Travel back to the rugged days of the Old West with Crashing Thru (1939), a vintage western adventure filled with action, justice, and frontier spirit. Produced by Monogram Pictures, this classic tale brings thrilling gunfights, brave cowboys, and timeless Western storytelling to life.
This film is in the public domain and preserved for historical and entertainment purposes.
#CrashingThru #VintageWestern #ClassicWestern #WesternAdventure #PublicDomainFilm #OldWestern #1930sCinema
This film is in the public domain and preserved for historical and entertainment purposes.
#CrashingThru #VintageWestern #ClassicWestern #WesternAdventure #PublicDomainFilm #OldWestern #1930sCinema
Category
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Short filmTranscript
00:00Galloping wolves feeding us on Saddles and boots jogging along
00:12Each day with a thrill Miracle letters of scale
00:17And if we know, we must fulfill We're mountain men
00:23Though odds may be one to ten We'll follow the trail
00:26We never will fail to capture
00:29Dangerous roads for everyone knows we say
00:32Dangerous roads for everyone knows
00:33Get a man despite any plan
00:35He'll have to wait
00:37A will won't end
00:39An honor we must defend
00:41Our job may be tough, we'll call any bluff
00:43We'll stick to the very end
00:45Proud of the coat that we wear
00:47But it's eager to shed
00:49The work of mountain men
00:59Our district looks mighty peaceful after the trip to headquarters, doesn't it?
01:08Oh, it wasn't so bad down there, Kelly
01:10No, for you, of course not
01:12What the inspector said to me was plenty
01:14I sure pulled a boner when I arrested those claim jumpers
01:18Yes, I must admit you did
01:20How but that's all in the day's work, Constable
01:23You know, there's a possibility
01:25Just a bare possibility, mind you
01:27That I may be able to make a fair amount out of you yet
01:30You know, I've often wondered how I ever got along before I met you
01:33You know, Kelly
01:35I've often wondered that too
01:37Who?
01:43I always had my suspicions about you
01:45At her of angels' wings
01:46Oh, I'm so sorry, it blew right out of my head
01:48Just as I said, from heaven
01:50There's no doubt about that
01:52My handkerchief, if you don't mind
01:54Oh, no, name, please
01:55And the telephone number
01:56Is that necessary?
01:57Oh, yes, you see, in the matter of recovering
02:00Lost article, section 300
02:03Wait, just a moment
02:04Wait, just a moment
02:05Can't you see you're frightening our celestial visitor?
02:07Now, miss, if you will be so kind as to give me the detail
02:09I'll be more than happy
02:10Oh, really?
02:11It isn't as important as all that
02:12Oh, but it is
02:13It's beautiful
02:14It's divine
02:15It's Shalimar
02:17Well, an angel with a sense of humor
02:20Up from the States
02:21Well, do I look so much like an outsider?
02:23Or do you know everyone in the territory?
02:25Oh, yes, Sergeant Renfrew knows everyone
02:27Especially the lady
02:28How about a stroll around the deck?
02:31A splendid idea
02:32You wait here, Constable
02:33Uh-uh, it was my idea, Sergeant
02:35How about it, Angel?
02:36Well, how about my handkerchief?
02:38Yes, how about her handkerchief?
02:51Oh, I'm terribly sorry, Agent
02:54Now, you see?
02:55You scared our little angel away
02:57The angel away
03:182RVB3 calling QX9
03:222RVB3 calling QX9
03:272X9
03:302X9
03:31Come in, please
03:35Dan
03:36Hello, 2RVB3
03:38Hello, 2RVB3
03:40Oh, 2RVB3
03:41Oh, Fred
03:42We can't go through with it tonight
03:44But I can't call it off now, sis
03:46The men are all set
03:47There's no way to reach them
03:48But, Fred
03:49But, Fred
03:56Just a minute, QX9
03:59Are you there, QX9?
04:00Yes, I can hear you
04:01Go ahead, Ant
04:02Come in
04:03There are 2 Mounties on board
04:04Mounties?
04:05Oh, that's bad
04:06But we can't stop now
04:07But we can't stop now
04:08It's impossible to reach Slandi
04:09He's waiting in the launch
04:10At the mouth of the Esquerita
04:11Oh, sis
04:12Be sure and let Lamont know about the Mounties
04:13That's all, 2RVB3
04:14QX9 signing off
04:15But, Fred, wait
04:16Fred
04:17But, Fred
04:18Wait
04:19Fred
04:20What?
04:21I don't know
04:22Where is the Mounties?
04:23Are you there, QX9?
04:24Are you there, QX9?
04:25Yes, I can hear you
04:26Go ahead, Ant
04:27Come in
04:28There are 2 Mounties on board
04:29Mounties?
04:30Oh, that's bad
04:31But, we can't stop now
04:32It's impossible to reach Slandi
04:33He's waiting in the launch
04:34At the mouth of the Esquerita
04:35Call 2RVB3
04:36QX9 signing off
04:38But, Fred
04:40Wait
04:41Fred
04:42Fred
04:43Fred
04:462RVB3 calling QX9
04:492RVB3 calling QX9
04:52Come in, Fred
05:05All ran
05:19Full
05:20Air
05:21High
05:22And
05:23Zoom
05:24Coming
05:25Buck
05:26As
05:27Miss
05:28The
05:28Air
05:29Okay
05:30What is
05:31I wonder
05:32to
05:32You're the center of attraction, you're so easy on the eye, please don't think that
06:00I'm a boar when I'm knocking at your door, I'll tell you why. You're the center of attraction,
06:09like a queen upon a throne, please don't think that I'm a boar when I'm knocking at your
06:15door, I'll tell you why. I'm sorry, I didn't mean to frighten you. I was just a bit surprised.
06:28And please? Well, yes, of course. But why Sergeant Renfrew? Oh, Renfrew. Why, he's given up the
06:35competition, but that's the way with him. One minute, one girl, the next minute, another.
06:39Thoroughly unreliable. Oh, really? Well, come on, I'll show you. I'll surprise him at as
06:44neat carry his work. Please don't keep me out here waiting. Open up the door to your heart.
06:52Angel, while I'm out here waiting, you're keeping us both apart. You're the center of
07:01attraction, on account of all your charms. You're to love me to be true, wish that I were holding
07:09you here in my arms. The constable says she's very beautiful. How clean.
07:39Hi, Miss Sanders. Mr. Lamont, did you know there were two Mounties on board?
07:46Yes. We saw you talking to them. Yeah, fortune and gold in the captain's cabin, and the law
07:51has to show up. What are we going to do? We've got it all figured out. Here's our plan. You keep
07:57the Mounties entertained. The launch will pull alongside after dark, pick up the gold, and
08:01deliver it to your brother on the plane.
08:25I've often tried to picture this north country. It's big trees and swift streams.
08:31picturesque people. Ah, it's beautiful.
08:35I just saw the launch leaving the shore. We're ready.
08:37I just saw the launch leaving the shore. We're ready.
08:39I just saw the launch leaving the shore. We're ready.
08:59I can't help but feel sorry for poor constable Kelly. So do I. Those trappers are keeping busy
09:06answering questions all evening. I've told you 15 times I don't know anything about trapping
09:08muskrats. But would it make any difference to you if we took canoes to go up to the big
09:10lagoon? I don't care if you walk. I don't care if you walk.
09:12Say, now about the beaver and the otter. You otter jump in the river. It's
09:30Would it make any difference to you if we took canoes to go up to the big lagoon?
09:34I don't care if you'll walk.
09:35Say, now about the beaver and the otter.
09:38You otter jump in the river.
09:41It's rather a mean trick, but confidentially, I had to get rid of him.
09:47But why get rid of him?
09:49Well, when a man's talking to an angel, he doesn't want an audience around.
09:53Oh, what is this angel business?
09:56Here it is, right here.
09:58Right on your handkerchief.
09:59Oh, A.
10:00Well, that's for Ann.
10:02And to everyone else.
10:04Angel to me.
10:05You do have an interesting line.
10:08Yes.
10:10Yes.
10:11Yes.
10:12Yes.
10:14What did he say?
10:15Yes.
10:17So, the minute I turn my back, you start talking.
10:20Did you give those gentlemen the required information, my good man?
10:23That was a filthy trick.
10:25Someday, I'm going to be transferred to a district a thousand miles away from you,
10:29and when that day comes, I'm going to be the happiest man in the whole Northwest Territory.
10:38Looks like she's going to cause our battle.
10:40We better give her a signal.
10:42Stop or I'll shoot.
10:43I'll take the key to your cabin.
10:45What is this?
10:46Never mind.
10:47Hand over that key.
10:49Why, if you think that you can...
10:50How do you do the argument and stop the boat?
10:52Come on.
10:53Hey, listen.
11:03Sounds like a motorboat.
11:06Yeah, making fast time, too.
11:13Why'd the worried look, Angel?
11:14What?
11:15Oh, did I look worried?
11:18He wouldn't know whether you were worried or bored.
11:21Listen, if Angel's bored, she got that way since you joined the party.
11:36You seem to be slowing down.
11:37I hope this is where you get off.
11:43Ah, down this way.
11:47Get in.
11:47Get in.
12:00Get in.
12:00Get in.
12:01Get in.
12:02Get in.
12:03Get in.
12:04Get in.
12:05Get in.
12:06Get in.
12:06Get in.
12:07Get in.
12:08Get in.
12:09Get in.
12:10Get in.
12:11Get in.
12:12Get in.
12:13Get in.
12:14Get in.
12:15Get in.
12:16Get in.
12:17Get in.
12:18Get in.
12:19Get in.
12:20Get in.
12:21Get in.
12:22Get in.
12:23Get in.
12:24Get in.
12:25Get in.
12:26Get in.
12:27Get in.
12:28Get in.
12:29Get in.
12:30Get in.
12:31Get in.
12:32Get in.
12:33Get in.
12:34Get in.
12:35Get in.
12:36Those shots came from here. All right, yeah
12:57This light is about as good as nothing. Yeah
13:07Going down the hall. Hold it. All right, get going. Back, get back.
13:27And I thought I was the only one who knew about that shipment of gold.
13:31Oh, I remember now. We came down here to find out what was wrong.
13:36Yeah, and we sure found out. Found out what?
13:39There were just a couple of hens shut up in a coop.
13:42I sure laid an egg. And without a cackle.
13:45Hold it.
13:57Get in there. Hurry up. Come on. Hurry up. Get in there.
14:00Hurry up. Get in there. Go.
14:11Hey.
14:13Better let McCluskey lock you in with the other passengers.
14:15It'll look better.
14:17Shut up. Get off my board.
14:20Come on inside. Make it snappy.
14:26McCluskey!
14:27Take care of her.
14:31Where are the Mounties?
14:33Locked in the hole.
14:35Come on. Get inside.
14:37This is a pretty kettle of fish.
14:48Watch the deck.
14:58Here, Ted.
15:20Go along and fix those engines so they can't pause.
15:22Okay.
15:23That's nice lifeboats too.
15:30The idea of doing a thing like this to me and on my boat.
15:34I'm going out there.
15:36Hold on, Captain.
15:37Don't use to get yourself shot.
15:39The Mounties take care of them.
15:40That's right, the Mounties. But where are they?
15:42Yeah, that's it. Where are they?
15:43You didn't bring your knitting needles along with you, did you?
15:46No, but I'm trying awfully hard to think of a yarn to tell the inspector.
15:50If we ever get out of here.
15:52Oh, you'll realize that the great Sergeant Renfrew turned out to be a chump.
15:56They give an awful lot to know what's going on up there.
15:59Everything set?
16:00They'll be lucky if they get this tub started in one morning.
16:04Good.
16:08Say, when are we going to get out of here? I can't afford to stay here forever.
16:12I bet they take all your equipment.
16:14Yeah.
16:15Huh?
16:21They're pulling away.
16:27Break down that door.
16:29Yeah, that's it.
16:31Break it down.
16:45Stand back. Get back. Get back here. Get back. Out of the road. Hurry up.
16:57Get below and stomp those engines.
16:59Fire those Mounties.
17:15As soon as they open the door, I'll grab them.
17:28Nice going, Constable.
17:30Wait.
17:32It's Angel.
17:34Gee, I'm sorry.
17:36The ship's been robbed.
17:45Turn here.
17:47We're not turning.
17:49Well, we've got to cross over to reach Burdown and meet the plane.
17:51We're not meeting any plane.
17:53We're going straight ahead.
17:55What is this?
17:57You get it.
17:59What is this?
18:01You get it.
18:03What is this?
18:05You get it.
18:16Not going to be up.
18:34What's this?
18:37What's that?
19:08I guess I've finished him.
19:18Okay.
19:19Head her in.
19:20We'll transfer to the canoes and make to the totem trail.
19:23Thanks.
19:38The riverboat was held up, Harriton.
19:53They got your gold.
19:55They got my gold?
19:56Yeah.
19:57Right under the eyes of Renfrew and Kelly.
20:00Do you know who was on board?
20:01No.
20:02Ann Chambers.
20:05And her brother?
20:06I don't know about him.
20:09Come on.
20:10Well, we couldn't follow them last night.
20:21We were locked in the hold.
20:25I suppose you'd rather skip that part of the incident.
20:30You figure they might land up that way?
20:33Huh?
20:33All right, Sergeant.
20:37Carry on.
20:38Yes, sir.
20:38I'm sending in a written report.
20:44Was he sore?
20:46Well, he didn't suggest pinning any medals on me.
20:48Oh, boy, does that break my heart.
20:52Come on.
20:52Hear him, your father's place.
21:08Me take care of whole plate.
21:10Your pa, him pay.
21:12Me take him care of place, same like my own.
21:17Oh, thank you so much.
21:19Me take him.
21:20Oh, no, I can manage.
21:21Thanks, just the same.
21:22Me, go in.
21:23Me show you a place.
21:24Good, clean place.
21:25Oh, no, don't bother.
21:26Give me the key.
21:29Thank you again.
21:30Goodbye.
21:31Goodbye.
21:31Goodbye.
21:31Goodbye.
21:32Goodbye.
21:40you have any idea who did it charge no I'm sorry sir they got away before we
22:04could identify them we'd have gotten them though if we hadn't been locked up
22:08in the hole no so that's where you were well now don't worry mr. Harington we'll
22:13get them all right I have a hunch where they'll make for sure and we plan to
22:16head them off by crossing Pine Ridge I hope you're right so the way
22:38to our BB three calling QX nine to our BB three calling QX nine hello to our BB three this is QX nine go
22:43ahead and well Fred and I've been so worried is everything all right all right everything's all
23:01wrong where are they didn't they get away from the boat oh yeah yes of course everything just
23:06as we planned well they didn't meet me at bird island I landed here right after dark and I'm
23:10still waiting what could have happened I don't know well all I can do is circle around again
23:19well keep in touch with me won't you all right then this is QX nine signing off QX nine signing off
23:49well where did you find out
24:19they don't find out did she say anything she no talk she afraid yeah she Fred big trouble come
24:26well why didn't you stick around you might have looked in the window or something me come quick
24:30tell them you that girl's up to something you sure you didn't overlook anything when you searched that
24:36house before mmm mean overlooking you know say harem down house if that girl found that bill of sale and
24:44brought it up here we're sunk I still think it's in the house somewhere listen you stick around and
24:50don't you let that girl out of your sight you understand hmm me do
24:54that's what I call a nice night's work we're a long way from being out of danger yet till we cross the
25:15totem trail we've got to make time where we pick up the trail just a little ways upstream
25:45don't know
25:53that
25:55well
26:28I think we can move in a little closer.
26:43Right.
26:58Well, if our luck holds, we'll have this gold in our hideout by tomorrow.
27:25Come on.
27:26Make it snappy.
27:27Eskimo, you know the trail.
27:28You better take the lead.
27:32Wait.
27:33Too late now.
27:39What's that horse doing up there?
27:46He looks like Mounties.
27:47He looks like Mounties.
27:53I heard voices right over there.
27:54Well, let's take them.
27:55Not a chance.
27:56The moment we get out in the open, we're cooked.
27:57The moment we get out in the open, we're cooked.
27:58What do you say when you circle around and come at them from the opposite direction?
27:59What's that horse doing up there?
28:00He looks like Mounties.
28:05Right.
28:06Right.
28:07Right.
28:08Right.
28:09Right.
28:10Right.
28:11Right.
28:12Right.
28:13Right.
28:14Right.
28:17Yeah.
28:18Right.
28:19Oh, yeah.
28:20Well, let's take them.
28:21Not a chance.
28:22The moment we get out in the open, we're cooked.
28:24What do you say when you circle around and come at them from the opposite direction?
28:27Mapping from opposite directions.
28:31Right.
28:57Now, Doc, you have to scratch.
29:27If you look for Monty, he now be here for a long time.
29:50They have big gun fight in my place.
29:53Up on the hill, I bring horses.
29:55Did they catch the thieves?
29:57No, these bandits, they get away.
29:59But one Monty, he's hurt very bad.
30:01Sergeant Renfrew, he's bringing them back in canoe.
30:04And I think she's died before she gets here.
30:07Well, you don't mean Constable Kelly, you're shot.
30:10Well, I go tell the doctor to be ready.
30:13Lots of pain, old man?
30:25No.
30:27Take it easy, will you pal?
30:29I want to talk.
30:30Remember that trouble we cleaned up on the Banjo River?
30:33That was a swell fight, wasn't it?
30:35I'll say.
30:36When we were floating home, you made up a song.
30:38Remember?
30:39Yeah.
30:40Sing it, will you?
30:41The crimson sunset and purple hills, the plaintive calling of whippoorwills, the night winds
30:57sighing and whispering that the day is through.
31:14The falling twilight, the rising moon, the stars like windows will light up soon.
31:26Two pals together and happy cause the day is through.
31:36The orders were tendered, our duties have ended.
31:41I trust we never shall fail.
31:46Paddling down the river, heading for the end of the trail.
31:58Two loyal bodies beneath the sun.
32:05Two happy mountains when day is done.
32:10For crimson sunset and purple hills means heading home, heading home.
32:35How is he?
32:40Well, he's lost a lot of blood.
32:43It's going to be a fight to save him.
32:45We've got to pull him through, Doctor.
32:47I'll do my best.
32:49Two RVB3 calling QX9.
32:58Two RVB3 calling QX9.
33:04Two RVB3 calling QX9.
33:08Four RVB3 calling QX9.
33:30Oh, I've been trying to get you all night the Mounties had a fight with our men and Constable Kelly was shot
33:37Did the Mounties get them?
33:39No, they got away. How could Lamont do a thing like that?
33:43It beats me I
33:47Could kick myself for involving you in this
33:50It was my job to see it through alone
33:52No, my dear if it had to be carried through it was as much my responsibility as yours
34:00And I'd give anything to know what happened out there
34:05Where you going to find out of Constable Kelly's been brought in
34:30Who is it?
34:36What happened we've been double-crossed
34:46Then it must have been McCluskey and the others who shot up Constable Kelly they did yes
34:52Gee, we're in a tough spot. We've got to get out and find them. Well, let's go
34:56What about I am we'll contact her from the plane?
35:04Is there anything I can do to help him
35:08No, I
35:10Know Kelly will be glad you said that
35:13But he will pull through
35:16Won't he of course he will Kelly's tough
35:22He's got to pull through
35:26Well
35:29If he doesn't
35:31It would be
35:32Murder
35:33Wouldn't it?
35:35That's the legal term for it
35:38Sergeant I see you outside for a minute
35:40Certainly
35:44Now go away
35:46She'd better not
35:47Why did you say that about Ms. Chambers? I'll tell you why because Ms. Chambers is mixed up in this robbery
36:01Mixed up in the robbery? That's right
36:04What makes you say that?
36:06Well sergeant everybody up here knows that after their father died those Chambers kids laid claim to the ownership of my mind and made threats against me
36:12Well, that doesn't prove anything no
36:15Well her brother and Lamont the foreman of my mind have been hiding out in her cabin and Lamont's the only one who knew about that shipment of gold
36:21Indian Georgia saw them take off in a plane they had hidden away
36:25What about the men who shot Kelly must be part of the same gang and I'll bet Chambers Lamont are flying up there to meet them
36:30I
36:37Sergeant I demand you arrest Ms. Chambers immediately and make every effort to stop that plane
36:42Very well, Mr. Harrington
37:00I am sorry
37:06No, you are so sorry
37:06No, you are forgotten
37:19Brad?
37:24Brad?
37:25I'm going to go.
37:26Go.
37:27Go.
37:28Go.
37:29Go.
37:30Go.
37:31Go.
37:55There they are.
38:06They're running for cover.
38:20That's Chambers.
38:21But there's two men in that plane.
38:25There's an old mining cabin up ahead.
38:28We can hide out there until after dark.
38:30Why?
38:43QX9 calling 2RBB3.
38:47QX9 calling 2RBB3.
38:52Hello, 2RBB3.
38:54Come in, QX9.
38:56Ann.
38:57McCluskey double-crossed us, but we found them.
38:59Jim is with me.
39:00He's okay, honey.
39:01Hello, 2RBB3.
39:02Hello, 2RBB3.
39:03Did you hear me?
39:04We found them.
39:05Yes, Fred.
39:06I heard you on...
39:07They're heading up the Port of Trail.
39:08We'll get that call back another reason.
39:09Hello, 2RBB3.
39:10Did you hear me?
39:11How are you?
39:12How is this?
39:13Did you hear me?
39:14Why don't you answer?
39:15She doesn't answer because she's under arrest.
39:16Who's that?
39:17That's Renfrew, and I'm inspired for you to come in and give yourself up.
39:18Lamont.
39:19Renfrew's got Ann.
39:20Hello.
39:21Hello.
39:22Hello.
39:23Hello.
39:24Hello.
39:25It's all my fault.
39:26I dragged Fred and I get you.
39:27No, it's all my fault.
39:32Oh, it's all my fault.
39:39I dragged Fred and I didn't have some money.
39:43It's all my fault.
39:48I dragged Fred and I didn't understand what's going on.
39:50What's going on?
39:52fault. I dragged Fred and Jim into this. I'm the only one to blame. And what if
39:59something happens to Kelly? Are you ready to assume full responsibility for that
40:04too? Yes, I am. It's bad business taking the law in your own hands. The law? What
40:14has the law ever done for us? My father borrowed money from friends to buy that
40:20mine. And then he was killed. And Harrington got on the stand and swore he never
40:25received that money. But my father took it intending to defraud his friends. The
40:32law upheld him and branded my father a thief. What else could I do but take that
40:37gold and give it back to the friends who trusted him? When your father bought this
40:42mine, didn't he get a bill of sale? Well, yes, he did. But he told us that he did.
40:48And when Fred came up here and looked, he couldn't find it. Oh, oh, what's the
40:54use? You said I was under arrest. Why don't we go?
41:18After that time, I've got to. I'm David. It was about to commit, my son. I was
41:21going to say. Oh, my son, I was going to throw you in my mouth. What's the
41:24murder of it? I was going to show you son of the young man who was
41:27just as you. I was going to take it. I'm going to tell him as you were
41:29a little bit if you were going to pass it on. Who's what you're going to say?
41:31You're going to? I'm going to tell him to show you that you don't
41:34know what a community you're going to ask for. I'm not be aware of what had
41:36you. I'm going to show him. I'm going to be here. But how you're going to
41:38the safety of the next thing where you're going to be in my
41:39own business and real estate and that's where you're going to have
41:40I hope we can find a place where we're going.
42:10I hope we can find a lamp.
42:26This makes it simple. The key's in the lock.
42:28Well, take it easy, will you? I don't want anyone to suspect we've been here.
42:31Shut that door.
42:34Can you feature him using a radio to pull off that job?
42:37Sure is tricky.
42:39Well, don't bother about that. Get busy.
42:45Hey, put everything back like it was.
42:48Hmm, me looking through that many times. No pint of nothing.
42:52I'm going to have to work.
42:54I'm going to have to work on it.
42:55Let's have a look at the window.
42:57I'm going to have to work on it.
42:59I'm going to have to work on it, because I'm going to have to work on it.
43:02What's the matter with you, didn't I tell you to...
43:24Say...
43:28Well, what do you know about that?
43:33This bill of sale, buy-in between Dulles Harrington's seller and Ed Chambers's buyer...
43:37Say, better burn that right now, and then we'll know for sure it's out of the way.
43:41I think you're right.
43:47I wouldn't burn that if I were you.
43:51I'll take that paper.
43:54Miss Chambers?
43:58You were right about that bill of sale.
44:06Oh, that's it.
44:07That's a forgery.
44:08Another trick of Miss Chambers.
44:10You seem to think it was important enough to burn.
44:13Mr. Harrington, you're under arrest for Mr. Chambers' murder.
44:17For murder?
44:18That's right.
44:19You sold him the mine, then arranged his accidental death
44:22before he could record the bill of sale.
44:24You can't prove that.
44:26I can have an awfully good try at it.
44:28Look out!
44:29Look out!
44:29Mr. Chambers' murder.
44:51Can't you tap?
44:51I'm out!
44:55Let's go.
45:25QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9! QX9!
45:55Oh no! No you can't do that!
46:07Now try to prove your claim and your charges.
46:10QX9 calling 2RBB3.
46:14QX9 calling 2RBB3.
46:17Come in and.
46:19End of it.
46:20Go on, Reverend, and be careful what you say.
46:22QX9 calling 2RBB3.
46:27QX9 calling 2RBB3.
46:29QX9 calling 2RBB3.
46:31QX9.
46:32Hello?
46:33Hello, Fred.
46:35Ann, tell Sergeant Renfrew they're hiding in a miner's cabin above the totem trail.
46:39Looks like they have to go with them.
46:42Fred!
46:43Fred!
46:44That's all I want to know.
46:49Come on.
46:52Hello to RBB3.
47:01Come in to RBB3.
47:04Something's wrong.
47:13Come in.
47:14Come in.
47:23They've gone.
47:30They took your gun.
47:36They're heading for a miner's cabin up above the totem trail.
47:39Fred's up there after the men who shot Kelly.
47:42They've gone.
47:43They're coming, you better than they might be.
47:45They're coming!
47:46They're coming out to the car.
47:47With theΕ―
47:48What's that thing they've been going on?
47:49What's that thing?
47:50I look good.
47:51I feel like I've heard of the Hausman.
47:52And that's the problem.
47:53I think that's better.
47:54You mean, it's kind of a good one.
47:55Here, here, for a sick man, take it easy.
48:06Doc, I've got to get out there and help Renfrew.
48:08He can't get along without me.
48:09I tell you, I've got to go.
48:10You do nothing of the kind.
48:12Now, you stay in bed if I have to tie you in.
48:18I'll bet Renfrew told you to keep me in bed
48:20so he could grab off all the glory.
48:23That big stiff.
48:25I'll bet Renfrew.
48:55He cut in ahead of him.
49:15You got him!
49:20Hold it!
49:50That was too close for comfort.
49:59That I didn't miss him for.
50:09Now you be nice little boys and don't run away.
50:20I'll be back for you later.
50:24Oh!
50:33Ouch!
50:34Stop pulling your sap.
50:35We can't get loose.
50:36How have you gotten me into this?
50:38Now get me out.
50:39Now get me out.
50:58Now get me out.
51:14Now get me out.
51:18Now get me out.
51:30Now get me out.
51:33Now get me out.
51:37Now get me out.
51:41Now get me out.
52:07They picked themselves a swell spot, we don't dare get out in that clearing.
52:12Yeah, if the holes off the laps are dark, there are sinks to get away.
52:37Let's go!
53:07That's my plane.
53:30Do you see any help?
53:33No.
53:34Do you see any help?
53:36No.
53:44You're killed!
54:04Hey, what's the idea?
54:05Oh, I have too many cards.
54:06It's a nice deal.
54:07You're telling us.
54:08Hmm.
54:09You cheat them, huh?
54:10You cheat them, huh?
54:11You never will then, will you?
54:12Get him out again.
54:13Watch him.
54:14What again?
54:15All I've heard for a week is that guy chirping.
54:17Where's the idea?
54:19Oh, I have too many cards.
54:20It's a nice deal.
54:21Oh, I have too many cards.
54:22It's a nice deal.
54:23You're telling us.
54:24Mm, you cheat them, huh?
54:26You never will then, will you?
54:29Get him out again.
54:31Watch him.
54:33What again?
54:35All I've heard for a week is that guy chirping.
54:39Pretty soon, hear of new kind of music.
54:42Yeah, it might be swing music.
54:45Nah.
54:47With blue skies above me,
54:50and you here to love me,
54:53nothing can ever go wrong.
54:57Drifting down the river,
55:02serenading you with a song.
55:07This burning ember within my heart
55:13makes me remember that you're the part
55:18of crimson sunset and purple hills.
55:24I'll always love.
55:26I'll always love.
55:29You're welcome.
55:31I'll always love.
55:32You're welcome.
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