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Frontman and founding member Chino Moreno's specific and unique lyrical style is often described as ambiguous and indirect. The band's legacy is frequently compared to alternative rock group Radiohead, with some in the media dubbing Deftones "The Radiohead of metal.” Depeche Mode, Faith No More, Afrika Bambaataa, The Cure, Orchestral Manoeuvres in the Dark, Duran Duran, Thompson Twins, and Hum are just a few of Moreno’s well-known influences.
Over the last 30 years, Deftones have released seven studio albums, including three platinums, and one gold certificate for its bestselling self-titled album. From humble beginnings, it’s incredible to see the journey that the band has made.
Stephen Carpenter, guitarist of the band, taught himself the instrument while confined to a wheelchair at the age of 15 after he was hit by a car while skateboarding. When his childhood friends, vocalist Chino Moreno and drummer Abe Cunningham, learned he could play, the three began jamming together, and soon formed a group.
The group featured a rotating cast of instrumentalists in the late ‘80s and early ‘90s, as Cunningham temporarily departed and bassist Chi Cheng joined. With Cunningham’s return in 1993, the band finalized its lineup. Deftones signed a recording contract with Maverick Records and released the first album, Adrenaline, a few years later, in 1995.
The group’s sophomore effort, Around the Fur, dropped in 1997 and soared up the charts. The singles from the album became the band's first songs to be certified by the Recording Industry Association of America (RIAA).
The band found continued success with the third album, White Pony, in 2000. White Pony marked a transition away from the band’s earlier, more traditional metal sound to a progressive, experimental style. The band enjoyed the most prominent commercial success with the lead single, "Change (In the House of Flies)."
Deftones released a self-titled album in 2003, marking the band’s fourth studio effort. Deftones was a darling of critics, but it failed to generate the same commercial success the band saw with White Pony.
Deftones' released its fifth album, Saturday Night Wrist, was released in 2006. Again, the album garnered much critical acclaim, but personal tensions and creative differences among band members impacted the production. Some of these issues inspired the songs included on the album.
In 2008, Deftones was at work on the next album, "Eros, tragedy struck. A severe traffic accident in Santa Clara, CA, left bassist Cheng comatose, leading to Cheng's eventual death in 2013. Sergio Vega replaced the bassist in 2009.
Deftones released its sixth album, Diamond Eyes, in 2010. In promotion of the new album, Deftones embarked on a triple-headline tour. Alice in Chains and Mastodon were the other headliners, and the tour encompassed many major North American cities.
Koi No Yokan, the band's seventh album, dropped in 2012, followed by Gore in 2016. Both albums highlighted the band's increasingly experimental shift in style and received high critical praise.
Deftones released its ninth album, Ohms, in September 2020. The album received significant critical acclaim for the return to the band's original sound. At the same time, the band was scheduled to begin a joint tour with Gojira, which was ultimately postponed twice due to the COVID-19 pandemic.
In October 2020, the band announced a 20th-anniversary reissue of White Pony, scheduled for release in December of that same year. The special reissue edition was initially packaged along with Black Stallion, a companion remix album featuring guest performances by artists DJ Shadow, Mike Shinoda, and Robert Smith.
In March 2022, an official announcement was made that bassist Sergio Vega had left the band in early 2021.
As well as producing several critically acclaimed albums, the band has a Grammy Award under its belt for Best Metal Performance in 2001 for its song “Elite.” Additionally, Deftones also received Album of the Year at the Revolver Golden Gods Awards for Koi No Yokan.
Deftones has spent a large proportion of its career touring locally, internationally, and worldwide.
The band are currently made up of singer and guitarist Paul Banks, drummer Sam Fogarino and lead guitarist Daniel Kessler. Unlike many of their contemporaries, they are one of the few bands who came to prominence in the great indie rock boom of the early 2000’s to keep their creative spark alive into the new decade.
This is especially impressive considering that in 2010 the band's unofficial frontman, effortlessly suave bassist Carlos Dengler, left the band after growing tired of the touring lifestyle. Many thought that they would be rudderless ship after he left, but many were wrong.
Ever since they formed, the band had been an equal collaboration between every member. They’ve never had a main songwriter and still don’t have one to this day. With Dengler gone, a crucial element of that dynamic went with him but after a long break, they were able to return to their former glory with style.
They returned with 2014’s “El Pintor”, an album that went to the top ten on the album charts of both sides of the Atlantic and restored the bands mojo in thrilling fashion, with their icy, edgy post-punk never sounding more exciting and totally unique as it does now.
With experience and ability on their side, Interpol have quite simply never been a better band than they are today. They’re at their peak, and they’re only going to get better, so join the ride now, and you will not regret it!
The band formed in high school and picked the name AFI as an acronym for everything from ‘Asking for it’ to ‘Anthems for Insubordinates’. The band had something of a jumbled existence at this point as none of the members really knew how to play their instruments. The band briefly disbanded as members went off to various colleges however the positive reaction they got from a reunion show was enough to spur them into reforming.
The band slowly began building its following through releasing albums, with the mind-set of doing music for the rest of their lives, regardless of how much commercial success they encountered. During the late 90s the band began toying with its sound, adding darker and more romantic flavors. It paid off as 2000’s ‘The Art of Drowning’ became the first glimpse of the success the band were set to achieve, going on to sell over 100,000 copies, unheard of for an underground record.
With labels now jumping at the chance to be involved with the band, they signed to Dreamworks and released their first major label album ‘Sing for Sorrow’ scoring a top ten position in the album charts and receiving mass critical acclaim. Since then the band have continued to chart with every album and play shows to their dedicated fans round the world.
Reminiscent of a 1990’s DIY bedroom-recording approach, Basement is comprised of vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummer James Fisher. A year after forming the group released their debut output the EP “Songs About the Weather” in May 2010, which the success of led Basement to sign with Run For Cover Record in August 2010. Produced by Jesse Cannon, Basement’s debut full-length “I Wish I Could Stay Here” was issued by Run For Cover Records in June 2011. Earning a host of stellar reviews from online music publications, the album introduced the band’s melodic aggression to a much wider audience. In support of the release Basement embarked on their first ever series of worldwide tours which including shows in Australia, America, and Europe.
A year later in October 2012, Basement’s sophomore album “Colourmeinkindness” hit the shelves courtesy of Run For Cover Records. Once again extolled by the critical press, “Colourmeinkindness” was produced by Sam Pura, and supported by a few shows towards the tail end of 2012. Following a farewell gig at the Camden Underground in London, Basement announced an indefinite hiatus, with guitarist Alex Henery moving to Boston, Massachusetts, to work for Run For Cover Records. In January 2014 however, some subtle hints on their Twitter account led fans to believe the hiatus had run its course, and true to their beliefs Basement returned to release the EP “Further Sky” in July 2014. Featuring two new songs and a cover of Suede’s “Animal Nitrate”, the well-received record was produced by Dan Goudi.
Seeing the one-of-a-kind band Deftones in action was an amazing sight indeed. This five-piece put on a mostly flawless show, except for having pretty bad sound quality on the first song which was fixed by the second. Their unique sound known as 'dream-metal' to some was a mixture of dream pop melodies and atmospheric vocals with heavier riffs that ranged from the soft and surreal sounds of White Pony to the nu-metal influenced aggression of their first two albums, which has since matured into the intelligent stylings of Diamond Eyes. Anyways, due to being in the seats (even though they were good seats) I couldn't get a good look at how they were playing, though at least it sounded pretty spot-on. The only thing I didn't care for was the MC who only did some live playing but used a lot of background tracks as well. Besides that, the show was perfect, especially in terms of the setlist as its been a long time I've known as much of a band's set as here. They opened with "Rocket Skates" before playing "Diamond Eyes", "Be Quiet and Drive", "Digital Bath", and "You've Seen the Butcher" all in a row, making the most perfect run of my favorite tracks. Then for the second half they covered all their older material with "Engine No. 9", "Change", "Root", and finally closing with my first favorite song "7 Words". Unfortunately they didn't play "Passenger", their cover of "Simple Man", or their song "Mein" which features Serj (perfect guest appearence opportunity) but I won't complain about their excellent show.
Whil Terminal 5 isn't the best venue to see a show- (bad acoustics and bad vantage points with large crowds) we still had a blast. To see my favorite band in their hometown for the first time was cool. They played pretty much every song from their first album which was incredible. Wish I could go to the other 2 shows this week.
Predictable is a word that does not quite factor into AFIs vocabulary. They are a group that have been evolving sense their formation in 1991; dancing across the musical spectrum from minute long hardcore punk songs to breezy disco tunes. Though some purists (particularly those indebted to the bare bone nature of the hardcore punk scene) may express some discrepancies with the groups adoption of emo and glam sensibilities, AFI have always managed to maintain their distinctive gloom ridden sound and have consistently approached their work and live performance with a sense of sincerity. They show great respect to their audience, but by no means indulge them in feeding them formulaic gripe. Their lack of conforming to expectations and their audacity in challenging their audience by shifting their sound and appearance is what makes their music and performance so damn fascinating. Whether AFI is playing in a hip club downtown or a generic suburban Amphitheater (like the one I saw them at when opening for Greenday) it is impossible to ignore them. Singer Davey Havoc demands the audience attention leaping from one side of the stage to the next, climbing on amps and drumsets or belting out "Miss Murder" on his knees. Depending on the song it is even possible to spot them dancing under a disco ball illuminating thousands of strands of lights onto the stage. It is difficult to know what to expect when entering an AFI show other than an amazing time.
Their setlist makes great use of their catalogue comprising of newly released material, hit songs like "Girl's Not Grey" and "Silver and Cold" and more obscure selections from their West Coast punk days. Their live performance offers something for old and new fans providing a holistic view of where the band has been and where it is right now. Each performance is fresh and non-contrived and can even enamor the casual listener. Though the description intense only scratches the surface of their confrontational stage presence, off stage they are completely approachable people generously spending time with their fans signing autographs, taking pictures and engaging in conversation.
The band to save music from itself.
IDLES are one of the best if not the best live band in the UK. Do not miss them. Raw passion, power, humour and a heartfelt love of what they do.
I ain't gonna waste time and write an article about the show was amazing cuz you already know, it's JPEGMAFIA. Borderlife life changing and the most raw, animalistic show I've ever been to. All Caps No Spaces indeed changed my life.
WOW just WOW what a band. You want energy you want brashness you want to sing along. Go and see these guys you will not be disappointed. They are just one wall of sound from start to finish.
When you think of this word, you do not think that they are a band. You do not think that they are possibly some of the best post-hardcore music of this time. They are Basement, and they are truly amazing. There is nothing about them that is like a basement, they are very much alive and above ground.
I think that they make quite possibly some of the best music that I have ever listened to. My ears thank me each and every time I listen to them. They get in a special mood. I love Basement for the way they treat their fans and people in general. They always hold some sort of kindness in their heart, even if you tell them you hate their music. They respect everyone and what their opinion is, and that takes a lot for someone to do.
I am very happy to say that when you listen to them live you are transported to another world. They bring you to life in another universe and they make you happy and smiley and overall in a great mood. I cannot explain what their music does to you, just listen and see them live to find out for yourself.