- 5 months ago
"SENSITIVE MATTER Episode 4" is a romantic drama that continues to enthrall audiences with the tumultuous love story of Tanya, a young and talented fashion designer, and Volodya, a man from a high-ranking establishment family. Set in 1962 Moscow, their romance faces challenges as Volodya's bride-to-be enters the picture, forcing Tanya to navigate the complexities of her career and heart.
As Tanya strives to make a name for herself in the fashion world, she faces obstacles due to her father's troubled past. Despite these challenges, she lands a job in the exclusive "Hundredth Aisle" of Stolitsa department store, serving the Soviet elite. This opportunity could be her ticket to becoming a renowned artist and conquering the fashion capital – Paris.
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship is put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances ¹ ².
As Tanya strives to make a name for herself in the fashion world, she faces obstacles due to her father's troubled past. Despite these challenges, she lands a job in the exclusive "Hundredth Aisle" of Stolitsa department store, serving the Soviet elite. This opportunity could be her ticket to becoming a renowned artist and conquering the fashion capital – Paris.
*Key Themes:*
- *Love vs. Social Expectations*: Tanya and Volodya's relationship is put to the test by their different social backgrounds.
- *Ambition and Dreams*: Tanya's passion for fashion drives her to pursue her goals, despite the challenges she faces.
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances ¹ ².
Category
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Short filmTranscript
00:00Music
00:30Good morning, comrades! Welcome to the morning show!
00:37Right. It must be so interesting that you fell asleep.
00:44Is this my referral?
00:47Tatiana, did you do this?
00:49I couldn't sleep. I figured I'd do something useful while I'm here.
00:54This is amazing, Tatiana. I've been suffering a lot.
01:00Counting flies on the ceiling isn't suffering.
01:04People suffer differently.
01:07You could have done it. There's an hour's worth of work over here.
01:13It might be easy for you. Your classes haven't started yet.
01:17And when they do, you'll find that hard too.
01:23We'll see, but I have to get to work.
01:26Hey, thank you.
01:30That's much better.
01:32Let's go shower before hot water runs out.
01:40Hey, Vera.
01:42What?
01:44Congratulate me.
01:46The ice has finally broken.
01:49I'm in between your son and I.
01:52No way.
01:52Yes, that's right.
01:55You see, last night we had a...
01:57Productive conversation.
01:59He understood perfectly.
02:01Now he knows how much trouble he caused us.
02:04He promised to behave well and act appropriately.
02:07And not run away from his bride.
02:10I'm so happy.
02:12Xenia, you're simply so amazing.
02:15Yes.
02:16Why is it that you understand pleasant words, but he doesn't?
02:22I said everything exactly, with the exact same tone of voice.
02:26But you heard me.
02:28You believed me.
02:29But he doesn't.
02:30I don't understand what you mean.
02:34Of course you do.
02:36But that scoundrel doesn't.
02:40Like talking to a wall.
02:43Or even is he?
02:47Vladimir!
02:47VETER
03:05VETER
03:05VETER
03:06VETER
03:07VETER
03:08VETER
03:09VETER
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03:12VETER
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03:14VETER
03:15VETER
03:16VETER
03:17VETER
03:18VETER
03:19VETER
03:20VETER
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03:22VETER
03:23VETER
03:24VETER
03:25VETER
03:26VETER
03:27VETER
03:28VETER
03:29VETER
03:30VETER
03:31VETER
03:32VETER
03:33Do you have anything in mind?
03:58Why don't you try the chrysanthemums?
04:00These are pretty flowers, even the dianthuses.
04:04Well?
04:05What is this?
04:06It's called gladiolus. Which one do you want?
04:15You need another layer or else you'll have to keep your arms right by your sides.
04:19Fine, then you won't see my arms. If you're armless, it doesn't mean everyone else is.
04:24Hey guys, I think that if we send the frill up to the armpit, it'll be comfy and more hidden.
04:29Excuse me, this is a place of work. If you're looking for someone, you have to wait.
04:37Tatiana, can we talk? I got your bag here.
04:41Thanks for the bag, but we have nothing to discuss.
04:45Hey, I came here as a mature adult. As a friend, and you're turning down this tiny favor? A simple chat?
04:53As a friend? Okay, speak. Here are my friends.
04:59Better than some.
05:01I want them to listen, alright. Listen, friends. I'm confused.
05:09I should have told you about the wedding. But what would you have done in my shoes if you met your dream girl?
05:17Well, dream guy, which was me. And your wedding is coming up. You meet me, and then you fall in love. Could that even happen?
05:27What do I do now?
05:29Are you crazy? You should leave. And the next time you plan on stalking a woman, get a better speech.
05:37I already decided on stalking you, so you have no choice but to listen to some crappy speeches.
05:41I said leave. And you know what? I'm already dating someone.
05:46Yes. He's in city planning. They even write about him in the paper. So you don't need to stop by anymore.
05:53Tatiana, watch your tone. Hello there.
05:56Hello.
05:57He's our client, by the way. So he should stop by.
06:04He is no client, ma'am. He's a liar. Just leave me alone. I have work to do.
06:12Um, Miss Nina? So I can't be rude to clients. Yet Tatiana has barely been here a week, and it's okay? So why not do your thing?
06:19Does it matter who her uncle is?
06:21Katya, get back to work.
06:24Mm-hmm. Mm-hmm. Mm-hmm.
06:27Listen to me. Don't waste your energy on him. You'll have no time for normal ones.
06:36I don't like that guy.
06:37Don't lie to us.
06:39Okay, then. Third for today?
06:58It's my fifth. You should have known better.
07:02If I start running after every smoker, I'll have no time for all the real patients. You need to quit that. When will your better instincts wake up, huh?
07:11I guess I've always been bad with instincts.
07:14I believe in you. You're set for release. Go get your stuff.
07:19Yay.
07:21Have you sorted other issues out?
07:24Which ones?
07:26Do you have a place to go? You need rest right now. Bed rest, in fact. Without any stress. Eat and sleep more. And if you can't, I can talk to a paramedic to help you out.
07:38Thank you very much. I have a great room at the dormitories, and plenty of friends as well. I can manage.
07:46Your so-called friends already dropped the ball once.
07:51They tried. It was my fault.
07:54Exactly right.
08:16Please, you have to help me out. I forgot to stitch the jacket. The film crew will be here tomorrow. And this is for the main character.
08:26No way. I can't believe it. It's finally happened. The great Katya is asking for my help.
08:30Constantine, help me with this first. Then you can tease me as much as you want.
08:33Alright, let's take a look.
08:35Listen, our machines here can't handle this material.
08:44Now what do I do? My head will roll!
08:46You'd still have a great body, though. Sorry you had to say it.
08:51Go use Nina Singer.
08:53Quiet, you fool!
08:56It's beyond forbidden for anyone to call her machine's name out loud.
09:00And she will murder anyone who dares come near it.
09:03So there was this one time I decided to change the thread in it out of the kindness of my heart.
09:08And what did she do in return almost stitch me?
09:11Ah!
09:15Katya?
09:20What now? Are you serious? Don't even think about it!
09:25What is this anyway?
09:35A Martian dictator's outfit.
09:38So this is the fashion on Mars now?
09:41Mm-hmm.
09:42Well, okay.
09:55Right here.
10:00Great!
10:02This is great.
10:05You can see the quality. Unlike our machines, huh?
10:08It's going all smooth.
10:15What's the matter?
10:16Going smooth? Is that what you call it, huh?
10:33Later, Queen.
10:36Well...
10:38Little Miss Lucky, how are you?
10:40Hello, Miss Zina. I've been better.
10:44So, uh, what brings you here?
10:47Please know I have no money.
10:49That's fine. You can pay me later.
10:51Here, have a treat.
10:54I've had more than enough sugar. It's bad for you anyway.
10:57But you're young. You'll be able to handle it.
11:00Miss Zina, have you maybe seen Gleb?
11:08My friend, the painter, remember?
11:10Mm-hmm.
11:11The painter. The paint parts, right?
11:14His graffiti was covered up this morning.
11:16Now it's a plain gray wall again.
11:19So have you?
11:22Or you haven't?
11:24If you do happen to see him, please be so kind as to inform him that I'm doing okay now.
11:29Natalia, I'm sorry, but why are you so attached to the bloodsucker?
11:33You can have any man.
11:35Forget about this Gleb.
11:37He's probably fooling around with another girl.
11:39You simply don't understand our relationship.
11:41Oh, dearie.
11:43It looks like he hit you real hard in the head.
11:46You lost your mind, huh?
11:48Well, I won't tell him anything, Dan.
11:51It's really hard for me to see how you're killing yourself.
11:54I better leave.
11:55Come on, I'm sick, and you came here to lecture me?
11:58Look, I'm hurting here.
11:59What kind of person are you?
12:01Well, I am a normal adult.
12:04That's who.
12:11Your life is more interesting than I thought.
12:18I'm listening. What is it?
12:34What?
12:36Yeah, got it.
12:38Yeah, I'll call you back.
12:40Natalia ran away from the hospital.
12:46Constantine, we need to go look for her. She might actually need us.
12:50I don't understand why we're all sitting here. Whoever broke it should figure out how to fix it.
12:54Oh, oh, wow. And because of who? Who screened film crew and Martian dictators? Constantine, save me!
13:01I've never called you by her name.
13:02That's enough.
13:04Now let's think. No one is leaving here until any of us decide how to tell her or until we fix it.
13:09Fix it.
13:23That's that. Yep. And no key. Sit down.
13:27Constantine, Natalia ran away from the hospital.
13:31If she can run, then that means she's better.
13:33Well, just call the... the repairman.
13:36There's no chance, cause he's good friends with Nina.
13:40Listen, I know this one guy. I don't know if he can help, but he said that he can fix any machine.
13:46How modest. That's interesting.
13:48If I call him now, can you wait for him?
13:51We really need to go look for Natalia with Hanya. I think I have an idea where she is.
13:57Alright.
14:03Hello. Good day. May I speak to Anatoly?
14:25Hello. Good day. May I speak to Anatoly?
14:28Can you try to see if he's following us?
14:44He is.
14:49How about now?
14:52He still is.
14:53What a jerk.
14:55And I talk to him.
14:58I'll tell him everything.
15:01Yes, great. Thanks. I'll wait for you at the bus stop.
15:04Alright.
15:08Um, and now?
15:10She's busy now.
15:11Are you two close friends?
15:12What an interesting question.
15:14Because that really depends on what you mean when you said close.
15:17Sometimes it happens and people become best friends the same day they met, but Tatiana and I, we have been friends for one, two, three…
15:24You know that I was an idiot, right?
15:26Mm-hmm.
15:27But that's just who I am. I talk first, think later.
15:32Usually I know what to say, but now I'm stuck. I'm stuck, she won't listen, and I'm helpless.
15:38Why would she even listen? She should go to a concert if she wants to listen. That would be more useful.
15:44I don't know what to do. What would you have done?
15:48You really think any girl wants to hear that?
15:51How does your wife stomach you…
15:52I don't have a wife.
15:53Oh wow, really now? Does your wife know that she isn't your wife?
15:57Were you two going somewhere?
15:59Yes, looking for a friend. She ran from the hospital.
16:03Boring old day, you wouldn't understand.
16:04Well, maybe I can help. I have connections.
16:07That's progress. You're offering your help.
16:10Just remember, actions speak louder than words. You understand?
16:13Mm-hmm.
16:34Well, he's gone. Ran away.
16:53And who the heck are you?
16:55I'm… the new groundskeeper. I've been assigned to work on your gardens, much to my heart's delight.
17:01Mm-hmm.
17:03It's real nice here. You know, I used to work by the Philharmonic Orchestra. There were only old people there, so there wasn't a lot to do and…
17:10Groundskeeper, huh?
17:12Yes, that's right. My name's Pyotr, at your service. It's a great pleasure to meet you, madam. How are you?
17:18So why didn't you catch the runaway, then?
17:21I haven't figured out yet who to let in and who to keep out. And it's pointless anyway. The little bugs. What I think you have to do first is to identify which secret entrance they're using.
17:35So that they can get in. My throat's getting dry from all the talking. Do you think I could have some tea?
17:40You haven't earned yourself a cup of tea yet. Catch him first. Better start working.
17:46All right, then.
17:51Will the patient live?
17:54What? What patient?
17:56I meant the machine. It was a joke.
18:01Oh. Humor is good. Of course, it's going to live. Tell me, how did you manage to break it?
18:12This.
18:14Oh, is that what you make here?
18:18Don't worry. That isn't even for this planet.
18:21Oh, right.
18:23Um, where can I wipe my hands?
18:27You have newspapers there?
18:29Are you crazy? This is a historical document. There's an article in there about me and my team.
18:34Seriously? May I have a look?
18:37Certainly. Here.
18:42Whoa. Good job.
18:44You are the face of the nation. Are these people your friends, the ones next to you?
18:49Well, I... I just work with those people.
18:55Listen. Can you help me with one more thing?
18:59I wanted to rest after my night shift. Is Tatiana gonna be long?
19:04I don't think so. She'll be back when we finish. You wouldn't wait that long.
19:08All right, then. I'll wait. Just so you know, I don't run and help just anyone. I hope you know what I mean.
19:12Yeah, I understand. Awesome. I think you are a 52, I assume?
19:19Well, correct.
19:22Follow me.
19:37Natalia. I know you're here!
19:40I told you so!
19:42You got better.
19:43I told you so.
19:44You got better.
19:46What's with the invasion, ladies?
19:51Natalia, why are you up and about?
19:54Go lie down now.
19:56Invasion?
19:57How about a kidnapping, huh?
19:59Illegal detainment or whatever.
20:01What is she doing here?
20:02Resting.
20:03She needs rest.
20:05And you're screaming like psychos.
20:09Natalia.
20:11Natalia, honey.
20:13You can tell us everything.
20:15That guy, tell us the truth.
20:17Did he take you here by force?
20:19Natalia, please come with us.
20:21Constantine made arrangements.
20:23Or we can go to her place.
20:25We don't really mind.
20:26Please come with us.
20:27Please, just leave me be.
20:30I'm perfectly fine.
20:32You see, we are just fine.
20:35Thank you for the visit, though.
20:36Come again tomorrow.
20:38Better yet, after tomorrow.
20:41Even better, the day after.
20:50Natalia, that man assaulted you.
20:57I fell.
20:58From a truck.
21:05From a truck.
21:05Hello there.
21:31Hello there.
21:32Mr. Pavel, sir.
21:41Oh, stop that.
21:43Call me Uncle Pavel.
21:46Come in, sit down.
21:47So, how's your mother?
22:07She's fine, as usual.
22:08Sends her regards.
22:10And this.
22:11Grandmother's recipe?
22:18It's been ages.
22:20Give her my thanks, will you?
22:26How is her husband?
22:29Just like everyone else.
22:31They look fine.
22:32But really, not so much.
22:35Right.
22:38I take it this isn't a social visit, then?
22:43Last time you came to see me, you were what?
22:48Eleven years old?
22:49You asked me to organize something.
22:52The reason's the same.
22:59I am here about my autumn-winter practicals, Uncle.
23:04Did you buy this?
23:09And like that, voila.
23:13Anatoly, what do you think?
23:15And be brutally honest.
23:16Remember, you are the people.
23:19Yeah, apparently so.
23:22Well, this here is pure nonsense.
23:24What, the shirt?
23:25Of course, it's just flowers.
23:27You can't fix a car in this, or go do some pull-ups.
23:29It's just for dancing.
23:31You're right, yes, exactly.
23:33Okay, I got it.
23:35I understand, okay, will do.
23:37Since we're at it, it would be nice to add a pocket or two for tools.
23:41There's nowhere to put them in these pants.
23:43Or to slip a paper in.
23:44Yep.
23:44I guess.
23:45Anatoly, we're gonna turn the fashion world upside down.
23:48Now it will be for the working class, not just, you know, breath of fashion.
23:53Breath of fashion.
23:55If I showed up to work like this, I'd definitely stop breathing.
23:58Arms?
23:58Yep.
24:00Good.
24:01Good.
24:02Great.
24:04And Tatiana?
24:06She's not going anywhere.
24:07And right now, you and I are trying a brand new suit outfit.
24:11Number 62.
24:12What's this now?
24:13There, stunning.
24:15Good.
24:16Twirl for me.
24:18Hmm?
24:19Twirl for me.
24:20Hey there.
24:48How are you?
24:58Lydia!
25:13See that?
25:14I'm all fine.
25:17So, uh, feeling okay?
25:19Yes.
25:20You look stunning.
25:26So, uh, is it okay that we talk?
25:30What do you mean, Vladimir?
25:33I think you already know it.
25:39I do indeed know something.
25:42For example, that you showed up at Kira's birthday with some saleswoman.
25:47What, do you need more connections in sales?
25:49Lydia, don't be rude now. Let's part as friends.
25:52Let's part?
25:53Yeah.
25:54There.
25:55I said what I wanted.
25:56All right.
25:57Let's break up.
25:58Go gardening together as friends.
25:59Sing songs together.
26:00With guitars by a fire.
26:01Lydia.
26:02Let go.
26:03Let go.
26:04Go.
26:05Go.
26:06Go, dear Tatiana.
26:07Go kiss her.
26:09Let go.
26:10Let go.
26:11Go, dear Tatiana.
26:12Go kiss her.
26:14Lydia.
26:16Let go.
26:18Go.
26:20Go dear Tatiana.
26:22Go kiss her.
26:44Oh wow, you're littering on your own territory, huh?
26:51Oh, I'll pick it up myself.
26:53Mhm.
26:54The reason I called you is, I have business with you.
26:58Your only business is keeping the grounds clean, and from what I can see, you seem to be neglecting that.
27:03Me? On the contrary. Actually, that's why... I have a surprise.
27:10Really now?
27:11I want... I'd like you to... would you... come along with me, Ms. Zina?
27:19Come on, follow me.
27:21Come on, hurry.
27:29Oh, so that's how they do it, huh?
27:32Exactly right. Here, look.
27:37Like that.
27:41Yep.
27:44And forward.
27:47So then, have I earned that tea from you yet, Ms. Zina?
27:53So I told him, I'm not gonna do that. And you know what he said?
28:09And you know what he said?
28:10He said, if you don't do what I tell you...
28:12A minute of your time?
28:13I'm gonna fire you.
28:14Oh, hello there.
28:15Yes, hello.
28:16I am... here, inspecting the place.
28:21Life conditions of the future national fashion gurus.
28:25How are you doing?
28:27Uh, the dorm's pretty standard, no complaints.
28:30Come on, admit it.
28:31You want something more than this.
28:33Improve your life.
28:34Rise above the usual domestic issues.
28:37No, not really.
28:41You're being difficult.
28:43Cards on the table, then.
28:45Uh, I found out that...
28:48Vladimir Atemiev's been hitting on you.
28:51He's not hitting on me.
28:53But why, though?
28:54Here's the thing, he already has a girlfriend.
28:58I'm aware of that.
28:59I wish them all the best.
29:01I don't know what that has got to do with me, though.
29:05That bride's my daughter.
29:10That's right.
29:12I...
29:14Love her very much.
29:16Her happiness is the most important thing.
29:18So I...
29:20Ask you, Tatiana.
29:21Ask you nicely.
29:22Don't get involved with him.
29:23I don't plan to.
29:24That's the right answer.
29:26And for you to be at ease with this whole ordeal about the decisions made, take this.
29:37Just who do you think I am?
29:39Quiet now.
29:41No need for noise.
29:43Stubborn, just like your dad.
29:45You knew my father?
29:47No.
29:48But if he's in prison, likely stubborn.
29:50Alright, anyway, I think we've reached the consensus.
29:53Go study.
29:54I mean, go back to work.
29:56Mm-hmm.
29:57Farewell.
29:58Goodbye, sir.
30:07What a crazy day.
30:09What's the matter with you?
30:10You know.
30:11Thinking about life.
30:12About life in general, or something specific?
30:13About Natalia.
30:14Our situation is so stupid.
30:15Just tell me, why are you always fighting?
30:18Well, it's real simple.
30:19She isn't a respected person.
30:21Oh, yeah?
30:22And you're so perfect.
30:23Is that?
30:24I'm all for the people.
30:25I'm all for the people.
30:26I believe that wealth needs to be distributed equally, because we are born unequal somehow.
30:31Some have it all — beauty, love, attention, things.
30:32And others who are ugly get nothing at all.
30:33I'm all for the people.
30:34I believe that wealth needs to be distributed equally, because we are born unequal somehow.
30:37Some have it all — beauty, love, attention, things, and others who are ugly get nothing at all.
30:46I don't mean anyone specifically, I'm speaking generally.
30:49Like this, I firmly believe that they're pretty waltz, but they're pretty waltz.
30:53because we are born unequals somehow.
30:55Some have it all, beauty, love, attention, things,
30:58and others who are ugly get nothing at all.
31:01I don't mean anyone specifically, I'm speaking generally.
31:05Like this, I firmly believe that the pretty ones
31:07they will need to share with those who are less pretty.
31:12I suppose so, but how does that concern Natalia?
31:16She refused to lend me that krabble chin dress of hers.
31:19I don't know.
31:20So she didn't lend it to you, why fight over it though?
31:23She really didn't like how I cut the dress into pieces.
31:26It's true.
31:28She's so anti-political.
31:31Under communism, we'll all own everything.
31:34And those who hang on to possessions will be left in the past like a bad memory.
31:40Where are your Yugoslovakian shoes?
31:42I haven't seen them.
31:44Czechoslovakian. I returned them.
31:46Oh.
31:48Really?
31:49Mm-hmm.
31:53You're a great homekeeper, Miss Xena.
32:10Your home
32:11is cozy and so warm.
32:13One can only dream
32:15of a wife like you.
32:18Oh, please now, wife.
32:20Just drink your tea.
32:21Oh, why are you being so shy?
32:24I really consider you
32:26a treasure.
32:28A treasure.
32:30Last time I was called that, I was...
32:33never mind.
32:34Why?
32:36What were you called?
32:37By students.
32:38Witch.
32:40My mom, bow-legged.
32:42Oh, stop.
32:43You haven't seen my horse riding legs yet.
32:46Oh, no.
32:47She was right.
32:49My mom always said,
32:50God didn't bless me.
32:52What a pretty face or shame.
32:54Yeah, it appears your mother was
32:55a very stern and strict woman.
33:00Well, she just wanted me to finish school
33:02and maybe get a decent job, but...
33:07I wanted to become a ballet dancer.
33:11Ballet, huh?
33:13Why are you laughing?
33:14I, um...
33:15Well, if you must know,
33:16I was actually very good at it.
33:18I was even accepted to a ballet school.
33:20I kept trying to prove to her
33:23that it was a respectable career.
33:26And the result?
33:28Torn ligaments, swelling...
33:31I limped to every doctor in town.
33:39And while recovering,
33:41I stopped dreaming
33:43and I got a decent job.
33:50Zina.
33:59You're precious.
34:10You want some more sugar?
34:13I know you're on a diet,
34:15but you need energy.
34:16I like it when you
34:24actually care.
34:28Natalia, can I ask a favor of you?
34:31When Gerasimov's wife
34:32comes to try clothes with you,
34:35can you put a good word in for me?
34:43I can't do that.
34:45And why is that?
34:46She absolutely loves you.
34:49I actually think that their marriage
34:50is just a formality,
34:52if you know what I mean.
34:55I can't,
34:56because they fired me.
34:59Fired you?
35:01You're joking!
35:02Did you even think about me?
35:04Did you even think about me?
35:16What are you doing?
35:18No one wants it here, anyway.
35:20Last hope was to sell overseas
35:22via your connections.
35:24And now what?
35:27Who would want this?
35:30Where are you going?
35:32Away from you.
35:32I hate selfish women.
35:35Katya.
35:36I welcome you to my humble home.
36:00Not bad.
36:02Well, I'm quite happy to eat plain bread
36:04if need be.
36:06But I will not starve my dear guests.
36:09Here, let me take your coat.
36:10There you go.
36:13You're such a gentleman.
36:15Please.
36:17Here we are.
36:19And right here, my dearest Katya,
36:22is the board of fame, so to speak.
36:24My entire life is here.
36:26There are times when I wake up at night
36:29and come here to look at it.
36:32And that is when sadness sets in.
36:35It's true.
36:36I visited so many places
36:37with nothing to remember.
36:39I always thought that my life
36:41was about to really begin
36:43just any moment.
36:45Alas, now I'm an old man
36:46and life keeps saying no.
36:48You are far from old.
36:51Oh, Katya, you flatter me.
36:54Flattery is not a good look
36:55for such a beautiful face.
36:57It wasn't flattery.
36:58I always prefer being honest.
37:01If I like someone,
37:02I tell them straight up.
37:03And all this flirting, seduction,
37:05I leave that for the musicians.
37:08Pernicious influences.
37:10You know, you're just saying
37:12what every old man likes to hear
37:14from a young lady.
37:17Anyway,
37:18at night you should look at
37:20what makes you really happy.
37:25My mom made me a lamp
37:26when I was a little girl.
37:27She worked at Clay.
37:30And so I lied there.
37:31Yes.
37:32Looking at it.
37:34And I felt warm inside.
37:36In fact, I felt very warm.
37:38And now,
37:38I still love night lamps.
37:41And bedrooms.
37:44Perhaps let's, uh,
37:46have some champagne first.
37:47Maybe.
37:49But better after.
37:50Occupied.
38:08Occupied.
38:11Those damn people
38:12won't leave me alone.
38:16Hey, Lydia.
38:17What happened?
38:18But I'm fine.
38:21And what is this about?
38:23I am making an announcement.
38:27Titled,
38:28Local Don Juan.
38:29A real man,
38:30Vladimir.
38:30The nation must know.
38:39Lydia,
38:40just tell me what happened.
38:41You'll feel better.
38:42What happened?
38:48He's been cheating on me.
38:50That's what happened.
38:53He had the gall
38:54to bring her to hear us
38:55yesterday.
39:00And broke up with me today.
39:04He said he wants to be with her.
39:07Even marry her.
39:09He actually said that?
39:13Said something I can't remember.
39:17Is she even pretty?
39:19Is she from a good family?
39:20I didn't ask for details.
39:24Listen, honey.
39:25I am asking you
39:27to be as honest as possible.
39:30You,
39:30you and Vladimir,
39:32you didn't do it yet?
39:35Do what?
39:36Well,
39:37you know.
39:39Listen, mom.
39:41Is that what you
39:42seriously think of me?
39:43I already told you
39:44several times
39:45no, we didn't.
39:46No, dear.
39:47But,
39:48so you mean
39:49you didn't-
39:49No.
39:54I'm from
39:55a different generation.
39:57And we had
39:58many different rules.
40:00But there are
40:01some things
40:01that never change.
40:02And you need
40:04to use that
40:05to your advantage.
40:08Need to use what?
40:13Well,
40:14it wouldn't be
40:15horrible for you to
40:16you know,
40:19maybe fix things.
40:20Mom,
40:21are you even
40:22listening to yourself?
40:24We separated.
40:26That guy dumped me.
40:27Enough, Lydia.
40:28Watch your tone,
40:29young lady.
40:30Can you even
40:30hear yourself?
40:31I'm hearing
40:34myself perfectly
40:35better than you.
40:37Now calm yourself
40:38down.
40:39Here's the plan.
40:41Your Vladimir
40:41is a healthy
40:42adult man.
40:43And what do men
40:44need?
40:45Yes,
40:45that's right.
40:47And as soon as
40:48he gets it,
40:48he will calm down
40:49and not be interested
40:50in anyone else.
40:52He won't
40:52let you go.
40:53But what if
40:56what he wants
40:57is
40:58something more
40:59of variety?
41:00Sure he won't.
41:02Now it is
41:03up to you
41:04to decide.
41:04Keep cutting up
41:05photos
41:06or do something
41:07about it.
41:12So here's the plan.
41:14You go to bed
41:15right now
41:16and tomorrow
41:17we go to our
41:18favorite studio
41:18and we will
41:20purchase
41:20real silk lingerie
41:22for you
41:23and for me.
41:24Okay,
41:25go to bed
41:25or else
41:26you'll be all
41:26puffy in the morning.
41:28We can't go
41:29like that.
41:30Come on,
41:30dear,
41:30let's go.
41:31Go,
41:32dear.
41:32Tatiana!
41:54Oh,
41:54Anatoly!
41:55Hello.
41:55Have a seat.
41:57Good morning.
41:58I figured
41:59I got the stop
42:00wrong
42:00and I was about
42:00to start
42:01my fourth lap
42:02in fact.
42:03Oh,
42:03Tatiana,
42:04where did you
42:04disappear to?
42:05I fixed the machine.
42:06Thanks a lot.
42:07I wanted to brag.
42:08I thought you'd
42:09come and see me
42:09but you didn't arrive.
42:11I did spend time
42:12with the stylist.
42:13Constantin?
42:14Mm-hmm.
42:15Oh,
42:15I do hope
42:16that he didn't
42:16exhaust you.
42:17He's a very talented
42:18man but talks a lot.
42:20Sometimes he's too much.
42:21Well,
42:21actually,
42:22we had a good time.
42:23I even gave him
42:24suggestions.
42:25I really dislike
42:26those pants of his though.
42:27They're like
42:27old sailor's pants.
42:29They flare out
42:29at the bottom.
42:31Yes,
42:31bell bottoms.
42:32The jacket
42:33was weird too.
42:34The collar?
42:35Uh,
42:35literally
42:36push your cheeks
42:37like this.
42:37The Niru jacket.
42:39Carden created it
42:40back in 1959.
42:41Oh,
42:42Tatiana,
42:42my stop is coming.
42:43I wanted to ask you
42:44an important question.
42:45A marriage proposal?
42:46Isn't that a little quick.
42:48Let's start with the theater.
42:50Oh.
42:51Or a concert.
42:52No,
42:52the circus.
42:56I've never been
42:57to the circus.
42:58Then it's decided.
42:59It's a date?
43:00It's a date.
43:01Where were you all night?
43:17I was…
43:18Hello there,
43:19Natalia.
43:19Hello there.
43:21Yosef.
43:23So where's the painter?
43:25He left last night.
43:26He hasn't come back.
43:27Mm-hmm.
43:28Why do you ask?
43:29Even better.
43:30Go pack your stuff.
43:31You do have stuff here, right?
43:33Um,
43:34what?
43:35You're going to live
43:36with me and my sister.
43:38What?
43:39But why?
43:40Hold on.
43:41I can't.
43:41No.
43:43Listen here,
43:44Miss Patient.
43:45You need to stop
43:46the I cannot thing.
43:47I am responsible
43:48for your well-being.
43:50Either you come with me now,
43:51or I will be forced
43:53to tie you
43:54to a hospital bed.
43:55Think of the staff.
43:58What staff?
43:58Every single one.
44:00The nurses,
44:01the doctors,
44:01they got into a lot of trouble
44:03because of you,
44:04because of what you did.
44:05I tried to fix the problem.
44:07As thanks,
44:08all I ask from you
44:09is one thing.
44:10Listen to the doctor,
44:11and that is me.
44:12Mm-hmm.
44:13I'm going to ask you again,
44:14do you have your things here?
44:15Yes.
44:17But may I get dressed first?
44:19Yes, you may.
44:20Leave a note?
44:21You may not.
44:21Car's waiting.
44:22You're wasting money.
44:23Mm-hmm.
44:23After you.
44:35What's happening here?
44:59Ah, stealing Europe.
45:02Gleb!
45:09Get back in the car, Natalia.
45:11I'll say it again.
45:12Get back in the car
45:13right now.
45:14Hey, listen,
45:15Mr. Artist.
45:16If you ever lay a hand
45:17on her again,
45:19say goodbye to your liver.
45:21I'm a doctor.
45:22I know special ways
45:23to hurt you,
45:23where you'll only get out
45:24on special occasions.
45:25You got it?
45:26Yet your hands are shaking.
45:29Good doctor.
45:32Likely first time
45:33you ever threatened someone.
45:34Go on.
45:36Show me where to hit.
45:37Since I only have
45:38life experience.
45:43Yeah, I thought so.
45:47Hey,
45:48when you've had your fill of her,
45:50give her back, will you?
45:52Still gotta draw her.
45:53So yeah,
46:03we talked through the night.
46:04I don't remember
46:05what time we slept.
46:07Woke him up at six,
46:08figured I'd give it
46:09another shot.
46:11Usually at that time
46:11of the morning,
46:12men arms-
46:12Could you please
46:13pair us the details, please?
46:14Tati,
46:15everything sounds real dirty.
46:16Please stop it, okay?
46:18Having one toilet
46:19for ten families,
46:20now that's dirty.
46:21Learn from me
46:23before I leave
46:24for the high life,
46:25clubs, events,
46:26meant for the wives
46:27of Germans.
46:28Ladies,
46:30hello there.
46:31May we come in?
46:32You, ma'am,
46:33are always welcome.
46:34Come in.
46:35And you are...
46:37Lydia?
46:37Wanted to name her
46:38Elizabeth,
46:39but her father objected.
46:41Said it was awful,
46:43but that's all in the past.
46:45We decided to look
46:46at some lingerie
46:47in the area
46:48because we need some.
46:49She's getting married soon.
46:51A lingerie for the Isle.
46:54I need something
46:55that once the groom
46:56sees it,
46:57he runs to the chapel
46:58right away.
46:59Isn't that right, mom?
47:00Mm-hmm.
47:01Oh, we're very happy
47:03for your marriage.
47:04We can give you
47:04something very special.
47:06Allow me to assist you.
47:08That's great.
47:08The more help,
47:09the better.
47:10Are you new here?
47:11I've never seen you before.
47:12Yes.
47:13My name is Tatiana.
47:14Tatiana?
47:15Yes.
47:16I want you to meet you.
47:17What's your last name?
47:21Just don't worry about it.
47:22I got this.
47:23What?
47:24Ladies,
47:25everything okay?
47:27You see,
47:28we just want to go
47:29past the shops.
47:30We need to buy
47:31something special
47:32for our very special groom.
47:35It will take some time
47:36to find something
47:37he really likes.
47:39Then maybe
47:40we should go
47:41and take care of the bride?
47:43Uh-huh.
47:44I don't think
47:50it's normal
47:51for you to dress
47:53the bride of your groom.
47:54Why don't you try
47:55living your own life
47:56for a change?
48:00A little shorter?
48:04She's ready to send me out
48:05in public like this
48:06to achieve her goals.
48:08Excuse me?
48:09Don't mind me.
48:13What was your name again?
48:15Tatiana.
48:17That's a pretty name.
48:19It's very plain.
48:22Yours is much prettier.
48:25And it's rare.
48:26Back in school,
48:27we had five Tatianas
48:28and not a single Lydia.
48:30One moment, please.
48:37Naserov, come out.
48:39Naserov.
48:40Okay, almost all of us
48:47are here,
48:48but Konstantin
48:49is still missing.
48:50That's okay.
48:50He'll talk you to death later.
48:52Trust me on that.
48:53You can't get him
48:53to shut up.
48:54All right,
48:54listen, everyone.
48:56With us today
48:56is a young specialist
48:57who's on his practical.
48:59My temporary executive.
49:01Vladimir,
49:02forgive me,
49:03your last name?
49:03Ah, Temyev.
49:04Just use my first name.
49:08I'm sorry,
49:09Mr. Glatkov.
49:12Um,
49:12he's an executive for now.
49:14Is he my,
49:15my boss as well?
49:17I just want to
49:18understand the hierarchy.
49:29Well,
49:30hello there, Lydia.
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