• 62 Posts
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Joined 3 years ago
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Cake day: June 24th, 2023

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  • So basically, it’s like this…

    Spotify gets their subscription money and ad fees, keeps 30%, then the remaining 70% gets split between all labels, songwriters, publishers, etc., and smaller artists (no label, self-release) get a percentage of your plays in your “market.”

    So you end up getting fractions of a penny ($0.004) per play.


  • Started in 1999 (local label, then Roadrunner), went solo (three labels, biggest I won’t mention), quit in 2014.

    Started again in 2017, been doing it ever since as a hobby. Touring is incredibly expensive now. The only real way to break even is by selling advance tickets (for venue assurance), selling merch, and hoping people will by physical media.

    In Europe, touring is harder because of venues taxing merch in my experience. Transportation is a bit cheaper, but still a grind, and you’re lucky to break even.

    Spotify and other streaming services are a blessing and a curse: the biggest labels can push spins, and services get paid from that + ad revenue. Indie artists get pushed downward, unless they’re playlisted a lot.



  • It’s a bit complicated really. They distribute money all over the place, and then the artist gets paid.

    It’s kind of the “industry standard,” which sucks, but Spotify pays out less than industry standard. I could go on a rant about how they suffocate indie artists to ensure major labels get their share, but I’ll spare you lol.









  • I’ve been beta testing the iOS version and I’ve got to be honest, it’s a bit of a mess.

    Bluesky (ugh) works — I can see posts from Bluesky users even without an account. But Mastodon posts are hit-or-miss.

    If you post something, it’s to your surf.social account, which… fine. I’d prefer just sharing to my personal account. (There’s probably a way to do this, but I haven’t found it)

    The UI is kind of ugly. It used to make sense in earlier betas, but now… eh.