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  • 3 months ago
Frontier Justice (1935) is a classic Western tale of courage, revenge, and honor. When a fearless cowboy seeks to avenge his father’s death, he faces ruthless outlaws, corrupt officials, and the untamed lawlessness of the Old West. Packed with gunfights, suspense, and timeless cowboy action, this vintage film delivers the spirit of justice on the frontier.

Enjoy this remastered public domain classic that brings back the golden era of Western cinema.
Transcript
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00:00:27The End
00:00:57The End
00:01:27The End
00:01:57Well, is Williams going to make a present to the Phantom?
00:02:01Can't prove it by me.
00:02:02Bet you, even though, he gets you before you get to Red Rock.
00:02:05Make it prior to one, he might pick you up.
00:02:06All right.
00:02:07No, I said I might.
00:02:09That way, man.
00:02:10This is one time this gold has gone through.
00:02:22Now, you boys keep your eyes open.
00:02:24Ride ahead and make sure there's nobody in the pass.
00:02:26Don't worry.
00:02:27If that Phantom starts anything, we'll blow him to pieces.
00:02:30All right, boys.
00:02:31Go get your horses.
00:02:31Who is this Phantom they're talking about?
00:02:37Nobody knows.
00:02:39I'm nervous.
00:02:40I don't want to lose what little money I've got.
00:02:43You won't.
00:02:44The Phantom is too smart to try to fight these armed guards.
00:02:46I hope so.
00:02:48No excuses this time.
00:02:49I'm giving you plenty of help.
00:02:51Don't worry.
00:02:52I'll have my finger on the trigger all the way through.
00:02:55Are you ready?
00:02:56Ready to go.
00:02:57All right, get going.
00:02:58Good luck.
00:02:59Get out, boys.
00:03:00Get out of that.
00:03:00Get out of that.
00:03:01Get out of that.
00:03:01Get out of that.
00:03:17Get out of that.
00:03:17Get out of that.
00:03:17Get out of that.
00:03:19Get out of that.
00:03:21Come on, then.
00:03:22Get out of that.
00:03:27Here they come.
00:03:35You all know what to do now.
00:03:37Remember, no killing.
00:03:39I want you to fire over their heads.
00:03:57Is there anything wrong?
00:04:10Take it easy, lady.
00:04:11Nothing to worry about.
00:04:27Hey, there they are.
00:04:57That rifle gets pretty heavy after a while.
00:05:11You better toss it away and put your hands up.
00:05:18Come on, that out.
00:05:27Now, if it's not too much trouble, you can hand me that box the bank is shipping.
00:05:33Come on, hurry it up.
00:05:42Frank.
00:05:47Oh.
00:05:49When you get back to town, would you mind giving this note to Mr. Williams?
00:05:53With my compliments?
00:05:57I'm sorry to inconvenience you, ma'am.
00:06:27I'd be very careful with that first, ma'am.
00:06:38You know all bandits don't ride horses.
00:06:44The stage is leaving in a minute, so you better get in.
00:06:50Where are your manners?
00:06:53Allow me.
00:06:54Well, you can get back to town now.
00:07:10Wait a minute.
00:07:17What are you trying to do?
00:07:18Choke this horse to death?
00:07:19You know that hems up off the collar?
00:07:28That's better.
00:07:29Get up.
00:07:30Get up.
00:07:30Get up.
00:07:31Get up.
00:07:31What's the matter, James?
00:07:47What's the matter?
00:07:50What happened?
00:07:51What happened?
00:07:52What happened?
00:07:53What happened?
00:07:54What's the truck say?
00:07:56The Phantom got us again.
00:07:57What?
00:07:58We didn't have a chance.
00:07:59He detoured the guards and struck us up.
00:08:01Can you give me this for you?
00:08:24Where's Pendleton? I've got to see him right away.
00:08:26There he is now.
00:08:29What's all the excitement about?
00:08:31See you, Pendleton. I won't stand for any more of this.
00:08:34Any more of what?
00:08:35Why, the...
00:08:36The Phantom just robbed me of $25,000.
00:08:38Where did he stop you this time?
00:08:40Just as we reached the top of the pass.
00:08:42Now, if you don't stop this fellow once and for all, Pendleton,
00:08:44we're going to get a sheriff that will.
00:08:46Well, he didn't leave me his address.
00:08:48And I don't know just what Mountain Cop he's sitting on.
00:08:50But I'll get a part day together and go out after him.
00:08:53About time.
00:08:54About time.
00:08:55About time.
00:08:59We're going after the Phantom.
00:09:01Get your horse.
00:09:04Hey, Max!
00:09:05Never mind that cave.
00:09:06We're going after the Phantom.
00:09:07Okay.
00:09:10Hey, Abner.
00:09:11Get your gun.
00:09:12The stage has been held up again.
00:09:13Oh, right.
00:09:14Yeah, ma'am, now.
00:09:39I'm going after the Phantom.
00:09:40Let's go.
00:09:41It must have taken them quite a while to open this thing.
00:09:55There's plenty of cracks here.
00:09:59Jake and Dave, follow the single crack.
00:10:01The rest of you, follow them others.
00:10:02All right.
00:10:11All right.
00:10:41Looks like he's headed for the hollow.
00:10:47But we can head him off by cutting through Lost Canyon.
00:11:11Stop.
00:11:13Stop.
00:11:16Stop.
00:11:17Stop.
00:11:19Stop.
00:11:19Stop.
00:11:21Stop.
00:11:25iãosei speedy.
00:11:27Let's go.
00:11:57He must have been hit.
00:12:06Come on.
00:12:27Blood.
00:12:57Come on.
00:13:27What's the matter, Dad?
00:13:42I had a brush with William's men.
00:13:57I had a brush with him.
00:14:19Son, you'd better get out of here.
00:14:35We'll both go.
00:14:37I'll help you.
00:14:39This, Brad, is through riding.
00:14:43If we're going to be here, I wouldn't want you to leave.
00:14:49You mean you're going to...
00:14:54Well, we've all got to go sometime.
00:14:56You're a man now, son.
00:15:03From now on, you've got to stand on your own feet.
00:15:10I didn't have a chance to throw him off the trail.
00:15:12I wish we'd look out and see if someone's coming.
00:15:16I didn't have a chance to throw him off the trail.
00:15:26I wish we'd look out and see if someone's coming.
00:15:30I wish we'd look out and see if we'd look out and see if we'd look out.
00:15:58Don't do that.
00:16:02They're too young to fight men like Williams.
00:16:05It's no use.
00:16:11Open that door so they won't start shooting.
00:16:15You leave him alone.
00:16:32Slim Braddock.
00:16:37Hello, Pat.
00:16:38Did Williams know that you were the one that's been raiding him?
00:16:50If he didn't, you wouldn't be here.
00:16:54Slim, if I'd known that you were the Phantom, I wouldn't have been within miles of this place.
00:16:59Oh, I tried to fight him in court.
00:17:02It was no use.
00:17:04He had too much money.
00:17:06Too many crooked lawyers.
00:17:08I know that Williams cheated you.
00:17:10Yes, but I could never prove it.
00:17:12The old-timers are all for you, Slim.
00:17:15They know you've got an ordeal.
00:17:18Did it hurt much, Slim?
00:17:21I can, William.
00:17:22If I were doing a favor, tell Williams that there will be another Braddock to find you.
00:17:40Looks like the town is deserted.
00:18:01Where is everybody, partner?
00:18:02South courthouse listening to the trial.
00:18:05What trial?
00:18:06The one between Williams and Brennan.
00:18:10Thanks.
00:18:40Bill was with Jepson.
00:18:46The bank had nothing to do with it.
00:18:48I know all about that.
00:18:50Do you?
00:18:50A few days after we defaulted, why, the bank closed down on it.
00:18:54Jepson had sold them the claim he had against us.
00:18:57They took possession and wouldn't let any more work be done.
00:19:00The bank was nearly protecting itself, Your Honor.
00:19:02They stopped us from getting out of any ore.
00:19:05Without ore, how could we meet the nose?
00:19:07You are here to answer questions, Brennan.
00:19:10Not ask them.
00:19:11How did they take possession?
00:19:13By putting armed guards all over the place.
00:19:16I guess I ain't cut out to fight the law.
00:19:18But if I was 25 years younger and hurting with my old pal, Slim Braddock, he'd know what to do.
00:19:25He had his own way of handling things.
00:19:27And I don't know but what is best.
00:19:29I object to that remark, Your Honor.
00:19:31The witness is trying to discredit the motives of my client.
00:19:35Objection sustained.
00:19:37I can't order the law on your behalf.
00:19:41Didn't you tell me you expected some money?
00:19:43I object.
00:19:45Your only interest is to collect the amount of this judgment for your client, is it not?
00:19:52Yet or no?
00:19:53I... yes, of course.
00:19:54That's what I want to know.
00:19:56Objection overruled.
00:19:57What about that money?
00:19:59It'll be in on the next stage from Vegas.
00:20:02Enough coming to pay the bank?
00:20:03Yes.
00:20:04Will 24-hour extension be long enough?
00:20:06Plenty.
00:20:0724-hour extension granted.
00:20:09But Your Honor, I object.
00:20:11Objection overruled.
00:20:14Court adjourned.
00:20:27Good night.
00:20:53Good night.
00:20:54Yes.
00:20:55Put him up, partner.
00:21:13Hand me that package, Mark Pete Brennan.
00:21:19Hurry it up.
00:21:25Now get going and don't look back.
00:21:55Don't try anything like that.
00:22:13Now, if it isn't too much trouble, I'll take that package.
00:22:28I said the package.
00:22:42Thanks, boys.
00:22:43Good boy.
00:23:13The only thing they touched was the package for Pete.
00:23:18Don't you think that proves that someone is trying to injure my father, Mr. Williams?
00:23:23No.
00:23:24There might not have been anything else of value on the stage.
00:23:2820.
00:23:29Money.
00:23:30Take one for the sick, friends.
00:23:31Father.
00:23:32The only thing they touched was the package for Pete.
00:23:34Don't you think that proves that someone is trying to injure my father, Mr. Williams?
00:23:38No, there might not have been anything else of value on the stage.
00:24:02What's all the excitement about?
00:24:04Stage held up.
00:24:05Stage held up?
00:24:07They don't say.
00:24:08Do they know who did it?
00:24:09No, the driver says it was four men stuck him up.
00:24:25Aren't you ever going to use your brain?
00:24:27But he's got the money.
00:24:28And you were going to shoot him down right here in town.
00:24:30Put that gun away.
00:24:32The brethren's place a couple miles out of town.
00:24:37You take the first turn to your left.
00:24:40Thanks.
00:24:41Thanks.
00:24:59Hey, Bill.
00:25:00What'd that fellow want you were talking to?
00:25:01Looking for Brennan.
00:25:02You hear about the holdup?
00:25:04Oh, yeah.
00:25:05Yeah.
00:25:06Tough break for Pete.
00:25:07Sure is.
00:25:08Well, so long.
00:25:11We've got his time before he gets to Brennan.
00:25:13I've got to see William.
00:25:19But the sheriff will get him, then everything will be all right.
00:25:25Bring in the rest of the stuff so we can check it out.
00:25:54Thank you very much.
00:27:13Something you want in there?
00:27:16The faster you get your hands in the air, the longer you're going to live.
00:27:22Turn around.
00:27:23Let's get a look at you.
00:27:28Well, what do you got to say for yourself?
00:27:29Well, I...
00:27:31I was just shooting at a deer.
00:27:34Must be a trained one if you expect to find him in that saddlebag.
00:27:38Say, listen.
00:27:39My boss is a right reasonable sort of fellow.
00:27:41Maybe you can make a deal with him.
00:27:43Well, I'm a right unreasonable sort of fellow.
00:27:46And I don't make deals.
00:27:49You mean there's no chance of us getting together?
00:27:52Not a chance.
00:27:53But I can't see there's much either one of us can do about it.
00:27:55So...
00:27:56You better get going.
00:27:58Just a minute.
00:28:09You won't need these.
00:28:10The deer season is closed.
00:28:12You're Miss Brennan, aren't you?
00:28:13Why, yes, but I...
00:28:14Don't you remember me?
00:28:15I'm the man who bumped into you yesterday.
00:28:16In the courthouse.
00:28:17Oh, yes.
00:28:18You're the man who said he just drifted into town.
00:28:19That's right.
00:28:20Drifting out again?
00:28:21Well, as a matter of fact, I was on my way to see your father.
00:28:22I'm the man who bumped into you yesterday.
00:28:23In the courthouse.
00:28:24Oh, yes.
00:28:25The other man who said he just drifted into town.
00:28:26That's right.
00:28:27Drifting out again?
00:28:28Well, as a matter of fact, I was on my way to see your father.
00:28:29Do you mind if I ride along?
00:28:30Well, I...
00:28:31Thanks.
00:28:32Dad.
00:28:33Someone here to see you.
00:28:34Oh, yes.
00:28:35You're Miss Brennan, aren't you?
00:28:36Why, yes, but I...
00:28:37Don't you remember me?
00:28:38I'm the man who bumped into you yesterday.
00:28:40In the courthouse.
00:28:41Oh, yes.
00:28:42You're the man who said he just drifted into town.
00:28:45That's right.
00:28:46Drifting out again?
00:28:47Well, as a matter of fact, I was on my way to see your father.
00:28:50You mind if I ride along?
00:28:52Well, I...
00:28:53Thanks.
00:28:57Dad.
00:28:58Someone here to see you.
00:29:03Pete Brennan?
00:29:04Yes, I'm Pete Brennan.
00:29:06Ever know a man named Braddock?
00:29:13Slim's eyes.
00:29:15And that's his nose.
00:29:17Tim Braddock.
00:29:18Boy, you look just like your father did when he was a young man.
00:29:23If I'd known you were a Braddock, I never would have brought you here.
00:29:26Why, Helen, Tim's only...
00:29:27We're in trouble enough without having one of the Braddocks here.
00:29:30I wish you'd stayed away.
00:29:32His father got you into trouble years ago.
00:29:34And now he's here to do the same thing all over again.
00:29:36Now, honey, there's nothing to worry about.
00:29:38Oh, yes, there is.
00:29:39The money you expected is gone.
00:29:41The stage was held up.
00:29:42Now you won't be able to pay the bank.
00:29:44Held up?
00:29:45Yes.
00:29:46That's one of the reasons I'm here.
00:29:48I drifted into town yesterday and stopped in at the courthouse.
00:29:51I heard you tell the judge you were expecting money on the next stage, so I...
00:29:55So, you're the man who held up the stage.
00:29:58No.
00:29:59I'm the man who held up the men who held up the stage.
00:30:02Here you are, Pete.
00:30:04Well, you're Slim's son all right.
00:30:07You've got a way of fighting for what you think is right.
00:30:10Of course, you'll never stop to think that we might have such a thing as law.
00:30:13I've always found the law never works for the little fellow.
00:30:16So, you take the law in your own hands.
00:30:18Well, I think...
00:30:19If you were really thinking, you wouldn't be doing so much talking,
00:30:22and maybe a couple of hungry men would get something to eat.
00:30:28Still has the same temper she had when she was a little, prickle-faced kid.
00:30:31I hate the name of Braddock.
00:30:33I knew a time when you didn't.
00:30:35When?
00:30:36The day you promised to marry me.
00:30:38I promised to marry you?
00:30:41I suppose you don't remember kissing me and telling me you'd love me forever.
00:30:45Oh, I was eight years old then. That doesn't count.
00:30:47A promise is a promise, isn't it, Pete?
00:30:50It seems it should hold.
00:30:52Well, a woman always has the right to change her mind.
00:31:17Is Mr. Williams in?
00:31:32Yes. Who will I say is here to see him?
00:31:35Never mind.
00:31:47How many times must I tell you I don't want to be disturbed?
00:31:51Get out.
00:31:52If it's not too much trouble, you can give me a receipt for this.
00:32:05Braddock.
00:32:06Slim Braddock.
00:32:08I've heard a lot of talk about reincarnation, but it hasn't happened yet.
00:32:14I'm Tim Braddock. Slim's son.
00:32:19Now, if you'll reach for a pen instead of that gun, you'll hunger.
00:32:24My money.
00:32:30Where did you get this?
00:32:31Don't you know?
00:32:34This is outrageous.
00:32:35You'll find there's a law in this country.
00:32:38Just now I happen to be that law in what I say goes.
00:32:41You stole this money.
00:32:44Of course I stole it.
00:32:45You're not going to say anything about it.
00:32:48This is one of the most crooked deals there was ever attempted.
00:32:50Certainly it's a crooked deal.
00:32:52Because you made it a crooked business.
00:32:54Brennan doesn't know how to keep step with you.
00:32:56But I do.
00:32:57You think you can take the law in your own hands?
00:33:00That's what your father thought.
00:33:01But I fought him and I licked him.
00:33:03And I'll do the same to you.
00:33:05Of course we settle our personal differences another day and another place.
00:33:09Just now. Come on. Give me that receipt.
00:33:26I'll fight you till one of us go under if it takes my last cent.
00:33:31And that's just about what it'll take.
00:33:56I wonder what he's doing in the back.
00:34:02What are you talking about?
00:34:03That fellow that just came out of the bank.
00:34:04See him down there?
00:34:09Who is he?
00:34:10He's the bird that got Brennan's money.
00:34:12Are you sure?
00:34:15Come on.
00:34:16Uh, who was the man that just left here?
00:34:25I don't know, Mr. Jepson.
00:34:26He was talking to Mr. Williams.
00:34:29Williams in his office?
00:34:30Yes.
00:34:38Oh, Jepson.
00:34:39Hi, Williams.
00:34:40Clayton tells me the man that held him up just left here.
00:34:42Yeah, his name is Braddock.
00:34:44He paid Brennan's note.
00:34:46Hmm.
00:34:47That's bad.
00:34:48Why?
00:34:49We finished the fellow looking on quite a lot of land.
00:34:52You're under your southern boundary, haven't you?
00:34:54Yes, but I wasn't figuring on including that in the same...
00:34:57Why not, Dad?
00:34:58Well, I kind of thought I'd like to keep it to have something to fall back on.
00:35:02Dad, sell it all, please.
00:35:04Oh, sorry, Pete.
00:35:05I didn't know you were busy.
00:35:06Don't go, Tim.
00:35:07Come on in.
00:35:08Meet Jack Stanley and Carol Jepson.
00:35:09Tim Braddock.
00:35:10How do you do?
00:35:11How are you, sir?
00:35:12Getting ready to get back into Harlem?
00:35:13Dad's work again.
00:35:14He's going to sell them on.
00:35:15He wants to buy me out.
00:35:16I didn't know you thought of selling.
00:35:17When did you show him the mine?
00:35:18I didn't.
00:35:19I didn't.
00:35:20malignant sight unseen?
00:35:21Well, I, uhh...
00:35:23He's already examined them.
00:35:24When?
00:35:25Williams took him the mine.
00:35:26No.
00:35:27We have legs control by the gun.
00:35:44Sorry.
00:35:47Right.
00:35:48Who looks like that shoot?
00:35:49Williams took him through the mine a week ago.
00:35:51Williams?
00:35:51Yes.
00:35:54Do you mind if I speak to Pete privately a minute?
00:35:56Not at all.
00:36:07Who's Stanley?
00:36:08Today's the first time I ever saw him.
00:36:10Was anyone watching Williams while he was going through the mine?
00:36:13What are you driving at?
00:36:14Suppose he's discovered something you don't know anything about
00:36:16and sent Stanley out here to buy it.
00:36:17I don't think that's any concern of yours.
00:36:19Have you forgotten what you were told about thinking?
00:36:22Do you really want to sell?
00:36:23Certainly he does.
00:36:24A little girl who could be seen and not heard.
00:36:27Don't listen to him, Dad.
00:36:28He'll only get you into trouble.
00:36:29I wonder if Williams is behind this offer.
00:36:31Either Williams or somebody pretty close to him.
00:36:41Sorry, Stanley.
00:36:43The sale is off.
00:36:45If the price isn't right, maybe I can raise it a little.
00:36:47Nope, not interested.
00:36:49Well, I'll be in town for a few days in case you change your mind.
00:36:55I got some bad news, Pete.
00:36:57I'm in a new tunnel.
00:36:58What's damage done?
00:36:59I didn't stop to investigate.
00:37:01Thought you'd want to look at it.
00:37:02Cal, you want to ride out with us?
00:37:03No, I don't think I'd better.
00:37:05I've got an important engagement in town.
00:37:07Come on, then.
00:37:08What's going on, do you tudo being bad?
00:37:11I don't know.
00:37:24No, you can't.
00:37:25I don't know.
00:37:55This wasn't any accident.
00:37:59These uprights have all been cut.
00:38:05Dunn nearly caught me.
00:38:07I fired a couple of shots.
00:38:09I told him I saw somebody running away.
00:38:11You're sure he didn't suspect anything?
00:38:13Not a chance.
00:38:15Now the first thing to do is reinforce this shoring.
00:38:18Get this mess cleared out here and then we'll see what's going on.
00:38:20All right, Tim. I'll get the boys on it right away.
00:38:25There'll be a fellow named Bailey out here to see you tomorrow.
00:38:44He's a queer duck, but he knows his business.
00:38:47Let him look the place over.
00:38:48How will I know him?
00:38:50He'll ask for you.
00:38:51He'll ask for you.
00:39:21Hey, guard!
00:39:24Looking for a dumb one?
00:39:26It's about time this shows.
00:39:28No wonder they want this dump blowed up.
00:39:30I don't think you know it's a...
00:39:31That's the trouble with fellows like you.
00:39:32You don't think.
00:39:33You're satisfied to be dumb guards.
00:39:35They make four bucks a day.
00:39:36Why don't you use your head for something else besides parking your ears?
00:39:39Now take me.
00:39:40I use my noodle.
00:39:42Oh, you do, do you?
00:39:43You said it.
00:39:43I got my start from old man.
00:39:45He was a powder monkey, but he didn't use his noodle.
00:39:48And he didn't last long.
00:39:50One day he's working with powder all around him.
00:39:53And what do you think he does?
00:39:55What?
00:39:56Lights his pipe.
00:39:57That part was okay.
00:39:59But then he throws the burning match into a pile of giant black.
00:40:02And...
00:40:03He disappeared.
00:40:05In a puff of smoke.
00:40:06But that gives me an idea.
00:40:08Oh, it does.
00:40:09Sure.
00:40:10Even then, I was using the noodle.
00:40:11I figured if powder can do that to a man,
00:40:14it can do it to buildings, ships, mines,
00:40:16anything at all you wanted to get rid of.
00:40:19Well, that was using your noodle.
00:40:21You're telling me, brother?
00:40:23But I gotta be careful.
00:40:25I got a reputation.
00:40:27Me work is known.
00:40:29What do you think would happen if I was seen around here
00:40:31just before this joint went bluey?
00:40:32I haven't any idea.
00:40:34The decks would put two and two together.
00:40:36And the answer wouldn't be four.
00:40:39It'd be Bailey.
00:40:40And Bailey is me.
00:40:46You know what time it is?
00:40:48About ten o'clock.
00:40:50Ten to ten.
00:40:51And you were supposed to meet me here at eight.
00:40:53I figured this job to go up at twelve.
00:40:56But we'll never make it now.
00:40:58Hold that.
00:41:01I'll set up a tree.
00:41:03That'll be about right.
00:41:06I'm sorry, Bailey, but...
00:41:07all that kid in the mine, get it over with.
00:41:09Wait a minute.
00:41:10Don't rush me.
00:41:11Because when I'm rushed,
00:41:12my work becomes faulty.
00:41:15Wait.
00:41:16The box.
00:41:20Wait a minute.
00:41:22I suppose you think blowing up a mine's like lighting a match.
00:41:25Don't you notice a technique in this business?
00:41:28It's something you've got to devote your whole life to.
00:41:30Well, I didn't realize there was so much to blowing up anything.
00:41:33You wouldn't.
00:41:34I suppose if you were going to do the job,
00:41:36you'd hop right down into the mine,
00:41:37spread the stuff anyplace at all,
00:41:39and start running.
00:41:40Well, that's the only thing to do, isn't it?
00:41:42Listen.
00:41:44An expert looks the surface over first.
00:41:46Then he's got to find out which way the wind is blowing.
00:41:50For instance.
00:41:56See?
00:41:57It's coming in from over there.
00:41:59You've got to follow the direction of the wind.
00:42:01Come on.
00:42:02Come on.
00:42:02Come on.
00:42:12The draft turns at this corner.
00:42:16That's the first place you've got to block up
00:42:18if you want to get a double-jolt out of your stuff.
00:42:20Everything has got to be set on time.
00:42:22Just right.
00:42:26Look at the kind of equipment they give me.
00:42:28A kitchen clock.
00:42:29And I ask for a perfect timepiece.
00:42:32That means I've got to set this thing.
00:42:35Hold the box.
00:42:39Four hours ahead ought to get it.
00:42:42They make these cheap things
00:42:43to kid us into thinking
00:42:43we're getting more shut-eye in the morning.
00:42:45But they don't realize
00:42:46how tough they're making it for fellas like me.
00:42:49It's all right now, isn't it?
00:42:50Sure.
00:42:51You've just got to use the old noodle.
00:42:54Come on.
00:42:54Let's look the rest of this joint over
00:42:56so I can figure out where to put the stuff
00:42:58so it'll do the most good.
00:42:59The box.
00:43:00No use wasting anything.
00:43:02Nothing like being an iconoclapal.
00:43:03Nothing like being up to me.
00:43:05Science advances.
00:43:07And you've got to advance right along with it.
00:43:09That's why they're always sending for me, Bailey.
00:43:11I'm right up to that minute.
00:43:13You certainly are.
00:43:14Come on.
00:43:20Well, it's work.
00:43:25Wait a minute.
00:43:27Let's take a look at that room.
00:43:29That might be...
00:43:30That's an idea.
00:43:33Come on.
00:43:34What's in there?
00:43:43You, all of it.
00:43:47Your timing's all wrong, Bailey.
00:43:52What are you frisking me for?
00:43:54I'm not a gunman.
00:43:55Powder's my specialty.
00:43:56Who hired you to blow this place up?
00:43:58Where would I be
00:43:59if I was to give away the secrets of my trade?
00:44:02I know where you'll be if you don't.
00:44:04It's against my ethics to talk.
00:44:06Well, maybe you'll change your ethics
00:44:07after you've been left in here for a couple of days.
00:44:10Sit down over there.
00:44:12What are you going to do?
00:44:13Now, don't rush me.
00:44:15Because when you rush me,
00:44:16me work becomes faulty.
00:44:17Hey!
00:44:46You ain't going to leave me here in the dark.
00:44:50What, are you afraid of the dark?
00:44:53Yes.
00:44:56Well, in that case, I'll leave you at light.
00:45:09So you're a dynamiter, eh?
00:45:16Well, it's about time you showed up.
00:45:42And who are you?
00:45:43Who am I?
00:45:45You mean to say you don't know me?
00:45:46I never saw you before.
00:45:48Well, I'm known from one end of this country to the other.
00:45:51And you don't know me.
00:45:52I got a reputation I have,
00:45:53and you keep me waiting two hours.
00:45:56Say, no wonder they want this joint blown up.
00:45:59You know what time it is?
00:46:00No.
00:46:02It's ten o'clock,
00:46:03and you're supposed to meet me at eight.
00:46:05What do you think would happen
00:46:06if people saw me around you
00:46:07before this joint went bluey?
00:46:09I don't know.
00:46:10The Dixots put two and two together,
00:46:12and the answer wouldn't be four.
00:46:13It'd be Bailey,
00:46:14and Bailey is me.
00:46:15I got to be careful.
00:46:17Have you finished the job yet?
00:46:19Have I finished the job?
00:46:21I haven't even...
00:46:22There you go again.
00:46:23There's a technique to this business,
00:46:25and if you rush me,
00:46:26my work becomes faulty.
00:46:28That's what happened to me old man.
00:46:29You know, he was a powder monkey,
00:46:31and one day he's working on a job
00:46:32with a lot of high explosives,
00:46:33and what do you think he does?
00:46:35What?
00:46:36He lights his pipe.
00:46:38But that's all right.
00:46:39If he hadn't thrown the match
00:46:40into a keg of giant black.
00:46:42And quicker than that,
00:46:43he's gone.
00:46:46That's what gives me an idea.
00:46:47I said to myself,
00:46:48if powder can do that to a man,
00:46:50why can't it do the same thing
00:46:52to buildings, ships, mines,
00:46:54anything else you want to get rid of?
00:46:55So I settled down to an intensive study
00:46:57of the explosive technique,
00:46:59and that's what makes me a specialist.
00:47:01Come on, let's go outside
00:47:02and see if the coast is clear.
00:47:11Let me live on before you set it off,
00:47:12so I won't be around, will you?
00:47:14Sure.
00:47:14Leave it to me.
00:47:26Bailey get here all right?
00:47:27Yeah, about a half an hour ago.
00:47:29Funny little fellow, isn't he?
00:47:30He's funny all right,
00:47:31but I wouldn't say he was very little.
00:47:34He's got big, broad shoulders,
00:47:35a deep chest,
00:47:36and all in all,
00:47:37he's a pretty husky boy.
00:47:39Who are you talking about?
00:47:41Boy, Bailey, of course.
00:47:42That isn't Bailey you've described.
00:47:44He's a little thin fellow.
00:47:46Not the Bailey I was talking to.
00:47:48Did you mention any names?
00:47:49No, I didn't have a chance to.
00:47:51He did all the talking.
00:47:52You better disappear till I look into things.
00:47:54There's something wrong.
00:47:55Well, why the frown, little lady?
00:48:10It's not at all becoming.
00:48:12I'm worried.
00:48:13About what?
00:48:14About the way Tim Braddock is acting,
00:48:15and the way my father lives and can do anything he wants.
00:48:17What's he done?
00:48:18He says he caught a man trying to dynamite the mine.
00:48:20He put him in the old powder magazine.
00:48:22He shouldn't have done that.
00:48:24The sheriff's the one to handle a thing like that.
00:48:25Don't you think so?
00:48:26Do you want me to talk to Pete?
00:48:28I wish you would.
00:48:30Try and convince him it will all get him in trouble
00:48:31if Tim continues to take the law in his own hands.
00:48:34There's one thing I must do first.
00:48:35Then I'll hunt up your dad and see what I can do with him.
00:48:37I know he'll listen to you.
00:48:38I know he'll listen to you.
00:49:08I know he'll listen to you.
00:49:38I know he'll listen to you.
00:50:08You think you are that you can treat me this way?
00:50:21Shut up.
00:50:22You want the whole world to hear you?
00:50:23Why, I care.
00:50:24You think that I'm...
00:50:25You're going to be quiet?
00:50:27How'd you get in this fix?
00:50:31By playing nursemaid to that mug you had me meet.
00:50:33Out of the goodness of my heart,
00:50:35I was showing him some of the tricks of my trade.
00:50:37And this is the way he thanks me.
00:50:41Say, what's the chances for one of them pills?
00:50:49You didn't let any names slip while you were talking, did you?
00:50:52Names are something never mentioned in this racket.
00:50:55Why?
00:50:55What's worrying you?
00:50:57You didn't meet the right man.
00:50:59You bungled a job.
00:51:01I'm going to have to do it myself.
00:51:02Ah, so that's the way you work, is it?
00:51:04Get all the dope out of me and then touch off the joint yourself.
00:51:08Well, all right.
00:51:10Me life's full of ups and downs.
00:51:12What are you squawking about?
00:51:13You'll get your money.
00:51:15Slip the binders off, and I'll be on me way.
00:51:17You'll have to wait until tonight.
00:51:19Why?
00:51:20Too many people around.
00:51:22What time tonight?
00:51:23After dark, about eight.
00:51:25But be sure you don't do any talking.
00:51:27And you'll be sure and be here at eight.
00:51:29Because if you ain't, I'm going to talk.
00:51:31And when I do, I'll talk plenty.
00:51:33I'll be back.
00:51:35You'll leave here, all right.
00:51:36I'll see to that.
00:51:39Hey!
00:51:39Don't tie me.
00:51:41You're safer the way you are.
00:51:56Well, if he wants more money, we'll have to give it to him.
00:51:58Not a question of money.
00:51:59Braddock grabbed him.
00:52:00He's got him in the old powder room in the mine.
00:52:02How do you know?
00:52:02I saw him there.
00:52:04Will Braddock or no Braddock, I'm fine.
00:52:08If we can convince Brennan,
00:52:09that he can't work it,
00:52:11he'll sell for a nickel on the dollar.
00:52:12We'll be all right if Bailey doesn't talk.
00:52:14But suppose he does talk.
00:52:16It won't take him long to connect you with me.
00:52:18Just now, I can't see any investigation.
00:52:22Got any dynamite out there?
00:52:24Yes.
00:52:25I'll handle this myself.
00:52:27Braddock stopped you three times,
00:52:28but he won't stop me.
00:52:30Come on.
00:52:31Who's been in here?
00:52:45Nobody.
00:52:47Where did these cigarettes come from?
00:52:49They ain't mine.
00:52:50Who's are they?
00:52:53Ain't got a mind reader.
00:52:54Well, whoever managed to get in here,
00:52:58didn't use his noodle, Bailey.
00:53:00Says you.
00:53:03He probably told you to keep your mouth shut.
00:53:06Keep these lights.
00:53:08You're doing the talking.
00:53:13Well, whoever he is, he'll be...
00:53:14But he's not going to find you.
00:53:18He's going to find me.
00:53:19I'm going to take your place.
00:53:25Come on over here, Bailey.
00:53:34Everything is set, Jepson.
00:53:35I'll take care of Bailey and head back into town.
00:53:39Set it off at eight o'clock.
00:53:40Okay.
00:53:49I'll take care of Bailey and head back into town.
00:54:19Well shot, William.
00:54:28I was protecting bank property.
00:54:31I was justified.
00:54:33Bank property?
00:54:34I just learned this man was going to blow up these mines.
00:54:39It looks like you're in with him.
00:54:42I in with Bailey?
00:54:44You even know his name, don't you?
00:54:46You can't deny you were going to do the job together.
00:54:48Bailey could tell you different.
00:54:52Easy to say that now.
00:54:55Maybe that's why you shot him.
00:54:57That kind of talk won't do you any good, Braddock.
00:55:02Suppose we let Bailey settle this.
00:55:04Get up and give the gentleman a seat.
00:55:28Sit down.
00:55:29Come here, Bailey.
00:55:47Is this the man who hired you?
00:55:50No.
00:55:50I never saw that gent before.
00:55:52And I've never seen him before.
00:55:57This man tried to kill you.
00:55:59You say you've never seen him before.
00:56:01Who did you see?
00:56:03Whoever he was, he sent Williams here to do the job.
00:56:05Don't you realize that?
00:56:08I ain't saying a thing.
00:56:10I guess that ought to satisfy you, Braddock.
00:56:12Well, it doesn't.
00:56:14Somebody was here visiting Bailey.
00:56:16Whoever he is, he'll be back.
00:56:19So we'll wait for him.
00:56:20That's a good idea.
00:56:20You and Bailey wait for him.
00:56:21I said we'll wait for him.
00:56:24Now sit down.
00:56:24What's the matter, William?
00:56:36Nervous?
00:56:38That sure I'm nervous.
00:56:40Nobody can tell what's liable to happen when dynamites are around.
00:56:43They're liable to blow up this place.
00:56:46They wouldn't do that.
00:56:48Whoever hired Bailey knows he's here.
00:56:50He'd get him out first.
00:56:52Suppose he didn't want to get him out.
00:56:54You know a lot about this.
00:57:00You seem pretty sure this place is going to be blown up.
00:57:06Is that why you're looking at your what?
00:57:09Uh-huh.
00:57:09I'm only trying to tell you what's liable to happen.
00:57:11Nothing is going to happen.
00:57:13How could it?
00:57:14Bailey's right here.
00:57:16He's not going to blow himself up.
00:57:18Are you, Bailey?
00:57:19Who, me?
00:57:20Don't be foolish.
00:57:24Are you ever in a mine explosion, Bailey?
00:57:35I'm here, ain't I?
00:57:37That's right.
00:57:40It must be horrible to be trapped underground.
00:57:42For instance, well, suppose someone was going to blow this mine up.
00:57:46Yeah.
00:57:48There wouldn't be nothing left but the pieces.
00:57:52Well, that wouldn't be so bad.
00:57:54It'd be quick anyway.
00:57:55Huh?
00:57:57It must be awful to hear the sound of rocks and dirt falling all around you.
00:58:01Knowing it's stealing you in a tomb.
00:58:03Men go mad in places like that.
00:58:08First is the hope of rescue.
00:58:12The lantern gets dimmer and dimmer as the air is exhausted.
00:58:17You listen first.
00:58:18The sound of rescue.
00:58:19Suddenly you hear the hammers and the drills up above.
00:58:22But you clutch your throat.
00:58:25That gasping, choking, suffocation overtakes you.
00:58:28The air is going fast.
00:58:32Every breath a man takes shortens the lives of the others.
00:58:36And then the light goes out.
00:58:39There's nothing but darkness, horror, and death.
00:58:44Let me all get out.
00:58:45Take it easy, Williams.
00:58:47Don't let your imagination run away with you.
00:58:49This place will not be blown up in a minute.
00:58:50What minute?
00:58:51I don't know.
00:58:54What's worrying about?
00:58:56Unless you do know.
00:58:56If you do, you're a fool to stay here and wait for the explosions.
00:58:59All right.
00:58:59All right.
00:59:00This place is going to be blown up by 8 o'clock.
00:59:01We've only got a minute to get out here.
00:59:03Who's going to blow it up and why?
00:59:04Jackson, from the other mine.
00:59:05We were going to close this off because we found a big vein of gold underneath.
00:59:08I said, this place is going up.
00:59:09Let me out in here.
00:59:14Williams, come back here.
00:59:15You can't get out that way.
00:59:21We've got just 30 seconds to get out of here.
00:59:26We'll be back here.
00:59:55What's happened, Tim?
01:00:02Hold this man.
01:00:04Come on, Pete.
01:00:25Come on, Pete.
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