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Cake day: March 13th, 2024

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  • Yeezus.

    No song alone reaches a 10/10, except maybe 1, but taken as a whole, the album is a 10/10 experience. The album is essentially alone in it’s own subgenre of hip hop. Everything that came after has been influenced by it, or more accurately, influenced against it. Often regarded as a work of minimalism, but that is a mistaken notion. The album has more in common with architecture, specifically brutalist architecture.

    Lyrically, the album is unfinished. Almost all of it is first drafts and sketches of lyricsz but Kanye seems to have taken influence from Thom Yorke here in the sense that the words don’t matter, only the sounds they make and how they fit into the sonic realm he and Mike Dean were creating. Kanye would never make as good an album again, and while being a perfect album, everything released after expanded only on the albums weaknesses and not his strengths. He has not released a single album I rank higher than a 7/10 since, and I am incredibly doubtful he is capable of making anything this good again. But he still made this album.

    Some people say this was his response to EDM and dubstep, and while I think that it may be true, at least in the sense that it foretold he was moving in the direction of responding to trends instead of creating his own, the album is too alienating for people looking for a dance record. This is not that. The EDM conventions are distorted and then stripped away to reflect an unquiet suffering mind. This is not an ecstasy trip, it is a memory of an ecstasy hangover.