The Sweeney. S02 E10. Trojan Bus. (uncut)

deaddogsdam

First broadcast 3rd November 1975.  Australian villains Colin MacGruder and Ray Stackpole return to London and steal a bus, posing as its crew.   John Thaw - Regan Dennis Waterman - Carter Garfield Morgan - Haskins Patrick Mower - Colin McGruder George Layton - Ray Stackpole Lynda Bellingham - Nancy King Robert Dorning - Leonard Geisler Frederick Jaeger - Goldman Leslie Dwyer - Ted Greenhead Carol MacReady - Kath Roger Sloman - Cosby Frederick Schiller - Austrian Tourist Gillian Duxbury - Goldman's Girlfriend Tony Allen - Bill the Driver Maxwell Craig - Detective Laurie Goode - Supermarket Manager Aidan Harrington - Detective Tony O'Leary - Police Constable Mike Reynell - Squad Officer Esme Smythe - Woman on Tour Boat

Transcript

00:00You like it, sir?

00:14Yes, I like it very much.

00:18But?

00:19Well, you wouldn't ask me to buy a bicycle with any one wheel, would you?

00:23A bicycle? I don't understand, sir.

00:25What good is Lady Hamilton without Lord Nelson?

00:30Was the Battle of the Nile fought in vain?

00:33Unfortunately, I sold it.

00:38You sold Lord Nelson?

00:40Regretfully, at least my assistant did.

00:43That's tragic.

00:45Excuse me, sir. Perhaps we could try to reacquire it.

00:48How do you mean, miss?

00:51We could call the purchaser, ask him if he'd agree to resell.

00:55Is that possible?

00:58Well, yes, it's possible.

01:00He was staying at the Dorchester. I remember he was going to be there another week.

01:04Could you, er...

01:06Would you call him for me?

01:10Why not?

01:12I've got him.

01:14What's his name?

01:15Stackpole.

01:16Ah, yes.

01:17Er, Mr Stackpole?

01:18Leonard Giesley here.

01:18I've got him.

01:20I've got him.

01:21What's his name?

01:22Stackpole.

01:23Ah, yes.

01:24Er, Mr Stackpole?

01:25Leonard Giesley here.

01:26I've got him.

01:27What's his name?

01:28Stackpole.

01:29Ah, yes.

01:30Er, Mr Stackpole?

01:31Leonard Giesley here.

01:33I've called you about the nursing chair.

01:36It's in the safe, in the back.

01:39Yes.

01:40Beautiful.

01:40No, sir!

01:42I'm sorry, I'm delighted with it.

01:44Simply delighted.

01:45You wouldn't be interested in selling it back to us, I suppose.

01:48Ah, you wouldn't.

01:50What did he pay for it?

01:52250.

01:53Offering 300.

01:56Er, not at, say, 300 pounds?

02:00I see.

02:02I might be able to stretch to 400.

02:07I'm sorry, but, er...

02:09I like it.

02:11I want to keep it.

02:12450.

02:19That's my last offer.

02:24My last and final word, 450 pounds.

02:30You will?

02:31Oh, that's excellent.

02:34Nice and easy, darling.

02:35Nice and easy, darling.

02:37Nice and easy, darling.

02:41Nice and easy, darling.

02:43As evidence of my good faith.

02:45It really isn't necessary, sir.

02:46A gentleman's blood.

02:47No, no, no, no, I insist.

02:50Ms King?

02:53Nice and easy does it, nice and easy does it all the time.

03:23I love you, I love you, I love you.

03:53I love you, I love you.

04:23I love you, I love you.

04:53I love you.

05:23I love you.

05:25I love you.

05:27I love you.

05:29I love you.

05:31I love you.

05:33I love you.

05:35I love you.

05:37I love you.

05:39I love you.

05:41I love you.

05:43I love you.

05:45I love you.

05:47I love you.

05:49I love you.

05:51I love you.

05:53I love you.

05:55I love you.

05:57I love you.

05:59I love you.

06:01I love you.

06:03I love you.

06:05I love you.

06:07I love you.

06:09I love you.

06:11I love you.

06:13I remember.

06:15Anything?

06:17It's all quiet on the Western Avenue.

06:19Hello, George.

06:21Listen, Governor, this snout of yours, is he any good?

06:26The sharpest is in West One. Mr Spock, they call it.

06:30He's pretty reliable, George.

06:32Yeah, but the question is, how much longer can we afford to wait?

06:35A couple of days, OK?

06:42Cole?

06:43Ray?

06:44You don't speak Portuguese, do you?

06:47No.

06:47So how was it you made out with the chicks in Rio and I didn't?

06:54I don't know, Ray.

06:57I even took lessons.

07:00Lessons?

07:01Practised on me own.

07:04You practised?

07:06Fosay Thai fosters. Do you have fosters?

07:12That's pretty salty dialogue, Ray.

07:15Is that when she bit you on the night?

07:17Hey.

07:28Very public-spirited.

07:30Tight bastard.

07:32Don't be like that.

07:33It's a goya.

07:35In here.

07:36Can it breathe all right in there?

07:39Ray.

07:40Cool.

07:41It's a painting.

07:43Ah, what didn't you say? I like a nice picture.

07:46Yeah.

07:47Keys?

07:48Geissler has both of them.

07:51What's the, uh...

07:53What's the security like here?

07:56Junior League Fort Knox.

07:58Alarm wire down the glass.

08:01Pressure pads.

08:03Alarm bells, mains and emergency power.

08:06Secondary system with a direct line to the fuzz.

08:08Nancy, Hannah's been good knowing you.

08:10Don't be in such a hurry.

08:11I haven't brought you this far for nothing.

08:13Yeah, I thought we were sticking our nets.

08:14No, no, we're wasting our time.

08:15You need...

08:16You need raffles.

08:18And who have you got?

08:19Ned Kelly.

08:20And son.

08:26Nancy, there's nothing we'd like better than...

08:28A professor is flying up from the Prado in Madrid to give it the OK.

08:33Why, boy.

08:34When Geissler leaves here to meet him at Sotheby's with the picture, he'll go by bus from out there.

08:41Are you sure?

08:41Hundred percent.

08:42He just did.

08:43We saw him.

08:44Little man with string in a brown paper parcel.

08:47Who would expect it to be worth a fortune?

08:49And why isn't the, uh, the professor coming here?

08:53Geissler's scared, publicity, etc.

08:55Also, this way he doesn't have to pick up the bill.

08:58And, uh, how do we know it is a Goya?

09:01You don't.

09:02I do.

09:04How?

09:05Goya's my bag.

09:06Convince me.

09:07It's the incomplete version of a self-portrait.

09:09One he painted in 1816 when he was 70.

09:13The other version, the complete one, hangs in Vienna.

09:15Ah, olé.

09:17Right.

09:18Next question.

09:19What is it worth?

09:22On a bad day...

09:25A quarter of a million pounds.

09:27And on a good day?

09:30You know, I think I could get to light, Goya.

09:33Hey, you haven't been raiding my source, have you, George?

09:36No, not good, are you?

09:38Oh, some greedy swoon's been helping himself.

09:41Not only that, the cheeky bastard keeps moving the phone to the wrong side of the desk.

09:47Southpaw.

09:48Who is?

09:49Your Phantom Boozer.

09:50How'd you make that up?

09:51Well, it's easy, isn't it?

09:53Look, use this the phone with the right hand, rights with the left hand, pause the drink with the left hand.

09:58Got it?

10:05George?

10:06Now, this affects you as well.

10:08Apparently, Jack, our Australian friends are back in town.

10:11Colin Ray?

10:13I don't mean Lillian Thompson.

10:16I don't believe it.

10:17They flew into Shannon.

10:18Came in by a holly head.

10:20They've been hiding up in South America.

10:21What, with a 10 to 15 years stretch for armed robbery hanging over their heads?

10:24Why not?

10:25They got away with it last time.

10:26Yeah, don't remind me.

10:28They must be out of their bloody minds.

10:30Identikit pictures.

10:31Magruder, apparently, once sold a sundial outside the Sydney Botanical Gardens 17 times in one weekend.

10:40He was a juvenile at the time.

10:42Well, I should have topped him then.

10:43Saved us a lot of trouble.

10:53A quarter of a million smackers.

10:57Yeah?

10:58That's on a bad day.

11:00Are you sure we can trust Nancy?

11:03Well, why not?

11:05Well, she's a sheiler.

11:08Have you never met one you could trust?

11:11She's bright.

11:12She knows about painting.

11:14What's she want to go bent for?

11:16Well, apart from the old animal charm.

11:19Oh, yeah.

11:20Mine, of course.

11:22Of course.

11:23Oh, she's in for 50 big ones.

11:24She's tired of playing with other people's pictures.

11:27Now she wants to play with some of her own.

11:28Ladies and gentlemen, our starboard bow.

11:32Over the right-hand side for the North Siders, we have the distinctive dime of St. Paul's Canadian.

11:37I'm thinking of putting Harry Johnson's squab on it.

11:40Well, we know more about him than anybody, Guff.

11:43Descriptions, M.O., contacts?

11:45Yeah, of course we do.

11:46Let Jono have the supermarket job.

11:48No, we go through with that tonight as arranged.

11:50And tomorrow?

11:52All right.

11:53Tomorrow.

11:54Thanks, Guff.

11:55Just one word of warning.

11:57It was me they fitted up, my retirement job that was screwed, me with Egg on his face in the commander's office, right?

12:03I'll get the picture.

12:05Good.

12:10So they're back.

12:11Give it a Johnson.

12:13I should cook, huh?

12:14You dreamt about those two, haven't you?

12:16Nightmares.

12:17Big bristles?

12:19Melons.

12:20Water?

12:21Honeydew?

12:21Or cantaloupe?

12:22You know your prince, don't you, Ray?

12:25Used to work for a greengrocer.

12:27Could she cook?

12:28You know something, Ray?

12:29I never asked.

12:31Not once in four months.

12:34Not once.

12:38Hello?

12:42Ladies and gentlemen, on the right-hand side we have HMS Discovery, the ship that went to the South Pole.

12:49Of course, Captain Scott paid more than you, but then he didn't have to get off at Charing Cross Pier.

13:42V. Take away your 250, and my 50 pounds deposit, that leaves 150 pounds profit.

13:52As Mr. McCorber would have said, chicken feed.

13:56No, Ray, Mr. McCorber wouldn't have said chicken feed.

13:59I still don't see why we bother.

14:00We are bothering, Raymond V. Stankhole, because this routine is as old as God.

14:07And?

14:08And Mr. Geisler fell for it.

14:10Geisler.

14:11You say Geisler.

14:12And I say Geisler.

14:13All right, now, now, now, now, now, but the point is he fell for it, right?

14:16Right.

14:17Well, that means we've got his measure.

14:18That means we're not going to blow out on the job.

14:21I'm still not shook up on the whole thing.

14:25Two fives, please.

14:26Could you cash a check for 450 pounds?

14:29Either pay your fare or get off.

14:31He says either.

14:33And we say either.

14:34You say Geisler.

14:35And I say, Geisler, Geisler, Geisler, either, either, I think we better get home.

15:05Geisler, Geisler, Geisler.

15:35Geisler, Geisler, Geisler, Geisler.

16:05Geisler, Geisler, Geisler, Geisler.

16:15Geisler, Geisler.

16:23Come on. Come on, come on.

16:29Come on.

16:31Hey, hey, come on.

16:35Hey, hey.

16:38Get me out, otherwise it always me out.

16:42Hey, hey, hey, come on.

16:44What are you doing, Governor?

16:47I want to make him talk.

16:49What for?

16:50I want to hear his voice.

16:51Why?

16:52I want to see if he's got an Australian accent.

16:56Governor, can't it wait?

16:58Come on, you slag.

17:00Wake up.

17:01Come on.

17:03Hey, come on, wake up.

17:06Yeah.

17:21Don't decide in a hurry.

17:22Think about it.

17:23If you like it, take it with you.

17:24Keep it for a couple of days.

17:25Yes.

17:26Yes, I see.

17:27Excuse me, sir.

17:28Yes?

17:29News about Professor Boris.

17:30They want to talk to you.

17:31Ah, thank you.

17:32Would you excuse me for a moment?

17:33Leonard Giesler?

17:34I think you should arrive in some place.

17:35I think you should arrive in some place.

17:36I think you should arrive in some place.

17:37Excuse me, sir.

17:38Yes?

17:39News about Professor Boris.

17:40They want to talk to you.

17:41Ah, thank you.

17:42Would you excuse me for a moment?

17:43Leonard Giesler.

17:44Arriving Thursday.

17:45That's excellent.

17:46Shall we fix a date now?

17:4711 o'clock Friday morning.

17:48I'll be there.

17:50Australia?

17:51Gov, I've never even been to Manchester.

17:54Where do you get the sun tank?

17:55Fishing.

17:56Honest to God.

17:57Where?

17:58Deal.

17:59Do you know any Aussies?

18:00I'll never find the sun tank.

18:01Fishing.

18:02Fishing.

18:03Honest to God.

18:04Where?

18:05Deal.

18:06Do you know any Aussies?

18:07I'll never find the sun tank.

18:10Fishing.

18:11Honest to God.

18:12Where?

18:13Deal.

18:14Do you know any Aussies?

18:16I've never met one in me life.

18:18What would I want with Australians?

18:20What would any of us?

18:22I hope you're telling me the truth, son.

18:24I am!

18:25Straight up.

18:26I warn you.

18:28If I find out I'm being lied to, I'm not a very pleasant man to know.

18:32Right, George?

18:33Right, Governor.

18:34I'm not lying.

18:35Where's me gear?

18:37The lab.

18:38What are you looking for?

18:40Your blood, gel ignite, toffee papers.

18:44This is a set up.

18:46Labels.

18:47Like labels that say made in Australia.

18:49I swear you've got a thing about Australia.

18:52What have I done to you?

18:55Take him away, son.

19:03You'll end up thinking he's Don Bradman, that one.

19:05I'll tell you he's round a twist.

19:16What a gorgeous sunset.

19:18It's like looking down a beetroot.

19:20Sitting on my piano, D-O-D-D.

19:24I suppose he was Australian and all.

19:29Well known for it.

19:30He was one of the Darwin Durantes.

19:32Did load Durantes.

19:40What is it?

19:41Don't you trust me?

19:43All right, I'll level with you.

19:50It's, er, Ray.

19:55You wouldn't believe it, would you?

19:5665 inches of solid suspicion.

19:59Suspicion of what?

20:03That you might be working for the cops.

20:07Me?

20:08We agreed to wait for the right one to come up.

20:10Yeah, well you might have been gone at in between.

20:12You know, the, er, the bleating kid tied to the foot of the tree.

20:18Going to all the trouble of cabling you in Rio?

20:20Yeah, why not?

20:21The fuzz don't like your poking mullick at them.

20:25So I've, er, I've got an artist to fudge up a few questions for you.

20:33When do I get to put your references to the test?

20:35Darling, I thought you'd never ask.

20:39Shoot.

20:40What was Rembrandt's real name?

20:43Rembrandt Harmanzun van Ryn.

20:46Now you know why he painted such large canvases.

20:49When did he die?

20:51Oh, 1670ish.

20:551669.

20:58What was Rembrandt's objection to using Prussian blue?

21:02No objection.

21:03Except he died in 69 and Prussian blue wasn't discovered until 1704.

21:08How'd I do?

21:13Now, sincerely, folks, the little lady has won an Instamatic camera, an electric blanket and a night on the town with an Australian bush ranger.

21:20They were hot in sports, remember?

21:24Yeah, swimming pools, tennis clubs, got that.

21:27But what about the Escort Road? Every other cup was a Bruce or a Gwen.

21:33They'll avoid that like the plague.

21:35I'll check the Interpol list again.

21:38Jack, the commander was looking for you.

21:41Oh?

21:42Relax, he was looking quite pleased.

21:44Makes a change.

21:45He liked the way you handled the supermarket, Blag.

21:47Did you hear, by the way, they both got formed?

21:49Yeah, we heard.

21:51What are you doing?

21:53I'm trying to build a kangaroo trap.

21:55Yeah, well, don't let her become a vendetta, Jack.

21:59Remember that a vindictive cop I...

22:00He's no good to his old mum, I know.

22:03What's the matter?

22:04Is your pride hurting?

22:06It's partly that.

22:09I don't like the way they give the impression that they're lovable jokers, colonial clowns.

22:13They're not.

22:14They're vicious.

22:15They carry a shotgun.

22:18No need to frighten people.

22:19I'll be your age, George.

22:20If you carry a gun, you're gonna end up using it.

22:22I want them banged away before that happens.

22:25Yes, all right, Jack.

22:26But just remember, it isn't open season on tourists, OK?

22:29Yes, Scott.

22:34What's the matter with the nose, George?

22:37A boil?

22:40No, I forgot to duck.

22:44I never saw you a Serrano de Bergeret.

22:46Wonderful, innit?

22:47Eve and Edie in the canteen.

22:48She said, do you want some mustard on it?

22:50I see.

22:51All ship shape and, er, Bristol fashion.

22:53Oh, no, no, no.

22:54Oh, no.

22:55Yikes.

22:56I'm so sorry.

22:57Oh.

22:58Oh, no.

22:59Oh, you're not.

23:00Oh, no.

23:01Oh, no.

23:03Oh, no.

23:04Oh, no.

23:06Oh, no, yes.

23:07Oh, no, yes.

23:08Oh, no.

23:09Oh, no.

23:10Oh, no.

23:11Oh, no.

23:12Oh, no, no.

23:13Oh, no.

23:14Oh, no.

23:15Oh, no, no, no.

23:16I see. All ship-shape and, uh, Bristol-fashioned.

23:25Have you come about the radar?

23:27No, about the, uh, the Goyard.

23:30Message to Fortissimo, please.

23:32Dad?

23:33Keep your voice down.

23:38Hey, it's, uh, it's a nice craft.

23:43Yeah, it's very trim.

23:46Sit down, Mr. McGruder.

23:57Did you bring the photo?

24:06It's an incomplete picture.

24:08Yeah, story is it was a dry run for the other version.

24:12Of course, you realise it once stolen, it'll be impossible to sell this to any

24:15reputable dealer in Europe or the USA.

24:18Well, that's why I'm selling it to a disreputable one.

24:20Well, obviously, uh, a dishonest dealer.

24:23But Mr. Goldman!

24:23Stop snowing me.

24:29Name your price, eh?

24:34You name yours.

24:36Well, the gallery, we're talking about half a million.

24:40Pounds?

24:42Not brass washers.

24:43Now, we'll accept, uh, 200,000.

24:48You must be.

24:49I don't haggle.

24:49You're talking as though 200 grand grew on trees.

24:54That's a bit, uh, it's a bit tart for my taste.

24:58Where do you think I'm going to find somebody to, to buy a stolen Goyard?

25:02Ha, ha, ha, ha, ha, ha.

25:04Oh, well, that shouldn't be difficult.

25:06Tell me.

25:07Well, let's start with the A's, shall we?

25:10Uh, uh, Argentina.

25:13Now, he's known in the business as, uh, as Mr. Gloat.

25:15He spends millions on pictures which nobody ever sees.

25:18No, no, no, he's a bit, he's a bit mad.

25:20He's paying you?

25:21I thought so.

25:23Yeah, an air-conditioned bomb-proof seller with wall-to-wall old masters.

25:27The world's greatest rip-off out-collection.

25:32You are well informed.

25:34Hey, Goldie, what big ears I do have.

25:37I can't get the money to you here.

25:40I don't want it here.

25:42I want it in Amsterdam, in Uncut Stones,

25:45and I want two passages for Friday.

25:48You want a lot, Mr. Magruder.

25:51I am offering a lot.

25:55Fire!

25:57It's here.

26:02Hey, can't you read?

26:03We're closed.

26:04Where's your contact lenses, Kath?

26:06Oh, can't be bothering with them.

26:08Who is it?

26:12Am I getting clearer?

26:14Your voice is familiar.

26:15Kath, you don't need lenses.

26:17You need a white stick.

26:18Jack Regan, is it?

26:19Is it?

26:20Of course it is.

26:21How's yourself, Jack?

26:22Full of agro.

26:25What's causing it?

26:26I'm glad you've asked me that.

26:29Two Aussie boys.

26:32We've done all this.

26:34They're back.

26:38They haven't set a foot in here.

26:40They're not likely to, are they?

26:42They'll keep clear of the Aussie circuit.

26:43They're not that stupid.

26:44David, so what's the word?

26:49Well, the only thing I've heard.

26:51Yeah?

26:53And it is hearsay.

26:54What's your language, love?

26:57One of the other girls got a part-time job down the library.

27:00She's seen call down there.

27:02And?

27:02He's cluing himself up on painting.

27:04A house painting?

27:06Interior decorating?

27:07Oh.

27:08Pictures.

27:10Oils.

27:12Watercolours, what have you.

27:13Yeah, that figures.

27:15Last time it was gold.

27:17This time it's art.

27:19They're probably going to knock off the Tate.

27:21Too right.

27:24What are you thinking about?

27:29Leningrad.

27:34322 art galleries.

27:3715 miles of them.

27:40Yep, 3 million works of art.

27:43Don't you need a visa for Russia?

27:46Visa?

27:47Don't bog down with details.

27:49Get the broad skull.

27:51Think big.

27:52Give the cat another goldfish.

27:55Whoa.

27:59What are you doing, Governor?

28:02Food shoe powder.

28:04What for?

28:05He's been at my Scotch again.

28:07I'm going to nail him this time.

28:09Oh, well, thanks for warning us.

28:11Oh, sorry, Josh.

28:11No, I'd love to cop an earful of that, wouldn't I?

28:13I was going to tell you.

28:15Here's that list.

28:16Right.

28:23It's the Tate, Royal Academy, National Gallery, National Portrait Gallery, Queen's Gallery.

28:28Where's that?

28:29Buckingham Palace.

28:30Yeah, it's about their mark, that is.

28:33Yeah, the Wallace Collection, the Courthold Institute, Kenwood House.

28:36There's got to be a bird.

28:38Do what?

28:39A girl.

28:40How'd you know that?

28:42Well, there was last time.

28:43What, and the leopard never changes his wasna?

28:45Yeah, there's got to be a bird.

29:15OK.

29:21Paul.

29:22Ray.

29:24Can I ask a question?

29:25Anything.

29:27Where does all the money go?

29:29I don't honestly know, Ray.

29:30It's like asking where do the flies go in the winter.

29:35Paul.

29:36Ray.

29:37Where do the flies go in the winter?

29:41Home.

29:44Good luck, Skipper.

29:46Toodlepip, old man.

30:07I hope your bus arrives on time. Obviously you won't be back for lunch today.

30:15Ah, in which case I shall need some money. I'll just slip out to the bank.

30:19Take your credit cards.

30:20Oh, yes. Yes. Yes, I can do that, I suppose.

30:24I should hurry up if I will use the Spanish as sticklers for punctuality.

30:28Well, the British aren't.

30:37Well, my dear, wish me luck.

31:01I do, I do.

31:02A fortune and a footnote in the textbooks.

31:05I'll settle for that.

31:08Your bus, Mr Giesler.

31:10PHONE RINGS

31:14PHONE RINGS

31:15Sorry, you've got the wrong number.

31:17Oh.

31:30Upstairs, if I will, sir.

31:32An old drunk's just thrown up inside.

31:34Oh.

31:36Grüß Gotti.

31:37My pleasure.

31:38How tight?

31:39Oh, my dear, Mr. Giesler.

31:40Good morning, Mr. Giesler.

31:41Hey, Mr. Giesler.

31:42Jede Giesler.

31:43Hey, I'll be ready to go out.

31:44Oh.

31:45Hey, I'll be ready to go out.

31:46Oh, yes.

31:47Oh.

31:48Hey, dear.

31:49Oh.

31:50Oh, come on here.

31:52Peace, peace.

32:22Nice and easy does it. Nice and easy does it. All the time.

32:41So etwas gemeines. So etwas ist mir überhaupt noch nie passiert.

32:45Ja, ich komme daher. Ich bin doch, ich bin doch in dem Puckigam-Palast.

32:49Haben Sie schon so etwas gesehen? Ja, wirft mich heraus aus dem Pass. Ich werde mich beschwert.

33:12Targeted.

33:13Haskins.

33:18A Goya painting, yes.

33:21And a what?

33:22A London Transport double-decker bus.

33:25Are you sure?

33:28Yes, well, a bus I can visualise.

33:31Get me a description of the painting.

33:33Subject matter, size, value, etc., right?

33:35Any itches?

33:54Smooth as silk.

33:56That's poetry.

33:57That's poetry.

33:59Is that it?

34:00Yeah, or £200,000 worth of it.

34:03Say, good care of it.

34:04S.S. Malacca.

34:10Sales on a five o'clock tide.

34:13I'll see you in Amsterdam, Mr. Goldman.

34:20You meet a nice set of people in this business.

34:23Yep.

34:24Well, I think we've done a good morning's work, right?

34:26And not even 11.15.

34:28If only we could do a 40-hour week.

34:30Specialisation, that's the name of the game.

34:33Hello, hello.

34:36Hello.

34:42It's them, isn't it?

34:44Yes, go.

34:46Don't have a word.

34:46Do you manage to get a look at them at all, sir?

34:55No.

34:56How much is the painting worth?

34:59A quarter of a million.

35:01Come again, sir.

35:02A quarter of a million.

35:03What size is it?

35:0818 by 25.

35:10Have you got a shop or are you a collector?

35:12A gallery.

35:20All right, take him away.

35:21I'll talk to him later.

35:22You go with him.

35:29Gardner.

35:30All these were left on the bus.

35:32Well, there's nine million of those sold every year.

35:36They cost him with a five-year-sworth of silver.

35:39Slice monkeys.

35:40It's happening again, isn't it?

35:43Is he making a bus?

35:44Yeah, they would.

35:45Would I get anything out of him?

35:52No, not a lot, no.

35:56A girl.

35:57There's got to be a girl in this somewhere.

36:01Well, stay here and see what you're going to find out.

36:03Yeah, if anything.

36:04Then join me at Giesler's, Giesler's Gallery.

36:07Giesler's Gallery, all right.

36:07All right.

36:15Tell you, Arbor Master, we want to pay up and sail as soon as possible.

36:32I'm sorry, sir, the gallery's closed.

36:33Not to me.

36:34It's now Detective Inspector Regan, Flying Squad.

36:39You going somewhere, miss?

36:41To the country.

36:42Long weekend.

36:43Feels low.

36:45May I?

36:52No.

36:54Sorry.

36:57Now, which country are we talking about?

37:03Amsterdam.

37:04Don't you need a warrant?

37:05No, not as you invited me.

37:07I did not ask you in.

37:11How dare you come in here without a warrant?

37:14Cancel it.

37:14Your hire car to the airport.

37:21It broke down.

37:23So where do you meet the boys?

37:25Boys?

37:25I'm sorry, Inspector.

37:27I don't know what you're talking about.

37:28Colin and Ray.

37:29I still don't know.

37:32That tick in the corner of your eye.

37:34I sometimes get that when I'm tired.

37:36I'm more nervous.

37:38Who said anything about being nervous?

37:42Dry.

37:46George?

37:47Did he croak?

37:48Who?

37:49Geissler.

37:50Yeah, not many, before the ambulance arrived.

37:57You mean dead?

37:58That's right, Miss.

37:59They smashed his head in.

38:01Cracked it like an eggshell.

38:04Who's his next of kin?

38:06What?

38:07Next of kin.

38:08Wife.

38:08Kids.

38:09Who do we contact?

38:10It was only supposed to knock him out.

38:11That's all it did do.

38:13Knocked him out permanently.

38:14So now you're an accessory to murder as well.

38:18I'm sorry.

38:19Funny thing.

38:21They're always sorry.

38:22When they're caught.

38:22Oh, yeah.

38:24When?

38:26I'll talk.

38:27Everything I know.

38:29What a performance.

38:31Even I thought Geissler had snuffed it.

38:33I should have been an actor.

38:34Oh, yeah.

38:35Nice and easy does it.

38:45Nice and easy does it.

38:47Nice and easy does it.

38:50All the time.

38:53That lawn, sir, is worth a tidy few thousand pounds to me.

38:57Yeah, well, you get it back.

38:58Are you sure there were ozzers?

39:00Oh, no doubt about it.

39:01Well, Colin Ray, how long ago was this?

39:04Oh, ah.

39:06Ah, and half, not more.

39:08Hey, look at that.

39:09Cockshade's orange pippin'.

39:11Keeps the tobacco sweet, you know.

39:13Which way were they heading?

39:16Containerisation.

39:17It's changing the face of the river.

39:19Which way?

39:21Oh, downriver, I'd say.

39:24Towerbridge.

39:25Get beyond that and it's straight on, innit?

39:26What is?

39:27The open sea.

39:29All I ask is a tall ship and a star to steer her by.

39:34How much fuel have they got?

39:35Ah.

39:37There's the rub.

39:38Look, Mr Greenhead, the longer we stand about nattering, the less chance we've got of catching them.

39:42Or of getting your launch back.

39:44Well, they started off early.

39:45The boys, I mean.

39:47And I've done a couple of jobs since.

39:48One was a wedding up at St Brian's.

39:50How much fuel?

39:52Tower, beer.

39:53Top weight.

39:54Try and make it to St Catherine's Yachthaven.

40:07It's through the bridge on the left.

40:09It should have been fuller.

40:10Don't get it.

40:11Yeah, well, don't worry about that now.

40:14Goldman, you might still be there.

40:17No, here be gone.

40:18Hey, Traders' Yachthaven, what a place to conk out.

40:24Well, we just have to rely on the old Ruger.

40:28And our friends.

40:31After Tower Bridge, most of the warehouses are closed.

40:54For demolition.

40:55Easy place to hide up.

40:57Dead easy.

41:01Round, round, round.

41:19Right.

41:31Next right.

41:47Right, where do you go with George?

41:51Over there!

42:01Well, right.

42:04As they say in England,

42:06looks as how it shanks his pony again.

42:07Ha, ha, ha.

42:08Good boy!

42:34A car!

43:02A car!

43:03Hey!

43:06Go!

43:07Go!

43:13Come on!

43:14Let him have a double bite.

43:25Hey!

43:25No!

43:26No!

43:27No!

43:28No!

43:29No!

43:30No!

43:31No!

43:32Oh, my God.

44:02Ray, Ray, Ray, Ray!

44:04Ray!

44:14Well, we've got two choices, Ray.

44:16Fight it out, or give up.

44:18Right.

44:20Why don't we give up?

44:22Out of jail for 15 years.

44:25You lose your looks, Ray.

44:27Just when we knows us healing up.

44:29Why don't we fight it out?

44:32Come on.

44:42Cool.

44:44Ray.

44:45Maybe they'll give up.

44:47Come on.

45:01Boy!

45:05We're the police!

45:07Come out with your hands on your heads!

45:09Ray.

45:10Ray.

45:12What?

45:14You know something?

45:17They ain't gonna give up.

45:19The Eureka Stockade!

45:20Right.

45:21That's where we get.

45:22Over that wall.

45:23Right.

45:24Use pommy troopers.

45:25Eureka! Stockade! Right. That's where we get. Over that wall.

45:39Right. Use pommy troopers.

45:47He's got a bloody rifle!

45:55He's got a bull.

45:57I didn't know half of my time.

45:59He shot me.

46:01I'm not careful.

46:02Oh my god.

46:04He shot me!

46:05He shot me!

46:08He killed me!

46:10I can't believe that they're going to shoot me!

46:14He ran away!

46:19Oh my God.

46:21Oh my God!

46:24This never happened to Paul Newman.

46:34I heard about a shot across the bowers, but this is ridiculous.

46:38Can you walk?

46:40I was never a great one for walking.

46:54Give me the roo.

47:00I'll keep them covered.

47:02You might make the fence.

47:05Come on, Colin.

47:06I'll load the gun.

47:10It's no time to argue.

47:15We, uh...

47:16We never would have got those visas anyway.

47:22Go on, Perlstritcher.

47:25Get.

47:25I'll see you next time.

47:55Where's the other one?

48:22Cover me, George.

48:25Let's go.

48:55Let's go.

48:56Let's go.

48:58Let's go.

49:02Let's go.

49:03Let's go.

49:05Let's go.

49:06Let's go.

49:08Let's go.

49:09Let's go.

49:10Let's go.

49:11Let's go.

49:12Let's go.

49:13Let's go.

49:14Let's go.

49:15Let's go.

49:16Let's go.

49:17Let's go.

49:18Let's go.

49:19Let's go.

49:20Let's go.

49:21Let's go.

49:22Let's go.

49:23Let's go.

49:24Let's go.

49:25Let's go.

49:26Let's go.

49:27Let's go.

49:28Let's go.

49:29Let's go.

49:30Let's go.

49:31Let's go.

49:32Let's go.

49:33Let's go.

49:34Let's go.

49:35Let's go.

49:36Let's go.

49:37Let's go.

49:38Let's go.

49:39Let's go.

49:40Let's go.

49:41Let's go.

49:42Let's go.

49:43Let's go.

49:44Jack.

49:45The cat's in the bag, Garth.

49:46Both cats, as it happens.

49:47Yeah.

49:48And they picked up Goldman off Sheerness with the painting.

49:50I want an explanation, not an award ceremony.

49:53Explanation?

49:54For this.

49:55Oh, dear.

49:56Oh, dear.

49:57Exactly.

49:58Well, I'm glad someone's amused.

50:01We'll discuss it in the morning.

50:04Hear, hear.

50:06That's going to take him five days since I'm done.

50:10And we'll take him five days to get that off.

50:12It's going to take him five days to get that off.

50:40Transcription by CastingWords

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