- 2 months ago
Category
📺
TVTranscript
00:00He has suffered a head trauma, and we had to put him in an induced coma to avoid the
00:26risk of bleeding on the brain. He's recovering well, but the next 12 hours are very important, okay?
00:34You're a bloody idiot, Craig. Jackie. No! I was still rewriting what happened. Look, I was defending you.
00:43What are you playing at? You cannot be here. What do you want me to do? Do you want me to say sorry?
00:48I'm sorry. Miss, you can't be here. Next of kin only. Yeah. When you're ready, the police would like
00:55to speak with you. Just remember why you left him. Yeah.
01:19Hey. Hey. It's really hurt, isn't it?
01:22What the hell was that? Is she going to be a problem?
01:26It was a lot, I know. But this is what it's like with Bert. It's exciting, but it always
01:31gets out of hand.
01:32Sam, we don't have much time. We can keep it in track, can't we?
01:38Hey.
01:42We can make this work.
01:43Yeah, we can.
01:47And if for some reason it doesn't work, we make sure our fingerprints are not on this job.
01:51What if Jackie talks to the police?
01:53She won't.
01:54She just needs to cool off.
01:57I think she's out.
01:58There is a version of this where we don't go through with the job.
02:01No, there isn't.
02:03Sam, think of the life we could have.
02:06It's three days away.
02:07I can manage this. I'll go see Jackie.
02:11Okay.
02:12What do you need from me?
02:13Nothing for now.
02:15You relax.
02:16Yeah?
02:16Mm-hmm.
02:31Sam?
02:33All right.
02:37Hello?
02:42It's Sam.
02:42Leave a message.
02:44Where are you?
02:49Where is the controlling cow?
02:51Eh?
02:53I don't know, Bert.
02:54They're all fucked off.
02:58Oh.
02:59How have they now?
03:02Oh.
03:07It's Sam.
03:16Leave a message.
03:17Fuck.
03:21Hola.
03:21Yeah.
03:21No me dejes el mensaje.
03:22No lo saigo.
03:25Someone answer that fucking phone.
03:31Yeah?
03:32Bert?
03:33It's Blas.
03:33Where the hell have you been?
03:35There's a problem.
03:36El robo de los relojes.
03:40Entiendo que el hombre en cuestión se ha escapado de nuestros oficiales.
03:44Sí.
03:44Estamos trabajando en ello.
03:46Pues nos falta trabajo.
03:48Carlos Pérez me ha llamado esta mañana antes de que me despertara.
03:51Es el tipo de persona que no lo dejará estar.
03:54Y como resultado nosotros no vamos a dejarlo estar.
03:56¿Entendido?
03:56Sí, señor.
04:08Jackie.
04:09Jackie.
04:11Hey.
04:11Jackie.
04:14You know Bert was here.
04:16Telling me she was defending me.
04:19Didn't want to know.
04:20And then the police turned up.
04:22And you told him it was Bert?
04:23No.
04:24I said I didn't want to talk right now.
04:27Please don't talk to the police.
04:29I haven't decided what I'm going to do.
04:30But one thing I do know.
04:32I'm out.
04:33Without you this whole thing falls apart.
04:35We need you.
04:36Don't want to do it.
04:37I can keep her on track.
04:39No you can't.
04:40If you could, you'd have done it years ago.
04:43I can keep her on track.
04:44Oh, no.
04:47I can keep her on track.
04:47Oh, no.
04:48I can keep her on track.
04:49I have a monkey on the road, but I can keep her on track.
05:08Come on.
05:09Hello?
05:20She's out.
05:22She can't be.
05:23What the hell are we going to do?
05:25Maybe I'll contact Celine by some more time.
05:27And look weak.
05:28No.
05:29I'll finish the rig.
05:31I'll be the lookout.
05:32Whatever it takes.
05:33I'm sorry, I just...
05:35We need you on the inside.
05:37If anything, we need more of a distraction.
05:39Not less.
05:40But don't worry, I'll work it out.
05:41Fine.
05:42Then let me handle Jackie.
05:45Okay.
05:46Okay.
05:47Okay.
05:59Hiya, Mum.
06:00How long until you can come home, Bilal?
06:03Not long now.
06:04I'm nearly finished.
06:05And I'll be on the first flight out of here.
06:07Can I see it?
06:08Of course.
06:09Imagine being paid to copy a painting.
06:13Oh, Bilal.
06:14It is beautiful.
06:16It's all in the glazing with Dali.
06:20Give over.
06:21Never mind Dali.
06:22You did that.
06:25Bilal.
06:26You can do anything you set your mind to.
06:29Thanks, Mum.
06:29All right?
06:41The watch you gave me, the police chased me to question me about it.
06:45Well, if you'd have given it to Maria like I asked, then no one would chase you anywhere.
06:48You hadn't given me a stolen watch that I wouldn't have been trying to sell us.
06:51You think I got it out of a Christmas cracker?
06:53It's too risky for me at the museum right now.
06:58What's wrong?
06:59You.
07:00You're what's wrong.
07:01Hanging around here, you're embarrassing yourself like a dog with its dick out now.
07:04Hurt back to the reign of Sophia.
07:05Don't talk to me like that.
07:07Or what?
07:10Or I'll let Sam know that you're lying.
07:12Yeah?
07:14Or the authorities.
07:16Yeah.
07:17Then I'll let the authorities know that you helped me lie about cancer.
07:20So you knock yourself out.
07:21Maybe it's me that should give someone a call and love you.
07:23You do that, you'll end up back in prison.
07:26You think I'd give a shit about that?
07:29I'll tell you someone who wouldn't fare well in prison.
07:32You.
07:32See, the love excrues inside.
07:35Do you think about all that lovely attention you'd get?
07:37Yeah.
07:39Stop crying and get back to work.
07:41Hey!
08:02You need to rein it in.
08:04What?
08:04Well, Jackie's out.
08:05We still don't have a distraction.
08:07And Blast just called.
08:08What did he want?
08:09The police are on to him.
08:11Yeah.
08:12I spoke to him.
08:14Well, we can't expect him to manage it.
08:15Yeah, okay.
08:16Well, you manage Jackie and I'll manage Blast.
08:18No, you need to let me deal with everyone.
08:21How am I?
08:22Cheers for asking.
08:23I got into a fight defending our mate.
08:25I wonder how I am.
08:26You all right?
08:34How are you?
08:35I'm okay.
08:36Well, then I'm always okay, aren't I?
08:39Right, let's go together to stop Blast out, yeah?
08:44Yeah.
08:45Right.
08:45You go in there in your front, yeah?
09:03Yeah.
09:04You don't mess this up because you can't tell a white lie about a nicked watch.
09:07Whatever they say, deny, deny, deny.
09:09Okay.
09:17We'll wait on the next street over.
09:18Hi.
09:43Have you slept?
09:45You have had an enormous shock, and this could be a long road.
09:52The best advice I have is go home and do something, even if it's just for 20 minutes,
09:58that is just about you.
10:00Okay.
10:01All right.
10:09Thank you for bringing us this.
10:38And for the interview?
10:40I want to clarify something.
10:43I didn't go away because I didn't have anything bad.
10:46I went away because they were chasing me.
10:48I'm here to cooperate.
10:51How did you find the clock?
10:53A game of cards.
10:55We don't have names or anything like that.
10:58I didn't know who you were.
11:01You can stay.
11:03But you won't get me out of here.
11:06Are any of the players women?
11:10No.
11:12Are you sure?
11:14Because we're looking for two women in connection with this clock and a religious religion.
11:20That's your face of poker.
11:26I'm surprised you have won.
11:31Look, I don't know anything about those two women, what they do and what they do, but in that part we're all men.
11:41If you're going to have to accuse me of something, let me go.
11:44But I don't do anything bad.
11:57I need more information if I have more questions.
12:00Let's go.
12:01Hello.
12:02That's great.
12:03We'll go together.
12:06Meet at mine.
12:08Jacky's agreed to meet Caitlin.
12:09I'll take you back to the house.
12:10Get out of your hair.
12:13Ah, meet at mine.
12:17Jackie's agreed to meet Caitlin.
12:18I'll take you back to the house.
12:21Get out of your hair.
12:27They're looking for two women in connection with the watches.
12:31And the theft of a holy relic?
12:33Did they get a description?
12:35Apparently.
12:38We need to lay low in Madrid for a couple of days.
12:40Do this when there's less heat.
12:41No, no, no.
12:41You need to go back to Madrid and stick to the plan.
12:44Police are looking for you.
12:45Are you mad?
12:45We're still doing this.
12:47We're so close.
12:47We need to make this happen.
12:48Then we can all disappear.
12:50But I think we should split up.
12:52That's convenient.
12:53You just said that there's a description of two women.
12:56It makes sense to split up.
12:57Also, you're sick.
12:58You need to rest to be ready for the big day.
13:00I don't think you want me to have a rest.
13:01I think you want a rest from me.
13:03I'm taking you back.
13:04I'll keep you informed of everything that happens, okay?
13:11I don't think you want me to have a rest of the day.
13:14I don't think you want a rest of the day.
13:24I'm not going to get me to bed.
13:25Hello?
13:35Hey up gorgeous, I'm out on bail.
13:39I need to get home, and you, Obi-Wan Kenobhead, I'm my only hope.
13:43Me?
13:44That little shit crack's been making moves on my patch in Bradford while I've been banged up.
13:49He's going to lose his marbles when he finds out what's happened to his cousin, Kyan.
13:53Wait, what has happened to Kyan?
13:54Is he not okay?
13:56Never mind all that, listen.
13:59Seeing as you're the reason I were banged up in the first place, you're going to help me get out of Spain.
14:04And I can't exactly jump on the 345 out of Alicante, can I?
14:07Can't I hockey help you?
14:08Can't get in touch with him.
14:10And even if I could, he hasn't robbed a massive bag of money off me, has he?
14:14Deeds, look, I can't, I'll get in trouble.
14:17Do you know how much trouble you're going to get in if you don't?
14:19I need that money today.
14:20And what about my mum?
14:22I just had a lovely little chat with her.
14:23So, do this for me.
14:25Your mum will be sweet, your debts will be cleared.
14:27Me and you are back to square one, yeah?
14:29Old buddy, old pal.
14:32Go on then, let's have a look at that painting.
14:33I know you're making a copy.
14:36Come on then.
14:37Chop, chop.
14:38It's proper good, that, Bilal.
14:44Who did it originally?
14:45Salvador Dalit.
14:47Did it?
14:50Dirty bastard.
14:52It's good, that.
14:53All right then, I'll see you in a bit, yeah?
14:57Get us that money, you prick.
14:58We're out of bed.
15:28Where are you going?
15:29I need you to do something.
15:30I need you to do it now.
15:31And if you don't let me, I can't finish the picture.
15:34What?
15:35Deegs is out.
15:36He needs this money.
15:37That massive lump?
15:38Valal?
15:39He said if I do it, he'll clear my debts.
15:40If I don't, how do I ever go back to Bradford?
15:42How do I ever go home?
15:43I don't know, but I do know that you're going back in the house and finishing that picture.
15:46Got your money.
15:47It's a pain.
15:48What are you doing?
15:49Get up.
15:50It needs to be finished by tomorrow.
15:52No.
15:53If you don't let me go, I won't finish it.
15:55I don't care if you shoot me.
15:57Get your phone out.
15:58No.
15:59Get your phone out.
16:00Why?
16:01Get back in the house.
16:02We're going to sort this out.
16:04Come on.
16:06You've got no mates of your own age to phone.
16:12I wanted to see if you needed anything.
16:17You've been sent on a child on my phone, sir.
16:19Firstly, I wanted to see how you were doing.
16:21Secondly, how your husband is.
16:23You don't care how my husband is.
16:26Do you?
16:27Listen, when I met you, you were not only doing something you loved, but something you were
16:31good at.
16:32Why do you want this job so badly?
16:35I'm just a huge fan of art.
16:38And I'm sick of being broke.
16:41My place is so small, I can touch the toilet from the end of my bed.
16:45Oh dear.
16:46Handy if you want a wee.
16:48Look.
16:49I just want you in, man.
16:50He seems straight up.
16:51You know, for a crook.
16:53Hm?
16:54You know what to say to a girl.
16:57Listen.
16:58Those two are full of shit.
17:01My husband is lying in there because of them.
17:04It does sound like he went pretty nuts, though.
17:06That's not the point.
17:07I'm still fucking raging with Bert.
17:11It's so much money, though.
17:13And I know that money isn't everything, but money buys you the time to decide how far away
17:18from this life you want to be.
17:21Hmm.
17:22So are you in?
17:26Jackie?
17:29Yes.
17:30But my foot will be on the pedal, and I am in charge of when we leave, and who gets
17:34left behind with the misbehaving.
17:38Entienders?
17:48Well done.
17:50We did what Bert and I couldn't.
17:53She still isn't happy.
17:54Oh, well.
17:55The money she's going to make from this job will put a spring in her step.
17:59So our next problem.
18:01The distraction of the museum.
18:02Yeah, we're working on that.
18:04Look, I didn't want to mention it because, you know, we've got enough on our plate, but
18:09Bert's in a volatile place.
18:11Okay.
18:12I mean, she consents me managed a mile off, so she has to think that she isn't being,
18:15else we run the risk of the wheels completely coming off.
18:20Thank you for trusting me.
18:23It's okay.
18:25Come on.
18:293pm.
18:31Yeah, that's right.
18:32Yeah.
18:33I'll be there.
18:34With the money.
18:37That's it.
18:38Good boy.
18:39All you have to do is stay here and finish this.
18:43I'm nearly there.
18:46Bloody hell, Bilal.
18:48I'm not just a pretty face.
18:53No, you're a good one.
18:55Just don't cock it up at the final hurdle.
18:58Or I'll bat you.
19:00Right.
19:02I'm off to see a man about a dog.
19:03Look.
19:04Oh, for fuck's sake.
19:33Fuckin' spare me.
19:42Where's Bilal?
19:44What's wrong Bilal for?
19:45I thought you just wanted the money.
19:48I do.
19:52I'll get it then.
19:57Drop the bag, you piss off.
20:03What's wrong with Bilal?
20:15What's wrong with Bilal?
20:24What's wrong with Bilal?
20:26What's wrong with Bilal?
20:28What's wrong with Bilal?
20:30I heard the reloj was back to Mr. Pérez.
20:33He's very happy.
20:35I think there's an link here.
20:38I don't know.
20:39I don't know.
20:39I don't know.
20:40I don't know.
20:41I don't know.
20:42I don't know.
20:43I don't know.
20:44I don't know.
20:45I don't know.
20:46I can't believe that we're close.
20:47What's wrong with you?
20:48I don't know.
20:49I don't know.
20:50I don't know.
20:51I can't believe it.
20:52Yeah.
20:53Yeah.
20:54I don't know.
20:56Take this bag off my edges so I can't tell.
21:17Yeah, okay, because you've got such a lovely way with one.
21:23Hey, that?
21:46That's gone to pay off Deegs.
21:48What?
21:49Whoa, whoa, just wait.
21:51Let me explain.
21:54What are you doing?
21:56Where are we?
21:58Yeah.
21:59Move.
22:00Where's the camera?
22:01Move.
22:02Where's the camera?
22:04Ah, monkey uncle.
22:06Ah, monkey uncle.
22:07Ah, big gun, alright?
22:09Ah, ah.
22:10Ah, yeah.
22:11Ah, Jesus.
22:13Ah.
22:14Ah, ah.
22:15Ah.
22:16Ah, ah.
22:17Ah, monkey uncle.
22:18Ah, monkey uncle.
22:19Ah, good gun, alright?
22:20Ah, ah.
22:21Ah.
22:22Ah.
22:23Ah.
22:24Ah.
22:25Ah.
22:26Ah.
22:27Ah.
22:28Ah.
22:29Ah.
22:30Ah.
22:31Ah.
22:32Ah.
22:33Ah.
22:34Jesus.
22:35Ah.
22:36Ah.
22:37Ah.
22:38You must've dropped you on your head of some, I swear.
22:39I-
23:00I want you to stay out of my business.
23:04Yeah, well, that's not going to happen, is it?
23:07Yeah, I've heard you've got Bilal forging a Dalai painting for you.
23:10I reckon I don't know why you're doing that.
23:12That sounds like fun.
23:14Fucking knew it.
23:18Fuck.
23:24Burst my eardrum!
23:25Yeah?
23:26I think I've caught your ear there as well, Mr. President.
23:30What do you want?
23:33Just tell me what you want and I'll do it.
23:35You're going to leave Bilal alone?
23:36Yeah, I'll leave him alone.
23:37I'll leave him alone.
23:37Just let me go.
23:38Yeah, the thing is, if I take you back with me, I don't think you're going to behave.
23:41Because I don't think you're capable of behaving, are you?
23:44Sorry.
23:47I'd lick that up if I were you.
23:49That's all you're going to get for two days because I'm leaving you here.
23:51You're fucking not!
23:52Oh, yeah, yeah, I am.
23:54And if you keep using all your energy to get free,
23:57then you're going to get sweaty and knackered and really fucking thirsty.
24:01And that'll bring your need for water up to, what in this here, a day and a half.
24:06So maybe you're wriggle free.
24:08Maybe you make it to the next town, which is about three hours away on foot.
24:13But in which direction?
24:15So that's the decision you're going to have to make.
24:18Or you sit there like a good little boy,
24:19and in two days' time, someone's going to come, pick you up, give you money,
24:22and then off you fuck on your merry way.
24:24Oh, fuck you!
24:25Just leave me alone, you nightmare!
24:41And if you need a little wee-wee, you'll have to do that in your knickers.
24:44Diggs, why didn't you tell me?
25:05Oh, I'm disobeying the boss.
25:08Where did you go?
25:09Out of the way, because you said I couldn't mind my own business.
25:14She gets like this, your mum.
25:17What happened to him?
25:18Where is he?
25:19I'm finished.
25:21I've done my bit.
25:22Have you done yours?
25:23Yep, but you won't hear a peep out of Diggs,
25:25and you're on the last plane out of here tonight.
25:27So, go on, show us the goods.
25:29Right, wait there.
25:30I don't know.
25:36I don't know.
25:42Yeah?
25:49Wow, that's beautiful.
25:51It's perfect.
25:55Take him to the airport, Caitlin.
25:57Well done.
26:01Thanks.
26:04Yeah.
26:04Good luck, guys.
26:08You don't have to look at her like that.
26:09Like what?
26:10Like you're a team and you're edging me out.
26:12I'm not edging you out, Bert.
26:13I'm trying to help.
26:15Where is Diggs?
26:16Probably in a puddle of his own piss.
26:19But we don't have to worry about him anymore.
26:20Oh.
26:27Where are you going now?
26:30Out.
26:31Out?
26:32Okay.
26:33I need time to think.
26:34Hey.
26:56Hello.
26:56Hello.
27:00To what do I owe the pleasure?
27:02We're doing a job.
27:06Bert and I.
27:07Big money.
27:09I think you make a great addition to the team.
27:13There's no team in I.
27:16What's the job exactly?
27:20Huh?
27:21You need a babysitter for Bert.
27:22That's not what's required.
27:23That's always what's required.
27:26So, what's the job?
27:27A heist in two days.
27:29Cutting it by, aren't you?
27:31Well, we need someone who can cause a mistake-sized distraction long enough for us to get in and out.
27:35Whole differences aside, you're the perfect person.
27:38What are you paying?
27:40A million euros.
27:43What are you stealing?
27:45The crown jewels.
27:47I only share that information with my team.
27:49Give me the address and my job description, and I'll be there.
27:58Well, we're going to need you before that.
28:02Of course you do.
28:04This one million euro job, why don't we wait?
28:07No, she's dying.
28:10Wait until she's gone.
28:12Then we do it.
28:14We get a larger cut.
28:16No.
28:18It's her dying wish.
28:20Still sentimental.
28:22Well, play your cards right, you might get it anyway.
28:23She's always had a soft spot for you.
28:25So, are you in?
28:29Can I trust you?
28:30Well, as much as anyone can trust Bert.
28:33That's not what I asked.
28:35Can I trust you?
28:36Did he get on his plane?
28:50Yeah, and now that we've got Jackie back on the side, we're winning.
28:53Don't get mad, but I'd invite someone to help lighten the load.
28:56No, absolutely not.
28:59I don't want her involved.
29:00It was you who wanted her here in the first place.
29:01Yeah, now I don't.
29:04Well, Caitlin can't be the only distraction.
29:06It won't be big enough.
29:07And what is more distracting than this?
29:09Oh, give it a rest.
29:10You've been knocking out the same stick for years.
29:11We don't want your help.
29:13That's not what you said when you came to see me.
29:15We do need the help.
29:18From anyone but her.
29:19Bert, it's you and I with 30 seconds to switch a painting.
29:23We have to have all eyes away from us.
29:26We need someone who can make sure everyone leaves the masturbator room.
29:30Someone skilled enough to turn the crowd to our advantage.
29:33Control the crowd and we control the space.
29:36Come on, Roberta.
29:39Let's all work together.
29:42You don't have to worry.
29:43I put on a show to end all shows.
29:46Nobody would have been remotely interested in you two.
29:49Yeah.
29:49Oh, nice ambush.
30:04Well, it'd only been an ambush if you hadn't already been backchallowing to her.
30:07I wanted to see her because of everything that was happening with me and she was just shit.
30:11Are you all right?
30:12We do need her.
30:13Yeah, what's she going to do?
30:14Jump out of a cake or have everyone trip over on her bingo bowls?
30:16Well, we haven't discussed the details yet.
30:19Who, you and Caitlin?
30:20No.
30:20Me and mistake or me and you, Bert?
30:23You're worrying me.
30:24You don't have to worry about me.
30:25Well, you're acting out.
30:26You are?
30:27Fuck.
30:28How's your hand?
30:29Fine.
30:30I scraped it.
30:31Did you?
30:32So, you're Sam's daughter.
30:38Mm-hmm.
30:39I see it.
30:40It's the eyes.
30:42So how are you finding being back with your mother?
30:45Good.
30:46I'm glad.
30:48I don't think she's natural mother material.
30:50But then who among us is, really?
30:52What's going to happen?
31:02When all this is done, are you going to come back, nurse me, or are you going to sail off
31:07into the sunset with Caitlin and just leave me?
31:09I told you I'd take care of you.
31:11Gets messy towards the end, though.
31:13What do you want me to do?
31:16Are you even sad that I'm dying?
31:17Of course.
31:20How long do you hope it's going to be until I actually die, though?
31:22What sort of question is that?
31:23Because you want rid of me, don't you?
31:25As soon as possible.
31:26Yeah, yeah, yeah, yeah, you do.
31:27You've wanted rid of me all day.
31:28You can't even let me in on my own job.
31:30Because let's remember, this is my job.
31:31I know.
31:36This is nothing compared to what I'm capable of.
31:42Getting in and out of a museum and stealing a painting.
31:44Prison is a piece of piss compared to what I can get out of.
31:49What prison?
31:52You got yourself out of prison.
31:55How?
32:00You haven't got cancer, have you?
32:04It's took you this long to even think about working that out.
32:08Why would you lie about that?
32:11Oh, my God, you're deranged.
32:13No, I'm not. I'm smart. I'm so much smarter than you.
32:17I worked out how to pay for a cancer patient's records,
32:20and then I lined up all the people inside prison.
32:22I took pills so that you thought that I was sick.
32:25Which made me sick, and actually, that was really fucking inconvenient at times.
32:29I played the long game, and here I am.
32:32I had so much better than any con that you could go.
32:34I put you to bed.
32:35We drank to life.
32:37I'll admit that you're a little bit impressed.
32:39And anyway, I'm not dead now, so aren't you happy?
32:43To life.
32:44Why?
32:46There are worse things that I could have done.
32:48What's worse than pretending you're dying of cancer?
32:53Wearing a wire for the police like a nasty little grass.
32:56I didn't hate it.
33:01And then you watched as they dragged me out of that club,
33:04and you pretended that we were in it together.
33:06And I never once gave them your name.
33:10And then I wrote to you, and I said,
33:11you can't live your life.
33:14But you betrayed me, hadn't you?
33:16I didn't have a choice.
33:24They were coming for you, and you were wild.
33:26We were going to end up dead.
33:28So you put me inside!
33:28You put yourself inside!
33:31The police came to my door because you put us on their radar!
33:35I didn't have a choice!
33:37We always have a choice!
33:38Not with you, Bert.
33:39Because you push, and you push,
33:41until you're in a corner, and that is what you're doing now!
33:43You were nothing without me!
33:44You were just some knocked-up little teen,
33:47working in a shitty little club in the middle of nowhere.
33:49You think I don't hate myself?
33:52No.
33:53I'd have preferred to serve a sentence than live with this guilt.
33:59You said you were my friend.
34:02And then you took away...
34:04ten years of my life.
34:12You're gonna fuck me over, aren't you?
34:14Do you know the only thing that we can both know
34:23is that we need this money
34:26so that we can never see each other again.
34:30And aren't you fucking lucky that trumps me putting you in prison?
34:32Mm-hmm.
34:36But how do I know that I can trust you?
34:39Because I'm doing this for Caitlin.
34:41And she needs this.
34:43Fuck you.
34:44You're doing it for you,
34:44because you're a con through and through.
34:46And when this is done...
34:48I'm gone.
34:49I don't do it.
34:50See you.
34:54Here's what you see.
35:12I haven't got cancer.
35:42Well that's good news.
35:49I had to do something to get out.
35:52I made friends with a prison nurse.
35:55She needed the money so I saw an opening.
36:01So why keep up the light?
36:04Because it's the only way I could get Sam to see me.
36:09And because I wanted her to feel it when I hurt her.
36:13Because I wanted her to pay.
36:17For what?
36:20For putting me in prison.
36:26She was a police informant I found out when I was inside.
36:32So this is all revenge?
36:39It didn't need to be.
36:42I turned that around in my head.
36:47I was going to split the money with her.
36:50I...
36:51She just used me like she always did.
37:02I'm sorry.
37:06I should have stayed with you.
37:10You're the only person that's ever really understood me.
37:15How do you know she's not planning to do the same thing again?
37:20Because she's doing it for Caitlin.
37:25Roberta, we said some hurtful things to one another.
37:40Yeah.
37:42I need you to know that this isn't just about the money.
37:47But you are hard to love.
37:50But Mateo and I are scared deeply for you.
38:00Is the job real?
38:03Yeah.
38:05Is the money real?
38:08Very.
38:10Can I be sure that I can trust you?
38:18Pinky promise.
38:25I will watch her back.
38:29But anything to do with you and Sam...
38:33Not my problem.
38:35You understand?
38:37Yeah, I understand.
38:40You understand.
39:05Are you going to be okay?
39:06I only agreed to do this job because I thought she could be dead by the end of it.
39:08the end of it now i'm stuck with her when this is done we need to leave we'll have enough money
39:14we can go anywhere why would she lie like because she was born a liar i'm just sorry you got pulled
39:20into all this look i know you believed in her but you cannot trust a single word that she says
39:29can we trust her to do the job yeah because without this she really does have nothing left
39:38when you stop moving
39:46ow that hurts well hold still dad my mom never does my hair
39:54when's she coming back she's not
40:01but you're okay here with me aren't you yeah
40:08i don't know
40:18showtime
40:28So, how are you?
40:30Would you think?
40:32How is it?
40:34Yeah, you did.
40:36That was a really good idea.
40:46Haha, glad.
40:48But I need to die.
40:58Trust nobody, kid.
41:28That's fine.
41:30You must be starving.
Be the first to comment