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Cake day: June 21st, 2023

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  • Here’s mine. I kind of cheated with the last three though.

    I didn’t particularly enjoy The Sky Crawlers as much compared to other films that I did not include in the list but I often use these type of threads to suggest works that aren’t commonly suggested anyway. Sky Crawlers doesn’t have the same meditative feeling you get from watching other Oshii Mamoru films but Oshii always had a very complex understanding of war and its relation to media and global politics (see Patlabor and the Kerberos Saga) which are often absent in many war-themed films.

    The next one, Genius Party, is a collection of short films. I don’t think short films get enough discourse within the anime community but if you’re looking for originality in anime this is often the place to go. There’s one short there with a yapping salaryman and sitting through it makes me want to jump off the roof for fun but in the end I realized that’s kind of the point. The life of a salaryman is mundane and boring. Thank god it was a short film.

    Last one is from Koji Yamamura. I actually didn’t enjoy this one as much as his other short films like Atama Yama, Inaka Isha, and Muybridge’s Strings but I think Dozens of Norths is the only one that could be classified as a feature length film.








  • In the video, it’s framed that the world thinks manga is a “uniquely Japanese” thing but the video counters that by using Eike Exner’s book on manga history.

    I did not finish the video yet (this is just the first minute or two) but I am going to guess that it’s either the Meiji period or the American occupation having influence on how manga eventually developed to what we know today. This is the same argument used by theorists like Azuma Hiroki but he talks about otaku culture more broadly.

    Again, I did not finish it yet so…