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Cry With Us

by JANIS

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 16-bit/44.1kHz.

      €7 EUR  or more

     

  • Record/Vinyl + Digital Album

    "Archive edition" : three versions for this exclusive limited 12" print.
    “Janis” version - limited to 100 copies
    Signed edition for the 50 first copies.
    Includes leaflet with lyrics.
    33RPM.

    Includes unlimited streaming of Cry With Us via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 7 days
    edition of 100 
    Purchasable with gift card

      €25 EUR or more 

     

  • Record/Vinyl + Digital Album

    "Archive edition" : three versions for this exclusive limited 12" print.
    “Fatima” version - limited to 100 copies
    Signed edition for the 50 first copies.
    Includes leaflet with lyrics.
    33RPM.

    Includes unlimited streaming of Cry With Us via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 7 days
    edition of 100 
    Purchasable with gift card

      €25 EUR or more 

     

  • Record/Vinyl + Digital Album

    "Archive edition" : three versions for this exclusive limited 12" print.
    “Cry With Us” version - limited to 100 copies
    Signed edition for the 50 first copies.
    Includes leaflet with lyrics.
    33RPM.

    Includes unlimited streaming of Cry With Us via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 4 days
    edition of 100 
    Purchasable with gift card

      €25 EUR or more 

     

1.
Never mind if I lose Maybe I did lose you Somewhere in between You’re becoming so cruel I will never get used to it Somewhere in between You wanted everything You never mind Time to start again Call me if you want to The other side is quite you Somewhere in between Somewhere in between You’ll never get used to it if you stay a blind fool Somewhere in between Somewhere in between
2.
I saw a shape of you enslaving me as I live. I got it from my school the taste to free myself. I got it for free, I got it for real (Watch)  Inside there’s one truth, I wish that you could feel. We can never joined in the rhythm of your shame.  We were both heavy. Don’t touch me while I breathe (heavy) We were both heavy. Don’t touch me while I breathe Never knew I’ll saw you once stop and cry with us.  Your soul is heavy and your heart start to cry with us.  I never knew I will saw you once stop and cry with us. Your soul is heavy and your heart start to cry with imagine us in you put words beneath our tears.  Are you brave enough to let those watery eyes be ? Strong as your face in your first reverence. (Watch) We met under the moon that’s where we were born free. Let's witness how the nature will remain.  We were both heavy. Come touch me while I breathe (heavy) We were both heavy Don’t rush me while I breathe Never knew I’ll saw you once stop and cry with us.  Your soul is heavy and your heart start to cry with us.  I never knew I will saw you once stop and cry with us. Your soul is heavy and your heart start to cry with us Watch me Watch me Watch me Watch me now
3.
Would you like to stand For anybody that you understand? Would you like to stand For anybody else you’re enslaving? Would you like to stand For anybody else? Understand. We are not your dolls—don’t treat us like your toys. What you gonna do if I play it feminine? There’s nothing you can do—that’s enough. You can’t ever reach me. What you gonna do if I play it feminine? Tell me, tell me… Would you like to play If the rules were made the other way? Would you like to play If the game was built on dirty laundry ? Would you like to play If you had the world ready to shame All of your dolls—from witches to cunts? What you gonna do if I play it feminine? There’s nothing you can do—that’s enough. You can’t ever reach me. What you gonna do if I play it feminine? Tell me, tell me…
4.
5.
Janis 04:33 video
We knew We’ve been crawling under all your nights Wonder if it’s true—what you do? We lose, embracing your flavour was a mistake for all of us new. I’m in it for good, So watch me lose. Stuck in a room full of your mood, I’m in it for good. We knew you were falling under all your secrets, Wonder if it’s you—so watch me bloom. You knew erasing the flavour was a mistake, All over, I’m new, And I’m in it for good. So watch me bloom, Stuck in a room, Full of your mood, I’m in it for good.
6.
Fatima 03:36
What happened to your name lately? They misunderstood, making it sound so hard. What happened to those days? We used to be good. Born free, I suppose on the same land. What happened to your face lately? They're being so cruel, making it look so cold. What happened to your eyes lately? They seem so unsure. I can feel what you feel on the street we live in. 'Cause we're living in it. If she stands still like a strong rock, Will you try to undress her soul? If she prays here in her own words, Will you try to undress her soul? Undress her soul. What happened to our rights lately? This wave isn't new. She hits her like a truck on the road. What happens if they sound louder than we do? Should we leave the street we live in? Should we leave it? Should we leave it? I will stand still. If she stands still like a strong rock, Will you try to undress her soul? If she prays here in her own words, Will you try to undress her soul? Undress her soul. Une ombre est tombée depuis.
7.

about

With her new album, JANIS steps out of the shadows where she once took refuge, embracing the light in a radiant, liberating movement - a quest for identity and freedom like no other.

“I’ve always been a trans person. With the character of Sliimy, whom I created because it was hard for me to exist in my own body and be exposed in the media, I was unconsciously laying the groundwork for my identity. Sliimy was actually just a step in my transition,” JANIS declares about her new album. With its seven tracks of venomous, addictive, and sunlit electronic soul, Cry With Us marks the transition from Sliimy - a mainstream, queer icon of the 2000s who opened for Britney Spears - to an accomplished artist who has patiently nurtured her new musical DNA, more underground, artistic, and poignant. This journey is one JANIS explores in depth in her moving and poignant book Révéler mes visages (Revealing My Faces, HarperCollins, 2024), co-written with Tal Madesta. Cry With Us is a path toward total creative openness, documented by JANIS in this new album, a highly political and poetic manifesto.

With L’Heure Bleue - five contemplative, ghostly tracks composed in Berlin in 2016, as she fled the spotlight to lose herself in queer and alternative nights, JANIS was already beginning her transition. Three years later, Solo, an intimate and heart-wrenching torch song, confirmed this shift. A personal and artistic rebirth, with clues left behind like so many breadcrumbs. Then came Pharmacoliberation, a synth-pop apotheosis written for the soundtrack of Orlando, ma biographie politique (Orlando, My Political Biography, Teddy Award – Berlinale 2023) by Paul B. Preciado, in which JANIS appears: a queer, and thus inherently political, re-reading of Virginia Woolf’s masterpiece, clearly foreshadowing what was to come.

“The six songs on Cry With Us are tracks I wrote before my transition. They weren’t finished, but I didn’t want to let them go or abandon them, because I loved them so much. I reworked them because I wanted them to follow me through my transition: they already carried echoes of what I was going to experience. I wanted to find meaning, to transition these songs, to own what they were saying before, and to tell myself that my past could coexist with what I’m living today. I can’t just erase the past…”

Initially composed with Appolo Noir, whom she met in Paris - a genius of analog synthesizers and experimental textures, a discreet producer who knows how to step back and let the artist breathe - Cry With Us was later reworked with Chris, a musician and producer based in Marseille, known for the project Confuse. Enriched with textured, nebulous guitars and bass, and carried by the voice of guest artist Bella Baguena on the track Stay With Us, the album was polished down to the finest details, with mixing by Anotyne Nouel and mastering by Daddy Kev (multi-nominated and Grammy winner). For JANIS, this was a way to recreate a safe space, an artistic cocoon, to protect and support each other, as she confirms: “A very important aspect of this new album is that I only worked with allies, friends, people who bring real political weight to this project, both in its creation and its dissemination. It’s certainly this sisterhood that carried me and explains why I cried so much in the studio.”

The album features Time To Start Again, a troubled, dark, and addictive soul track, streaked with dramatic synth layers, whose title sounds like a manifesto; Cry With Us, a modern soul storm lost in the mist; Dolls, a rebellious synth-pop bubble haunted by the shadow of Prince; Janis, a synthetic, moving dream-pop track, all breath and emotion; Fatima, an intimate and universal confession that sends shivers down the spine; and Stay With Us, featuring Bella Baguena, which extends Fatima into a skin-deep chorus dedicated to sisterhood. “I took the time to reflect, which I never did with Sliimy, who was a cry of urgency, raw and spontaneous, born from the discrimination I’d endured since childhood. With Appolo Noir, I created a palette of sensations and colors to musically define JANIS, with a radical and experimental approach. The idea, with everyone involved in this album, was to finally take our time, to protect each other, to support each other, to create spaces where I felt free.”

An album of transformation and musical epiphany, Cry With Us is an ode to rebirth and acceptance, a quest for identity, an act of resilience, a frontal breakthrough into the light that JANIS turns into strength. But beyond that, it’s a broader project that concerns us all, where JANIS, drawing from her own experience, sketches a future where emancipation is first and foremost a political statement. “My voice has opened up, it breathes more,” she confides. “This album is about putting symbols and poetry back into our journeys - the tears, lineage, our relationship with society, the rise of racism and fascism, etc. - to protect ourselves. Cry With Us is the sanctuary of my transition!”

credits

released June 19, 2026

Artist JANIS
Produced by Confuse, Rémi Sauzedde & Apollo Noir
Mixed by Anotyne Nouel
Mastered by Daddy Kev
(c) (p) Rescue + Return Records

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about

JANIS Paris, France

A key figure on the alternative scene, Janis Sahraoui embodies a committed and embodied vision of the queer scene in line with her journey as a trans woman. Through her projects, she continues to explore new ways of telling stories, creating connections, and defending the values that are dear to her. ... more

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