- 5 months ago
"SENSITIVE MATTER Episode 7" is a romantic drama that intensifies the emotional stakes for Tanya and Volodya. As their love story unfolds, the couple faces new challenges that threaten to tear them apart.
In this episode, Tanya's relationships with those around her become increasingly complicated. Will she find a way to balance her career aspirations with her feelings for Volodya, or will the pressure prove too much to handle?
*Key Themes:*
- *Love and Sacrifice*: Tanya and Volodya's relationship is put to the test as they navigate the complexities of their feelings for each other.
- *Ambition and Identity*: Tanya's passion for fashion drives her to pursue her goals, but at what cost to her relationships and sense of self?
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode promises to deliver more heart-wrenching moments and emotional depth, keeping you invested in the fate of the star-crossed lovers.
In this episode, Tanya's relationships with those around her become increasingly complicated. Will she find a way to balance her career aspirations with her feelings for Volodya, or will the pressure prove too much to handle?
*Key Themes:*
- *Love and Sacrifice*: Tanya and Volodya's relationship is put to the test as they navigate the complexities of their feelings for each other.
- *Ambition and Identity*: Tanya's passion for fashion drives her to pursue her goals, but at what cost to her relationships and sense of self?
- *Family and Loyalty*: The drama highlights the importance of family and loyalty in relationships, as Tanya and Volodya navigate their complicated circumstances.
This episode promises to deliver more heart-wrenching moments and emotional depth, keeping you invested in the fate of the star-crossed lovers.
Category
🎥
Short filmTranscript
00:00.
00:30Sheesh.
00:32Won't you even greet her parents?
01:01Yes, good day to you.
01:08And I'm here to see how Lydia is, because last night she wasn't feeling too well.
01:14That's fine, Vladimir.
01:16We might be from a different generation, but we're not stupid.
01:20We understand that young people have their needs.
01:23Are you leaving, honey?
01:24I am.
01:25Hello, sir.
01:26Hello, Vladimir. You see, I can't even have breakfast in peace.
01:33You'll get to eat in peace when you're retired.
01:35Invite Vladimir, have breakfast together.
01:39How do we do that?
01:40Like kings on a personal car with a chauffeur.
01:44Your father-in-law was invited to the show as a member of the commission, as a fashion expert.
01:54Why are you standing there? Are you frozen?
01:57Move, move.
01:58Just don't forget your shoes.
02:02Vladimir, look after him.
02:04Lydia?
02:13Lydia?
02:14Lydia?
02:16Lydia?
02:17Lydia?
02:18Mom.
02:20What a loud voice.
02:23Just let me sleep.
02:25No way, no way. Answer me.
02:27Dad and I saw Vladimir.
02:29Did he come from your room?
02:30No.
02:33He came here to rob us.
02:36He wanted to steal Dad's old transistor receiver.
02:41Mom, obviously he came from my room.
02:43Can I please go back to sleep now?
02:45Lydia, what happened between you two?
02:48So tell me, did something happen?
02:53Lydia, I won't leave. You know me. Give me an answer.
02:57Yes, it happened. Now please leave.
03:00That's good news. That's great news. That's awesome.
03:03Good girl. Yes. What a good girl.
03:06That's the only way to keep a man. The only way.
03:10And well, I mean, now you'll show him.
03:12You better hold on, Vladimir.
03:14Now that scoundrel has no way out.
03:16Will I surely…
03:17Will I surely…
03:17Will I surely…
03:17Will I be allowed to sleep in this house or not?
03:19Yeah, sure, sure.
03:21Please go back to the kitchen and continue scheming there.
03:25Okay, dearie, go to sleep.
03:27Everything's fine.
03:28Will I be allowed to sleep in this house or not?
03:30I think you'll be able to sleep in this house or not.
03:32P ganska
03:38P tocar
03:39Я послал тебе открытку
03:54В ней два слова не грусти
03:56Но ползла она улиткой
03:58И плыла по морю рыбкой
04:00Не спеша, не слишком прыгка, я и сам уже в пути
04:04Здравствуй, счастье, в белом платьице простом
04:09Здравствуй, счастье, я прошу лишь об одном
04:13Здравствуй, счастье, ты прости меня, прости
04:17Здравствуй, счастье, больше не грусти
04:30Здравствуй, счастье, счастье, счастье
05:00Quietly.
05:04Vladimir, why are you late? We're all drowning here.
05:07Then come up to get more air. I forbid cutting the models. There are not that many.
05:11Vladimir, can we talk?
05:12Later, okay. Later.
05:15Konstantin? Konstantin. Show me the men's collection. I have a word here that makes no sense, so we need to change it.
05:23Miss Nina, there's a situation with the men's collection. You have to wait a bit more. And where are the friends you promised?
05:29No one's coming. Anatoly couldn't make it.
05:33That's great. That's great, Tatiana. You just couldn't resist, could you?
05:37So what? Are we going to showcase the ladies then? Here. It's time. We're starting.
05:44Thanks to you. So what do we do now?
05:47Okay, I think we're here.
05:49Uh-huh. No way.
05:50All right. Hello, guys. Well then, designers. Help has arrived.
05:55No way.
05:57Anatoly, thank you so much for coming over today. No, nothing will happen between us.
06:03Well, I didn't come here for you. I came for the team. He called me yesterday and explained everything. We have a phone at our place and, hmm, you know that.
06:11Yes, the war hero I remember.
06:13That's right.
06:14Tatiana, this might come as a surprise, but the world doesn't revolve around you. Anatoly, I respect you. You're performing a heroic deed. But now you should undress.
06:22Yes, yes.
06:24You too, comrades. This way, this way.
06:28Good day, comrades.
06:29You know, we live in a great country. One that has saved this planet and defeated fascism. But in some areas, we're still considered to be behind the times and even look to the West as prime example.
06:43Well, it's time to change that. So we invited you here in order to show you the Soviet fashion is in no way worse than the capitalist one. In fact, it's way better because the first man in space was from the Soviet Union.
07:00And we will be the pioneers of the fashion of the future. So now, enjoy the show.
07:14Exhibit 1.
07:15This style reminds you of a light morning mist in the spaceport. It gives us the feeling of space travel. Something that's great and immeasurable.
07:32Please take a closer look at the silhouette, which resembles a rocket.
07:36Exhibit 1.
07:40As you can see, Silver Vinyl was added.
07:54Where are you going? Please stop.
07:56You see, my daughter's here.
07:57Her name is Tatiana. Tatiana. Tatiana.
07:59I understand.
08:01Then buy tickets and come on a different day.
08:03Not today.
08:04But listen, you see, I promised I'd be here for her.
08:07You have to understand that this is a private show.
08:10And so, our showcase will start to build cosmic speed now.
08:18For our finale, here's the Communist Galaxy.
08:22In honor of our Soviet engineers.
08:25Excuse me, the male models are up next.
08:28Yes.
08:29Okay.
08:30Um, uh, forgive me.
08:33Um, this is not the last exhibit.
08:35Up next is the presentation of the men's collection.
08:38There she is.
08:39She's on stage.
08:40There.
08:45That's my girl.
08:47And so, my dearest dwellers from Mars.
08:51Make your way to the catwalk.
08:53Hey, what's wrong?
08:55Everyone's waiting for you.
08:57And here they are, our men.
08:59Don't be afraid.
09:00Come on.
09:00Come on.
09:01Don't be shy.
09:06Let's see.
09:08What do you have to do?
09:08But you just wait for me, all right?
09:10For this case scenario, go to the studio.
09:12All right?
09:12Okay.
09:13Okay, bye.
09:14Good luck, my dear.
09:15Be brave.
09:16Don't be shy, okay?
09:18Come on.
09:19Come on.
09:21Come on, guys.
09:22Come on.
09:23How brave.
09:24We'll make our way into orbit now.
09:27This is how the working class of the future will look like.
09:30Here they are, our pride.
09:34As you can see, gravity is very different in Mars.
09:39And that's why the movement of our pioneers seemed to be very different.
09:44But it was really planned to look this way.
09:46Now move forward and conquer Mars.
09:49And now you're hearing some cosmic noise.
10:05And now you're hearing some cosmic noise.
10:35Honorable commission, that signals the end of our cosmic showcase.
10:53When will this end?
10:55It will never end.
10:57It will never end.
11:00Running away like a coward?
11:02What?
11:03What do you mean?
11:04I don't know you.
11:04Let me pass, okay?
11:06Don't play the fool.
11:07Don't you think you owe me an explanation?
11:09I don't owe you anything.
11:10I feel like you do.
11:11And not just me.
11:13You ruined so many lives.
11:15You betrayed my husband.
11:16And his trust as well.
11:17You ruined my daughter's life.
11:19Alexandra.
11:22I already said this in court.
11:25But I'll repeat it here.
11:27Alexandra, I know that I treated your husband well as a friend and as a professional.
11:33But he committed a crime and was justly sent to prison.
11:39Do you even believe what you are saying?
11:42Do you believe what you are saying?
11:42And you, Alexandra, are no god for me to confess any of that to you.
11:52You almost fell off of the stage.
12:07How on earth are you even able to walk in this?
12:09Oh, yeah.
12:22Anatoly.
12:24Hey.
12:25Thank you so very much.
12:27You really saved us.
12:29Always happy to help a decent person.
12:33See you.
12:35Don't be a stranger.
12:36Goodbye.
12:45Mom.
12:45Mom.
13:06Oh, Mr. Vladimir saved us all.
13:10Well done.
13:13That was truly well done, Vladimir.
13:16He rarely praises anyone but himself.
13:18No, stop it.
13:18You can thank me when we're out.
13:21Shopping in Paris.
13:22Tatiana, can I steal you for a second?
13:23So I can't congratulate you?
13:25Oh, I'm beat.
13:27And the winner demands his prize.
13:28Are you all right?
13:37Yes.
13:38It's crazy.
13:40If it weren't for you, those Metro Builders would have brought us down hard.
13:43Maybe even dug up a tunnel.
13:46So where did you run off last night?
13:48I didn't.
13:49I only saw how you were kissing him.
13:53Seriously?
13:53He forced himself on me.
13:57I was resisting.
13:58In situations like that, you need to rescue, not run away.
14:06So you and he weren't...
14:09Of course not.
14:10I don't need that at all.
14:14Why is the hall empty?
14:16Is it over?
14:17Hello there.
14:18Hello.
14:18Picking up an order?
14:19No, I'm here for Vladimir.
14:21Lydia, we're working.
14:22Later, okay?
14:23All right then, my busy boy.
14:25Could I have a moment with you?
14:27A few days ago, I came over and bought a pair of French underwear.
14:32The hook was so uncomfortable.
14:33It was just awful.
14:34Vladimir could barely unhook it.
14:36Uh, can we pick out something similar to it?
14:39But with a clasp that's easier to unhook?
14:41Forgive me, but Tatiana has to finish her work.
14:44I'll try to help you pick out a new pair.
14:46Let's look at the catalogs.
14:49Constantine?
14:49Get Tatiana.
14:50There's a lot of work to be done at the Atelier.
14:52Ah, yeah, let's go then.
14:56Mr. Vladimir, why don't you go to Gladkov?
14:59If they call, they'll ask for him.
15:01Come along now.
15:02The Metro guys are nice and all.
15:18They saved us, but this needs...
15:20needs dry cleaning.
15:24Tatiana, easy.
15:25Careful, careful.
15:26You're crazy.
15:27This is vinyl.
15:28Sorry, I wasn't thinking.
15:29Oh, oh, it's all right.
15:32I know.
15:33It's about that Vladimir.
15:35But don't take it out on the vinyl.
15:39Anyway, know this.
15:41If ever you get sent to Paris,
15:44remember that Parisian vinyl will not tolerate this.
15:47It's gonna crack.
15:48You're gonna need to be careful,
15:50calm when handling it.
15:52How many times do I have to say this?
15:54I don't need it.
15:57Paris.
16:06Who is it?
16:09Ah, Vladimir, you're here.
16:11Come in.
16:12Is there anything I can do for you?
16:13Did they call?
16:15Of course they did.
16:16And I would like to be the first person to congratulate you.
16:20So they liked it.
16:23Yes, very much so.
16:25So, are we good?
16:27We're going?
16:28Of course you are, obviously.
16:30But first, there are a couple of conditions
16:32that you need to know.
16:33Whatever they want, tell me.
16:35You have to write this down.
16:36All right, Vladimir?
16:37For a few conditions.
16:38Well, it's just a couple.
16:40But don't rely on your memory.
16:42Anyway, take down notes.
16:45Less sparkles.
16:46Remove bright and brash details.
16:48Those aren't very Soviet.
16:51And then they also asked to get rid of
16:53the strange material.
16:55What was it?
16:56Vinyl?
16:59Vinyl and lurex.
17:01Yes, get rid of them.
17:02Use common and regular materials
17:04like wool and cotton.
17:06And the fit is to be changed
17:07to follow a more standard one.
17:10And I beg of you,
17:12enough of this provocative makeup, please.
17:16The rest is very good.
17:17Congratulations.
17:18Paris awaits.
17:21So what will be left of the collection?
17:23You're asking for the removal
17:24of the whole concept.
17:26That's not it.
17:27Removing the cosmic theme
17:28is strictly forbidden.
17:30The cosmos is a phenomenal theme
17:32like the Pioneers.
17:33But you suggest that we change
17:34this to something gray and dull.
17:35Am I right?
17:36But why would it be dull?
17:38The style, the cut,
17:39they're all very good.
17:41Just slight changes.
17:42I don't know what else you want.
17:47Nothing more.
17:49Forgive me.
17:50I need to leave now
17:51to destroy the cosmos.
17:52Do you think they'll call soon?
18:06Are you kidding?
18:06The show ended an hour ago.
18:08Well,
18:11just about over an hour ago.
18:15Did you see the watch
18:16the pun gave me?
18:17He sent it through his driver.
18:18Cheka.
18:19Hmm.
18:20A watch.
18:22That's a bad sign.
18:24I think that face of yours
18:25is a bad sign.
18:26So let's say only one of us
18:42is going to be permitted to travel.
18:45And let's say
18:46they'll include something like
18:48Constantine so-and-so
18:49who will go then.
18:52By the way,
18:54they can actually give
18:55two invitations.
18:56And one of them
18:58will be mine.
19:00And what exactly
19:01do you mean?
19:03Well, you see,
19:04Paris...
19:05Paris needs ladies
19:06like me.
19:07Like what?
19:08Problematic?
19:09Very funny.
19:10I can be like that too,
19:12my dear Natalia.
19:13We'll choose by voting
19:14if it comes to that.
19:15It's only fair.
19:16Tatiana, join us.
19:17Come on, um,
19:18cast your vote.
19:20Don't be quiet.
19:23I have news for you.
19:25Again?
19:25The commission loved it.
19:27But they want us
19:30to make a few alterations.
19:32Okay.
19:33But for clarity's sake,
19:34by a few alterations,
19:35you actually mean
19:36several hundred, right?
19:39Yeah.
19:40They want something simpler,
19:42more natural,
19:43like cotton and wool.
19:45They don't like the...
19:47style.
19:48Colors.
19:49Vinyl.
19:49Well, screw them then.
19:53Miss Nina,
19:55that was just...
19:56wow.
19:58What?
19:59Are Soviet people
20:00not allowed to speak the truth?
20:02The Parisians
20:03would have showered us
20:04with braces.
20:05And they want...
20:07simpler, plainer.
20:09They are so boring.
20:11It's okay.
20:15What matters is that
20:16we know the real value
20:17of our collection.
20:18Listen, Vladimir,
20:20we'll alter nothing.
20:22So screw that, Paris!
20:27Wow, Miss Nina, bravo.
20:29Help yourself,
20:50it's Blackberry.
20:51At first,
20:52I was really worried
20:53that the collar
20:53wouldn't work.
20:54Huh?
20:55No, I think it works
20:56very well.
20:57Have you been knitting long?
20:58My whole life.
20:59I never have,
21:00I only sold.
21:04Mom?
21:06The wayward daughter's here,
21:08so you left your mom
21:09in the middle of Moscow.
21:10I looked for you,
21:12but they said
21:12you already left.
21:13Yes, I wanted to come in.
21:14You want tea?
21:15But there was a guard
21:15station at the door.
21:16You're on your fifth cup.
21:18So I decided to leave.
21:18What tea?
21:19Did you even read your room?
21:21Let's go now.
21:22I mean, I'm seeing you now,
21:22aren't I?
21:24Excuse me.
21:25We're leaving now.
21:27Thank you so much.
21:28Thank you, too.
21:36Do you want tea?
21:38No, I don't want anything.
21:40What's with the city, anyway?
21:42You've been here two weeks
21:43and you want nothing, huh?
21:45It's just another city.
21:47That's not true.
21:48An angry city's no good.
21:50And the people
21:51will prove that.
21:55What, are you tired?
21:56I am.
21:58All right,
21:59then it's time to go home.
22:08Maybe you're right.
22:10Will we make the evening train?
22:12You mean right now?
22:14Nothing's keeping me here anymore.
22:15Okay, just wait.
22:22No.
22:25Yes.
22:27Yes.
22:28What is going on here?
22:30Oh, so I can't even say a word
22:32in my own house.
22:33What do you mean they don't fit?
22:35What if we just get extra chairs?
22:37Why must I teach you everything?
22:40And you call yourself
22:41a classy restaurant?
22:44Oh, they hang up on me.
22:45Don't you want your only daughter
23:01to get married?
23:02So, you need a matchmaker now.
23:05We're fine.
23:06I spoke to the registry
23:08and rented Prague.
23:10I know we did,
23:11but a seat there aren't enough.
23:12Not enough.
23:13Their hall can fit 70 people.
23:15And we have a hundred guests.
23:17So where are they going to sit?
23:19Don't tell me in the toilet.
23:22Listen,
23:23I think we should ditch
23:25the restaurant entirely.
23:27Seriously,
23:27it's so beneath us.
23:29So why don't you just go and elope
23:31and we'll set the table ourselves?
23:33Dad!
23:35Write and use newspapers,
23:36a tablecloth,
23:37and serve cod.
23:38This is a treat to all of you
23:39because we don't want to spend
23:41for our own daughter.
23:41Enough, enough, enough.
23:43I'm just throwing it out
23:44as an option here.
23:47I mean, after all,
23:48a wedding is not about
23:49the food we serve,
23:50but about their happiness.
23:52Whoa!
23:53No, no, no, no.
23:55You know that those tricks
23:56never work on me.
23:57My gosh!
23:57My gosh!
24:07What?
24:07Are you happy now?
24:08Just look at what you did
24:11to your own daughter.
24:13Well, look at what you do to me!
24:19All right now.
24:22So who do I call?
24:24Frog,
24:25you should talk to them.
24:28Thank you, Dad.
24:29We need a guaranteed hundred seats.
24:33That's the minimum.
24:46Hello.
24:46Good day.
24:47Hello.
24:52Oh, Tatiana.
24:53Is that you?
24:55Yes, Auntie, it's me.
24:56Oh, my dearest girl.
24:58Hello to you.
24:59Oh, you're unrecognizable.
25:02I thought you were
25:03some city slick girl.
25:05Really?
25:05Wow.
25:06Moscow man must be
25:07all over you now,
25:08am I right?
25:09Oh, but why are you here?
25:12Tell me.
25:13Because you should be
25:14in class now.
25:15I came to visit my mother.
25:17I wanted to help her.
25:18Oh, well, that is good.
25:20Studying can wait then.
25:21You only have one mother.
25:23You agree?
25:23We're off, Valentina.
25:24We're very tired.
25:25Yes, go ahead, girls.
25:27Go and get some rest.
25:28It's good you're here.
25:29All the best.
25:30Take care now.
25:31All the best to you.
25:49Hello?
25:49Good day.
25:52Please call Tatiana.
25:53Thanks.
25:55As soon as Tatiana left,
25:57everyone's asking for her.
25:58She left,
25:59but she was at work yesterday.
26:01Yesterday at work,
26:02but today she's gone.
26:03Young man,
26:04do I really have to
26:04repeat myself to you?
26:05I don't get paid
26:06for that kind of nonsense.
26:08Hold on.
26:08Do you know where she went?
26:10Well, she went back home
26:11because her very own mother
26:13took her.
26:14She went home, huh?
26:16So, do you have an address?
26:17Yes, but what's it to you?
26:23I want to report
26:24on how in her dormitory
26:25the rules and regulations
26:26are constantly broken.
26:28How many students
26:29climb through windows
26:29and the like?
26:30How the commandant
26:31always sleeps on the job?
26:35Don't threaten me.
26:37It won't work.
26:39Do you have a pen?
26:41Write down the address.
26:43You damn phone demon.
26:45Vladimirsky region.
26:47Kurov city.
26:48It's in Soviet street.
26:51House is number 14.
26:52And I don't know
26:53the apartment number.
26:55Find it yourself.
26:59And the problem is that
27:01they serve it under
27:01the guise of modern art.
27:03Listen,
27:04I need to tell you something.
27:07Yes,
27:07I need to say it.
27:08And on the day
27:09I decided to be happy
27:10despite what's going on.
27:13Spit it out.
27:14What happened now?
27:16Just know
27:16it happened again.
27:18Now please,
27:19don't be mad
27:19because it's no one's fault.
27:22Anyway,
27:23we were denied Paris
27:25once again.
27:27As if anyone believed
27:28that you would actually go.
27:31I will create a Paris for you.
27:34Gilles,
27:35mon ami,
27:38this is the woman
27:40I wanted to introduce you to
27:41for the longest time.
27:42Enchante.
27:44The amazing Natalia.
27:47Gleb didn't lie.
27:48Yeah?
27:49And what did he say about me?
27:51That Napoleon invaded Russia
27:53for you,
27:54but he was two centuries earlier.
27:56I'll leave you two.
27:57Yes.
27:58Get to know each other.
27:59And do it well, okay?
28:02Let's drink.
28:02Hey, young man.
28:21Come here.
28:22Me?
28:23Yes, yes, you.
28:25Come here for a second.
28:27Tell me what you're spying on.
28:29Good evening.
28:30Oh.
28:30What is your business here?
28:32Looking for Tatiana.
28:33Ah.
28:33I already knew that you were from Moscow
28:35when I saw you.
28:36But why do you say that, ma'am?
28:38Well, it's just that you look
28:39exactly like my cow does.
28:41You lead her out of the stall,
28:42and she instantly looks terrified
28:44and uncomfortable.
28:46Well,
28:47no one has ever said that to me before.
28:49They won't say it.
28:50The place you're looking for
28:52is that one there.
28:53Do you see that?
28:54It's that one.
28:57Uh-huh.
28:58Thank you so much.
28:59Uh-huh.
29:00I'll go on ahead.
29:01Go now.
29:02Wait.
29:04Don't you hurt our dear Tatiana.
29:06I will not.
29:07How do you like Gilles?
29:21For a capitalist,
29:23he's not bad.
29:24Why now?
29:25I'm asking you for a little help here.
29:28You see,
29:29Gilles works at the embassy.
29:32And if we get his support,
29:35that man will take my paintings
29:36to the West.
29:37You know,
29:37to the right people.
29:40And then I will be untouchable.
29:43And we will get to Paris together
29:44without needing your studio.
29:47So you want to get his support?
29:49Is that what you call it?
29:52For me to...
29:54You need to understand
29:55that sooner or later,
29:57I'll be arrested.
29:58Prison or hospital,
30:00I don't really know.
30:00But I'd rather have that
30:02than become a snitch.
30:05My dearest guests,
30:07it's great with you,
30:09but better without.
30:10Thank you for coming
30:11and not breaking anything.
30:13Gleb will walk all of you
30:14to the taxi stop.
30:16And you, Gilles?
30:17Mind sticking back?
30:18Thanks again.
30:19Didn't you say you wanted to examine
30:21his works in a quiet environment?
30:24Yeah, I hope you had fun.
30:26I'll see you around.
30:29Do you feel cold?
30:30Yeah.
30:32Just a tad chilly.
30:33What's tad?
30:35I do not know
30:36what the word means, sorry.
30:37It's okay.
30:39You want to see his work,
30:40didn't you?
30:41I don't know.
30:47Well, they are
30:48definitely good.
30:51But I want to share my critique,
30:53if that is okay.
30:54Yes, it's fine.
31:07This one over here,
31:09there's not enough bright colors
31:12in the canvas.
31:14No joy in it.
31:15It looks like it's waiting
31:17for someone to make it alive.
31:19It really needs to relax.
31:27Feel the power of color.
31:29I don't know.
31:29It's okay.
31:30I don't know.
31:31I don't know.
31:33Yeah, it's okay.
31:33I don't know.
31:34It's okay.
31:34Well, I don't know.
31:35Allora passiamo
31:37El Piaf
31:39Tatiana, it's for you, dear
32:05Tell us, Vladimir, are you staying here long?
32:16It depends on you
32:18So are you. Born with Moscow now? Tatiana described you differently
32:23Mom, I'll handle this
32:26Listen, if you go further down the road, there's a great hotel. It will meet your standards
32:33Perhaps if it's not too late
32:35No, it's not too late. Even if it is, there's always a bench. The nights are warm lately
32:40And why did you leave your girlfriend Lydia in Moscow? I bet she is very worried now
32:46Mom, I said I'll handle it
32:50Seriously, Vladimir, you should have brought her. We love having guests here
32:58I'm fully aware on how I appear in your eyes right now
33:03And it's my fault
33:05But I truly need Tatiana, so I am here. Lydia will not bother us again
33:10Interesting. Is she aware that she will not bother you again? Or maybe we should send her a telegram first thing in the morning
33:16Mom!
33:16What? You are being a silly child and you want me, your mother, to be silent?
33:20If your father were here, I know that he would have thrown this young man out
33:24Vladimir and I are leaving
33:25In the cold?
33:26It's not cold
33:27Vladimir, I have to ask a small favor. Could you leave us alone for a few minutes?
33:33Yes, I'll wait outside
33:34He's not one of us. He will play for a bit and go back and you'll suffer for it
33:43Mom, let me tell you that over the last two weeks, everyone's been telling me how to live
33:49Except all of them are unhappy. How can you all know what is right?
33:54Can I for once just make my own decision on what I feel is right?
33:57Amen?
34:21Hello?
34:22I'm going now
34:23Okay, talk to you soon
34:25I had a great time
34:29Uh-huh
34:29Goodbye
34:30Goodbye
34:31Goodbye
34:31Goodbye
34:32Look what I got here
34:54Bought it from a cab driver
34:56So expensive
34:58So expensive
34:58They're the ones who are making real money nowadays
35:02I think we have something to celebrate tonight
35:10Gilles is happy
35:13Why the hell are you so quiet?
35:20Huh?
35:21Look, you said it yourself
35:22That you like him
35:24Admit it that you really like all this
35:33Because if you didn't
35:37You wouldn't have slept with him
35:39But you
35:41You got one hell of a kick out of it
35:48And help me out
35:50Got a kick
35:54You know
35:56A whore is always a whore
36:00Damn you
36:13Is what you said really true?
36:36No
36:36You think I came all the way here to lie?
36:42I don't know, Vladimir
36:45I mean your reputation is far from stellar
36:49Don't listen to gossip
36:50How is this about that?
36:53I see you with my own eyes
36:54In just
36:56Two weeks
36:58You destroyed my heart
36:59Like a plow
37:00Passing through soil
37:02I'm sorry
37:03I didn't mean for it to happen
37:06It was my life
37:10Parties
37:12Friends
37:13Empty people
37:14I was told to get married
37:16I figured why not
37:18Suddenly I met you
37:21What now?
37:33I'm daring you to run after me
37:35What's this?
37:51This is my
37:54One bedroom apartment
37:55It has nothing
37:57Not even water
37:58But it's mine
37:59I came here
38:06A lot of times
38:07After my dad was taken away
38:09Like you to the river
38:12You never told me what happened to him
38:17A textile factory caught fire years ago
38:22People died
38:24Inspectors from the top were sent
38:28They learned it was underperforming
38:30My dad was the director
38:32And they of course
38:34They decided that he was stealing
38:37How long ago?
38:43I was just six
38:45Oh
38:46A long time ago
38:48Yeah
38:48Sabotage
38:52Anti-Sovietism
38:54Blamed him for the fire as well
38:58And
39:00Covering his tracks
39:02So if your father were here
39:11He'd most certainly
39:12Throw me out of your house
39:13Correct?
39:15Most certainly
39:16Then listen well Tatiana
39:19Will you marry me?
39:27And where's the ring?
39:30Darn it
39:31There
39:36I have no clue how it ended up there
39:39Will that do?
39:47It's not bad at all
39:48It's not bad at all
39:49God
39:59So
40:08Do
40:09I already told you before that she shouldn't get involved with that young man.
40:31You did. Yes, you told me that.
40:33Are you happy now that you're right?
40:35You don't care about her girl's happiness.
40:37All you think about is you.
40:38I care a lot and that's the reason I told you that.
40:43Did something happen?
40:47We're just here deciding what to wear for the wedding.
40:50She wants a blue dress and I told her not blue because she might steal your thunder.
40:55Vladimir's gone missing.
41:08A God-sent man, huh?
41:28Mom, I bet you never suffer this much.
41:33Yeah?
41:34Tell me.
41:37Where is he?
41:41No one knows.
41:42Zotov is trying to find out.
41:45He's trying?
41:45You tell me everyone is trying, but I'm in this all alone.
41:52You're all alone?
41:54Mom, in this stupid situation, an idiotic situation, don't you see?
41:58Listen to me, my dear.
42:00My transfer to the ministry is now complete.
42:03Zotov, Zotov, he won't back out.
42:13Why don't we cancel the wedding?
42:17Why torture ourselves?
42:21Listen up.
42:22On Saturday, I'm getting married.
42:27To Vladimir or not to him?
42:30That's his choice now.
42:52Your mom's at work.
43:00Do you miss her?
43:02Don't worry, she'll be back soon.
43:04She works half days.
43:11You want to sleep?
43:13No, but I am hungry.
43:15I'll find something for you.
43:22I have to tell you that you just cannot allow things to continue in this manner.
43:33This has to end.
43:33Yes, this has to end right away.
43:45What are you doing here?
43:50I killed him.
43:52Why are you sulking by the door?
44:17You should come in.
44:19Anyway, he knows that you can come in anytime you want.
44:22And here's what you asked for.
44:26Oh, thanks a lot.
44:28And what news do we have about our dear Vladimir's disappearance?
44:32I asked around the studio.
44:34No one really knows.
44:35Likely went to Tatiana.
44:38Tatiana.
44:39So you left everything to visit that girl.
44:43Why didn't I think of that?
44:44Look, am I free to go now?
44:48What's that?
44:52Freedom will kill a person.
44:54You will die like a worm exposed to the bright sun.
45:00That a quote?
45:02I say that to rats and snitches like you.
45:11It's a joke.
45:13It's Maxim Gorky.
45:15Well then, now that this file is in my possession, only thing left to do is apologize to you since you're not the organizer of this gang.
45:25What gang?
45:27Yes, a gang.
45:28What else is it?
45:31There's clearly a criminal element.
45:33They're establishing a contraband channel.
45:36I see they're also transferring abroad, important government resources.
45:42So you just need to sign one paper.
45:44And you're free.
45:45Denunciated?
45:46No, not really.
45:49A statement.
45:51Testimony.
45:51And don't be so worried.
45:54Take it easy.
45:56There's good news too.
45:57Now that it's clear that you're innocent, then nothing will stop your transfer to the modeling agency.
46:03So just hold on.
46:04And believe that your future will be very bright.
46:08And after the liver puncture, can you please take some more blood for the tests?
46:20How do you feel about needles and blood?
46:23You're fine with them?
46:24You're doing well?
46:25A man must be a fighter.
46:26You understand?
46:28I want you to make yourself as comfortable as you can.
46:31I will not let you out of here until I cure your STDs and other symptoms of your dissolute lifestyle.
46:36But I... I just bumped my head.
46:38Yes, yes, yes.
46:39But I'm the doctor.
46:40I know better.
46:42So, to lessen the questions, let me tell you that I suspect that you currently have the Indian variant of the E-virus.
46:49You know that?
46:49Doesn't matter.
46:50I'll go now.
46:50Are you certain that he'll be all right?
47:08You sound like a broken record.
47:10You will just be fine, that club of yours.
47:13He'll be looked after by the best doctor?
47:16The last man in Moscow who sees you as a human being.
47:18Come on, throw it away.
47:22Toss it.
47:23I want to see it.
47:25You made your choice, you know.
47:29We can admit him somewhere, since he's an official.
47:32Maybe the artists' union.
47:34Did you come up with that yourself?
47:36Yes.
47:39There.
47:40It's done.
47:42This is no longer your home.
47:48You promised to show me your work.
48:03They're tucked away.
48:04Oh yeah, in this big palace.
48:06Whoa, whoa.
48:28You've been dreaming a while.
48:30Oh yeah.
48:30Oh yeah.
48:30Oh yeah.
48:30Oh yeah.
48:31Oh yeah.
48:32Oh yeah.
48:33Oh yeah.
48:34Oh yeah.
48:36It's amazing.
48:41You're a Moscow aristocrat and I'm no one.
48:44Or maybe I'm just stupid to have trusted you again.
48:49I think...
48:53What is it?
48:58That I love you.
48:59Open the door.
49:09This is from National Security.
49:16We have a warrant for your arrest.
49:17Please cooperate with us.
49:18One more look, gentlemen.
49:23That was really quick.
49:24What's the reason you have to look at it again?
49:26Just wanted to know...
49:28What type of transport will you actually be using?
49:30What class and...
49:32On whose orders those things?
49:33We aren't here for you.
49:35Tatiana Nazarov?
49:36Let's go.
49:37Let's go.
49:38What is this?
49:39What is she being accused of?
49:40You let her go.
49:41Why are you taking her?
49:42Show me the order!
49:43You have no right to take her!
49:44I'm begging you!
49:45Don't fight them!
49:46Don't tell them anything!
49:47And don't sign anything!
49:49Don't fix this.
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