InThe AcademicbyIra Fader·Nov 5Jane Hirshfield’s Quiet VoiceIn “Heart Salt,” a quiet voice says “the one word”A response icon4A response icon4
InThe AcademicbyIra Fader·Sep 26Alighting on English Renaissance PoetryThe joy of outdoor reading, or How my little friend and I chose a Renaissance poemA response icon31A response icon31
Ira Fader·Aug 26Emily Dickinson Chooses Her CrownWho’s “ceding” whom?A response icon10A response icon10
Ira Fader·Aug 4A Terrifying DesignRobert Frost’s Darkness to AppallA response icon39A response icon39
Ira Fader·Jul 8The Terrifying Mr. FrostDarkness in the poetry of Robert FrostA response icon28A response icon28
Ira Fader·Jun 4Seeing through the Eyes of MonetPoet Lisel Mueller Sees the LightA response icon12A response icon12
InGlobal Literary Theory: Poetics & PoliticsbyIra Fader·May 11A Little Madness in the SpringEmily Dickinson’s “Experiment of Green”A response icon19A response icon19
InGlobal Literary Theory: Poetics & PoliticsbyIra Fader·Apr 22A Poem of Browning’s: A Toccata of Galuppi’sA close reading of a dramatic monologueA response icon5A response icon5