

I made my semi-annual trip to the theatre and saw Project Hail Mary, despite Weir making an ass of himself. It was very good, and much better emotionally than The Martian, but I think that earlier one nailed the “I’ma science the shit out of this” vibe a little closer to Weir’s writing.

























I don’t know if it’s really necessary at this point, but I’ll put it behind a spoiler tag…
spoiler
For me, just the simple fact that there was an interpersonal dynamic at all helped quite a bit. Grace had someone to look after him and to look after in the moment made the emotional connection more real for me. I also appreciated that there was a deeply optimistic take on first contact that Hollywood doesn’t seem to love, so we had some power of friendship vibes.
Now all that said, I also think that the book PHM was a pretty serious course correction for Weir as a writer. The Martian was his first novel, and while enough of it is compelling to make it “good,” it’s very clearly that: a first novel. The plot is meandering and episodic. Watney is a clear author-insert and is literally the only character who gets even nominal treatment as an actual human being. Fortunately he’s wry and and engaging and brilliant and gets to do science adventures that don’t insult an informed audience, and the info dumps are good reading.
Artemis was pretty clearly a failure, I think mostly because Weir and/or his team needed to show that book two was going to be more sophisticated, but unfortunately while Weir kind of knew what he needed to do – full cast of characters, actual plot with antagonists, lead who isn’t the result of
Ctrl-H Andy to Mark– he doesn’t pull it off. The result is a lead he can’t sell to the audience, a plot that ends up kind of boring because it has to adhere to his view of what the science will permit with minimal fudging, and while the supporting cast is not the wet tissue of The Martian’s, they’re still paper.Project Hail Mary dials back the number of characters from Artemis, immediately kills off the annoying “other astronauts” who might compete for mindspace, and also gives us a world in crisis where only the emotionally unencumbered nerds can save us, and so it’s okay that most of the humans are that. Grace, who frankly could have been Mark Watney without messing things up too much (and indeed his reluctance to go on a lonely space mission might even make sense), does get more flaws and internal conflict than Watney and is a more well-rounded author insert. However, Weir succeeds in doubling the number of characters we care about by having Rocky there to be the sounding board that allows Grace to reflect and grow and have someone with whom he can connect, since it didn’t work out with literally any human on Earth, with the device of the limited communication allowing Weir to distill emotions down to their accessible cores. Divorced from the “science fuck yeah!”, it’s just a step in the right direction as a storyteller, while still not nearly as ambitious as Artemis (and therefore snowflake Weir doesn’t get his fee-fees hurt by the queer Star Trek fans).
To circle back to the film, though, because of that, I think they made a slightly less interesting movie, because it’s still Weir, and the main thing he does well is turning science and infodumps into dramatic tales. The hollywood team made Rocky iconic, though. That part wasn’t exactly how it all was in my mind’s eye, but pretty close and also adorable.