Veils

by Quiet Takes

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    VEILS takes some off, in front of a grand piano, in a live room overlooking the river. The newest Quiet Takes EP was recorded one September evening in Eau Claire, Wisconsin, in the space of a few hours.
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1.
Gentle 03:30
That’s a big swing, Crusher / Hail Mary by design / howl off your helmet and roll / in the neon Cheyenne shine / the twist is for the more I wanted / but the tenderness is mine / I don’t feel gentle tonight / Unwatched, the waves ache / on a long-delay sine / hunger never kills / slice the marrow-sucked spine / paw on the bias / with a proto-heron knife / but I don’t feel gentle tonight / no, I don’t feel gentle tonight / No more force-feeding / just dense delight / no more blood-letting / make me forget to be polite / I don’t feel gentle tonight / No, I don’t feel gentle tonight / No, I don’t / feel gentle / tonight / Courtney says something / bigger than all of us / is helping to heal / I used to be the one / reminding / now I just / want to believe / it’s real
2.
Quickly 03:22
I thought I was / airlocked and ugly / floating through Oort cloud / tumbling / cut-line, space trash / alien, outcast / But I was only / orbiting / And things are gonna change / things are gonna change / quickly / I thought I was / hypox-jettison / with a starfield for a death / bed but I was always / this side of the horizon / last light, impasse, mystery, terminal mass / But I was always / Gravity / I was all the / Gravity / And things are gonna change / quickly / things are gonna change / quickly, quickly / things are gonna change / quickly quickly quickly
3.
Fold the years like a wing on a crane / bend the corners down again / I was different before / I want to be / that before / in the present sense / skip the string like a note after class / I find myself in some stranger’s past / I want a different future / I want / that one’s / future in the present sense/ I’m her / She’s me / are we only who we choose / to be / Flood the plain and repaint the map / the borders bleed, but do they trap / I had a different now / I am / different now in the present sense / Lead the line like a cat on a hook / jump the bank, freed to brook / maybe it’s that’s easy / I want it to be / that easy / tell me it’s that / easy / in the present sense / I’m her / She’s me / are we always, only / are we always, only who we / choose / to be
4.
Seasick 03:50
Take this lonely heart / string the sinew into / seasick spirals in July / break it slow apart / leave the pieces lying cliffside / drying high / I didn’t need — / it was doing all of nothing / I’ll never need — / it was doing all but nothing / all but nothing / for me / Take this angry heart / melt the muscle into / meek omegas in the sky / Slake it from the start / weave the hunger / flying lemniscate / serenade / Don’t say I need — / it was doing all of nothing / Can’t I not need — / it was doing all but nothing / all / but nothing / for me / Take this lonely heart / string the sinew into / seasick spirals in July
5.
Fishhook 03:37
I mistook the current / for a fell fishhook / no snap to shore / but a pull to sea / I got it all wrong / my Achilles / heel bends to strong / I’ve been taught to bleed it / but my longing’s leading / when I heed it / it hies me / home / We’re told: disbelieve it / it’s just the serpent speaking / but that hissing need / sings me home / I misread the one way / for unmapped dead end / no bitter road / but inevitability / I got it all wrong / the side-thorn rose grows / the sweetest song / I’ve been taught to bleed it / but my longing’s leading / when I heed it / it hies me / home / We’re told: disbelieve it / it’s just the serpent speaking/ but that hissing need / sings me home / Home / the sweetest sings / me home / I’ve been taught to bleed it / but my longing’s leading / when I heed it / it hies me / home / We’re told: disbelieve it / it’s just the serpent speaking/ but that hissing need / sings me home
6.
Shutter Blue 04:34
Think I woke up from my mother’s dream last night / she gave me cottage keys / the door was painted white / never wanted thatched-roof / tales come true / never asked for / shutter blue / I’ve been blinding to that old projector shine / searching stories for an absence / like mine / did you cry when Igor / lit up two / she said I can hear / the hole in you / Outside, weird and other-planed / the glass unasked, the smudged plate / diffuse, obtuse and over-blamed / narrative arrest, poorly framed / sideways saint with an ankle sprain / coiled and curious / never named / the barb, the feint, the cockeyed aim / you’re a bad runner and that’s a good thing / keep the veils on and don’t explain / keep a foot in the broken scrape / the wound / the lack / the power / the pain / it’s all gravity / it’s all the same / never wanted thatched-roof / tales come true / never asked for / shutter blue
7.
Hope 03:37
Well I frayed out the ends / of all that I’ve known / And dozened the rest of it / down to raw bone / they don’t tell you how heavy — / it’s a damn drowning stone / Can you hold it for me / I can’t hold it alone / You reversed all the rules / while tracking the score / you lost every list / on the way to the store / there’s no bright horizon / it’s a dark, dove-less shore / Let me hold it for you / when you can’t any more / I don’t know how any of us / get what we need / with time spilling sand / at that horrible speed / forget about feathers — / rip the scales, and it bleeds / But I’ll hold on with you / if you hold me / We borrowed against / the last of the wine / we bet all we had / on the faintest of signs / it’ll bankrupt us, baby / it’s an un-payable fine / But I’ll hold it for you / if you hold mine / I’ll hold it for you / if you hold mine

about

A song is a veil, a translucent object that can both reveal and obscure.

"We have agency over what we choose to share and what we choose to keep," said Sarah. "Making art necessitates those decisions, and I'm fascinated by art that has a sense of that shifting veil."

VEILS captures that movement, for one artist, over one night, through seven tracks.

credits

released December 12, 2025

All songs written and performed by Sarah Michelle Magill.

Recorded on the evening of Tuesday, September 16, 2025,
in Eau Claire, WI.
Engineered by Lena Sutter.
Mixed and mastered by Zach Hanson.

Album art and design by Sarah. Photo collage sources are of the Veiled Bust (“The Veiled Nun”), c. 1863, Italian, 19th century, possibly after a model by Giuseppe Croff. Courtesy of the National Gallery of Art, Washington.

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Quiet Takes Eau Claire, Wisconsin

Songwriter Sarah Magill makes music as Quiet Takes. She makes joy as a DIY music community organizer and promoter in Eau Claire, WI. Come visit and see a show sometime.

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