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  • 5 months ago
Restaurants are closing, menus are shrinking, and hospitality is under pressure across Birmingham. In the middle of it all, Birmingham Restaurant Festival returns—not as a distraction, but as a lens on what’s left, what still works, and what the city stands to lose. We speak to organiser Alex Nicholson-Evans about survival, strategy, and why food has become the frontline of cultural identity.

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00:00Hospitality across Birmingham is stretched.
00:03Soaring costs, SAF shortages and shifting habits
00:07have left many venues operating on a knife edge or closing altogether.
00:12But not everything's in retreat.
00:14Events that pull diners back into restaurants,
00:16especially new or independent ones,
00:19can reveal what's still working
00:20and what kind of places still have cultural pull.
00:24That doesn't mean the pressure's off,
00:25but it shows where the resilience is.
00:28So I started running festivals in Birmingham about 11 years ago
00:32and the first one we did was Birmingham Cocktail Weekend
00:35and it was really successful because it drove new customers into bars
00:40trying new spirits and new drinks
00:42and I really wanted to replicate that positive experience
00:45into the restaurant scene.
00:47But of course it had to be a little bit different
00:49because you might be able to have a few cocktails in one day,
00:51but you're not going to be having loads and loads of meals out in one day.
00:55Right now the real story isn't just who's closing,
00:57it's who's left and how they're adapting.
01:01The range of dining in Birmingham is still wide,
01:03but keeping that diversity visible takes intention.
01:07In times like these, curation doesn't just showcase,
01:10it diagnoses who's still drawing a crowd,
01:13what kind of service still survives
01:15and where are the gaps starting to show.
01:18So curating the line-up is definitely an art rather than a science,
01:23but there are absolutely things I look for.
01:24What I don't look for is a set number of restaurants with Michelin stars,
01:29a set number of restaurants with particular elements of service
01:32or particular cuisines.
01:34I want to capture the breadth of the city
01:36and the diversity in every sense.
01:38So lots of different cuisines,
01:40lots of different service styles
01:41and lots of different price points.
01:43And for that reason,
01:44I don't really feel a tension between that kind of prestige end
01:48and maybe a kind of more informal dining
01:49because I think the strength of Birmingham's food scene
01:52is that breadth.
01:54Restaurants aren't just businesses,
01:55they're part of how a city expresses itself.
01:58When venues shut, something bigger is lost.
02:01In Birmingham, food has never stood alone.
02:03It's always run alongside music, migration and memory.
02:07That's why hospitality still matters.
02:09Even now, it's doing the work of culture,
02:12quietly but clearly.
02:13I've been thinking a lot about brand Birmingham recently
02:17and I think our strength is also our challenge.
02:20Birmingham could be the city of a thousand things,
02:24a thousand trades.
02:25It absolutely is the city of heavy metal
02:27and we're all feeling that so purposefully
02:30and poignantly at the moment.
02:31It's absolutely the city of food too.
02:33We can lay claim to inspiring Tolkien.
02:36We can lay claim to the Peaky Blinders.
02:38There's so many things we could go after as a city
02:40and that breadth is exciting but of course
02:43it doesn't mean that we've just got one USP
02:44to kind of power through.
02:46I think food is core
02:48and can sit alongside all of those themes.
02:51I don't think it replaces the beauty of art,
02:53the power of music.
02:54I think it's something that sits alongside them
02:56and works beautifully all together.
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