of the contributing "decomposers"
Mastered by Chuck Johnson
Cover Art and Layout by Taizo Watanabe
Improvised in a single stunning take, the compositions on “Symphony No 1: Winter” are hypnotic and enveloping sheets of sound. Bandcamp New & Notable Jan 9, 2023
supported by 53 fans who also own “Decomposition: Fox on a Highway”
we're all beside a wooded creek, laying on this silken mossy chord, listening as leaves tumble down in succession. the pond nearby catches each leaf and we sync our thoughts using the chain of ripples in the water. thanks a lot for this one. recommended for relaxation or when it just gets to be too much out there Ews Nsj