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EISENWALD

Interwoven

by UADA

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FallenAngel
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FallenAngel Uada does not loose any shred of heaviness with this gothic electro-acoustic ep. Absolute destructive covers at the end. They feel like standing in the abrasive eye of a desert hurricane.
Nate Silverlance
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Nate Silverlance I had never thought of their music in an acoustic way, but loved the idea. I also never thought about Jake's vocals in terms of clean vocals. I somehow hadn't expected him to sound like that, but it just hits the spot. Speaking of it, it has been years since I found myself crying while listening to something new. This album speaks to something in me, touching my heart. It's warm, wild and healing. It may not be everyone's cup of tea, but it certainly is mine. Favorite track: Der Brandtaucher (Rome cover).
Urso X
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Urso X Reminds me of Knochengesänge II :) A beautifully rendered acoustic reimagining of highlights from UADA’s impressive discography.

For those (still) concerned about past controversies, the article below provides illumination. (Note: Since 2021, UADA has toured w/WITTR and other legit/non-sus acts.)

www.metalsucks.net/2018/11/30/uada-show-canceled-following-allegations-of-nazi-affiliations-band-responds/

Fantastic record…to the list!! Favorite track: The Dark (Winter).
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    CD of the album housed inside a solid hardbound book edition (20 x 20 cm) with linen cover and black hot foil finish. 40 pages with artwork, lyrics, information, printed on deluxe uncoated art-paper. Includes specifically designed card for the free album download.

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    99817 Eisenach
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    99817 Eisenach
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    180g translucent red vinyl · Slipcase made of uncoated cardstock and exclusive design · Gatefold sleeve on uncoated stock with interior print · Double sided poster · Specifically designed card for the free album download.

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    Product safety information (GPSR)

    Manufacturer:
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    Georgenstr. 27
    99817 Eisenach
    Germany

    Contact:
    E-Mail: info@eisenton.de

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1.
Djinn 11:06
2.
3.
4.
LYRICS Ignite the fire of all creation cauterize the loins from which it bears Praise the birth of disintegration The decaying of our ember's flare Into the pits where we must fall The trying fires will consume us all confined, convicted, condemned to burn Radiant be the path of no return Our own temple will turn to ash Supernova searing the souls of man sudden strikes with light & flash Smoldering stone walls now crumble like sand Into the pits where we must fall The trying fires will consume us all confined, convicted, condemned to burn Radiant be the path of no return We are but ashes in the urn Accommodating the gift of fire For no boulder will go unturned scorched earth funeral pyre Let us kindle those who observe lighting up the next of flesh blistering down to our last nerve bidding farewell in its final caress
5.
6.

about

Pre-Order via Artist and Label shops:
bio.to/uada
Streaming platforms:
uada.lnk.to/interwoven

The idea of Interwoven - an acoustic journey tracing one song from each chapter of our discography - was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when laying out the future I sought to create, I recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings - cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences - many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial - a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing - until an improvised vocal passage in “Djinn” revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began - without a script, without rehearsal, and with full commitment to spontaneity and truth.

credits

released April 10, 2026

Recording line up:
Jake Superchi - All Vocals, Guitars, and Percussion.
Nate Verschoor - Bass
C.E. Brown - Cello

Recorded from June 2023 to March 2024
Engineered, Produced, and Mixed by Jake Superchi
Mastered by Arthur Rizk
Photography by Peter Beste
Layout & Design by Eisenwald

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UADA Portland, Oregon

Black Metal from the Pacific Northwest

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