🎬 Buster Keaton – Pardon My Berth Marks (1940) | Classic Comedy Short 🎭 - video Dailymotion

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🎬🎭 Enjoy the wit and charm of Buster Keaton in Pardon My Berth Marks (1940), a laugh-filled short film that highlights Keaton’s ability to mix slapstick chaos with clever storytelling. Even in the sound era, Keaton’s comic timing and deadpan style shine through, making this a must-watch comedy classic.  👉 Watch the full Buster Keaton Collection Playlist here: 🔗 https://www.youtube.com/playlist?list=PLYSxyPafGbnSaCgjW1IfpzrT1Bcp7WM0s  ✨ About the Film: Keaton stars as a newspaper reporter who boards a train and stumbles into a series of misunderstandings, mistaken identities, and comic blunders. With fast pacing, witty dialogue, and Keaton’s signature physical humor, Pardon My Berth Marks delivers vintage laughs from start to finish.  💡 Perfect for fans of: ✔️ Slapstick & Classic Humor 🎥 ✔️ Buster Keaton & Silent Era Legends 🎩 ✔️ Vintage Short Films 🌟 ✔️ Golden Age of Hollywood Comedy 😂  📌 Don’t forget to Like 👍 | Comment 💬 | Subscribe 🔔 for more timeless cinema treasures & rare classics. ━━━━━━━━━━━━━━━ #BusterKeaton #PardonMyBerthMarks #ClassicComedy #VintageCinema #ComedyShort #SlapstickComedy #GoldenAgeHollywood #FilmHistory #OldHollywood #PublicDomainFilms ________________________________________

Transcript

00:00The End

00:30Where's that office boy?

00:35Send him up here with my mail.

00:38I don't care for excuses. I want him up here on time after this.

00:49Straighten those up.

00:49The End

00:58City editor's desk.

00:59This is Al Spamoni.

01:01If you print that story about me trying to bribe the district attorney, I'll come over and break your neck.

01:07Well, you can break my neck if you think you're big enough, but I'm running this newspaper and it'll print what I like.

01:11Get me, Brian.

01:22Oh, hello, Ma.

01:28Oh, she does? Well, put her on.

01:31Hello, Carice, baby.

01:33Have you been a nice girl?

01:35Well, tell Papa you love him.

01:36Papa, I love you. Papa, I love you.

01:41And Papa loves you, too.

01:44And you just be a nice little girl.

01:46And when Papa comes home, you'll be...

01:48When Papa comes home, you...

01:50Look at that desk.

02:00I ought to throw you out in your ear.

02:01Clean that mess up.

02:02Come on.

02:19Hello.

02:20Oh, hello, boss.

02:22What?

02:23Yeah.

02:25Yeah.

02:25Ted Chrisman's wife getting a divorce.

02:28Well, I'll take care of it right away.

02:29Excuse me.

02:30Locate Johnson or Smith or any of the other reporters.

02:33Quick.

02:34They're all out on assignments right now, Mr. Parco.

02:36All out on assignments?

02:38Well, locate someone.

02:39I've got to have a reporter.

02:40I'm trying to locate a reporter, boss.

02:42Hey, let me do it.

02:44You promised me ten years ago that you'd give me...

02:46Shut up, you idiot!

02:48No, not you, boss.

02:50No, no, I was talking to another idiot in here.

02:56Yes, sir.

02:57Yes, sir, I'll take care of it right away.

02:59What about that reporter?

03:02There won't be anyone back for three hours, Mr. Parco.

03:04For three hours?

03:05I've got to have one right now.

03:07Oh, what a newspaper office.

03:10Oh.

03:11Honest, Mr. Parco, I'd make a good reporter.

03:14I got a natural nose for news.

03:16That train leaves in 30 minutes.

03:18I've got to get this story covered.

03:20Well, I suppose I'll have to take a chance on you.

03:23Oh, you'll never regret it.

03:25And I'll make you proud of me, too.

03:27Okay.

03:29Listen.

03:29Ted Chrisman's wife's going to Reno to get a divorce.

03:31It's a big story.

03:33I want you to follow her no matter where she goes.

03:35Even to Reno?

03:37Even to Reno.

03:38And cover that story thoroughly.

03:42When you go out, give this to the cashier and get expense money.

03:44Is it all right if I spend 15 cents for an ice cream soda?

03:50Will you get started?

03:51Yeah, I'll...

03:52Come here, Miss Fit.

04:00You better go down to the files and dig up a picture of Mary Chrisman so you'll recognize her.

04:05If I can't find one of Mary Chrisman, will Santa Claus do?

04:09No, no.

04:10Chrisman.

04:11Mary Chrisman.

04:12Mary Chrisman.

04:13Same to you.

04:15Ouch!

04:17Will you get out of here?

04:19Get going!

04:20Look, I'll send you a postal card from all the different cities I visit.

04:28My name is Al Spumoni.

04:30I'm busy now.

04:31Don't bother me.

04:32All right, I'll wait.

04:33Hey, look, I've got our picture.

05:01Now do I...

05:03Oh, hello, Ma.

05:13Oh, you brought Clarice.

05:16She ought to have been awful lonesome without her.

05:18And isn't it marvelous?

05:20I'm now a reporter.

05:21Oh, Elmer, I'm so proud of you.

05:27Hurry, Auntie, come on.

05:29Mary, don't you think that you should reconsider this thing?

05:31Now, please, I know what I'm doing.

05:34What would I do with my ticket?

05:35I'm sure I don't know.

05:37Well, look for it.

05:38Hurry.

05:39I can't be parked here.

05:40Bye, Ma.

05:41Look for it.

05:42I, uh, hurry.

05:43I thought you...

05:43You must have misled.

05:45You must have put me in the suitcase.

05:46See you.

05:47Haven't you got it?

05:48No.

05:49No.

05:50No.

05:51No.

05:52No.

05:53No.

05:54No.

05:55No.

05:55I hope I don't miss that Reno train.

06:09Reno?

06:09That's my train, too.

06:11Hurry.

06:11Hurry, will you please?

06:13Hurry, dear.

06:14Please, hurry.

06:16Did you find your ticket?

06:17Oh, my ticket.

06:18My ticket.

06:19Oh, dear.

06:24Oh, my ticket.

06:25I found it.

06:25Oh, good.

06:27Goodbye, Auntie, dear.

06:28Goodbye, darling.

06:29Say, we'll have to hurry.

06:30Oh, yeah.

06:31Oh, my bag.

06:32Yeah, there it is.

06:34Hurry.

06:39Ah!

06:46I wonder what track we leave on.

06:49Let's see.

06:55Oh, look what you've done.

07:00Hello, Freddie.

07:01Where are you?

07:02Hi.

07:02Oh, and you know how it is.

07:03You get tied up in traffic.

07:04We've been waiting for a girl.

07:06Hey, no, you don't.

07:07Come on, honey.

07:09Bye.

07:10Bye.

07:11Bye.

07:12Bye.

07:16Oh, boy.

07:18We were lucky to make it.

07:39You know what?

07:43Your space, please.

07:45Right down here, ma'am.

07:46Yes, ma'am.

07:50This way, folks.

07:56Where do I go?

07:57You go to the upper four

07:59if you're sitting out to believe

08:01what that ticket says.

08:04Excuse me, miss.

08:11We're not married.

08:12No?

08:13Then I suppose that rice is for a rice pudding.

08:24What's the matter?

08:25A beast on me.

08:26Hello, Tony.

08:46This is Ted Christman.

08:48Listen to this note that Mary left me.

08:49Dear Ted,

08:51I only found out today

08:52that you're a racketeer,

08:53not a society man,

08:54as you pretended.

08:55I'm on my way to Reno

08:56to divorce you.

08:57You're a brokenhearted Mary.

08:59I'd like to find out

08:59the mug that told her.

09:01Now, listen, Tony.

09:02Here's what I want you to do.

09:03I want you to get me

09:04a reservation on a plane.

09:06I'm going to catch up

09:06with that train

09:07and I'm going to talk

09:07some sense into her.

09:08I'm going to catch up

09:21and I'm going to catch up

09:22and I'm going to catch up

09:23and I'm going to catch up

09:24and I'm going to catch up

09:25and I'm going to catch up

09:26and I'm going to catch up

09:27and I'm going to catch up

09:28and I'm going to catch up

09:29and I'm going to catch up

09:30and I'm going to catch up

09:31and I'm going to catch up

09:32and I'm going to catch up

09:33and I'm going to catch up

09:34and I'm going to catch up

09:35and I'm going to catch up

09:36and I'm going to catch up

09:37Quiet! Quiet! I want to see!

10:07Tick! Tick! Tick! Tick!

10:37Hey!

10:59Say, I'm sorry. I was just trying to get my shoe.

11:02Oh, the newlywed.

11:04Well, I guess I can forgive you.

11:07Thanks.

11:16Good night.

11:17Good night.

11:23Good night.

11:25Good night.

11:26Good night!

11:27And I do mean good night!

11:29Good night!

11:30Good night!

11:31Good night.

11:32Good night.

11:33Good night.

11:34Good night.

11:35Good night.

11:36Good night.

11:37Good night.

11:38Good night.

11:39Good night.

11:40Good night.

11:41Good night.

11:42Good night.

11:43Good night.

11:44Good night.

11:45Good night.

11:46Good night.

11:47Good night.

11:48Good night.

11:49Good night.

11:50Good night.

11:51Good night.

11:52Good night.

11:53Good night.

11:54Good night.

11:55Good night.

11:56Now I remember you.

12:03Merry Christmas.

12:04And Happy New Year.

12:17What are you trying to do?

12:19Wreck this train?

12:20I'm trying to get in my berth.

12:22Well, why don't you try getting in without chilling yourself on the bell cord?

12:25Will you give me a hand?

12:27Oh, all right.

12:42Want the man to put you in the baggage car?

14:00There's no reason you have to bite my foot.

14:03There's no reason you have to bite my foot.

14:05There's no reason you have to bite my foot.

14:09There's no reason you have to bite my foot.

14:17There's no reason you have to bite my foot.

14:19There's no reason you have to bite my foot.

14:23Oh, Clarice, you bad girl.

14:30Come back up here.

14:34Get him out of here.

14:36Get that bird out of here.

14:38Come on, back up with me.

14:40Ouch, you bad girl.

14:42If you bite me again, I'm going to smack you down.

14:54Hey, what's all the excitement?

14:56Just newlyweds.

14:57Sounds to me like he's beating her.

15:07My wife.

15:08My husband.

15:09My goodness.

15:11Oh, you must have coming down.

15:13Oh, I did it.

15:14Oh, bitch, I'm trying to come out of my car.

15:17Oh, no, he's a dog.

15:17What is it?

15:18Oh, no, no, no, no, no, no, no.

15:48I'm sorry, mister, but a man was chasing me, and you're the guy.

15:52Hey, come back here, you wife's dinner.

15:55Come here, you coward.

15:56You can't do that.

15:57I'm this kind of a train.

15:59Quick, hide.

16:00He's notorious gangster.

16:01He'll kill you.

16:04Hide, hide, hide.

16:06Hey, up there.

16:16Miss, get out of my way.

16:17Oh, I'm sorry.

16:19Excuse me.

16:21That's all right.

16:22Don't report it to the company.

16:24Everything's all right.

16:25Keep quiet now.

16:26Where is that wife, Steedle?

16:27Where is he?

16:29Who's up there?

16:30Nobody.

16:31His pet parrot.

16:32Huh?

16:33Huh?

16:34Pretty ball.

16:35Pretty ball.

16:35All I want's a cracker.

16:36Huh?

16:37Huh?

16:38Pretty ball.

16:39Ah!

16:39Pretty ball.

16:40All I want's a cracker.

16:41Well.

16:43Creepers, creepers.

16:44What a night.

16:45Oh!

16:46Oh!

16:47Hey, up.

16:48Hey, up.

16:49Oh!

16:51Huh?

16:51Hey, up.

16:52Huh?

16:54Huh?

16:55Oh.

16:56Huh?

16:57Ah!

17:01Oh!

17:02What is it?

17:03Hey, up.

17:04Hey, up!

17:05Hey, up, you're out of your neck!

17:07Oh, good.

17:07Hey, up.

17:08Oh, come on!

17:09Oh, come on!

17:09Hey!

17:10Hey, up!

17:10Hey!

17:11Hey, up.

17:12Hey, up, you're out of your neck!

17:14Hey, let me out of here.

17:19Hey, take that rope off of me.

17:21Hey, you, take that rope off of me.

17:23Hey, I'll kill you.

17:25Hey.

17:28Do let me out of here.

17:39That's a great story, my boy.

17:41From now on, you're a full-fledged reporter.

17:43Do you mean it?

17:44Certainly.

17:45Oh, won't Ma and Clarice be happy?

17:48Gee, I gotta go right home and tell him.

17:49Okay.

17:50I'll see you later.

17:50Ha, ha.

17:56Ha, ha.

17:57Ha, ha.

18:02The End

🎬 Buster Keaton – Pardon My Berth Marks (1940) | Classic Comedy Short 🎭

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