The Sweeney. S02 E10. Trojan Bus.

deaddogsdam

First broadcast 3rd November 1975.   Australian villains Colin MacGruder and Ray Stackpole return to London and steal a bus, posing as its crew.    John Thaw - Regan  Dennis Waterman - Carter  Garfield Morgan - Haskins  Patrick Mower - Colin McGruder  George Layton - Ray Stackpole  Lynda Bellingham - Nancy King  Robert Dorning - Leonard Geisler  Frederick Jaeger - Goldman  Leslie Dwyer - Ted Greenhead  Carol MacReady - Kath  Roger Sloman - Cosby  Frederick Schiller - Austrian Tourist  Gillian Duxbury - Goldman's Girlfriend  Tony Allen - Bill the Driver  Maxwell Craig - Detective  Laurie Goode - Supermarket Manager  Aidan Harrington - Detective  Tony O'Leary - Police Constable  Mike Reynell - Squad Officer  Esme Smythe - Woman on Tour Boat

Transcript

00:00you like it sir yes I am I like it very much but but well you wouldn't ask me to

00:11buy a bicycle with any one wheel would you a bicycle I don't know what good is

00:16lady Hamilton without Lord Nelson I was the battle of the Nile fought in vain

00:23unfortunately I sold it you sold Lord Nelson regretfully at least my assistant did that's

00:35tragic excuse me sir perhaps we could try to reacquire it how do you mean miss we could call

00:43the purchaser ask him if he'd agree to resell is that is that possible well yes it's possible he

00:52was staying at the Dorchester I remember he was going to be there another week could you

00:56were would you call him for me what why not

01:03I've got him what's his name Stackpole ah yes Mr. Stackpole Leonard Gisley here I'm calling about the

01:25Nelson it's in the safe in the back yes beautiful no sir I'm sorry I I'm delighted with it simply

01:35delighted you wouldn't be interested in selling it back to us I suppose you wouldn't what did he

01:42pay for it 250 offering 300 not at say 300 pounds I see I might be able to stretch to 400 I'm sorry but

01:59uh I like it I want to keep it 450 that's my last offer my last and final word 450 pounds you will oh that's excellent thank you

02:25as evidence of my good faith it really isn't necessary sir a gentleman I insist thank you Miss King thank you

02:44nice and easy dancing

02:53nice and easy dancing all the time

02:58you

03:07you

03:11¶¶

03:41¶¶

03:51¶¶

03:55Port through Echo 5-1, over.

03:58Echo 5-1, 5-1, ensure.

04:04Sorry, Gop.

04:06I'm going to.

04:07You're welcome.

04:08I'm going to.

04:12There you go.

04:13There you go.

04:15Sorry, Mrs.

06:34Ray?

06:35You don't speak Portuguese, do you?

06:37No.

06:40So how was it you made out with the chicks in Rio and I didn't?

06:45I don't know, Ray.

06:46I even took lessons.

06:50Lessons?

06:51Practised on me own.

06:54You practised?

06:56Fosay Thai Fosters.

06:58Do you have Fosters?

06:59That's pretty salty dialogue, Ray.

07:06Is that when she bit you on the note?

07:08Right.

07:09Very public-spirited.

07:21It's a Goya.

07:23In here.

07:24Can it breathe all right in there?

07:27Ray.

07:28Cool.

07:29It's a painting.

07:31Ah, whatn'ya say?

07:32I like a nice picture.

07:34Yeah.

07:35Keys?

07:36Geissler has both of them.

07:39What's the, uh...

07:41What's the security like here?

07:44Junior League Fort Knox.

07:47Alarm wire down the glass.

07:49Pressure pads.

07:51Alarm bells, mains and emergency power.

07:54Secondary system with a direct line to the fuzz.

07:56Nancy, Hannah's been good knowing you.

07:58Don't be in such a hurry.

07:59I haven't brought you this far for nothing.

08:01Yeah, I thought we were sticking on next.

08:02No, no, we're wasting our time.

08:03You need...

08:04You need raffles.

08:06And who have you got?

08:07Ned Kelly.

08:08And son.

08:14Nancy, there's nothing we'd like better than...

08:16A professor is flying up from the Prado in Madrid

08:19to give it the okay.

08:21Why, when?

08:22When Geissler leaves here to meet him at Sotheby's

08:25with the picture,

08:26he'll go by bus from out there.

08:29Are you sure?

08:30A hundred percent.

08:31He just did.

08:31We saw him.

08:32Little man with string in a brown paper parcel.

08:35Who would expect it to be worth a fortune?

08:37And why isn't the, uh...

08:40the professor coming here?

08:41Geissler's scared.

08:42Publicity, et cetera.

08:43Also, this way he doesn't have to pick up the bill.

08:46And, uh, how do we know it is a goya?

08:49You don't.

08:51I do.

08:52How?

08:53Goya's my bag.

08:54Convince me.

08:55It's the incomplete version of a self-portrait.

08:58One he painted in 1816 when he was 70.

09:01The other version, the complete one, hangs in Vienna.

09:03Ah, alay.

09:05Right.

09:06Next question.

09:07What is it worth?

09:08On a bad day, a quarter of a million pounds.

09:15And on a good day?

09:18You know, I think I could get to luck, goya.

09:21You haven't been raiding my sauce, have you, George?

09:37No, not good, are you?

09:38Oh, some gravy swoon's been helping himself.

09:41Not only that, the cheeky swoon keeps moving the phone to the wrong side of the desk.

09:47Southpaw.

09:47Who is?

09:49You're a phantom boozer.

09:51How do you make that up?

09:53It's easy, isn't it?

09:54Look, use this phone with the right hand, rights with the left hand, pours a drink with the left hand.

09:58Got it?

09:58George, now this affects you as well.

10:09Apparently, Jack, our Australian friends are back in town.

10:13Colin Ray?

10:14I don't mean Lillian Thompson.

10:16I don't believe it.

10:18They flew into Shannon, came in via Hollyhead.

10:20They've been hiding up in South America.

10:21What, with a 10 to 15 years stretch for armed robbery hanging over their heads?

10:25Why not?

10:25They got away with it last time.

10:27Yeah, don't remind me.

10:28They must be out of their bloody minds.

10:31Identicate pictures.

10:33Magruder, apparently, once sold a sundial outside the Sydney Botanical Gardens 17 times in one weekend.

10:41He was a juvenile at the time.

10:43I should have topped him then.

10:44Saved us a lot of trouble.

10:45A quarter of a million smackers.

10:57Yeah.

10:59That's on a bad day.

11:01Are you sure we can trust Nancy?

11:04Well, why not?

11:05Well, she's a sheeler.

11:08And you've never met one you could trust?

11:11She's bright.

11:12She knows about finding.

11:13What's she want to go bend for?

11:16Well, apart from the old animal charm.

11:20Oh, yeah.

11:21Mine and good.

11:22Of course.

11:23Now, she's in for 50 big ones.

11:25She's tired of playing with other people's pictures.

11:27Now she wants to play with some of her own.

11:30Ladies and gentlemen, on our starboard bow,

11:32or the right-hand side for the North Siders,

11:34we have the distinctive dime of St. Paul's competing.

11:38I'm thinking of putting Harry Johnson's squall on it.

11:40Well, we know more about him than anybody, Gubb.

11:42What? Descriptions, M.O., contacts?

11:45Yeah, of course we do.

11:47Let Jono have the supermarket job.

11:48No, we go through with that tonight, as arranged.

11:51And tomorrow?

11:52All right.

11:53Tomorrow.

11:54Thanks, Gubb.

11:55Just one word of warning.

11:58It was me they fitted up,

11:59my retirement job that was screwed,

12:01me with egg on his face in the commander's office, right?

12:04I'll get the picture.

12:05Good.

12:05So they're back.

12:12Give it a Johnson.

12:14I should cook, huh?

12:15You dreamt about those two, haven't you?

12:17Nightmares.

12:18Millions.

12:19Water, honeydew, or cantaloupe?

12:21Hey, you know your fruits, don't you, Ray?

12:24Used to work for a greengrocer.

12:26Could she cook?

12:27You know something, Ray.

12:28I never asked.

12:30Not once in four months.

12:33Not once.

12:37Hello.

12:41Ladies and gentlemen,

12:42on the right-hand side we have HMS Discovery,

12:46the ship that went to the South Pole.

12:48Of course, Captain Scott paid more than you,

12:50but then he didn't have to get off at Charing Cross Pier.

13:28Hey, Mr. Raymond V. Stackpole, £450.

13:42V.

13:45Take away your £250 and my £50 deposit.

13:49That leaves £150 profit.

13:51As Mr. McCorber would have said, chicken feed.

13:55No, Ray, Mr. McCorber wouldn't have said chicken feed.

13:57I still doubt see why we bothered.

13:59We are bothering, Raymond V. Stackpole,

14:03because this routine is as old as God.

14:06And?

14:07Well, and Mr. Geisler fell for it.

14:09Geisler.

14:10You say Geisler.

14:11And I say Geisler.

14:12All right, no, no, no, no, no.

14:14But the point is, he fell for it, right?

14:15Right.

14:16Well, that means we've got his measure.

14:17That means we're not going to blow out on the job.

14:20I'm still not shook up on the whole thing.

14:24Two fives, please.

14:25Could you cash a check for £450?

14:28Either pay your fare or get off.

14:30He says either, and we say either.

14:33You say Geisler.

14:34And I say Geisler.

14:35Geisler.

14:36Geisler.

14:37Either.

14:37I think we'd better get off.

14:39All right, thank you.

15:09Geisler.

15:24Geisler.

15:39There's a gun in the bag.

16:08Geisler.

16:09Geisler.

16:20Oh, hey.

16:22Wake up.

16:25Come on.

16:26Come on.

16:27All right,我也.

16:28Come on.

16:30Hey.

16:31Hey.

16:32Come on.

16:33Hey.

16:34Hey.

16:36Wake up.

16:37It's me-ooter. Why is it always me-ooter?

16:40Hey. Hey. Hey.

16:42Come on. Whatcha doing, Governor?

16:46I want to make him talk.

16:48What for? I want to hear his voice.

16:50Why? I want to see if he's got an Australian accent.

16:55Governor, can't it wait?

16:56Come on. Wake up.

16:59Come on.

17:02Come on. Wake up.

17:07Come on.

17:21I haven't decided a hurry. Think about it.

17:24If you like it, take it with you.

17:26And keep it for a couple of days.

17:29Yes.

17:32Yes, I see.

17:33Excuse me, sir. Yes?

17:35The news about Professor Boris. They want to talk to you.

17:37Ah, thank you.

17:38Would you excuse me for a moment?

17:43Leonard Giesler.

17:46Arriving Thursday.

17:47That's excellent.

17:49Shall we fix a date now?

17:51Eleven o'clock Friday morning.

17:53I'll be there.

17:58Australia?

17:59Gov.

18:00I've never even been to Manchester.

18:05Where do you get the sun tank?

18:06Fishing.

18:07Honest to God.

18:09Where?

18:10Deal.

18:11Do you know any Aussies?

18:13I've never met one in me life.

18:14What would I want with Australians?

18:17What would any of us?

18:19I hope you're telling me the truth, son.

18:20I am!

18:22Straight up.

18:24I warn you.

18:25If I find out I'm being lied to, I'm not a very pleasant man to know.

18:29You right, George?

18:30Right down there.

18:31I'm not lying.

18:33Where's me gear?

18:34The lab.

18:36What are you looking for?

18:38Oh, blood, gel ignite, toffee papers.

18:42This is a set-up.

18:43Labels.

18:44Like labels that say, made in Australia.

18:46I swear you've got a thing about Australia.

18:48What have they ever done to you?

18:52Take him away, son.

19:00He'll end up thinking he's Don Bradman, that one.

19:02I'll tell you, he's round a twist.

19:13What a gorgeous sunset.

19:14It's like looking down a beetroot.

19:18Sitting over my P and O, D, O, D, D.

19:23I suppose he was Australian and all.

19:25Well known for it.

19:26He was one of the Darwin Durantes.

19:29Did load Durantes.

19:36What is it?

19:38Don't you trust me?

19:44All right.

19:45I'll level with you.

19:47It's Ray.

19:52You wouldn't believe it, would you?

19:5365 inches of solid suspicion.

19:56Suspicion of what?

19:59That you might be working for the cops.

20:04Me?

20:05We agreed to wait for the right one to come up.

20:07Yeah, well you might have been gone at in between.

20:09You know, the bleating kid tied to the foot of the tree.

20:14Going to all the trouble of cabling you in Rio?

20:16Yeah, why not?

20:17Well, Fuzz don't like you poking mullick at them.

20:21So I've, uh...

20:23I've got new artists, then, to trudge up a few questions for you.

20:27When do I get to put your references to the test?

20:33Darling, I thought you'd never ask.

20:36Shoot.

20:37What was Rembrandt's real name?

20:40Rembrandt Harmanzoon van Rinde.

20:43Now you know why he painted such large canvases.

20:46When did he die?

20:48Oh, 1670-ish.

20:521669.

20:53What was Rembrandt's objection to using Prussian Blue?

20:59No objection.

21:01Except he died in 69,

21:02and Prussian Blue wasn't discovered until 1704.

21:05How'd I do?

21:10Now, sincerely, folks,

21:11the little lady has won an Instamatic camera,

21:13an electric blanket,

21:14and a night on the town with an Australian bush ranger.

21:19They were hot in sports, remember?

21:20Yeah, swimming pools, tennis clubs, got that.

21:25What about the Escort Road?

21:27Every other cup was a Bruce or a Gwen.

21:29Yeah, they'll avoid that like the plague.

21:32I'll check the interval list again.

21:34Okay.

21:35Jack, the commander was looking for you.

21:37Oh?

21:38Relax, he was looking quite pleased.

21:40Makes a change.

21:41He liked the way you handled the supermarket, Blag.

21:43Did you hear, by the way?

21:44They both got form.

21:45Yeah, we heard.

21:47What are you doing?

21:49I'm trying to build a kangaroo trap.

21:52Dear, well, don't let her become a vendetta, Jack.

21:55Remember that a vindictive cop I...

21:57It's no good to his old mum, I know.

22:00What's the matter? Is your pride hurting?

22:03It's partly that.

22:05I don't like the way they give the impression

22:07that they're lovable jokers, colonial clowns.

22:09They're not.

22:10They're vicious.

22:11They carry a shotgun.

22:14No need to frighten people.

22:16I'll be your age, George.

22:17If you carry a gun, you're gonna end up using it.

22:19I want them banged away before that happens.

22:21Yes, all right, Jack.

22:23But just remember it isn't open season on tourists, okay?

22:25Yes, Scott.

22:30Erm, what's the matter with the nose, George?

22:33A boil?

22:37No, I forgot to duck.

22:40I never saw you as Serrano de Bergeret.

22:46Wonderful, innit?

22:48Even Edie in the canteen, she said,

22:49do you want some mustard on it?

22:55I see. All ship-shape and, er, Bristol-fashioned.

23:21Have you come about the radar?

23:23No, about the, er, the Goyard.

23:26Lesser de Fortissimo, please.

23:28Pardon?

23:30Keep your voice down.

23:35Hey, it's, er,

23:37it's a nice craft.

23:40Yeah, it's very trim.

23:42Sit down, Mr. McGruder.

23:53Did you bring the photo?

24:03It's an incomplete picture.

24:05Yeah, story is it was a dry run for the other version.

24:08Of course you realise it once stolen,

24:10it'll be impossible to sell this to any reputable dealer

24:13in Europe or the USA.

24:14Well, that's why I'm selling it to a disreputable one.

24:16Well, obviously, er, a dishonest dealer.

24:19Mr. Goldman!

24:23Stop snowing me.

24:25Name your price, eh?

24:31You name yours.

24:32Well, the gallery, we're talking about half a million.

24:36Pounds?

24:38Not brass washers.

24:41Now, we'll accept, er, 200,000.

24:44You must be.

24:45I don't haggle.

24:46You're talking as though 200 grand grew on trees.

24:51That's a bit, er,

24:53it's a bit tart for my taste.

24:55Where do you think I'm gonna find somebody to,

24:57to buy a stolen Goyard?

24:59Oh, well, that shouldn't be difficult.

25:02Tell me.

25:04Well, let's start with the A's, shall we?

25:06Er...

25:08Argentina.

25:10He's known in the business as, er, Mr. Gloat.

25:13He spends millions on pictures which nobody ever sees.

25:15No, no, no. He's a bit, he's a bit mad.

25:17He's paying you?

25:18I thought so.

25:20Yeah, an air-conditioned, bomb-proof seller

25:23with wall-to-wall old masters.

25:25The world's greatest rip-off-out collection.

25:29You are well informed.

25:31Hey, Goldie, what big ears I do have.

25:33I can't get the money to you here.

25:37I don't want it here.

25:39I want it in Amsterdam.

25:41In Uncut Stones.

25:43And I want two passages for Friday.

25:45You want a lot, Mr. Magruder.

25:48I am offering a lot.

25:52Fire!

25:56Cheers.

25:58Hey, can't you read? We're closed.

26:01Where's your contact lenses, Kath?

26:03I can't be bothering with them.

26:05Who is it?

26:09Am I getting clearer?

26:11Your voice is familiar.

26:13Kath, you don't need lenses, you need a white stick.

26:15Jack Regan, is it?

26:16Is it?

26:17Of course it is. How's yourself, Jack?

26:19Full of agro.

26:21What's causing it?

26:23I'm glad you asked me that.

26:26Two Aussie boys.

26:29We've done all this.

26:30They're back.

26:32They haven't set a foot in here.

26:36They're not likely to, are they?

26:38They'll keep clear of the Aussie circuit.

26:40They're not that stupid.

26:42So what's the word?

26:45Well, the only thing I've heard.

26:48Yeah?

26:50And it is hearsay.

26:51What's your language, love?

26:54One of the other girls got a part-time job down the library.

26:57She's seen call down there.

26:59And?

27:00He's cluing himself up on painting.

27:02House painting? Interior decorating?

27:03Oh.

27:05Pictures.

27:07Oils.

27:08Watercolours, what have you.

27:09Yeah, that figures.

27:11Last time it was gold.

27:14This time it's art.

27:16They're probably going to knock off the Tate.

27:19Right.

27:21What are you thinking about?

27:25Leningrad.

27:27Leningrad?

27:29322 art galleries.

27:34Fifteen miles of them.

27:37Yep.

27:38Three million works of that.

27:40Don't you need a visa for Russia?

27:42Visa?

27:44Don't bog down with details.

27:46Get the broad scope.

27:48Big big.

27:50Give the cat another goldfish.

27:58What are you doing, Governor?

28:00Foo-shoot powder.

28:01What for?

28:02He's been up my Scotch again.

28:03I'm going to nail him this time.

28:06Oh, thanks for warning us.

28:07Oh, sorry, Josh.

28:08I'd love to cop an ear full of that, wouldn't I?

28:09I was going to tell, yeah?

28:11Here's that list.

28:18Right.

28:19It's the Tate, Royal Academy, National Gallery, National Portrait Gallery, Queen's Gallery.

28:25Where's that?

28:26Buckingham Palace.

28:27Yeah, it's about their mark, that is.

28:29Yeah, the Wallace Collection, the Courthold Institute, Kenwood House.

28:33There's got to be a bird.

28:35Who what?

28:36A girl.

28:37How do you know that?

28:39Well, there was last time.

28:40What, and the leopard never changes his whatnot?

28:42Yeah, there's got to be a bird.

28:43Yeah, there's got to be a bird.

28:45Yeah, there's a bird.

28:46I'm a bird.

28:47I'm a bird.

28:48Yeah, I'm a bird.

28:49BEEP

28:50BEEP

28:51BEEP

28:52BEEP

28:53BEEP

28:54BEEP

28:55BEEP

28:57BEEP

28:58BEEP

29:00BEEP

29:03BEEP

29:05BEEP

29:06BEEP

29:07BEEP

29:08BEEP

29:09BEEP

29:10BEEP

29:11BEEP

29:18Paul?

29:19Rye!

29:20Can I ask a question?

29:21Anything.

29:23Where does all the money go?

29:25I don't honestly know, Ray. It's like asking, where do the flies go in the winter?

29:32Of course. Right. Where do the flies go in the winter?

29:38Home.

29:42Good luck, Skipper.

29:43Toodle-bip, old man.

29:55I hope your bus arrives on time. Obviously, you won't be back for lunch today.

30:12Ah. In which case, I shall need some money. I'll just slip out of the bank.

30:16Take your credit cards.

30:18Oh, yes. Yes. Yes, I can do that, I suppose.

30:21I should hurry up, if I will. Use the Spanish as sticklers for punctuality.

30:25Well, the British aren't.

30:27What?

30:50Wayne! Wayne!

30:52Well, my dear, wish me luck.

30:58I do, I do.

30:59A fortune and a footnote in the textbooks.

31:02I'll settle for that.

31:04Your bus, Mr. Giesler.

31:12Sorry, you've got the wrong number.

31:22Upstairs, if I will you, sir.

31:28An old drunk's just thrown up inside.

31:31Oh, thank you.

31:32Most thoughtful.

31:33My pleasure.

31:35Hold tight.

31:47Drop on, one here.

31:52Oh, thank you.

32:22Nice and easy does it, nice and easy does it all the time.

32:38So etwas Gemeines, so etwas ist mir überhaupt noch nie passiert.

32:42Ja, ich komme daher, ich bin doch, ich bin doch in dem Puckigam Palace.

32:46Habt ihr schon so etwas gesehen? Ja, wirft mich heraus aus dem Bass.

32:50Ich werde mich beschweren.

32:52.

33:07Targeted.

33:11Haskins.

33:13A Goya painting, yes.

33:15And a what?

33:17A London Transport double-decker bus.

33:20Are you sure?

33:23Yes, well a bus I can visualise.

33:25Get me a description of the painting.

33:27Subject matter, size, value etc. Right?

33:30Any itches?

33:31Smooth as silk.

33:32That's poetry.

33:33That's poetry.

33:34That's poetry.

33:35That's poetry.

33:36That's poetry.

33:37Is that it?

33:38Yeah, or 200,000 pounds worth of it.

33:39Say, could care a bit.

33:41SS Malacca, sells on a five o'clock tide.

33:42I'll see you in Amsterdam, Mr Goldman.

33:44I'll see you in Amsterdam, Mr Goldman.

33:47I'll see you in Amsterdam, Mr Goldman.

33:49You meet a nice set of people in this business.

33:51Yep.

33:52Well, I think we've done a good morning's work, right?

33:53Well, I think we've done a good morning's work, right?

33:54That's poetry.

33:55That's poetry.

33:56That's poetry.

33:57That's poetry.

33:58That's poetry.

33:59You meet a nice set of people in this business.

34:00Yep.

34:01Well, I think we've done a good morning's work, right?

34:02I'm not even 11.15.

34:03If only we could do a 40-hour week.

34:04Specialisation.

34:05That's the name of the game.

34:06No.

34:07No.

34:08No.

34:09No.

34:10No.

34:11No.

34:12No.

34:13No.

34:14No.

34:15No.

34:16No.

34:17No.

34:18No.

34:19No.

34:20No.

34:21No.

34:22No.

34:23No.

34:24No.

34:25No.

34:26No.

34:27No.

34:28No.

34:29No.

34:30No.

34:31No.

34:37Yeah.

34:38It's there, Minna.

34:39Yes, Typ.

34:41We'll never work.

34:47You managed to get a look at him at all, sir?

34:51No.

34:52How much is the painting worth?

34:53A quarter of a million.

34:56Come again, sir?

34:57A quarter of a million.

35:02What size is it?

35:0318 by 25.

35:05Have you got a shop or are you a collector?

35:07A gallery.

35:15All right, take him away. I'll talk to him later.

35:18You go with him.

35:24Gardner.

35:26These were left on the bus.

35:28Well, these nine million of those sold every year.

35:31They cost him with a five-year-old of silver.

35:34Slash monkeys.

35:36It's happening again, isn't it?

35:38Is he making a bus?

35:40I don't know they would.

35:45Could they get anything out of him?

35:47No, not a lot, no.

35:51A girl. There's got to be a girl in this somewhere.

35:54Well, stay here and see what you're going to find out.

35:59Yeah, if anything.

35:59Then join me at Geisler's Geisler's Gallery.

36:02Geisler's Gallery. All right.

36:03All right.

36:03I'll tell you, Arbor Master, we want to pay up and sail as soon as possible.

36:18I'm sorry, sir. The gallery's closed.

36:19Not to me. It's not. Detective Inspector Regan. Flying squad.

36:32You going somewhere, miss?

36:36To the country. Long weekend.

36:39Feels long.

36:47May I?

36:48No.

36:49Sorry.

36:49Now, which country are we talking about?

36:58Amsterdam.

36:59Hmm.

36:59Don't you need a warrant?

37:01No, not as you invited me in.

37:02I did not ask you in.

37:06How dare you come in here without a warrant?

37:09Cancel it.

37:10Your hire car to the airport.

37:16It broke down.

37:18So where do you meet the boys?

37:20Boys?

37:21I'm sorry, Inspector. I don't know what you're talking about.

37:23Colin and Ray.

37:25I still don't know.

37:27That tick in the corner of your eye.

37:30I sometimes get that when I'm tired.

37:32Or nervous.

37:34Who said anything about being nervous?

37:38Dry.

37:40George, did he croak?

37:44Who?

37:45Geissler.

37:46Yeah, not many.

37:48Before the ambulance arrived.

37:52You mean dead?

37:54That's right, miss.

37:55They smashed his head in.

37:57Cracked it like an eggshell.

37:59Who's his next of kin?

38:01What?

38:02Next of kin.

38:03Wife.

38:04Kids.

38:04Who do we contact?

38:05It was only supposed to knock him out.

38:07That's all it did do.

38:08Knocked him out permanently.

38:09So now you're an accessory to murder as well.

38:13I'm sorry.

38:15Funny thing.

38:16They're always sorry.

38:17When they're caught.

38:18Oh, yeah.

38:19When?

38:21I'll talk.

38:22Everything I know.

38:23What a performance.

38:26Even I thought Geissler had snuffed it.

38:28I should have been an actor.

38:30Oh, yeah.

38:30Nice and easy does it.

38:39Nice and easy does it.

38:43Nice and easy does it.

38:45All the time.

38:47That launch, sir, is worth a tidy few thousand pounds to me.

38:52Yeah, well, you'll get it back.

38:54Are you sure there were Aussies?

38:55Oh, no doubt about it.

38:57Well, Colin, Ray.

38:58How long ago was this?

39:00Oh, an hour.

39:01An hour and a half, not more.

39:03Hey, look at that.

39:05Cox's orange pipping.

39:07Keeps the tobacco sweet, you know.

39:08Which way were they heading?

39:11Containerization.

39:12It's changing the face of the river.

39:14Which way?

39:17Oh, downriver, I'd say.

39:19Tower Bridge.

39:20Get beyond that and it's straight on, ain't it?

39:22What is?

39:22The open sea.

39:24All I ask is a tall ship and a star to steer her by.

39:29How much fuel have they got?

39:31Ah, there's the rub.

39:33Look, Mr Greenhead, the longer we stand about natural,

39:36the less chance we've got of catching them.

39:37Or of getting your launch back.

39:39Well, they started off early.

39:41The boys, I mean.

39:42And I've done a couple of jobs since.

39:44One was a wedding up at St Bride's.

39:45How much fuel?

39:47Tower, Pierre.

39:48Top weight.

40:00Try and make it to St Catherine's Yacht, Haven.

40:03It's through the bridge on the left.

40:05It should have been fuller.

40:06Don't get it.

40:06Yeah, well, don't worry about that now.

40:10Goldman, you might still be there.

40:12No, he'll be gone.

40:14Hey, Trader's Gate.

40:17What a place to conk out.

40:19Well, we just have to rely on the old Ruger and our friends.

40:26After Tower Bridge, most of the warehouses are closed for demolition.

40:51Easy place to hide up.

40:52Easy place to hide up.

40:52Dead easy.

40:53Round, round, round, round, round, right.

41:16Next ride.

41:17Next ride.

41:29Right, where do you go with George?

41:45Over there.

41:46Over there.

41:47Over there.

41:47All right, as they say in England,

42:01looks as though it shanks his pony again.

42:17Hooray!

42:47Right!

42:57A car!

43:01Right!

43:09That must have doubled back.

43:17Hey!

43:47Hey!

43:51Yee-hee-hee!

43:57Ring, ring, ring!

43:59Ray!

44:09Well, we've got two choices, Ray.

44:11Fight it out and give up.

44:13Right.

44:15Why don't we give up?

44:17Out of jail for 15 years.

44:21You lose your looks, Ray.

44:23Just when we knows us healing up,

44:25why don't we fight it out?

44:37Cool.

44:39Ray.

44:40Maybe they'll give up.

44:56Oi!

45:00We're the police!

45:02Come out with your hands on your heads!

45:05Ray.

45:09You know something?

45:12They ain't gonna give up.

45:14What?

45:27Hmm...

45:28Eureka Stockade!

45:29Right.

45:30That's where we get...

45:31...over that wall.

45:34Right.

45:35Use pommy, troopers.

45:41He's got a bloody rifle!

46:05This never happened to Paul Newman.

46:12I heard about a shot across the bowels, but this is ridiculous.

46:17Can you walk?

46:20I can't.

46:23I can't.

46:26This never happened to Paul Newman.

46:29I heard about a shot across the bowels, but this is ridiculous.

46:33Can you walk?

46:35I was never a great one for walking.

46:53Give me the roo.

46:56I'll keep them covered. You might make the fence.

47:00Come on, Colin. I'll load the gun.

47:05It's no time to argue.

47:10We, uh...

47:13We never would have got those visas anyway.

47:18Go on, Pernstretcher.

47:20Git.

47:21We'll see you soon.

47:22Go on.

47:23This is it for sure!

47:24Come on, Pernstretcher.

47:26Go!

47:27What are you doing?

47:28Look.

47:29I'm here at the moment.

47:30Go.

47:31Go.

47:33Go!

47:35Go.

47:38Go.

47:39Go.

47:41Go.

47:43Go.

47:45Go.

47:46Where's the other one?

48:16Oh, cover me, George.

48:46Oh, cover me, George.

48:53Oh, cover me, George.

49:02Oh, cover me, George.

49:08Oh, cover me, George.

49:15Lousy Tommy, Renee.

49:20Is one of you called...

49:23Regan?

49:24I am.

49:31There should be a couple of inches left.

49:35Jack?

49:37The cat's in the bag, Garth.

49:39Both cats, as it happens.

49:40And they picked up Goldman off CNS with the painting.

49:43I want an explanation, not an awards ceremony.

49:46Explanation?

49:47For this.

49:48Oh, dear, oh, dear.

49:50Exactly.

49:51Well, I'm glad someone's amused.

49:54We'll discuss it in the morning.

49:57Here, here.

49:59That's going to take him five days to get that off.

50:06One?

50:07Mr.

50:16Well, guess what?

50:21In the morning.

50:23And even despite the fact that there's no человеч

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