Nqobani T
A South African modern gem! Gives you a glimpse of the vibrant Black Music scene in the country. Honouring tradition and also moving it forward.
Favorite track: Dikeledi.
Crinklechips
A really interesting selection of modern jazz from South Africa. Its opened my eyes to artists I’ve never heard of. Particularly Thandi Ntuli. Love the artwork too.
Favorite track: Dikeledi.
A1 Bokani Dyer - Ke Nako
A2 The Brother Moves On - Umthandazo Wamagenge
B1 Lwanda Gogwana - All Ok
B2 The Wretched - What is History
C1 Sibusile Xaba with Naftali, Fakazile Nkosi, & AshK - Umdali
C2 The Ancestors - Prelude to Writing Together
D1 Thandi Ntuli - Dikeledi
D2 iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen - Abaphezulu
Includes unlimited streaming of Indaba Is
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
ships out within 7 days
7 remaining
Purchasable with gift card
£20GBPor more
Compact Disc (CD) + Digital Album
***Shipping now***
Tracklist
1 Bokani Dyer - Ke Nako
2 The Brother Moves On - Umthandazo Wamagenge
3 Lwanda Gogwana - All Ok
4 The Wretched - What is History
5 Sibusile Xaba with Naftali, Fakazile Nkosi, & AshK - Umdali
6 The Ancestors - Prelude to Writing Together
7 Thandi Ntuli - Dikeledi
8 iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen - Abaphezulu
Includes unlimited streaming of Indaba Is
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
ships out within 7 days
Purchasable with gift card
£11GBPor more
Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Purchasable with gift card
Download available in 16-bit/44.1kHz.
£8GBP or more
32 page limited edition fanzine including contributions from Gwen Ansell (Author of Soweto Blues), Blue Note artist Nduduzo Makhathini and DJ / Record collector Zara Julius, plus lots of behind-the-scenes imagery of the recording sessions. Also packed with tips for further explorations into South Africa’s incredible canon of music.
The perfect companion piece to the Indaba Is album, available exclusively via Bandcamp.
ships out within 5 days
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Purchasable with gift card
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Black Vinyl 2LP + Zine Bundle
Record/Vinyl + Digital Album
Get 'Indaba Is' on vinyl with the limited edition Zine which includes contributions from Gwen Ansell (Author of Soweto Blues), Blue Note artist Nduduzo Makhathini and DJ / Record collector Zara Julius, plus lots of behind-the-scenes imagery of the recording sessions. Also packed with tips for further explorations into South Africa’s incredible canon of music.
Includes unlimited streaming of Indaba Is
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Download available in 16-bit/44.1kHz.
Sold Out
Indaba Is (Exclusive Violet Vinyl 2LP)
Record/Vinyl + Digital Album
***Shipping now***
Run of 500 Violet Vinyl 2LP Exclusive to Bandcamp
Tracklist
A1 Bokani Dyer - Ke Nako
A2 The Brother Moves On - Umthandazo Wamagenge
B1 Lwanda Gogwana - All Ok
B2 The Wretched - What is History
C1 Sibusile Xaba with Naftali, Fakazile Nkosi, & AshK - Umdali
C2 The Ancestors - Prelude to Writing Together
D1 Thandi Ntuli - Dikeledi
D2 iPhupho L'ka Biko ft Siyabonga Mthembu & Kinsmen - Abaphezulu
Includes unlimited streaming of Indaba Is
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
Brownswood are proud to present ‘Indaba Is’ – a compilation of current South African improvised music and jazz – released January 29th 2021. The project is a collaboration with 2 luminaries of the South African Music scene pianist / songwriter Thandi Nthuli and The Brother Moves On’s Siyabonga Mthembu who act as curators / musical directors on the project.
South African townships were historically cosmopolitan places. Apartheid confined all classes in the same impoverished locations. Migration from across the country and the region meant kasi residents commanded many musical languages. Church music, European classical music, the latest US jazz LPs and Liverpool pop tunes from offshore radio stations fed the mix. The same woman could sing Handel in church on Sunday, traditional lyrics by the evening fireside, local and overseas standards on a community hall bandstand and songs of resistance on a march. There never was just one sound. And it’s the flowers from all those roots, and more, that Indaba Is has harvested. Questions about lineage, community and spirit thread through the tracks – not just communities of descent or language, but the communities being built now through collective creation.
Bokani Dyer’s ‘Ke Nako’ (now’s the time) opens with an irony, because that was a slogan used to get voters to the polls in the first post-apartheid election. Now, Dyer’s using it to remind us to think again about who we are and where we’re going.
That’s always been the question for The Brother Moves On (TBMO: a genre-refusing, personnel-revolving performance collective named, with a twist, for The Wire’s assassin: Brother Mouzone). Here, it’s embodied in a meditation on relationships refracted through the distorting-glass of their context.
It’s the singing voices on both those tracks that reference roots even as they engage with contemporary spoken flows and instrumental improvisations. Explicitly, trumpeter Lwanda Gogwana bookends his track with the idioms of the Eastern Cape – galloping rhythms, harmonies from bow music and split-tone singing, a spluttering trumpet reminiscent of Mongezi Feza – and grows from them a chill contemporary meditation: no spatial or temporal barriers here.
Chill, though, is the last term you’d use for Wretched, vocalist Gabisile Motuba’s Fanon-inspired project with drummer Tumi Mogorosi and sound artist Andrei van Wyk and the voices of Black Panther Kwame Toure and liberation leader Winnie Madikizela-Mandela: “What is history?..” Motuba demands. Mandela
describes how imprisonment on Robben Island actually sheltered those who became post-liberation leaders from the visceral realities of the struggle. Her presence poses the same question; her history is still weighed down with calumnies even after an apartheid police boss admitted not a shred of evidence linked her to the killing she was accused of: the whole farrago was deliberate fake news.
That, like ‘Ke Nako’ and The Brother Moves On's bitter allusion to “black yellow and green” (the colours of the ruling ANC) is the thread of another kind of tradition – the reminders and remainders of South Africa’s struggle not yet won – weaving through the album.
Balm is offered by what guitarist Sibusile Xaba has described as his “modal, groove-oriented roots music”. It is, he says, inspired by dreams; he sees himself as a diviner not a performer and his music as functional for healing. That echoes one of his musical masters, the late Dr Philip Nchipi Tabane. ‘Umdali’ is a reference to the Creator, inspirer of such service.
The Ancestors weave Siyabonga Mthembu’s voice into a web of musical references forward-looking and historical, including bluesy instrumentals that hark back to what South Africa’s jazz bandleaders of the ‘70s and ‘80s conjured up – another aspect of South Africa’s musical tradition.
Then pianist/composer/vocalist Thandi Ntuli returns to the theme of identity in ‘Dikeledi’ (‘Tears’). “Who are you?’ she asks. “What do you call yourself?.. the illusion [of who you are] emerges from you.” Ultimately, the song concludes, rootedness in community trumps image.
But community isn’t unproblematic. The persistent fractures in South African society were deliberately engineered by apartheid, results of an attempt to impose unitary, racially-constructed identities on all. All the tracks in this collection challenge that: they demonstrate the unifying power of collective hard music work.
In that context, iPhupho L’ka Biko’s ‘Abaphezulu’ (“They are coming, those who are above” – an invocation to ancestors, including the spirit of Steve Bantu Biko) is a fitting conclusion. Opening with the notes of Kinsmen’s Druv Sodha’s sitar, it smashes another of the walls apartheid tried to build against Black unity: between South Africans of African and South Asian heritage. The classically-inflected gospel voices of Mthembu's dialogue with Indian and modern jazz rhythms and free horn improvisations in joyous heterophony.
Like we said, there never was just one sound.
Written by Gwen Ansell, November 2020
Artwork by Rendani Nemakhavhani
Design by Mark James
Brownswood are proud to present ‘Indaba Is’ – a compilation of current South African improvised music and jazz – released
January 29th 2021. The project is a collaboration with two luminaries of the South African Music scene pianist / songwriter Thandi Nthuli and The Brother Moves On’s Siyabonga Mthembu who act as curators / musical directors on the project....more
this album is the justification for the hundreds of hours this year alone i have put into listening to albums. this record has so much versatility, it could be very legitimately used as background noise, or it could be a full-blown story that takes you down many winding paths of tension and emotion. the only difference between these two scenarios is whatever you wanted this album to be. if you havent already, please let this be the reason that you check this album out :3 kaycs
More riveting free jazz by the acclaimed South African percussionist and composer, assisted here by several lifelong collaborators. Bandcamp New & Notable Mar 3, 2026
don't hurry...
we have time
for
exploration
it's because Usay
acceptance is
our
river
must listen
to the seed
because when it breaks
it belongs
w/o contracts
two dancers
who trust
the music
more
than
their feet
...
all
things
arrive
equal
...
not
because
they
arethe same
because
they
are
received
the stone
the bee
the child
the machine
the poem
the tree
the stranger
the song
accepted
then
discovered
again
dance
w/US
the next
step
has begun. magoski
