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Stalemate

by Seedbed

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1.
Looking back, I shouldn’t have tried None of this was of your choosing Years you burn in the off-time Drive-thru, eyes glued on the dollar menu If it’s a shoulder you’re expecting, how am I last to know? Drops a Half eaten Mouse at Your feet Possum Making a way back in Show you’re Expecting Coin tosses I keep losing I’m scared I’m losing Looking back, I should’ve cut ties Tracing patterns on the ceiling You’re older now, buying my time Unseen, our evenings bound to a dim screen If it’s an offer you’re rejecting, how am I last to know?
2.
You’re not supposed to come back Barreling Monteagle again But each passing day’s more absurd How did I go so vacant With ten years left? You’re not supposed to come back Harboring the feeling again But each passing day’s more absurd When did I go so vacant? All I sing turns to white background, black text, my hands around my neck But don’t let up I wanna feel my crushing weight I set one expectation for myself And I know that it’s too late Enjoy your isolation, so I know what you’re feeling’s hard But I can’t feel bad for you when you’re only navel-gazing And when my memory goes I hope I lose this part Still, I can’t feel bad for you when (I’m/you’re) always getting wasted You’re not supposed to come back
3.
These things take a while, let’s assume Stuck on rearranging every item in the room Holding onto garbage keepsakes Bound to happen naturally, living at your pace And I’m trying to put this behind me Break a cycle of complacence, catharsis through complacency Scrub whatever’s left of me From a vessel living nowhere, doing nothing too poetically You were eating garbage when we met Fishing for the rent check, hands soaking wet Cross-faded, quickly losing interest Left to me entirely, hoping you forget
4.
I felt your presence in the other room Asleep at 9pm, days til the move I hear far-off tires screeching I’m still racing time But I’ve got something else in mind I think you should try Try to do Archaic smiles forever haunting you
5.
Raft 04:53
Atone Bite my tongue Start again real slow Do I treat you awful When I leave my body? Reborn different, You were always above Turn back, take it easy on yourself Turn back, take it easy on yourself when I won’t do it Pollen rain Blue-green paint Residue from old tape Whether I know or I don’t know Resign to wrestle out or outgrow Do I treat you awful When I leave my body? Reborn different, You always above You take it easy on yourself
6.
Unit 4 02:33
Space heater on Dried out keepsakes spread Brought inside off the lawn, I smile and pass Lay it on me, only plans no promises Spare words Stranger than the ones from my mouth Falling I don’t mean to laugh or drive into every corner, every curb Roll over on my side, acquiesce, I can’t deny Roll over on my side Space heater on Dried out keepsakes spread on the lawn, I smile and pass Three out of ten would do the same, not dishonest, just caught in a rut So lay it on me if you feel so strongly I know these days have been unkind I don’t mean to laugh or drive into every stop sign
7.
Keep busy Lids heavy, steep climb Plastic baby in king cake waiting outside I threw up in my mouth So you think you’re tough, Why don’t you lawyer up? Billy goats gruff And I’ll be waiting, shoes caked in dirt I already know I’m wrong, Stop short of stringing you on Came for answers Not a bunch of Dead fish piled in my corner Won’t you leave a little faster?
8.
Whining, I’ll nestle safe below ground Whining, we pair off in billowing clouds If you won’t tell me what you’re thinking Will you sink-wash your blood-stained shirt, spend the weekend safe at home? And I’m so far removed, I only feel the muscles in my back tighten Needless to say I see part of you burrows underground In my experience, you’ll find new ways around Copper piping, dino bones as I dig tunnels far From where you slash your neighbor’s tires to remind them where you are
9.
And when you reach that place Propping up heavy eyelids How can you know your god, If you don’t know her violence? Eye-floater rosemaling Pelvic beatitude Jokes and brutality Sanding their edges smooth, together, smooth A child’s outlook, desire’s a curse Leaving your own cesspool, you’ll end up somewhere worse Own up, you did it to yourself Avoiding inconvenient, play dying on your hill (Love is inconvenient, but life is) And if These things are wrong You’re welcome to try But I remember sitting high over it all and talking shit til the ground split wide A taunting greek chorus repeating, “Steep climb, Sleep tight” (sleep tight) (We huddle closely, fingertips like ice We fall asleep with our throats bone-dry) Sleep tight, some other room Fingers like ice, huddled and whether It’s sort of assumed, piecing it all together
10.
Stalemate 04:17
Last year today You came here to stake your claim Roof caving in Blood running down my chin Stalemate Always On Birds circling the dead Down on your own again It gets a little hard to imagine You staying Gone are the days Lives shifting out of phase Live to forget Myth wrote to fill the pit Stalemate Always On Birds circling the dead Down on your own again It gets a little hard to imagine You staying

about

[TE216]

te.lsnto.me/stalemate

Seedbed is a revolving-door collective project helmed by Atlanta songwriter JJ Posway
(Sloping, Scooterbabe).

After six years of recording what was to be the ambitious final studio album of Posway’s long-running Athens-based band Scooterbabe, most traces of the group’s scrappy indie pop had been burnished off to reveal something entirely new. What emerged from the ashes was Seedbed.

Largely composed of performances and songwriting contributions by Scooterbabe’s final lineup (Anna Staddon [vocals, keyboard], Michael Buice [bass], Zach Spires [drums]), the formation of Seedbed marks the calling in of producer Terence Chiyezhan to help mix and arrange years of piecemealed recordings. The result is an intensely imposing stylistic shift for Posway and company, as tense as the apt title of Seedbed’s growing pains-fueled debut album Stalemate implies.

Stalemate stares straight into an all-consuming whirlpool of a million swirling emotions spanning the past seven years; It’s glistening and reflective on “Unit 4” and “C c c c c c c c c c c,” while cacophonously turbulent for “Fingertips Like Ice” and foreboding album opener “Mouse At Your Feet.” But the entirety of Stalemate is nostalgia-soaked and dripping with the painful necessity of change. It brazenly steeps in the tension and grief that accompanies evolution - even at the risk of drowning in it completely.

Bio by Autumn James

credits

released June 27, 2025

STALEMATE

Michael Buice Jr. - bass, keys, piano
Sam Cartin - cello
Terence Chiyezhan - guitar, keys, programming
Camellia Hartman - violin
Sebastian Marquez - bass clarinet
Dillon McCabe - guitar swells + final guitar solo on Fingertips Like Ice
JJ Posway - guitar, vocals, keys, programming, banjo, bass, mandolin, piano
John Restivo Jr. - percussion on Stalemate
Zach Spires - drums
Anna Staddon - vocals
Evan Tyor - piano, slide guitar on Raft, vocals
Jared Yee - saxophone

Recorded 2016-2022 in Athens GA, Atlanta GA, Woodstock GA, Blue Ridge GA, Nashville TN and Brooklyn NY.

Drums for It Comes Around Less Often recorded by Ethan Mullenax and Lucas McCauliffe.
All other drums recorded by Taylor Chicoine.

Everything else recorded by JJ Posway and Terence Chiyezhan.
With additional recordings by Evan Tyor and Anna Staddon.

Arranged and produced by JJ Posway and Terence Chiyezhan
Mixed by Terence Chiyezhan
Additional mixing by JJ Posway
Mastered by Jesse Mangum


ART

Miniature - Jess Gaffin
Photos - Tay McCormick
Mobile Photos - JJ Posway
Miniature Wall Paintings - Anna Staddon
Cover Concept - Autumn James and Anna Staddon
Layout - Karl Kuehn


*SONGWRITING CREDITS on each individual song page*


THANKS

Bri Aab, Battle Boys past and present, Taylor Chicoine, Dan Clifford, Daniel DeSimone, Connor Dixon, Cecile Duncan, Floral Print, Jess Gaffin, Will Hsiung, Autumn James, Ian Keane, Karl Kuehn, Walt Lilly, Sebastian Marquez, Will Miller, Shil Patel, Phern, Rachel Scarbrough, Sebastian the cat, Sombrita, Truth Club, Zach White

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about

Seedbed Atlanta, Georgia

A revolving-door collective project helmed by Atlanta songwriter JJ Posway
(Sloping, Scooterbabe).

Stalemate is largely composed of performances and songwriting contributions by Michael Buice, Terence Chiyezhan, JJ Posway, Zach Spires and Anna Staddon.
seedbedband@gmail.com
jjposway@gmail.com
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