'The Idea of You' Costume Designer Breaks Down the Looks from the Film

Variety

'The Idea of You' Costume Designer breaks down the fashion style of Anne Hathaway's and Nicholas Galitzine's characters in the film.

Transcript

00:00Hi, I'm Jacqueline DiMatteo.

00:01I'm the costume designer of The Idea of You.

00:03We are going to break down some looks from the film.

00:05♪♪

00:07-♪ This is what we want ♪

00:08♪ Up the mall, gotta go ♪

00:10♪ We're gonna dance this is what we want to do ♪

00:13♪ What you gonna do? What you gonna do? ♪

00:16I started prepping in New York,

00:17and that was very important to me

00:19because we shot the film in Atlanta,

00:21the Bergdorf Goodmans and that sort of thing in New York

00:23and all the designer boutiques.

00:24And even from, like, upstate New York,

00:26we did some vintage rentals and that sort of thing.

00:29Hayes' first Coachella outfit,

00:32that was a Young Maven T-shirt,

00:34and then he's wearing Margiela trousers.

00:36So the cut of his pants were always,

00:39you know, a wider leg, a little slouchy,

00:42a little drop crotch sort of thing,

00:44intentional to give him that cool factor.

00:46And a lot of Lueve, I used a lot of Margiela,

00:49Saint Laurent, they were all designers

00:50because that's what he would be wearing,

00:53even though it is just a classic tee and a trouser.

00:56But it was great fabric on the trouser,

00:58and we altered the T-shirt to make it

01:00to the perfect proportion for him.

01:02Nick and I had discussed Matt Healy from 1975.

01:05With him and with the band,

01:06the obvious comparisons are gonna be made.

01:11You know, it was the One Direction and all of that.

01:13But it, of course, is dated now

01:15because that was so many years ago.

01:17I liked sort of the casual feel of what they did

01:19as opposed to being too glossy or too shiny

01:22or suits and all uniformed looking.

01:25It just felt natural with Nick

01:27to just sort of land where we did.

01:29And then once we just were like,

01:30let's stay a little more cool, you know,

01:32like keep it classic, but have those sort of details

01:35and those touches where we can make it work.

01:37And that's kind of how we landed with Hayes.

01:40This dress is a Chanel vintage dress.

01:43What caught my eye about this dress was the chenille on top,

01:46and then it's this beautiful silk skirt.

01:49And the color was so vibrant to me,

01:50that purple that her and I had been discussing

01:52with our palette.

01:53I just knew this was gonna be one of the dresses

01:56that we were gonna see a lot.

01:57And then I found this etro velvet navy blazer

02:01to compliment it.

02:02And then it worked so well through the sequence

02:03because he comes in, they go to the gallery in Pasadena.

02:08She takes her jacket off, you see her shoulder.

02:10There's gonna be movement.

02:12You know, she was on the piano and he kind of grabs her.

02:15Ended up being so beautiful.

02:17Hayes' look when he first comes into the gallery

02:21to buy some art, to buy every piece of art from her.

02:24I wanted his sort of street style to be,

02:27I, you know, I'm not gonna lie.

02:28Of course I looked at Harry, you know, like I did.

02:31Cause I do like a lot of Harry's street style looks.

02:34Yes, of course you pull inspiration

02:36because as a costume designer, that's what you do.

02:37You have, you know, inspiration and mood boards,

02:39but it doesn't really start

02:41until you get the clothes on the actors.

02:43He's wearing an Isabel Marant sweater

02:45and he's wearing a Bottega tank.

02:47He would always come in to his fittings

02:48wearing a simple baseball hat.

02:50And we had tried some other baseball hats

02:51cause he's getting paparazzi on the street.

02:53And he really liked his own personal hat and I did too.

02:56So we chose that.

02:58Also, I liked the texture of the sweater.

03:01Besides looking cool and great,

03:02it looked also warm and inviting.

03:05The scene is so long

03:06and there are moments of him being vulnerable,

03:08but also it still looked like his pop star self.

03:13After we tried it on, he talks to me and he's like,

03:16can you give me the details?

03:18And he purchased it like right after

03:21so that he could have it because he loved it.

03:24When Solana's traveling to visit Hayes in the hotel,

03:28she knows what she's going to do.

03:30You know, she knows why she's going.

03:32She puts on this very sexy two-piece Fendi ensemble,

03:36the Dior trench coat.

03:37I love the movement of the trench coat.

03:39I loved that there was a reveal when she got into the room.

03:43You know, in this scene,

03:44they ended up playing off of what she was wearing.

03:47It's such a like hot scene.

03:49It started off so sexy and hot

03:51and then it kind of goes into them being very playful

03:55and you see these sort of different sides

03:56of what's going on, you know, in the hotel.

03:59I love that it was sheer, but it wasn't too sheer, you know?

04:03And then we put the right undergarments under it too

04:05so it wasn't so revealing.

04:08And the fabric was so light.

04:09It was almost just this like silk gauze.

04:12It was one of those pieces that I saw

04:13that I said, I have to see this on.

04:16And then when I brought it into the fitting,

04:17Anne was like, what is this?

04:20And then she put it on and we were like, oh my God.

04:21It's like drop dead gorgeous on her.

04:24This purple dress is by Acne.

04:27There was a lot about the color,

04:28but when it came in, Anne was immediately

04:31like just drawn to the color.

04:33I didn't realize that Amy was gonna have the purple artwork.

04:37I was like, oh my God, her dress matches the artwork.

04:40Like exact.

04:41It just sort of rounded out the story for me.

04:44She was started this way and then all of a sudden

04:46she's this, you know, rock star's girlfriend.

04:49And we still wanted it to sort of, you know, make sense.

04:51Even though she is wearing on the side of the stage

04:54that one look, she's in a Balmain jacket.

04:56She's in Versace leather pants.

04:58She's in a gold Tom Ford tank.

04:59So there's like those designers she had access to.

05:02I think she did take a little bit of that

05:04from being on tour with them for that summer.

05:07And it's a bit more elevated,

05:08but it's still in her wheelhouse because of the color.

05:11This is the third project I've worked on with Anne.

05:13And so we have a really, really nice working relationship.

05:16And I love collaborating with her

05:18because she listens to me.

05:19I listen to her.

05:20We feed off of each other.

05:22And in fittings, it just turns into something like so great.

05:26I knew while we were filming it

05:28that that's what was going to happen

05:29because everybody worked so well together

05:32and it just turned out beautiful, I thought.

05:35♪♪♪

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