Alessandro Scali·15h agoIl 96,5% non ci basta: perché anche il 3,5% di intelligenza artificiale nell’arte ci fa perdere la…Note a margine di un dibattito su Catherine Gipton, sui commenti di Instagram e sul nostro inguaribile bisogno di stare al centro.
Audrey Chou·Sep 30Personal Research : Post Internet Feminist IdentityUnderstanding Women’s Perspectives on the Internet
Juaria Iqbal·Sep 14What Painting Taught Me About Managing Technical ProjectsOn attention, patience, and what painting taught me about really listening to people
Jason Scuderi·Aug 25Relevance in the Age of InstantThere’s a version of craft mastery that used to take years. You put in the hours, you failed enough times to develop instinct, and…
Alessandro Scali·Aug 14Nanoart: the first scars on siliconTracing the origins of the Anthropoperiphery: Nanoart and the foundational gesture on matter.
Avery Venn·Jul 28When Paper Pretends to Repair a City: A new EVA London 2026 paper examines simulation, digital…A crack in a street can be repaired with concrete. It can also be photographed, digitally reconstructed, printed at its original size, and…
Scott Radnor·Jun 9AI and Film: The Rejection of Digital PerfectionI recently attended “It all starts Here” a fringe event happening alongside SXSW London 2026 and covering the same themes of technology…
Ran Kime·May 31The Algorithm Doesn’t Know the Difference Between Art and RiskThe Internet Doesn’t Want Human Beings Anymore
InThe Daily CuppabySunita Chakraborty·Apr 4Columbus ErrorOld maps, rebuilt in lightA response icon8A response icon8
R.Mutt·Mar 16MUSLAB: El epicentro internacional de la música electroacústica y el arte sonoroEn la intersección entre la tecnología, la experimentación artística y la reflexión social, surge MUSLAB, una plataforma internacional…
