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Laura Hess

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No Proscenium

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Laura Hess

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Dec 21, 2023

‘Luna Luna’: A Forgotten Fantasy and a Preserved Promise (The NoPro Review)

The art amusement park spotlights the true potential of experiential shows

‘Luna Luna’: A Forgotten Fantasy and a Preserved Promise (The NoPro Review)

In

No Proscenium

by

Laura Hess

·

Nov 28, 2023

Jónsi: Vox (Capsule Review)

[Original publication: No Proscenium, 11/22/23]

A dark room, almost completely black. There are no visible seams where the black velvet walls meet the black carpeted floor. A black box sits in the center and three long splices of light stretch across the walls.

In

No Proscenium

by

Laura Hess

·

Oct 12, 2023

‘STAR CHOIR’s Message Is Lost in a Bottle of Space Dust (The NoPro Review)

LA’s The Industry makes unenterprising missteps with its new opera

‘STAR CHOIR’s Message Is Lost in a Bottle of Space Dust (The NoPro Review)

In

No Proscenium

by

Laura Hess

·

Aug 7, 2023

Tomás Saraceno In Collaboration: Web(s) of Life (Capsule Review)

[Original publication: No Proscenium, 7/25/23]

A person standing in the center of a dark room. Spotlights illuminate the expansive and delicate geometry of spider webs.

In

No Proscenium

by

Laura Hess

·

Jun 30, 2023

The Network (Capsule Review)

Hammer Projects: Chiharu Shiota

Standard white walls and concrete floor of a modern museum lobby. Stairs are to the right and there’s a central column. Along the walls, ceiling, and even the column is red yarn, like a massive, messy spiderweb.

In

No Proscenium

by

Laura Hess

·

May 18, 2023

Fair Trade (Capsule Review)

[Original publication: No Proscenium, 5/9/23]

In the center foreground, a man sits facing away from camera and towards two other people. Those people are facing the man as they sit on opposite sides of a curtain, unable to see each other.

In

No Proscenium

by

Laura Hess

·

May 3, 2023

Arsham Auto Motive (Capsule Review)

[Original publication: No Proscenium, 4/11/23]

A recreation of a 1961 Ferrari convertible — with a twist. Portions of the car are cratered out or have gashes, both on its exterior and within the car’s upholstery and dashboard. Beautiful mineral crystals emerge from those damaged cavities.

In

No Proscenium

by

Laura Hess

·

Apr 25, 2023

Tin Drum: Medusa (Capsule Review)

[Original publication: No Proscenium, 4/11/23]

An industrial warehouse space, with a concrete floor and brick walls. People wander around, wearing black headsets. Above them is a rendering of a virtual entity: rows and rows of narrow slats of bright teal form a layered, undulating shape.

In

No Proscenium

by

Laura Hess

·

Apr 6, 2023

Desert X 2023 Begets Apathy and Heartbreaking Magic (Review)

Coachella Valley hosts the biennial’s fourth U.S. exhibition

A giant, half-moon, black sculpture sits in the desert landscape. Behind it are sandy hillsides. At its center is an angular cutout, a doorway with the silhouette of a person standing inside.

In

No Proscenium

by

Laura Hess

·

Mar 21, 2023

Mulyana: Modular Utopia (Capsule Review)

[Original publication: No Proscenium, 3/7/23]

In a museum, a huge school of bright yellow fish hang from the ceiling. Underneath is a sprawling coral reef of all colors, shapes, and sizes. All of it is made up of crochet.

Laura Hess

Laura Hess

Experience Strategist & ROX Specialist // Consulting: reuleaux.world // REMARKABLE Experience Reports: https://www.remarkable-experiences.com/

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