Kannan Natesan·4d agoWhen High Art Meets Low Market DemandA failed lecture on Carnatic musical genius and how I accidentally raised my own personal JeevesA response icon2A response icon2
InKavyaVrikshabyKavyaVriksha·Oct 11M S Subbulakshmi — Treasure of InstrumentsThe pivotal and the surprising — her precious tanpuras, the greatest teacher the Veena and also the mridangam and piano
InKavyaVrikshabyKavyaVriksha·Aug 23An exploration of Rāgāṅga Rāgas — 7. Sēnāgraṇianalysis of the phraseology of this vivaadi raga from the traditional gita and Dīkshithar family compositions
Harinarayanan v m·Aug 12Sa Perfect: Building a Carnatic-First Violin Tuner That Works the Way We Actually PracticeNo fixed string limits, no link friction, and no more tuning to the wrong fifth.
InMusicalitybyRamya Badrinath·Jul 15The Forbidden RagaUnraveling the jinx, the genius, and the gatekeeping of Varali.
InKavyaVrikshabyKavyaVriksha·Jul 3An exploration of Rāgāṅga Rāgas — 6. Tanukīrtianalysis of key phrases in their compositions in a special raga that enabled Dīkṣita family gain access to a copy of Caturdandi Prakashika
InMusicalitybyRamya Badrinath·Jul 1Somewhere between Chidambaram and the ViolinTrying to find order within chaos
Pratyusha Susarla·Jun 27Moral Rights Before Moral Rights: The Carnatic Trinity and Modern CopyrightThere is a conventional assumption, not entirely without merit, that intellectual property law is a creature of modernity. That the…
