amyr_tolkyat
i cant listen to the magician without sobbing my eyes out. a 10/10 album no skips not a single moment on this album isnt perfect.
Favorite track: The Magician.
StrangeFlow
Holy holy! Did not expect the singer of Black Midi to take it to another level - but he obviously did! This record is kind of overdose - hard to imagine, how someone at that age can write such sophisticated and yet strange music - very entertaining progressive music with lots of Rock and Latin elements, but not settling anywhere at all. The album title kind of nails it - and that's an accomplishment in these modern days.
Favorite track: As if Waltz.
jawznclawz
simultaneously sounds unlike anything i've ever heard before yet feels like music that has been with me forever. makes my heart feel soggy. god i'm greepin it
Favorite track: Holy, Holy.
“Music can be so much more than learning to play the same as everybody else. It can be anything you want. With recording The New Sound, it was the first time I have had no one to answer to. Being in a band (black midi), we often have this ‘we can do everything’ feeling, but you are also kind of limited in that approach, and sometimes it's good to do something else, to let go of things.”
Geordie’s debut solo album boasts a brand of high quality, all-embracing alternative pop fun not heard in a very long time, walking the line between the ridiculous and brilliant with a teflon-coated aplomb.
How the record came about is a thing to marvel at. Over thirty session musicians were involved in its making, on two continents. Greep says, “Half of the tracks were done in Brazil, with local musicians pulled together at the last minute. They’d never heard anything I’d done before, they were just interested in the demos I’d made. The tracking was all done in one, maybe two days.”
The spirit of Greep’s increasingly febrile and furtive soliloquies simultaneously calls to mind both Frank Zappa and Frank Sinatra, with a healthy dash of Scott Walker sprinkled throughout.
The instrumental title track is a jazz-funk workout that could double as a soundtrack for a TV series or the intro music for a Broadway musical. Brass, wah-wah pedal and bass stabs, choruses and polyrhythms, all fizz and tumble around the place creating a sense of excitement and expectation. Tracks often oscillate from whispers to shouts, and start and end on a bang.
The stories themselves act as a shopping list of the Active Male Imagination. A series of vignettes, where Geordie Greep plays the role of emcee and conductor. The characters we hear from are engaged in wild fantasies and situations in which they inevitably falter. “The main theme of the record is desperation; someone who is kidding themselves that they have everything under control, but they don’t.” Here Greep gives color to a set of imaginings which include cannibalism, being boiled alive, and a woman giving birth to a goat.
Street life is all around The New Sound: the listener is thrown into a world of cafes, bars, rented rooms, cabarets and strange museums. Here we see our heroes carry out a series of naughty assignments, military cosplay or socio-economic triumphs. The lines between parody and sermon are often blurred. The urbane romantic fantasy of single ‘Holy Holy’ tells the story of an imaginary liaison in a nightclub, soundtracked by ’noughties indie chords and bravura Latin big band arrangements - including a three-piano attack.
What next?
“My plan is to ‘do a Keith Jarrett thing’, have a different group of session musicians in a different place and lean into the fact that we’re not going to get it the same.”
How can anything ever be ‘the same’ with Greep at the helm?
credits
released October 4, 2024
2024, Geordie Greep under exclusive licence to Rough Trade Records Ltd
supported by 689 fans who also own “The New Sound”
Entirely familiar and entirely new at once, this is a record which succeeds where late era Radiohead fails. Incorporating some of the direction from Cam's solo project paid off big time, and Getting Killed is worth 110% of the hype. cypsee
supported by 667 fans who also own “The New Sound”
This and Hellfire definitely catched me off guard. Chaotic and moving, a cascade of notes and looming silences in between.
I never thought one day I would have listened to King Crimson having a merge with Frank Zappa, liquefying together inside my ear drums blasting jazz all over.
I'm late to the party but it doesn't matter the slightest, it's the best thing I've heard in quite some time. JB