Get all 147 Volker Lankow releases available on Bandcamp and save 60%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Drone Works Vol. III, Drone Works Vol. IV: Phosphenes, Ambient Journal 11: Sustained Forms, Thermal Drift, Drone Works Vol.II, Earth Prayers, Drone Works Vol. 1, The Clouds Above Us, and 139 more.
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Holding The Tone
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Volker Lankow Berlin, Germany
Volker Lankow is a musician who lives in Berlin, who started in late 70s as percussionist,
over the years
Volker dedicated his work entirely to Ambient and Drone Music, using mainly electronics and loops and ocasionally percussions, to develop his own vison of experimental sounds and drones.
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Volker Lankow recommends:
Kid Arrow!
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Stream for Consciousness Vol. 1
by Markus Reuter
Where is this place? This temple? This ancient choir? These memories, faces, beings? What is this magic? This spell? The cast is strong, hypnotic, and then it ends as mysteriously as it began...
go to albumIf you like Volker Lankow, you may also like:
Sanctuary of Desire
by Steve Roach
supported by 14 fans who also own “Ambient Journal 8: Sustained System”
One half more actively hypnotic, one half more passively meditative, Steve Roach has done it again.
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Incubation
by Robert Rich & Markus Reuter
supported by 13 fans who also own “Ambient Journal 8: Sustained System”
I’ve followed the luminous arc of Robert Rich’s journey as composer for multiple decades (including weaving certain of his “sleep concert” recordings into my own Dream Spiral retreats in the 90s, where I would keep soundworlds flowing all night in service of innerwork). I no longer think of Robert’s music in terms of “tracks” but as landscapes, realms, initiations, visions. INCUBATION, with Markus’ compelling fret-magic and Robert’s haunting flute, is such a welcome addition to the compendium.
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The mallet percussionist and improviser's solo debut is flush with nostalgic melodies and stirring dissonances—a rich, experimental universe well worth exploring.
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I was too young to hear silence
by Patrick Shiroishi
Free jazz saxophonist explores negative space on a vast, improvised work recorded in a L.A. parking structure.
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