Badman Killa Quotes Quotes
Quotes tagged as "badman-killa-quotes"
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“Haters hold onto the lies they tell themselves just to feel good. But you keep shining because that's what you're good at and it is that matters.”
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“Think through your actions before you introduce shenanigans against your opponent in the name of politics. It can come back around to haunt you in your pursuit of justice or otherwise.”
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“Clemo, Nonini, Jua Cali wakianzisha Genge, ilishika but hawakuwa na clear plan. Now it's dead and burried with Mejja as the only survivor mwenye hata aliachana na Genge anafanya Kalpop sasa.”
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“Clemo, Nonini, Jua Cali started the Genge, it hit but they didn't have a clear plan. Now it's dead and buried with Mejja as the only survivor who even left Genge and is doing Kalpop now.”
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“In as much I would want to sympathize with Jalang’o, Tom Ojienda, Caroli Omondi, Elisha Odhiambo and gang for being dumbed by my party ODM, their behaviour and attitude was unbecoming. And in my Baba’s house there are many rooms.”
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“Similarly, despite the efforts by production houses, media, and fans to support local content, Kenyan music was not growing for many reasons including conmanship in the entertainment industry. We had Promoters (they still exist) who had decided to make money from the sweat and blood of artists. Then the Music Copyright Society of Kenya came and ruined everything despite having elected some artists to the management board hoping they would do something different. They ended up being the most prominent scam artists ever proposed in the history of Kenyan entertainment. (In the article "From Curiosity to Creation: The Birth of Kalpop")”
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“Dating is like a game without a rule book—every move is a gamble, every strategy uncertain. Yet, it's in the unpredictability that the magic of connection or disconnection unfolds.”
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“I affirm my belief in God through personal testimony. However, some institutions seem driven by selfish motives, masquerading as religion or denominations. I advocate for a personal connection with God, respecting divine sanction. #Klassikanity”
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“Apparently, some businesspersons believe their success depends on the 'happiness' of their little CEOs. Newsflash: Real success is in the boardroom, not the bedroom.”
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“Life is a juggling act, and balance is the magician's wand that keeps all the chaos up in the air with style.”
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“Dealing with manipulative baby mamas is like playing chess with someone who wrote the rulebook and keeps moving the pieces when you're not looking. Checkmate, drama queen.”
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“Being a Klassikan transcends mere appearance; it emanates from the depths of one's soul. It is from this profound essence that we radiate our true identity to the world.”
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“Success is not merely a leap of faith, but a culmination of meticulous preparation. The depth of your readiness determines the quality of your ascent.”
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“Experience is the professor who never gives pop quizzes but always delivers the most memorable lessons.”
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“Fear: the ultimate overprotective friend who always shows up uninvited, overstays their welcome, and never fails to ruin a perfectly good time.”
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“Fear: the overrated security guard of life, always shouting 'danger!' but conveniently absent when you actually need it to pay the bills.”
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“Fun fact: Other than the Red Indians, who really has a right to claim American citizenship? I mean, if we’re handing out countries based on "first come, first served," most of us would be homeless.”
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“Preamble
The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before.
The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever.
The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting.
But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers.
Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.”
― Klassik Era: The Genesis
The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before.
The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever.
The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting.
But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers.
Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.”
― Klassik Era: The Genesis
“Legends and mythology have always played a vital role in shaping the identity and cultural heritage of civilizations. The Klassikan Empire is no exception, as it is steeped in a rich tapestry of mythical tales and folklore that have been passed down through generations.”
― Klassik Era: The Genesis
― Klassik Era: The Genesis
“Kalpop isn’t just a genre; it’s the pulse of Africa’s heartbeat, a hymn to our past, and a vision for our future.”
― Klassik Era: The Genesis
― Klassik Era: The Genesis
“When the establishment chooses you, it's politics; when the people choose you, it's a movement.”
― Words of a Klassikan
― Words of a Klassikan
“Leadership isn’t about flexing muscles in the mirror — it’s about leaving fingerprints on the future. Real Dons don’t shout commands; they walk in silence and still get followed.”
― Words of a Klassikan
― Words of a Klassikan
“The Freedom of Kenya wasn’t won by one tribe, yet some keep editing the script for profit. Until we unlearn that myth, compensation will always fund a falsehood.”
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