- 5 months ago
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00:00It's warm tonight, isn't it, Boldy?
00:10It certainly is, baby, yes.
00:11Oh, it's very warm.
00:13Oh, can I get you another one?
00:14What?
00:15Oh, well, why not indeed?
00:16What a nice idea.
00:19It reminds me of somebody machine-gunning a seal.
00:22No, no, my wife's locked.
00:24Ah, yes.
00:27Ah, good evening, Mrs. Fenwar.
00:28Good evening.
00:30Thank you for your map.
00:31It was so useful.
00:33I must congratulate you.
00:35I had no idea how charming talk he was.
00:38Ah, enchanté.
00:39May I ask, did you find anything of interest?
00:41Hmm, a few pieces I like very much.
00:43And one.
00:45Oh, I had to have it.
00:47Ah, formidable.
00:48I'm so pleased.
00:49May I introduce a major go in, our longest-standing resident, Mrs. Penwar?
00:53How do you do, major?
00:55How do you do, madam?
00:56Mrs. Penwar is an antique dealer.
00:57She's down here for a few days, sniffing around for dainty relics.
01:01Ah!
01:03Please don't alarm yourself.
01:04It's only my wife laughing.
01:06I'm afraid her local finishing school was bombed.
01:08Oh, dear.
01:09No, no, not really.
01:10Just a thought.
01:11Well, now, what can I get you?
01:12Do you have any Ricard?
01:14I'm sorry?
01:15Any Ricard?
01:16Ah, we're just out of it, I think.
01:19Just a sherry, then.
01:20But, of course.
01:21Tell me, are you, by any chance, French at all?
01:25Yes, I am.
01:26Good Lord!
01:27Ah, for sake!
01:30Enjoying yourself, dear?
01:31We haven't put any nuts in the bowl, have we?
01:35Well, I haven't.
01:36I don't know about you.
01:37Ah, well, I'll do it, then, shall I?
01:38That would be the simplest solution, dear.
01:40Well, where's Manuel?
01:42We've given him the evening off, dear.
01:43It's his birthday.
01:44I mean, how old is he?
01:46Two and a half?
01:50Excuse me.
01:51There are no nuts here, Sybil.
01:53No nuts!
01:56You'll find them in the kitchen.
01:57Oh, will I?
02:00Well, if you can bear to tear yourself away from Mrs. Payne, why you will.
02:03Do go on.
02:06In 1918, actually.
02:08Did you ever see that film, How to Murder Your Wife?
02:11How to Murder Your Wife?
02:12Yes, awfully good.
02:13I saw it six times.
02:15Very funny.
02:19Are you all right, Mr. Fossey?
02:20What?
02:21Yes, yes, thank you very much.
02:22You all right?
02:23Yes.
02:23Good, good.
02:24Well, we're all all right, then.
02:27Must be the heat.
02:29Yes, and he's getting taller, isn't he?
02:31I don't think he's very well, dear.
02:32I think you ought to take care of him.
02:35Hello.
02:35I think I left it over here.
02:38Hang on.
02:41Ah, here it is.
02:43See you tonight.
02:44Mm.
02:46Shh.
02:52Yes?
02:53A signal for tonight, is it?
02:54Mr. Baldy, may I introduce Richard Turner?
02:57I'm sorry?
02:57He's a friend of mine.
02:58Oh, you know each other, do you?
03:00Just passing through, are you?
03:02There you go.
03:02See you tonight.
03:03Oh, we've opened a library, have we?
03:05How nice.
03:06Please don't leave on my account, Mr. Turnip.
03:08I'm sorry.
03:09I'm here for the polly.
03:10We were just saying goodbye.
03:11I mean, what sort of a place do you think this is?
03:12A massage parlour?
03:13I mean, we are running a nice, respectable hike.
03:17I'm sorry, did I say something funny?
03:18No, I was just looking for...
03:20No, no, obviously I was saying something frightfully comic.
03:22No, it's just the heat.
03:23Oh, well, so long as I amuse the staff, I mean, that's all I'm here for.
03:25Ah.
03:26I'll just take these in, shall I?
03:27One other thing, Polly, I'm afraid we've abandoned the idea of the topless afternoon teas,
03:31so if you wouldn't mind a changing before you go in where people may be trying to meet.
03:34I was going to.
03:36And Polly, would you come back here, please?
03:38I'm on form tonight.
03:39Yes, Mr. Paul.
03:39I know these kind of drawings are considered decent at art school.
03:42Would you please not leave them lying around on display at the reception?
03:45I'll put them away when I've got some clothes on.
03:47I mean, bit.
03:57Hello, faulty titties.
04:01Yes, yes.
04:03Oh, it's you, Audrey.
04:04Yes.
04:05Oh, he's left you again, has he?
04:07Oh, dear.
04:08Oh, dear.
04:09How sad.
04:10Hmm.
04:11Yes.
04:12Oh, good evening, Major.
04:13Yes, I'll be with you in just one moment.
04:15Yes, well, I'll get a call.
04:15Hmm, yes, well, keep your pecker up.
04:18Bye.
04:21Oh, stop it, Adam.
04:24Adam, I'll tell you.
04:28Hello.
04:30We've booked a room.
04:31Have you?
04:31Yes, a double one.
04:32The name is...
04:33One moment, please.
04:35It's a nice suit.
04:36What?
04:38I thought you said something.
04:39No.
04:41Are you all right?
04:42Yes, thank you.
04:43Are we ready?
04:47I think we are, yeah.
04:49What band of your name, please?
04:50Yes, it's Bruce.
04:52Mr and Mrs Bruce.
04:53That's right.
04:53Is it a double bed?
04:55I beg your pardon?
04:56Has our room got a double bed?
04:58A double bed?
04:59Yes.
05:00Well, we've only got one double bed.
05:02I mean, you want that?
05:02Oh, very much indeed, yeah.
05:04Well, I'll have to put you in number 12, then.
05:06All right.
05:07Well, I mean, why...
05:07Oh, never mind, yes.
05:08All right.
05:09Has it got a breeze?
05:12Has it got a breeze?
05:13Oh, is it airy?
05:15Well, there's air in it.
05:16I mean, what...
05:17I think there's a letter for me.
05:19What?
05:20There's a letter for me there.
05:21No, there isn't.
05:22Yes.
05:22Jean Wilson.
05:25Jean Wilson, is this you?
05:26Mm-hmm.
05:27Ha, ha, ha, ha.
05:28Now, what's going on here?
05:31Well, I can't give you a double room, then.
05:32Oh, Lord.
05:33It's against the law.
05:34What law?
05:34The law of England.
05:35Nothing to do with me.
05:37Nothing to do with you?
05:38Nothing at all.
05:39I can give you two singles, if you like, but, um...
05:41Look, should we go somewhere else?
05:42Excuse me.
05:44Well, there's my key.
05:45And now I'm off to paint the town red.
05:48Thank you so much.
05:49Well, perhaps I'll see you later this evening?
05:52Yes, my wife and I will be up till quite late tonight, thank you.
05:55I don't believe a word.
05:57Excuse me.
05:58We'll have two singles, then, if that's all right with the police.
06:01Two singles, certainly.
06:03Now, um...
06:03Next to each other.
06:04Next to each other.
06:05Oh, dear, we can't do that.
06:07What a shame.
06:08Good evening.
06:09Good evening.
06:10A double, is it?
06:11We'd like a double.
06:12Two singles, dear.
06:13Not married.
06:13Now, um...
06:15What?
06:16Nothing, dear.
06:16I'm dealing with it.
06:17Well, 17 and 18 are free.
06:19You'd have to share a bath.
06:20No.
06:21Oh, Audrey called.
06:22I'll handle it.
06:23George is left for it again.
06:25Oh, no.
06:25Now, we've got one on the first floor, one right up at the top.
06:28Shall I deal with this, Basil?
06:30I'm dealing with it, dear.
06:31No, dear, that's all right.
06:32Now, you wanted two singles.
06:33I said I'd deal with it.
06:34Do you mind sharing your bathroom?
06:35Look, I was here first.
06:36Well, it's my turn now, then.
06:39I fought the Korean War, you know.
06:41I killed four men.
06:45He was in the Catering Corps.
06:47He used to poison them.
06:48Yes?
06:52Who is it?
06:53It's Manuel.
06:54What do you want?
06:55Can I go now?
06:56I thought you'd gone.
06:58Eh?
06:58I thought you'd gone.
07:00No, no, I turned it off.
07:02What?
07:04It was about so high.
07:05No, no, I said I thought a creditor.
07:07It doesn't matter.
07:08Eh?
07:09It doesn't matter.
07:10Oh, you think I'd gone?
07:12Yes.
07:12No, no, I go now.
07:13Wonderful.
07:14What, is okay?
07:15It's okay.
07:19Yes?
07:20Before I go.
07:21Is it?
07:22It's my birthday.
07:24Yes, I know.
07:26I want to thank you for beautiful presents.
07:28Oh, yes, ma'am.
07:29And for your much kindness to me since I come here.
07:32Not at all.
07:33My pleasure.
07:33Since coming here from Spain, leaving my mother.
07:37Outside.
07:37Okay.
07:38Outside.
07:41Since coming here from Spain, leaving my five fathers and your sister.
07:46Hey.
07:47Sure.
07:50Can I have it, Basil?
07:51What, dear?
07:52I want that key.
07:52I've only got the key to room 12.
07:54That's the one.
07:54Now, look here, Sybil.
07:55Basil.
07:57If you were my size, she's coming.
08:01Now, where?
08:02She, she.
08:03Number 12, please.
08:05Basil.
08:12Jean.
08:13Hello, Paul.
08:14What are you doing here?
08:16Well, we couldn't get in at the Bellevue.
08:18Oh, no.
08:18Hello, Alan.
08:19It'll be fun.
08:20My parents arrive tomorrow.
08:22What, here?
08:22Hmm.
08:23Well, I warned you.
08:24Yes, we've already met the famous faulty.
08:26Shh.
08:26I'm not supposed to hobnob.
08:27Oh, dear.
08:28Oh, I like your outfit.
08:29I'll give you the pattern.
08:33Are you going to be at Fiona's wedding?
08:35I can't, but I'll be at the reception.
08:36My very own Jean Wilson creation.
08:38I want you to try that on later.
08:40Okay.
08:40How's that gorgeous stuff on?
08:42Oh, I haven't seen it for a month.
08:43He's been in Singapore.
08:44Oh, blast.
08:46I forgot to get those batteries for my electric razor.
08:48Is there anywhere still open, Paul?
08:49Well, you might find a chemist.
08:51Yeah, well, I'd better have a look.
08:52Hmm.
08:52Won't be long.
08:53Is Richard coming tonight?
08:55Hmm.
08:55We'll be along about soon.
08:56Great.
09:02Hello again.
09:04Well, have you managed to get it all sorted out with your wife?
09:06All I wouldn't know about there is there something you want?
09:08Ah, yes.
09:09Look, I know it's a bit late, but do you know if there's a chemist still open?
09:15Do you know if there's a chemist still open?
09:17I suppose you think this is funny, do you?
09:20Funny?
09:20Ha, ha, ha.
09:22No, no.
09:23I really want to know.
09:24Oh, do you?
09:25Well, I don't.
09:25So far as I know, all the chemists are shut.
09:27You'll just have to wait till tomorrow.
09:28Sorry.
09:30Bit of a blow, I imagine.
09:32What?
09:33Nothing, you heard.
09:34Is it all?
09:36Well.
09:36Yes?
09:37I don't suppose you've got a car.
09:38No.
09:40Just push your luck.
09:42I have a breaking point, you know.
09:43Well, I only want some batteries.
09:48I don't believe it.
09:49What?
09:50Batteries, eh?
09:51You know something?
09:52You disgust me.
09:54I know what people like you get up to, and I think it's disgusting.
09:58What are you talking about?
09:59I want some batteries for my electric razor.
10:01I want a shave.
10:01Oh, yes?
10:02Yes, I'm shaved today.
10:03Look, see?
10:04Electric razor, huh?
10:05Right.
10:05Well, that's what I was referring to when I said it was disgusting.
10:09It is, of course, disgusting that you haven't shaved.
10:11But to understand what I mean, sometimes I don't shave either, and that's disgusting, too.
10:15So I shall have a crazy scent up to your room straight away.
10:17Thank you so much.
10:17Good night.
10:18Bye.
10:31Bye.
10:33Bye.
10:40Bye.
10:41hello Audrey any news oh dear he hasn't oh I know
11:07he doesn't deserve your order he really doesn't exactly I know you have I know I know oh I know
11:23what was that Audrey oh I know I know why she telling you then I understand you I really do
11:37I can't stand it anymore I don't clean the roof or something ah there's a front doorbell somebody's
11:44got back late yes yeah I expect they got to get their passkey I know let them in yeah I'll go
11:52then shall I yes I agree right I'll go then I mean you know who that is don't you I mean
11:57that's your pair the karma sutra said good evening welcome to battle faulty knocking
12:01shops limit me no dear it's only Basel I'm coming I'm coming and I suppose you know what time it is
12:15oh mr. faulty I'm so sorry oh no it's only a quarter past eleven oh I thought you were back
12:23oh no not at all I had a few little jobs to do oh you're so kind oh well I had just a lovely evening
12:31did you I'm very nice I saw some friends I hadn't seen for years I had a little bit too much to drink
12:39right oh I mean what's life for if I can't get a bit well hardly blotter oh mr. faulty you're so
12:47charming well one does one's best I hope mrs. faulty appreciates I lucky she well I think probably not
12:56oh sorry oh sorry sorry I'm doing your part oh there we are oh sorry sorry haha there you are
13:05well okay I'm awfully sorry no it's quite extraordinary the front doorbell went and
13:09there's a moment or two ago then I thought to myself I expect that to be Alan and so down I go
13:13and lo and behold it's not you at all it's mrs. penoir have you met Alan and this is mrs. penoir
13:18she's an antique dealer you know I mean she deals in antiques she's not frankly old or anything
13:21ah so I later in just 10 seconds I mean hardly five it's been high time to say good evening
13:25in she comes doctor think down I go down she goes oh there you are bliss my soul is going golly is
13:31that the time my goodness I was thinking it's a quarter past 10 my god well I better get to bed
13:35I can't stand around talking all night I can't get an early night bye
13:38sorry
13:40are you all right yes I am good night
13:50good night do you know just make that call mmm don't be too long
13:55well who was it oh it was your uh your pair
14:07good night
14:11oh and that uh that woman
14:17mrs. penoir uh yes something like that
14:21how's ordering she's in a terrible state ah good good
14:34there's someone in the door Sybil
14:39why are you shouting Basil what's I shouting sorry Sybil um well I'd better go and see
14:45where that is then Sybil haha I expected some cue forgot to get the guests for their door
14:48or something like that some innocent explanation huh are you ready Sybil I'm
14:52ready I might just see where that is then Sybil oh
14:57I'm sorry Mr. Faldi oh poor Mr. Faldi are you all right no I'm dying but don't get out of bed
15:01I hurt you and you're so wonderful to me give me such beautiful present thank you
15:06you're drunk man well no no no it's beautiful it's my first one
15:11now listen to the boo oh oh poor Mr. Faldi so sorry please Mr. Faldi I love you I love you
15:13you're so kind to me you're so good to me I love you I love you I love you I love you
15:16I love you I love you I love you I'm so good to me I love you I love you I love you
15:22I'm trying to read in here since I come here from a Spain leaving my five mothers and four aunties
15:29with a not right leg
15:31I'm trying to read in here since I come here from Spain leaving my five mothers and four aunties
15:37with a not right leg
15:40I'm trying to read in here
15:47I'm trying to read in here
15:51and now a little bit of a cafe
15:53yes please, coffee, coffee, what?
15:55Oh, coffee, what?
15:57Oh, oh, oh, quite
15:59oh
16:09oh, oh
16:10oh
16:11oh, oh, oh
16:12oh, ellas然
16:14oh, oh, there we are, voilà som nous
16:19café pour vous
16:20vous
16:21pas pour toi
16:22er, well I'll probably have one later
16:23oh, ohties for me
16:24oh, oh good, good
16:26oh, Mr. Faldi
16:27I forget. The window in my bedroom. I can't open it. Could you?
16:31Oh, certainly. I'll pop up and fix it. Certainly.
16:38How are you?
16:40Handy, shall I?
16:43That's not what I want.
16:44Oh, no.
16:48Thank you so much.
16:51It's terrible.
16:52Go to the kitchen, ma'am.
16:53I cannot.
16:54Ma'am, go to the kitchen.
16:54No, no, no.
16:56Come on, ma'am.
16:56Please, I die here.
16:58Please.
16:59Sorry, Maccas.
17:00You've been working awfully hard recently.
17:03You know, I can manage. Thank you, Paul.
17:05Oh, no, no.
17:05Please, Mr.
17:06Oh, no, Mr.
17:07Oh, no.
17:08He's at it again, look.
17:10It's disgusting.
17:11I beg your pardon?
17:12Nothing.
17:13I thought you said something.
17:14No, no, no. Carry on.
17:23Get on with your meals.
17:24Thank you, Mr. Lloyd.
17:29And this is just for tonight, isn't it?
17:31That's right.
17:31Will you be taking lunch?
17:32Oh, we won't have time, I'm afraid.
17:33We've got this wedding at half past two.
17:35Oh.
17:36I wonder, could I make a call?
17:37Oh, please, use that phone.
17:39Would it be possible to have some sandwiches sent up to the room?
17:41Certainly.
17:42Here's the key.
17:43I'll have your bags brought up in a moment.
17:45Would you like coffee with the sandwiches?
17:46Oh, yes, please.
17:47Mum!
17:50Hello, darling.
17:52Hello, hello, Alan.
17:53Hello, Rachel.
17:54Oh, where's Philip?
17:54Did he have a good trip?
17:55Marvellous.
17:56He's upstairs.
17:57Oh, could I speak to Mrs. Bryce, please?
17:59I'll see you in a moment.
18:00All right, darling.
18:00I'm just going to finish my breakfast.
18:01Right, hold on.
18:04There they are.
18:05Where's the key?
18:06He's already taken it up, Basil.
18:07Oh, right.
18:09Anne, it's Rachel Lloyd here.
18:11How's everything?
18:12I'm going to take your cases upstairs.
18:14Yes, I know.
18:17Darling, it's beautiful.
18:20Oh.
18:22Oh.
18:28Say more.
18:29Say more.
18:35Hello.
18:36Hello.
18:37It's Mrs. Lloyd, isn't it?
18:38That's right.
18:38Ah, how do you do?
18:39Forty.
18:40Babbled, Forty.
18:40How do you do?
18:41Oh, pretty well, really.
18:42I can't complain.
18:44Yes, well, we had this door knocked through recently, men.
18:47What a good job of it.
18:47Don't you think?
18:48Yes, yes, it's very nice.
18:50Yes, marvellous.
18:51It's changed our lives, really.
18:52You know, we used to have to do the hundred yards through there and back again.
18:54But now we can just sort of open it and...
18:57Oh, dear.
18:57This isn't what I think it's right as it usually does.
18:58Ah!
19:01Go right in.
19:02Just like that.
19:03Marvellous, really.
19:04You know, I saw the simple but effective.
19:05Would you like to have a try?
19:06Well, I...
19:06I'd love to one day, but I think just now I'd better get upstairs,
19:11so I'll see you later.
19:12Ah!
19:16Are you all right?
19:17Oh, I've got a bit of trouble with the old leg.
19:18I'd better just sit down here with a bit of shrapnel.
19:20Corian war.
19:21Still in there.
19:22Can't they get it out?
19:24No, too deep.
19:25Too deep.
19:26Well, this is the kitchen, as you can see.
19:28What?
19:29The kitchen.
19:30Yes, we had it passed about five years ago.
19:32We've got a few cracks up there now.
19:35Oh!
19:37Don't worry about him.
19:38It's just having a lie down.
19:41Spanish.
19:41From Barcelona.
19:42You know, sort of siesta.
19:43But he's fine.
19:44Ah!
19:45It was his birthday yesterday.
19:47Anyway, we've got a few cracks up there now,
19:50but nothing serious.
19:51So, as I say, it's not the Sistine Chapel.
19:53We're very happy with it.
19:55Are you sure he's all right?
19:57Oh, yes.
19:58Yes, he's fine.
19:58Yes.
19:58But he's groaning.
20:00Is he?
20:00Is he?
20:01Can't you hear him?
20:02So, yes.
20:03Listen, I just remembered.
20:04I left your cases just outside your room, by mistake.
20:07And, uh, would you mind if I went up and put them inside now?
20:10Unless there's anything else you'd like to...
20:11Well, don't you think perhaps we should open...
20:12No, no, no, no, don't worry about that.
20:13My wife will do it without a symbol.
20:15So, if you'd like to, uh...
20:17Come along, come along.
20:19Come in.
20:22Your sandwiches, Mr. Lloyd.
20:25Pauline!
20:26Hello.
20:27How are you?
20:28Fantastic.
20:29Oh, it's great to see you.
20:30You're still gorgeous.
20:31Oh, dear, dear, dear.
20:42Is anything the matter?
20:48Mrs. Lloyd, can I have a way over here?
20:50You are?
20:51Yes.
20:52Oh, well, there's something that I need to explain.
20:53Well?
20:54Uh, could we go in there?
20:56Oh, really?
20:56Is it absolutely necessary?
20:58I'm afraid it is.
21:01Go.
21:02Mrs. Lloyd, I'm so sorry, but this is, um, much nicer room than the one we've given you.
21:16What?
21:16I'm sorry.
21:17I was just saying that this room is so much nicer than yours, and I wanted to bring you
21:21in here now and show it to you and apologize in case you found out about it later and got
21:25rather cross.
21:27Now, um, the point is, what is it?
21:29The point is, if it turns out you don't like that room, um, then we can always move you
21:34in here, but I don't think it's worth doing until you've definitely decided that you don't
21:37like that one as much as this one, and then we can sort of sit down around a table and
21:41sort of discuss it, you know, kind of chew it over, and, uh, and it would be a piece
21:48of cake. Bob's your uncle. Okay? Fine.
21:54Thank you, darling.
21:55Oh, sorry. Sorry. Thank you.
22:00Oh, thank you. Thank you very much.
22:03I wonder where you were, darling.
22:08Darling? Darling, are you all right?
22:12This room is exactly the same as the one that we've given you.
22:15Oh, jean is absolutely smashing.
22:20Bit tight across the bust.
22:22Oh, I love it.
22:23Lower, lower, lower.
22:24You sure?
22:25Can I pick it up tonight?
22:26Yeah.
22:26Lower, lower, lower.
22:28Oh, that's it. That's it.
22:30Oh, that is amazing.
22:32That is amazing.
22:38Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
22:45Amazing.
22:47Have you been taking lessons?
22:49So, I'll see you tonight, huh?
22:52This is absolutely fantastic.
22:54Oh, Holly, I want to see you at reception in one minute in your hat and coat.
23:22I'm sorry? I want to see you at reception in one minute in your hat and coat.
23:26Will they fit you?
23:27No.
23:30They're going.
23:31What?
23:31They're going.
23:40I'm sorry, but you have to go. We made a mistake. All these rooms are taken.
23:44Hello?
23:44She was sitting on him.
23:47Five minutes later, I found him lying on the floor underneath the waiter.
23:52I'm sorry, but there you are. Got together, have you?
23:56Yes, yes, I might have guessed, mightn't I?
23:58Yes, I see. Of course, we're a bit behind the time zone here in Torquay.
24:01Well, I'm sorry, but you have to go. We made a mistake. All these rooms are taken. I'm so sorry.
24:07Well, actually, I'm not sorry. I mean, you come in here just like that and, well, to be perfectly blunt, you have a very good time at our expense.
24:12I mean, I think you know what I mean. I mean, you have a very, very good time, haven't you?
24:17Well, not here, you don't. Oh, no, thank you and good night.
24:28Well, that's taken care of that.
24:31Basil, what is going on? Why did you tell Polly to get her hat and coat?
24:34Because she's going along with the Lloyds and that pair you let in. I've never seen anything like it in my life. My God!
24:39Basil, what are you on about? Why are they leaving?
24:41I'll tell you exactly why they're leaving. First of all, I go up there and I find that that girl in his arms, in Lloyds' arms, five minutes later, Polly's in there!
24:47What girl?
24:48That, that girl!
24:49She's his daughter.
24:51What?
24:53She's Mr. Lloyd's stepdaughter. They're all one family.
24:56Oh, what about Polly?
25:13She was at school with Jean. She's known them all for years.
25:16For years, huh?
25:17For years.
25:18What have I done?
25:20What have you done?
25:21I told them to leave.
25:22You've told them to leave?
25:24But how was I supposed to know?
25:25Why didn't you tell me, you halfwit?
25:27Why didn't they tell me? You can't blame me for this.
25:29Go and tell them they can stay.
25:30Why don't you go and tell them?
25:31I didn't tell them to go.
25:33Oh, no. No, I suppose it's all my fault, isn't it?
25:34Go and tell them.
25:36Now.
25:37No, I won't.
25:37You will?
25:38No, no, I won't.
25:38Oh, yes, you will.
25:39Oh, yes, I will. Right, yes, that's right. Leave it to me. Let me get you out of it.
25:42That's all I'm good for, isn't it? Basil, faulty, limited, other people's messes cleared up by appointment to my wife, Sybil.
25:47I mean, what am I going to say?
25:49Tell them you made a mistake.
25:51Oh, brilliant! Brilliant!
25:53Is that what made Britain great, and faulty, and made a mistake?
25:58Oh, yes, God, for a friend's punch cake!
26:04Well, very nice, very nice. Take them off. Get back to work. I'm so sorry, I'm...
26:07I'm so sorry I made a mistake.
26:10I'm so sorry I made a mistake.
26:12I'm sorry, I'm so sorry, but my wife has made a mistake.
26:15I don't know how she did, but she did.
26:17She's made a complete pudding of the whole thing.
26:18As usual, it'll be perfectly all right for you to stay.
26:20I've sorted it all out. I'm frightfully sorry, but you know what women are like.
26:23They've got one brain between a lot of them.
26:24Well, not all of them, but I mean, some of them have.
26:26So please do stay, and see you all later on.
26:29Thank you so much.
26:32I'm just saying, please do stay.
26:34My wife made a most dreadful mistake.
26:36Yes, I think she probably did.
26:39Evening, Forty.
26:47Ah, evening, Major.
26:48Paper's arrived yet?
26:50Oh, yes. Sorry, though, sir. I didn't get here till five.
26:52I have to have a word with them again.
26:53Well, where's your lady wife this evening?
26:56Oh, she's spending the night at Audrey's.
26:57You know, George has walked out on her again, so she's in the usual state.
27:00Still, it must have upset her a bit.
27:03Well, yesterday she makes her song and dance about it.
27:05Well, you don't like Audrey very much, do you?
27:07Dreadful woman. Dreadful.
27:08Well, I think it's very decent of your wife to go round there and to listen to all that rubbish.
27:15Couldn't do without it, Major.
27:16She's a fine woman, Mrs. Fawlty.
27:19No, no, I wouldn't say that.
27:21No, nor will I.
27:25Hi, Major.
27:29Hi, Mr. Fawlty.
27:31Ah, good evening. Sorry.
27:33No, no, don't switch it off. I love Chopin.
27:36Oh, really? Ah, ah, there's your key.
27:38Oh, it's, it's so romantic.
27:41Yes, yes, exactly.
27:43Are you romantic, Mr. Fawlty?
27:45Ah, no, good God, no.
27:47Well, I think you are.
27:50I think beneath that English exterior throbs up passion that would make Lord Byron look like a tobacconist.
27:56Oh, no way. No, sorry.
28:00Oh, don't look so bashful. I won't try and sit on you again.
28:05Oh, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
28:11And where is your charming wife this evening?
28:13Oh, she's, er, she's spending the night with a friend.
28:15Hmm.
28:16Oh, er, a girl, a lady friend.
28:18When the cat's away, eh?
28:19Oh, hardly, no. Too much to do.
28:22Ah, well, tonight, when we...
28:24Oh, Mr. Fortin. Yes?
28:25Did you fix my window?
28:27Oh, uh, down.
28:28Oh, if you could, please. It's so hot tonight.
28:31Yes, yes, okay, right.
28:44Here we are.
28:45Ah, you're so strong.
28:48Oh, well, I'm sure you are, too.
28:49If you put your mind to it.
28:51Your wife shouldn't leave you with strange women.
28:54Oh, well, I wouldn't call you that strange.
28:56Mr. Forty, you're so charming.
28:58Oh, only a little.
28:59Oh, well.
29:00Oh, do you know that, Queen?
29:01Isn't it wonderful?
29:03Yes, it's nice, isn't it?
29:04I shall sleep au naturel tonight.
29:07Good idea. Right.
29:08Only it's not so much fun on your own.
29:11Oh, well, one can always pretend.
29:13Oh, a twinch from the old leg. Better go and lie down.
29:16Good night.
29:16Good night.
29:17Damn strapple.
29:18Oh, who is it?
29:34Oh, Mr. Forty.
29:35Hello.
29:40I'm so sorry, but I have to leave early tomorrow.
29:42Could I have a call at seven o'clock, please?
29:44Oh, marvelous.
29:45Is that all absolutely seven o'clock?
29:47Please don't go yet.
29:48Oh, really?
29:49I think you've forgotten something.
29:52Did I?
29:53Damn.
29:53Well, there you go.
29:53Your recorder.
29:55Oh, thank you.
29:57You left it in my room?
29:59Oh, thank you so much.
30:00You left it in my room so you could come and get it, didn't you?
30:04I'm not having you knocking on my door in the middle of the night.
30:14You're a naughty man.
30:16Good night.
30:17Good night.
30:17Go to your room.
30:41I won't ask you again.
30:43Open the door.
30:44Listen, I can't.
30:46My wife has just got back unexpectedly.
30:48She's in the bathroom.
30:49What, dear?
30:50Uh, I think you'll find it on the second shelf, civil darling.
30:54Let me in, Basil.
30:55I can't meet somebody else sooner or later.
30:57Basil.
30:58Try to control yourself.
31:00Where do you think you are, Paris?
31:01Let me in.
31:03Shut up, will you, you silly tart.
31:05Go away.
31:06My wife will hear us.
31:09This is your wife.
31:10Oh, what a terrible dream.
31:25There's a burglar downstairs.
31:27George got back, did he?
31:29There's a burglar downstairs.
31:31What?
31:31A burglar.
31:32Quick.
31:32Oh, I don't know.
31:50Oh, I don't know.
31:55I don't know.
31:56Oh, I don't know.
32:00We've been to a wedding.
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