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Transcript
00:00Hi, this is Samina Shek here and with me right now I have the famous Hariharan sir.
00:04So join me as I welcome him only on Zoom.
00:07So a long career over the years and you have just made a niche for yourself.
00:13How difficult was it for you to be on this journey?
00:17Well, it was a struggle, I would say.
00:22It was a struggle to get identified, to establish my voice, my kind of singing.
00:31That was a struggle and it takes time, you know, like, I mean, people have to get used to it
00:37and they have to like it and they start loving it after that.
00:41So it took some years and it's been wonderful.
00:52I also have to ask you this, sir, and it's something which, of course, resonates with a lot of people
00:57that what made you get into the world of singing?
01:01It could have been some other art as well, but what made you choose in this world?
01:05I come from a family of musicians, my father, mother, they were musicians.
01:09And my first guru is my mother.
01:12She's a Kennautic singer.
01:13So in the house, they're listening to all the songs from my childhood.
01:19And that's just like, kind of like, you also chose the same profession in a way?
01:25No, no, I, see, basically we, everybody sings in our house and so never learnt music to become a singer
01:32or a playback singer or nothing, nothing, because I grew up in Bombay.
01:37I grew up in Matunga, very conservative kind of a place.
01:43And we had fun learning music and wanted to sing well because everybody sang well at home.
01:51But, you know, your Ghazal concerts, as I'm sure you're also aware of, that, you know, are popular.
01:57When the first time you went all out, you know, and performing, how nervous were you?
02:02And if you could share some memories around that, you know, how the experience was for you?
02:07Oh, yeah, of course.
02:08I mean, it was like singing and it was such an effort to be perfect.
02:14And then, I mean, after that, you felt you've just come out from a wrestling match or something like that.
02:21But then with time, you know, like, and when you evolve as an artist and when you're honing your talents
02:30and your talents becomes more sharper and things like that, it becomes easier, basically.
02:35But over the years also, sir, I have to ask you this.
02:38Music has also evolved.
02:39It has changed.
02:41And when I say that mediums have also come and still we kind of believe,
02:45and that's a firm belief of a lot of people, that what has been OG will always be an OG,
02:50the kind of mediums which has been used.
02:51Now, when I say that technology has advanced, social media has become a kind of, you know,
02:55where people are developing their own kind of music.
02:58That is AI, which is kind of, you know, taken center stage.
03:01What do you have to say?
03:02Does that kind of, you know, in a way, diminishes the kind of original music content is created versus now?
03:12Original music can never lose its value.
03:19Because basically anything which AI does or anybody does is based on original music.
03:26So, if you're original and if you give the content, you'll be there.
03:31Yeah.
03:31So, how it has been for you for blending musical styles, when I say so, Carnatic, Ghazal, Hindi music, you know,
03:39also singing for regional, you know, songs and all, and you have become very popular that side.
03:44How it has been blending different kind of music for you?
03:46See, I've been doing all kinds of music from my childhood.
03:53I grew up in a Carnatic classical family.
03:55So, I learned from my mom.
03:57And then I have been, I used to go to the school in the day.
04:02And I used, I am from Don Bosco.
04:04And we had a lot of English music there.
04:06So, I used to listen to it, sing, without even thinking, this is a different kind of music.
04:12And then come back in the evening, used to hear Bollywood music in Binaka, Geet Mala and all that.
04:19So, what was my advantage?
04:22I used to do all kinds of music.
04:24We thought feeling, aray, yeet to allag hai, wo to allag hai, yee kuch ne, same hai na, music hai.
04:29And we, and being, Bombay was a beautiful melting pot then.
04:34Even today, like, you know, so all kinds of languages, all kinds of culture.
04:38So, that, that what made my music.
04:46Five decades in the musical industry.
04:49What has been the key learning for you?
04:51And which was that one setback for you wherein you felt like, you know, that completely changed your career journey also in a good way?
04:58Actually, 2009, 2010, there was this feeling, abhi kya kare.
05:06You know, like, you know, you've, I've done film music, guzzles and this thing.
05:14And then there was a time when I had, I was introspecting myself, like kya kare and karke.
05:19And then I felt that I need to concentrate on compositions, basically, composing guzzles and all kinds of music and doing live concerts.
05:35Because all these years, I was busy running and recording songs.
05:40I didn't, I didn't even think of saying ki, humko itini shows karna hai otana.
05:45Whenever he used to come, he used to do it.
05:47But show business is a different, totally a different ballgame altogether.
05:52You know, like presenting yourself and the songs and things like that.
05:56So, that took me about a couple of years and then I stepped into it.
06:00That's interesting.
06:01So, before I let you go, Bhumi, you have to tell us something about your association with Bhumi.
06:05And Bhumi has brought some, like, different music.
06:07And at the same time, setting a stage like that for people out there, for the audience to connect with different kind of music and songs.
06:14What do you have to say about that?
06:14Sure.
06:15Bhumi is amazing for independent music.
06:19Because I think Salim Suleiman have been doing a great job all these years and they're growing from strength to strength, you know.
06:25And they've been always doing a good job in all their films which they did.
06:31And both of them are such wonderful people as I felt that whenever they collaborated with an artist, it became the artist's song.
06:40They give that importance to the artist and it's a oneness between the composer and the artist and the singer, basically, which I felt very good.
06:52In fact, we have done one song in this year.
06:56Prithvi Gandharva has composed a song and we have sung it together.
07:01That's interesting.
07:02Before I let you go, I have to definitely make you sing one song for the audience out there.
07:06One of your favorites, which still, you know, stays very close to your heart.
07:10Lovely chatting with you, sir.
07:35I'm definitely not letting you go without this question.
07:38Apart from this, what are you busy working with?
07:40And if you could spill some beans on that.
07:42Yeah, I've just finished an album called Jaan Meri.
07:45It's a Gazelle album.
07:47It's having lyrics by Faraj Shahzad.
07:51And also have done some tracks with my son, Akshay.
07:55He's a producer.
07:57He does electronic music and dance music.
08:00So I've done some classical tracks with him.
08:04So I'm looking forward to that.
08:05Last question, promise, you know, but I have to ask you this because what is also happening
08:09right now with Gazelle, a lot of transitions are taking place.
08:13One being of Nusrat Fateh Ali Khan Saab where people are remixing the songs, the Gazelles
08:17and all and modifying them, you know, and making it, you know, differently.
08:20What do you have to say about that?
08:22Do you encourage something like this?
08:24Do you feel that's completely okay or Gazelles should be left with what exactly the original?
08:27So basically any, what do you call it, what is the term you used?
08:35You know, basically just modifying the entire...
08:37Modifying and, yeah.
08:38I think basically you can do it, but keeping the soul of the song, try to keep the soul of
08:44the song.
08:45Don't change that.
08:46I think it's okay.
08:47Yeah.
08:48Thank you so much, sir, for your lovely interaction and all the very best.
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